
Daveed Diggs can't remember ‘Hamilton' and Katie Aselton has a killer 'Sebastian' impersonation.
At the Los Angeles Times photo and video studio at the 2025 SXSW Film Festival, Daveed Diggs and Katie Aselton talk about their film, 'Magic Hour,' a film shot in 11 days only during magic hour. Diggs and Aselton talk about their time in the desert, their friendship if Aselton is actually a good director.

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Los Angeles Times
3 hours ago
- Los Angeles Times
Our awards columnist's Emmy ballot: Read his list of dream nominees
Emmy nominations voting ends tonight at 10 p.m. PT. Still need help with your ballot? I'm Glenn Whipp, columnist for the Los Angeles Times and host of The Envelope newsletter. Still time to bite into a 'Jaws' doughnut and peruse my picks for this year's Emmy races. (An ordinary bagel will do.) There are more than 100 Emmy categories, and if you scrolled through each and every one of them on the Television Academy's website, you are probably one of those people who read the terms and conditions on a document before signing your name. For me, simply filling out the following 15 categories — five each for comedy, drama and limited series — left me exhausted and in need of a sweet treat. And I already finished my 'Jaws' doughnut. Maybe this cherries jubilee? Paul Giamatti would approve. Without further ado, here are my picks and a brief line of reasoning for each. And if it's predictions you're after, you can find our full BuzzMeter panel's choices here. COMEDY SERIES'Abbott Elementary''The Bear''Hacks''A Man on the Inside''Only Murders in the Building''The Rehearsal''Somebody Somewhere''The Studio' Yes, 'The Rehearsal' is a comedy. COMEDY ACTRESSQuinta Brunson, 'Abbott Elementary'Ayo Edebiri, 'The Bear'Bridget Everett, 'Somebody Somewhere'Natasha Lyonne, 'Poker Face'Jean Smart, 'Hacks' Last call on nominating Everett (and her magical series), which has won a Peabody. COMEDY ACTORTed Danson, 'A Man on the Inside'Steve Martin, 'Only Murders in the Building'Seth Rogen, 'The Studio'Martin Short, 'Only Murders in the Building'Jeremy Allen White, 'The Bear' Best Netflix comedy: 'A Man on the Inside,' anchored by Danson, still a master of light laughs. COMEDY SUPPORTING ACTRESSLiza Colón-Zayas, 'The Bear'Hannah Einbinder, 'Hacks'Kathryn Hahn, 'The Studio'Linda Lavin, 'Mid-Century Modern'Jane Lynch, 'Only Murders in the Building'Catherine O'Hara, 'The Studio'Sheryl Lee Ralph, 'Abbott Elementary' Colón-Zayas won last year, probably for the episode that she submitted this year. It's weird when shows drop their new seasons in June. COMEDY SUPPORTING ACTORIke Barinholtz, 'The Studio'Colman Domingo, 'The Four Seasons'Paul Downs, 'Hacks'Harrison Ford, 'Shrinking'Ebon Moss-Bachrach, 'The Bear'Tyler James Williams, 'Abbott Elementary'Bowen Yang, 'Saturday Night Live' Thank you, Sal Saperstein! DRAMA SERIES'Andor''The Last of Us''Paradise''The Pitt''Severance''Slow Horses''The White Lotus''Wolf Hall: The Mirror and the Light' Voting for 'Wolf Hall: The Mirror and the Light' checks a couple of boxes. DRAMA ACTRESSKathy Bates, 'Matlock'Britt Lower, 'Severance'Elisabeth Moss, 'The Handmaid's Tale'Kaitlin Olson, 'High Potential'Bella Ramsey, 'The Last of Us' Moss won this Emmy eight years ago. With the show ending, she has earned a parting gift. DRAMA ACTORSterling K. Brown, 'Paradise'Gary Oldman, 'Slow Horses'Pedro Pascal, 'The Last of Us'Adam Scott, 'Severance'Noah Wyle, 'The Pitt' 'Why don't you say whatever speech you've got rehearsed and get this over with.' Godspeed, old friend. Also: Joel's parting words should flash onscreen any time an Emmy winner goes long at the podium. DRAMA SUPPORTING ACTRESSCarrie Coon, 'The White Lotus'Taylor Dearden, 'The Pitt'Fiona Dourif, 'The Pitt'Tracy Ifeachor, 'The Pitt'Katherine LaNasa, 'The Pitt'Julianne Nicholson, 'Paradise'Parker Posey, 'The White Lotus' Women of 'The Pitt' > Women of 'The White Lotus' DRAMA SUPPORTING ACTORPatrick Ball, 'The Pitt'Gerran Howell, 'The Pitt'Jason Isaacs, 'The White Lotus'Damian Lewis, 'Wolf Hall: The Mirror and the Light'Jack Lowden, 'Slow Horses'Tramell Tillman, 'Severance'John Turturro, 'Severance' I don't know. Tillman might deserve the Emmy for this alone. LIMITED SERIES'Adolescence''Dope Thief''Dying for Sex''The Penguin''Say Nothing' 'Adolescence' should win everything. LIMITED SERIES/MOVIE ACTRESSKaitlyn Dever, 'Apple Cider Vinegar'Cristin Milioti, 'The Penguin'Lola Petticrew, 'Say Nothing'Michelle Williams, 'Dying for Sex'Renée Zellweger, 'Bridget Jones: Mad About the Boy' OK, maybe not everything, as 'Adolescence' doesn't have a submission here. Zellweger probably won't win because comic acting rarely does, even though it most definitely should. LIMITED SERIES/MOVIE ACTORColin Farrell, 'The Penguin'Stephen Graham, 'Adolescence'Brian Tyree Henry, 'Dope Thief'Kevin Kline, 'Disclaimer'Cooper Koch, 'Monsters: The Lyle and Erik Menendez Story' Farrell has already won so many awards for 'The Penguin,' it feels like either A) he must have won the Emmy too or B) he hasn't, and good God, let somebody else have a prize. (Like Graham.) LIMITED SERIES/MOVIE SUPPORTING ACTRESSErin Doherty, 'Adolescence'Ruth Negga, 'Presumed Innocent'Deirde O'Connell, 'The Penguin'Imogen Faith Reid, 'Good American Family'Jenny Slate, 'Dying for Sex'Christine Tremarco, 'Adolescence' Doherty will likely win for the series' third episode, the taut two-hander with Owen Cooper. But the fourth episode is just as good — maybe even better — featuring a heart-rending turn from Tremarco as the mom trying to hold it together. LIMITED SERIES/MOVIE SUPPORTING ACTORJavier Bardem, 'Monsters: The Lyle and Erik Menendez Story'Owen Cooper, 'Adolescence'Rob Delaney, 'Dying for Sex'Rhenzy Feliz, 'The Penguin'Hugh Grant, 'Bridget Jones: Mad About the Boy'Ashley Walters, 'Adolescence' Cooper will soon become the fifth teen actor to win a Primetime Emmy.


Buzz Feed
2 days ago
- Buzz Feed
28 Co-Stars Who Hated Each Other In Real Life
Workplace tension is something most of us have dealt with. Honestly, I can't think of a single job I've had —except BuzzFeed— where there wasn't at least one person I absolutely couldn't stand. Maybe that says more about me than anything else, but the truth is, we're often forced to work alongside people we don't get along with. And that can be tough—sometimes even anxiety-inducing. At the end of the day, it's all about the check, so it's imperative that we don't get caught up in what we want but rather, what we need collectively. For many thespians in Hollywood, this type of friction can lead to some significant tension that manages to escape the workplace. It's not hard to think about Justin Baldoni and Blake Lively, who are currently embroiled in litigation surrounding declarations of sexual harassment and defamation, among other claims. This is perhaps an extreme example, but historically, there have been many moments where co-stars, despite how much chemistry they share on screen, despise each other's guts. Most times, we only find out about it after the fact. Below are 14 instances where Hollywood co-stars who played lovers or friends on-screen disliked each other when the cameras went off. Tension rose on the set of Charlie's Angels between Bill Murray and Lucy Liu, according to an interview Liu gave to the Los Angeles Times. Liu explained that, after reworking a scene with her co-stars at a time when Murray wasn't on set, he returned and apparently took out some of his aggression toward her. "As we're doing the scene, Bill starts to sort of hurl insults, and I won't get into the specifics, but it kept going on and on," she said. "I was, like, 'Wow, he seems like he's looking straight at me.' I couldn't believe that [the comments] could be towards me, because what do I have to do with anything majorly important at that time? I literally do the look around my shoulder thing, like, who is he talking to behind me? I say, 'I'm so sorry. Are you talking to me?' And clearly, he was, because then it started to become a one-on-one communication."Despite having "the least amount of privilege in terms of creatively participating," Liu said she stood her ground against Murray. The box office success of Magic Mike aside, Channing Tatum and Alex Pettyfer found themselves butting heads off-set, which ultimately led to Pettyfer's non-appearance in Magic Mike XXL. Perhaps one of the most interesting conflicts on a movie set belongs to Rachel McAdams and Ryan Gosling. In a VH1 interview, The Notebook director Nick Cassavetes revealed in 2014 that the two had extreme tension with one another when they started filming the 2004 movie. "Ryan came to me, and there's 150 people standing in this big scene, and he says, 'Nick come here.' He's doing a scene with Rachel, and he says, 'Would you take her out of here and bring in another actress to read off-camera with me?'' Cassavetes recalled. ''I said, 'What?' He says, 'I can't. I can't do it with her. I'm just not getting anything from this.'' Despite this, the two ended up developing a strong chemistry with each other and dated from 2005-2007. Julia Roberts' feud with Nick Nolte on the set of I Love Trouble seemingly impacted how the film was received by critics. According to an interview she gave the New York Times in the 90s, she revealed how the two had shared blame for some of their on-set troubles. "From the moment I met him we sort of gave each other a hard time, and naturally we get on each other's nerves,' Roberts revealed after she was asked about the reputation Nolte developed for being crude on set. '[While he can be] completely charming and very nice, he's also completely disgusting. He's going to hate me for saying this, but he seems to go out of his way to repel people. He's a kick." During a 2022 interview, Nolte acknowledged his own shortcomings in their reaction. "I mean, it was absurd what we went through. It was partly my fault and a little bit of hers. Julia got married at the beginning of that film, and it was one of those things where I just approached it all wrong.' Jennifer Grey and Patrick Swayze's chemistry was unmatched in Dirty Dancing. However, their previous encounters on the set of Red Dawn created friction that extended to their on-set attitudes with each other. Grey explained that Swayze often pulled juvenile pranks that rubbed her the wrong way, though she revealed he later tearfully apologized. Then, when they filmed Dirty Dancing, Swayze became frustrated with what he deemed a lack of professionalism, which actually helped make the movie what it was. "When we're doing those dance sequences, and everything, and she's crying, and she's giggling, those moments really work because they're real. They just took pieces of Patrick and Jennifer, working together as attempting to be a dance team, and my frustration. My real frustration. I'm trying to keep this girl serious. I'm trying to keep her from crying, trying to keep her focused, to get past her fear and her ego," he said. However, it seems as though the two ultimately shared an appreciation for one another, their skills, and what they brought to the table. It Ends With Us is probably the best example of on-set feuds between two on-screen lovers. Blake Lively filed a lawsuit against Justin Baldoni, the film's director and her co-star, alleging sexual harassment and a retaliatory smear campaign during production. In response, Baldoni countersued and denied the allegations. His countersuit targeted Lively, her husband Ryan Reynolds, and her publicist for $400M for defamation, civil extortion, and attempting to take over the film's creative direction, per CBS. On-screen besties Sarah Jessica Parker and Kim Cattrall apparently weren't quite close on the set of Sex And The City. Though there were reports that the two had their issues, Cattrall made her feelings about Parker clear after the latter expressed condolences for the loss of the former's brother. "I don't need your love and support at this tragic time @sarahjessicaparker," she wrote on Instagram. "My Mom asked me today 'When will that @sarahjessicaparker, that hypocrite, leave you alone?' Your continuous reaching out is a painful reminder of how cruel you really were then and now. Let me make this VERY clear. (If I haven't already) You are not my family. You are not my friend. So I'm writing to tell you one last time to stop exploiting our tragedy in order to restore your 'nice girl' persona," she added in the post. Tyrese Gibson, while an eccentric in his own right, has expressed immense disdain for James Franco in the past (although it feels like more of a collective feeling these days). On the set of Annapolis, there was a lot of tension, largely because of Franco's acting methods during the fight scenes, which apparently resulted in actual physical contact. 'I never want to work with him again, and I'm sure he feels the same way. It felt very personal. It was f**ked-up," Gibson stated. Meanwhile, Franco's explained that he's tried to bury the hatchet, though acknowledged that he probably wasn't the easiest to work with either. Dwayne "The Rock" Johnson and his feud with Vin Diesel have become part of the Fast & Furious franchise lore. It began when Diesel talked about the "tough love" he showed Johnson in an attempt to improve his acting chops, leading to on-set tension. Johnson also responded on Instagram, calling his co-star "chicken sh*t" and "candy a**." However, the two have seemingly ended their beef as Diesel shared a photo of the two on Instagram with the caption reading, "All love... Always..." Despite co-starring together on one of the most celebrated series on television, David Duchovny and Gillian Anderson had a touch of tension on the set of The X-Files. Though it was primarily rumors that the two had issues with each other, they've both separately acknowledged a "strained" relationship, largely due to lengthy work hours. 'I mean, yes, there were definitely periods when we hated each other," she told the Guardian when asked about rumors of tension on set. 'Hate is too strong a word. We didn't talk for long periods of time. It was intense, and we were both pains in the arse for the other at various times.' She noted that the two have a much healthier relationship these days. "But we are closer today than we ever have been." Outside of Chris Rock, there are very few people that Will Smith has engaged in public feuds with. However, when it came to Janet Hubert, who played the original Aunt Viv in The Fresh Prince of Bel-Air, the on-set tension led to her being replaced entirely. During the 2020 Fresh Prince reunion, Smith and Hubert hashed out their differences with Will admitting that he made the set difficult for Janet. "You took all that away from me with your words," Hubert told Smith. "Words can kill. I lost everything. Reputation. Everything, everything. I understand you were able to move forward. You know those words — calling a Black woman 'difficult' in Hollywood is the kiss of death. It's hard enough being a dark-skinned Black woman in this business. I felt it was necessary for us to finally move forward. And I'm sorry I have blasted you to pieces." Hollywood harbors plenty of creeps that are only now getting exposed. But in the case of Marlon Brando, who is still considered one of the greatest actors of all time, his on-set behavior earned him a horrible reputation, especially due to the fallouts with close collaborators, acquaintances, and co-stars. Sophie Loren revealed in her 1963 memoir how inappropriate Brando was on the set of A Countess from Hong Kong. "All of a sudden, he put his hands on me. I turned in all tranquillity and blew in his face, like a cat stroked the wrong way and said, 'Don't you ever dare to do that again. Never again!'' she said. "As I pulverised him with my eyes he seemed small, defenceless, almost a victim of his own notoriety. He never did it again, but it was very difficult working with him after that.' Issues between William Shatner and George Takei began bubbling in the public eye after Takei revealed just how difficult Shatner was to work with. "It's difficult working with someone who is not a team player. The rest of the cast all understand what makes a scene work—it's everybody contributing to it,' Takei said about Shatner in 2015. 'But Bill is a wonderful actor, and he knows it, and he likes to have the camera on him all the time.' Years later, Shatner responded. "George has never stopped blackening my name. These people are bitter and embittered. I have run out of patience with them. Why give credence to people consumed by envy and hate?" he said. The feud between Sacha Baron Cohen and Rebel Wilson began on the set of The Brothers Grimsby, where Wilson alleged that Cohen asked her to engage in unscripted, lewd acts for the film. Before she released her memoir, Rebel Rising, which included a chapter dedicated to the "a*sholes" she worked with in Hollywood, specifically Cohen, who allegedly got a team of lawyers and PR crisis managers to suppress her memoir. Cohen's rep offered The Independent a statement regarding the claims. 'While we appreciate the importance of speaking out, these demonstrably false claims are directly contradicted by extensive detailed evidence, including contemporaneous documents, film footage, and eyewitness accounts from those present before, during and after the production of The Brothers Grimsby," it read.


Los Angeles Times
3 days ago
- Los Angeles Times
'Étoile' Stars Gideon Glick and Luke Kirby Reflect on Canceled Series, Dance Immersion, and Palladino Magic
Actors Gideon Glick and Luke Kirby of the Prime Video series 'Étoile' recently discussed the show's first season with Los Angeles Times moderator Matt Brennan. The Q&A, held on June 11 at the NeueHouse in Hollywood, covered various aspects of the series, which is set in New York City and Paris and follows two ballet companies swapping their star dancers to save their institutions. Glick and Kirby revealed they learned of the show's cancellation shortly before Glick received an award for the series. Both actors shared their introduction to the dance world for their roles; Glick, from musical theater, shadowed choreographers, while Kirby, with family ties to dance, took ballet classes, gaining appreciation for the art form's physicality and dedication. A significant part of the discussion focused on their collaboration with creators Amy Sherman-Palladino and Dan Palladino, with whom they previously worked on The Marvelous Mrs. Maisel. Glick likened the Palladinos' writing to Steven Sondheim, noting, 'It is all there and it's so well constructed and it's psychologically potent that for an actor it's pretty much a dream.' Kirby compared it to Shakespeare, explaining, 'You don't do the text, the text does you ... things are revealed in the writing in the moment.' Glick, who also worked in the 'Étoile' writer's room, described Amy Sherman-Palladino's creative bursts as 'being struck by lightning,' with dialogue 'spitting out almost word for word.' He also shared that his character, Tobias, was specifically written for him, an experience he called 'pretty life-changing' that expanded his ambitions to include writing. The actors also reflected on filming in Paris. Glick, who is hearing impaired, found the French accents challenging but noted, 'I did feel a little isolated and I felt it really helped me stay in Tobias's mind.' Kirby described the experience as 'just great to be in Paris,' highlighting the dedication of the French crew and the 'rare gift' of working with international talent. They reminisced about shooting pivotal romantic scenes, with Glick calling it 'the most magical day of shooting.' Kirby, recalling his scene, praised his co-star Lou de Laâge: 'Lou is exceptional and I was staggered by her, always staggered by her talent.' Finally, they touched upon the show's theme of art as a form of 'insanity' or 'ecstasy.' Glick described the creative process as sometimes 'manic,' akin to the Greek word 'ecstasis,' meaning 'to leave the body.' Kirby said, 'I think it's a shame if you've never been insane ... it's a great gift to know you have that option.' They concluded by expressing profound gratitude for the collaborative and enriching experience of making 'Étoile,' with Glick stating, 'It was one of the greatest artistic experiences of my life. Everybody was extraordinary.' Kirby added, 'I think it asserted the whisper that we all have within us. And to listen to the whisper, don't shut it down.'