Anil Ambani's wife Tina Ambani once revealed shocking details about this Bollywood superstar, said he was incapable of...., he was...

Tina Ambani, the wife of industrialist Anil Ambani, and daughter-in-law of the iconic Dhirubhai Ambani, is a name that needs no introduction. Today, Tina Ambani is known primarily for her philanthropic work and dignified presence in business, but she has long had a deep-rooted and treasured association with Bollywood, where she was once a celebrated actress.
Tina Munim, who is now called Tina Ambani, established herself as a significant personality in Indian cinema before transitioning to business and philanthropy. She appeared in several extraordinary films like Karz, Baton Baton Mein, Rocky, Lootmaar, and Souten, where she brought effortless elegance and charm to her characters and won a place in the hearts of moviegoers.
Did you know that Tina Munim, her name in her pre-married life, enjoyed a warm and close relationship with the legendary actor Rajesh Khanna?
Tina, who was born into a Gujarati family in Mumbai, began her film career at the young age of 20. After modelling and being crowned Femina Teen Princess India in 1975, Tina made her film debut in 1978 with Dev Anand's Des Pardes. Afterwards, she starred in several notable films like Karz, Man Pasand, and Souten, quickly becoming a familiar face in Bollywood.
In the early 1980s, she starred opposite Rajesh Khanna, Bollywood's first superstar, in several films, quickly becoming an audience favorite. Their on-screen presence was so well-received that they made 11 films together, a majority of which were commercially successful.
Rajesh Khanna was the reigning megastar of that time, and she was an artist on the rise, a noteworthy actress who appreciated his work. Over time, their professional relationship grew into a strong friendship, despite the significant age difference of 15 years. That friendship all developed during a turbulent time for Rajesh Khanna personally, especially with the issues he was having with his marriage to Dimple Kapadia.
In an interview reflecting on their relationship, Rajesh Khanna once stated, 'Tina was a balm on my wounds.' Rajesh Khanna, popularly known as the first superstar of Bollywood, was married to actress Dimple Kapadia. The couple had two daughters- Twinkle Khanna and Rinke Khanna, but after a troubled marriage, they separated.
Tina Munim also shared a rarely heard unvarnished response to her relationship with Rajesh Khanna. 'Kaka (Rajesh Khanna) was incapable of loving anyone. He was only ever in love with himself,' she stated in a rare interview, as per Masala magazine.
After ending things with Bollywood actor Sanjay Dutt, Tina Munim fell in love again when superstar Rajesh Khanna was taken by her beauty and charm. Their love blossomed, and they worked in films including Souten and Bewafai. Tina eventually moved into Rajesh Khanna's home, Aashirwad, where they both settled down. They became so close that at one point, they said they reportedly shared a toothbrush because they loved one another so much.
Tina was said to have stated her desire to marry Rajesh Khanna and the superstar had allegedly told her he would divorce Dimple Kapadia, his wife, but Khanna never made a move for divorce, which ultimately caused Tina to break up with him, even after he kept asking her to stay with him.
However, destiny had different plans for Tina. She later met industrialist Anil Ambani and the two of them fell in love and eventually got married.

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Economic Times

an hour ago

• Economic Times

Labubu effect: When cuteness becomes a billion-dollar business

Agencies When cuteness becomes a billion-dollar business 'Today, if you have a product that can make people go 'awww', you have won,' says Vaishak, founder of The Seraphim Store in Bengaluru, which deals in sneakers, streetwear and all things hype. His current drop are a few boxes of the viral Pop Mart doll, Labubu, which is making everyone go 'aww' or 'eww', depending on which end of the ugly-cute fence you are on. Vaishak, who scores his merch mostly from Malaysia, says the blind boxes—so called because you will know the version of the doll you get only when you open the package—are spoken for even before they land. The price of the plush toy monsters starts at Rs 5,000, while special editions come for Rs 15,000. Vaishak is certain cute is serious business. It sure is. Since mid-2024, Labubus—created by Hong Kong-based artist Kasing Lung and manufactured by the Chinese toy company Pop Mart—have had the world in its chokehold. Everyone from Lisa of K-pop band Blackpink, who started the frenzy, to singer Rihanna to actor Ananya Pandey has been spotted with Labubus hitched to their luxury handbags. It is now the No. 1 collectibles release on the online resale platform StockX, selling for Rs 18,000. Labubu has also propelled Wang Ning, founder of Pop Mart, into the billionaires' club of China, one of the youngest to get there. FUN IS IN Fashion and design are intrinsically linked to nostalgia, childhood memories and elements of fun, says Aneeth Arora, founder and designer of Pero, an Indian brand which, journalist Namrata Zakaria says, brings playfulness and childlike influences into mainstream fashion. Last year, Arora worked with the Japanese company Sanrio's Hello Kitty brand to create a collection that was Indian in its craft but kawaii (Japanese term, loosely translating to cute) in its execution. Arora believes in the lasting power of cute: 'Fun and play have been in our DNA. We have worked with themes like dolls, collaborated with Barbapapa [title character of a French children's book] and now Hello Kitty. Labubu might be a microtrend but the whole idea of nostalgia and fun via fashion is not. Unlike Labubu, Hello Kitty is not a microtrend. It has been around since 1974.'Even so, the current love for cute—as evinced by #charmcore, #plushiecore and #toycore—has baffled fashion watchers. By its very nature, 'cute' suggests immaturity or lack of depth, making it a four-letter word in fashion. But people are clicking on cute. Fashion writer Sujata Assomull says, 'In uncertain times, there's a deep emotional pull toward things that feel light, nostalgic and comforting. Cuteness is a gentle escape—it's not too serious, and in that way, it becomes emotionally relevant.' Since the pandemic, microtrends have become the norm. Besides Labubus, Jellycat is the fastest sell-ing toy brand at the high-end department store chain Selfridges in the UK. Other Pop Mart blind-box toys like Crybaby and Hirono are also gaining Shetty, designer & cofounder of Huemn, says 'cuteness' is here to stay till we see a safer and more balanced political and economic climate. She adds, 'Fashion has always been a response to cultural cues—and we live in very chaotic times. It has made us desensitised. This microtrend is the biggest example of a deeply emotional response.'A Vogue Business article says the reasons toys are having a moment in 2025 are manifold: people are seeking comfort, a connection to a simpler time, they are 'affordable luxury', and these 'kidult' collectibles help adults express their personality. Agrees Shetty: 'Digital culture is accelerating these microtrends. But I believe that if it's everywhere, it's already over. This is why Labubu doesn't appeal to me, even though I'm finding joy in this trend.' Shetty, who was in Tokyo last month, went for other toys like Smiski and professional Amrita Chhabria confesses to leaning onto cute trinkets—usually picked from Miniso—as quick comforters to deal with daily stress caused by family members being in and out of hospital. Sarifluencer Ashwini Narayan pairs charms and toys with her bags as reminders of old trips. Delhi-based visual designer Soumya Marhual, 28, makes her own charms. She says, 'Owning things like this gives you a false sense of control that you are curating your life, that you are actively making choices.'It could also be a way to engage playfully with fashion. Jatin Varma, founder of Comic Con India, says, 'After Lisa was spotted with Labubu, shelves filled up overnight, resellers priced it like limited-edition sneakers and people started dropping words like 'collector' and 'fan' as if they had grown up with it. It was fascinating to see the speed at which something can go from niche to status symbol—not because of story, not because of meaning, but because it entered the right frame, in the right photo, with the right person.' Varma says, 'We have reached a point where people don't want to join culture. They want to skip straight to owning the symbol of it.' DOLL'S PARTY But for brands there's no set playbook to go by. Assomull says if a brand doesn't already have a playful or quirky side, forcing cuteness can backfire. Vivita Relan, cofounder of the whimsical ceramics brand The Wishing Chair, has been riding the cute wave since 2012. She says the line between whimsical and childish is paper-thin. Brands can strike the right balance with intent and execution. She says, 'We use playful silhouettes, but ground them in well-made artistry. Also, cuteness isn't about making an exact design replica of something from your childhood, but about evoking that feeling.' Arora agrees. She says 'cute' without solid workmanship is says this trend is evolving into 'recession luxury' where tactile, playful aesthetics serve as a psychological balm and a business tool. Assomull calls it 'emotional luxury'. 'Perhaps we have reached a saturation point with product-driven luxury: one It-bag after another. People are now craving emotion, tactility and joy,' she Bhavisha Dave, cofounder of streetwear store Capsul, which was selling Labubus last year along with other collectibles like Kaws, Be@rbrick and Hirono, says the Labubu craze signals trends are now more Asia-focused. 'Earlier, people travelled more to Europe or US; now they visit Thailand, Hong Kong, Singapore or Japan, where collectible culture is a lifestyle.'Labubus are not a work of luck, she says. 'Pop Mart has been in the business of selling collectibles for a while. They understand the hype mindset— scarcity, blind box, collectible. They know how to sustain this frenzy.'Zakaria is enjoying the craze: 'I think it's a fun accessory that gives a little whimsy to an overpriced, snobby handbag.' The blind box means you can buy a Labubu but you take what you get. She says, 'It's like you can't choose a Labubu, it chooses you. Sounds like Hermes, no?'

Time of India

an hour ago

• Time of India

Labubu effect: When cuteness becomes a billion-dollar business

'Today, if you have a product that can make people go 'awww', you have won,' says Vaishak, founder of The Seraphim Store in Bengaluru, which deals in sneakers, streetwear and all things hype. His current drop are a few boxes of the viral Pop Mart doll, Labubu , which is making everyone go 'aww' or 'eww', depending on which end of the ugly-cute fence you are on. Vaishak, who scores his merch mostly from Malaysia, says the blind boxes—so called because you will know the version of the doll you get only when you open the package—are spoken for even before they land. The price of the plush toy monsters starts at Rs 5,000, while special editions come for Rs 15,000. Vaishak is certain cute is serious business. It sure is. Since mid-2024, Labubus—created by Hong Kong-based artist Kasing Lung and manufactured by the Chinese toy company Pop Mart—have had the world in its chokehold. Everyone from Lisa of K-pop band Blackpink, who started the frenzy, to singer Rihanna to actor Ananya Pandey has been spotted with Labubus hitched to their luxury handbags. It is now the No. 1 collectibles release on the online resale platform StockX, selling for Rs 18,000. Labubu has also propelled Wang Ning, founder of Pop Mart, into the billionaires' club of China, one of the youngest to get there. FUN IS IN Fashion and design are intrinsically linked to nostalgia, childhood memories and elements of fun, says Aneeth Arora, founder and designer of Pero, an Indian brand which, journalist Namrata Zakaria says, brings playfulness and childlike influences into mainstream fashion. Last year, Arora worked with the Japanese company Sanrio's Hello Kitty brand to create a collection that was Indian in its craft but kawaii (Japanese term, loosely translating to cute) in its execution. Arora believes in the lasting power of cute: 'Fun and play have been in our DNA. We have worked with themes like dolls, collaborated with Barbapapa [title character of a French children's book] and now Hello Kitty. Labubu might be a microtrend but the whole idea of nostalgia and fun via fashion is not. Unlike Labubu, Hello Kitty is not a microtrend. It has been around since 1974.' Even so, the current love for cute—as evinced by #charmcore, #plushiecore and #toycore—has baffled fashion watchers. By its very nature, 'cute' suggests immaturity or lack of depth, making it a four-letter word in fashion. But people are clicking on cute. Fashion writer Sujata Assomull says, 'In uncertain times, there's a deep emotional pull toward things that feel light, nostalgic and comforting. Cuteness is a gentle escape—it's not too serious, and in that way, it becomes emotionally relevant.' Live Events Since the pandemic, microtrends have become the norm. Besides Labubus, Jellycat is the fastest sell-ing toy brand at the high-end department store chain Selfridges in the UK. Other Pop Mart blind-box toys like Crybaby and Hirono are also gaining popularity. Shyma Shetty, designer & cofounder of Huemn, says 'cuteness' is here to stay till we see a safer and more balanced political and economic climate. She adds, 'Fashion has always been a response to cultural cues—and we live in very chaotic times. It has made us desensitised. This microtrend is the biggest example of a deeply emotional response.' A Vogue Business article says the reasons toys are having a moment in 2025 are manifold: people are seeking comfort, a connection to a simpler time, they are 'affordable luxury', and these 'kidult' collectibles help adults express their personality. Agrees Shetty: 'Digital culture is accelerating these microtrends. But I believe that if it's everywhere, it's already over. This is why Labubu doesn't appeal to me, even though I'm finding joy in this trend.' Shetty, who was in Tokyo last month, went for other toys like Smiski and Fugglers. Marketing professional Amrita Chhabria confesses to leaning onto cute trinkets—usually picked from Miniso—as quick comforters to deal with daily stress caused by family members being in and out of hospital. Sarifluencer Ashwini Narayan pairs charms and toys with her bags as reminders of old trips. Delhi-based visual designer Soumya Marhual, 28, makes her own charms. She says, 'Owning things like this gives you a false sense of control that you are curating your life, that you are actively making choices.' It could also be a way to engage playfully with fashion. Jatin Varma, founder of Comic Con India, says, 'After Lisa was spotted with Labubu, shelves filled up overnight, resellers priced it like limited-edition sneakers and people started dropping words like 'collector' and 'fan' as if they had grown up with it. It was fascinating to see the speed at which something can go from niche to status symbol—not because of story, not because of meaning, but because it entered the right frame, in the right photo, with the right person.' Varma says, 'We have reached a point where people don't want to join culture. They want to skip straight to owning the symbol of it.' DOLL'S PARTY But for brands there's no set playbook to go by. Assomull says if a brand doesn't already have a playful or quirky side, forcing cuteness can backfire. Vivita Relan, cofounder of the whimsical ceramics brand The Wishing Chair, has been riding the cute wave since 2012. She says the line between whimsical and childish is paper-thin. Brands can strike the right balance with intent and execution. She says, 'We use playful silhouettes, but ground them in well-made artistry. Also, cuteness isn't about making an exact design replica of something from your childhood, but about evoking that feeling.' Arora agrees. She says 'cute' without solid workmanship is hollow. Shetty says this trend is evolving into 'recession luxury' where tactile, playful aesthetics serve as a psychological balm and a business tool. Assomull calls it 'emotional luxury'. 'Perhaps we have reached a saturation point with product-driven luxury: one It-bag after another. People are now craving emotion, tactility and joy,' she says. Bengaluru-based Bhavisha Dave, cofounder of streetwear store Capsul, which was selling Labubus last year along with other collectibles like Kaws, Be@rbrick and Hirono, says the Labubu craze signals trends are now more Asia-focused. 'Earlier, people travelled more to Europe or US; now they visit Thailand, Hong Kong, Singapore or Japan, where collectible culture is a lifestyle.' Labubus are not a work of luck, she says. 'Pop Mart has been in the business of selling collectibles for a while. They understand the hype mindset— scarcity, blind box, collectible. They know how to sustain this frenzy.' Zakaria is enjoying the craze: 'I think it's a fun accessory that gives a little whimsy to an overpriced, snobby handbag.' The blind box means you can buy a Labubu but you take what you get. She says, 'It's like you can't choose a Labubu, it chooses you. Sounds like Hermes, no?'

India.com

an hour ago

• India.com

Remember Salman Khan's iconic 'Tere Naam' look? The actor's hairstyle was inspired by this man, not an actor, his name was...

Remember Salman Khan's iconic 'Tere Naam' look? The actor's hairstyle was inspired by this man, not an actor, his name was... Bollywood superstar Salman Khan is the first guest of the new season of the Great Indian Kapil Sharma Show 3 on Netflix. The premiere episode, which dropped on June 21, shows Khan laughing wholeheartedly and entertaining audiences with his witty humour. He also shared some surprising insights, one of that was revealing the actual inspiration behind his iconic hairstyle in Tere Naam. Salman Khan's 'Tere Naam' hairstyle was inspired by… The actor who churned out a wave among young males with his Tere Naam look shared that his hairstyle was inspired by our former president, Dr A.P.J Abdul Kalam. During the fun interaction with Kapil, Salman revealed, 'Ye jo Tere Naam ka jo look hai, woh actually inspired tha Abdul Kalam saab se aur uss dauran I think Rahul Roy ka bhi same hairstyle tha. I thought ki jo small town hero hota hai na, unke humesha lambe baal hotey hai. The yesteryear heroes all had long hair, toh waha se ye aaya tha. (My hair in Tere Naam is inspired by Abdul Kalam sir, even Rahul Roy had the same hairstyle. I thought a small town hero would have long hair like this. The yesteryear heroes all had long hair, which inspired me).' Tere Naam (2003) Released in 2003, Tere Naam is one of Salman Khan's most iconic and intense performances. His portrayal of Radhe Mohan, the college hunk who sported a middle-parted hairstyle, cool denim jackets with his signature bracelet, inspired thousands of fans to carry on the same style. Helmed by Satish Kaushik, Tere Naam is the Hindi remake of the 1999-release superhit film Sethu, starring Vikram. The film's music, composed by Himesh Reshammiya, also made a huge impact on audiences. Tere Naam became a turning point in Salman Khan's career as it proved his versatility as an actor, showcasing that he can also portray raw and intense characters beyond action and comedy. The film also starred Bhumika Chawla, as Khan's love interest in the film.