
In a tiny studio, this artist prints portals to another world
Artist Khadijah Morley grew up with magic.
The Toronto-based printmaker's dreamlike images of animals, silhouetted figures and portals to other worlds are inspired by the folk tales and stories of Afro-Caribbean spirituality told by her family.
In the first episode of In Process, a new video series from CBC Arts, we visit Morley in her home studio as she completes a print for a solo exhibition at The Bows art gallery in Calgary. The exhibition, titled We've Met Before, is on view now through April 26.
In Process takes the audience into the artist's workspace to see what some of Canada's most exciting talents are busy making. Each episode visits a different art maker as they work toward the completion of a new project. The series captures creativity in action, as the artwork — as well as the ideas that inform it — take shape in front of the camera.
Watch the full episode below:
With carving tools, printing blocks, inks and her press, Morley evokes the feelings and "atmospheres" of those formative stories she grew up with.
The work has led her to question why some aspects of Afro-Caribbean spiritual practice, such as Obeah, have been maligned as "witchcraft," "superstition" or outright evil.
"I think that I have to reassess as to why it's considered that way," she says. "It's very powerful. It's a form of embodied knowledge that I wish I knew more about.… I feel like I'm in the beginning stages of trying to understand where a lot of how I see the world comes from."
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

National Post
an hour ago
- National Post
Ooh la la! Klick Health Wins Four Cannes Lions to Bring 2025 Trophy Tally to 141
Article content Accolades in Film, Film Craft, and Health & Wellness add to health agency's momentum following historic Agency of the Year wins at The One Show, New York Festival Awards, and Clio Health Article content CANNES, France & TORONTO — Klick Health continued its hot streak amidst sweltering temperatures at the Cannes Lions Festival of Creativity last week, taking home four trophies for creative excellence in Film, Film Craft, and Health & Wellness. These latest honors raise the total of 2025 top-tier creative awards to 141 for the agency, which last month made history by becoming the first health agency to ever be ranked an 'Agency of the Year' by both The One Show and New York Festivals Advertising Awards. Lisbon Ad Health also recently named Klick 'Independent Agency of the Year' as did Clio Health for the third straight year. Article content 'We are thrilled to stand shoulder-to-shoulder with the world's leading consumer agencies as health campaigns increasingly win in non-health shows and categories,' said Klick Chief Creative Officer Rich Levy. 'This is a historic, inclusive milestone in the advertising community, acknowledging that great work is great work, regardless of the sector it was created for.' Article content Agency CEO Lori Grant said, 'Our team is relentlessly focused on hacking the boundaries of health on behalf of all our clients and the patients and healthcare professionals they serve. We are extremely proud to enable the kind of health outcomes that save lives.' Article content Klick won a Silver Film Lion for ' LOVE CAPTURED,' the dual-screen short it created for The Exodus Road to help people spot the hidden signs of human trafficking. The story centers on a romantic weekend escape, only to reveal a sinister portrayal of manipulation and control through synchronized hidden-camera footage. Campaign US described the film as 'gripping,' with 'a spectacular twist that will leave viewers breathless.' Klick collaborated on the unique, experiential film with director Thatiane Almeida (MAGMA) and audio house Jamute. Article content ' 18 MONTHS,' the Second Nurture animated short, which Ad Age called 'gorgeously crafted' and 'amazingly beautiful to watch,' earned two Bronze Lions (Film and Film Craft categories). The film was inspired by the true story of Danny Stewart and Pete Mercurio, who adopted the baby Danny found abandoned in a New York City subway station. Created in partnership with Zombie Studio and Jamute, it illustrates that there is no wrong way to build a family. Article content Klick also received a Bronze Health & Wellness Lion for All* In Action Fund's ' THE TRIAL.' Called a 'chilling throwback' by MediaPost, the short film draws direct parallels between 17th-century Salem witch hunts and recent political attacks on women's rights with a script composed of modern-day quotes from anti-abortion politicians and reproductive justice advocates. It was directed by Gandja Monteiro (Wednesday, Agatha All Along) and produced in collaboration with Taking Over and Golden Hum. Article content FILM CRAFT Article content HEALTH & WELLNESS Article content ENTERTAINMENT Article content SHORTLIST – The Trial – All* In Action Fund: Entertainment – Cultural Engagement Article content About Klick Health Article content Klick Health Article content is the world's largest independent commercialization partner for life sciences, focused on hacking the boundaries of health by developing, launching, and supporting life sciences brands to achieve their full potential. The agency provides best-in-class marketing and advertising, media strategy and purchasing, medical affairs and medical communications, value and market access services, as well as enterprise omnichannel enablement among its specialized offerings. Klick's client service is rooted in deep medical and scientific understanding, enabled by nearly 250 post-graduate, in-house medical experts; unrivaled decision sciences capabilities; and innovative, results-driven creative. Article content One of the most-awarded advertising agencies on the planet, Klick was named 2024 Clio Health Independent Agency of the Year, London International Awards Global (and Regional) Independent Health & Pharma Agency of the Year, as well as Cannes Lions #2 Healthcare Agency and #2 Healthcare Network for the second year running. Cannes Lions also recognized Klick as the 2024 #3 Independent Agency of the Year. In 2024, Klick won over 140 top creative honors, including the coveted Cannes Lions Innovation Grand Prix, and eight agency distinctions from the most respected advertising awards shows. Klick has also been ranked a Best Managed Company, Great Place to Work, Best Workplace for Women, Best Workplace for Inclusion, Best Workplace for Professional Services, Most Admired Corporate Culture, and a FORTUNE Best Workplace in Advertising. Established in 1997, Klick Health (including Klick Katalyst and btwelve) has offices in New York, Philadelphia, Saratoga Springs, Toronto, London, São Paulo, and Singapore. It is part of the Klick Group of companies, which also includes Klick Media Group, Klick Applied Sciences (including Klick Labs), Klick Consulting, Klick Ventures, and Sensei Labs. Follow Klick Health on LinkedIn and for more information on joining Klick, go to Article content Article content Article content Contacts Article content Press Contact Article content Article content Article content Article content


Cision Canada
2 hours ago
- Cision Canada
Rhythms of Canada Festival Returns for Two Days of Art, Music, Dance, and Celebration
One of Toronto's favourite summer festivals will bring global flavours and rhythms to the heart of the city in a two-day festival for all ages TORONTO, June 23, 2025 /CNW/ - On June 30 and July 1, 2025, the Aga Khan Museum and Aga Khan Park will come alive with Rhythms of Canada, a vibrant, site-wide summer festival. This year's programming focuses on celebrating the diverse artists, organizations, and cultural voices that shape Canada's creative landscape, with co-curated performances that reflect the city's rich pluralism and honour both traditional and contemporary expressions. Featuring an exciting lineup of live music, interactive family activities, delicious food, and engaging cultural experiences, the festival has quickly become one of Toronto's most popular. From Pakistan to Cuba, Ghana to Toronto, this year's free headlining performances will bring global rhythms to the Main Stage. The diverse lineup includes: Natasha Noorani – A genre-bending musician and music historian from Lahore, Pakistan, co-presented with Tawoos Initiative. Narcy – An Iraqi-Canadian artist, educator, and cultural producer based in Montréal. Persian Alchemy – A Toronto-based ensemble rooted in the Persian maqam tradition, co-presented with Small World Music. Jorge Betancourt and Café Cubano – One of Canada's first all-Cuban salsa bands, co-presented with Lula Music & Arts. KAYAM – A Canadian artist blending pop, Afrobeats, and R&B, with influences from East Africa, India, and the UK. Eagleheart Singers – A renowned Toronto-based drum group from the Moose Cree and Wikwemikong First Nations, sharing over 25 years of powerful performances rooted in song, ceremony, and community. Solara – A band formed by eight Humber College students as the culmination of the 2024 Intercultural and Creative Music Fellowship hosted in partnership with the Museum. Gye Nyame Band - A Ghanaian-Canadian highlife group combining traditional Ghanaian rhythms with contemporary Canadian influences, co-presented with Batuki Music Society. In addition to the headlining performances, the TD Pop-Up Performances Stage will showcase local talents, featuring the Toronto Klezmer Society, Achanté, Luis Anselmi, and a unique Tapestry Jam. On July 1, the Museum will host special Canada Day events, including: A live performance by The Band of The Royal Regiment of Canada at 12:30 pm. A Citizenship Ceremony hosted by Immigration, Refugees, and Citizenship Canada to welcome new Canadians. " Rhythms of Canada has become a cherished annual tradition at the Aga Khan Museum. It is one that truly embodies our pluralistic mandate," says Dr. Sascha Priewe, Director of Collections and Public Programs. "Year after year, this vibrant festival brings together people of all ages and backgrounds to dance, sing, and celebrate. It's a powerful reminder of the ability of the arts to bring communities together and bridge cultures, which lies at the very heart of what we do as a museum." Filled with immersive and engaging experiences for visitors of all ages, Rhythms of Canada will also include: Creative Workshops – Offered daily, where visitors can try water marbling, jewellery making, or clay tile design. (Paid registration is required.) Interactive Performances – Where visitors can learn new moves and rhythms in Bollywood dance, flamenco, African drumming, and more. Local Community Partners – Hands-on activations hosted by community partners, including the Royal Ontario Museum, Toronto Zoo, Ontario Science Centre, and the Bata Shoe Museum, where families can interact with their favourite heritage organizations. Free Museum Admission – Complimentary access to the Museum Collections Gallery, with reduced $10 admission to the current major exhibition, As the Sun Appears from Beyond: Twenty Years of the Al Burda Award. Delicious Food – A world of flavour from local food trucks and the Museum's on-site restaurant, Diwan. Family Activities – Fun for all ages, including arts and crafts, face painting, and outdoor games. To learn more about Rhythms of Canada programming, visit About the Aga Khan Museum The Aga Khan Museum in Toronto, Canada, has been established and developed by the Aga Khan Trust for Culture (AKTC), which is an agency of the Aga Khan Development Network (AKDN). Through permanent and temporary exhibitions, educational activities and performing arts, the Museum's mission is to spark wonder, curiosity, and understanding of Muslim cultures and their connection with other cultures through the arts. Designed by architect Fumihiko Maki, the Museum shares a 6.8-hectare site with Toronto's Ismaili Centre, which was designed by architect Charles Correa. The surrounding landscaped park was designed by landscape architect Vladimir Djurovic.

Globe and Mail
13 hours ago
- Globe and Mail
Valorant Masters Toronto e-sports tournament ‘surreal' experience for fans
For traditional sports fans, the Valorant Masters Toronto e-sports tournament could be a culture shock. At Sunday's final, there was no field, rink or court. Instead, at game time, two groups of mostly 20-somethings sat behind computer monitors at a long desk atop a platform, trying to virtually eliminate their opponents as fans watched on a jumbotron above. Occasionally, strobe lights punctuated big moments. Attendees described it as a mix of a music festival and a sports game. For fans of the multibillion-dollar world of e-sports, it was an electric environment. 'It's bringing a community together that's been loving games all their lives,' said Matthew Ragoonath, near a crowd of people. 'Especially with events like this, everyone gets to come out, and it's just a surreal experience.' Valorant, a first-person shooter game centred around heroic characters called agents, exploded in popularity quickly after its debut in June, 2020. Tracker Network, which follows statistics, player population and leaderboards for popular online games, tracked nearly 850,000 Valorant players in its first month; that number grew more than five-fold in the next month. In May, 2025, Tracker Network tracked about 18.2 million players of the game. Valorant Masters Toronto arrived in the middle of the city's Video Games Month. The tournament was expected to have a $40-million economic impact, according to a City of Toronto news release at the beginning of June. Major leagues are turning to esports to draw in new, and younger, fans Edmonton school's e-sports athletes go mouse-to-mouse with province's best Sunday marked the culmination of two weeks of tournament gameplay. The arena was set up as if for a boxing or wrestling match, with the audience surrounding a raised platform at the centre. But instead of punches, the players exchanged gunfire with quick flicks of the wrist and deliberate mouse clicks. Just before the final began, players walked through an arch with flashing lights, taking time to brush the hands of fans who stretched over the metal barriers along the entranceway. A jumbotron hung above the players where spectators could watch the action as it was happening in the simulated war zone. The battle would shift from quiet footsteps and tactical moves to dramatic firefights in an instant. Fans would cheer and jeer at the sight of a fallen agent on-screen, not unlike the sound of an arena when a hockey puck slides dangerously close to the goal line, or a spectacular save from a soccer goaltender. The team winner of the final, Paper Rex, won a trophy and US$350,000, the largest cut of a US$1-million purse that's split between the top eight. Teams also garner circuit points on their way to the championship in Paris. In Sunday's crowd, some showed their support for Fnatic, the opponent team. Bri Sison was in the crowd wearing the flag of the eventual champions. She travelled from San Francisco for the tournament. 'The plot with their games are always just so unpredictable, you never know what's going to happen next,' she said of Paper Rex. Some people The Globe and Mail spoke with at the event say they formed connections in lineups to the event or, in one case, at a restaurant after noticing another person wearing an e-sport jersey. In a group of five, two had come solo, meeting the rest in lineups. 'My whole group actually cancelled on me, so I'm the only person who came, and every single day I've been with people, I've found groups, people have adopted me in,' Maria Liong said. She said that, despite the reputation the online game has for being toxic, events such as the e-sports tournament show a more inclusive community. Members of the group paid varying costs for their tickets. Some pre-sale buyers got tickets for $115, while another who bought their ticket later paid the Canadian equivalent of about $395. Tickets for the final available on Stubhub Saturday evening ranged from about $429 to more than $1,700 at the peak. Before game time on Sunday, hundreds of fans shuffled through a sign-making area, markering slogans or artful creations to hold in the sky. Others crowded into lines for merchandise, games or photo opportunities. Some attendees chose to dress up as characters in the game, not unlike patrons at comic or gaming conventions, in what's known as cosplay. Cai Zhao had an elaborate costume that resembled the character Jett. 'I can't actually play the game, I'm really bad, so I can dress up as one,' she laughed. She watches Valorant's fast-paced gameplay often, but said the energy of an in-person viewing adds to the excitement. For tournament host Toronto, the 'gaming industry reflects the best of our city. It is creative, diverse and forward-thinking,' Mayor Olivia Chow said ahead of this month's competition. 'Video Game Month is an invitation to celebrate this growing sector and the talented people behind it and to discover how gaming connects with art, innovation and our local communities.'