
Tenzing Norgay Movie To Be Filmed At Aoraki/Mount Cook
Press Release – Department of Conservation
Filming in New Zealand is scheduled to begin next month. The production, which has already completed scenes in Kathmandu, Nepal, will feature Tom Hiddleston as Sir Edmund Hillary, Genden Phuntsok as Tenzing Norgay, and Willem Dafoe as English expedition …
Alpine landscapes within the Aoraki/Mount Cook National Park will serve as the backdrop for a new biopic about Sherpa Tenzing Norgay's 1953 epic climb to the summit of Mount Everest alongside Sir Edmund Hillary.
The Department of Conservation (DOC) has approved filming on Malte Brun Pass near the Tasman Glacier and near the Hochstetter Icefall on the eastern side of Aoraki/Mount Cook, which will 'double' as Everest base camp and the famous Hillary Step on the world's highest peak.
'These sites have been used for filming Everest-related documentaries and films before,' says DOC Ranger Ray Bellringer.
'All filming activities are subject to strict environmental conditions to ensure the protection of the natural landscape. DOC staff will be onsite daily to monitor compliance. This is an incredibly special place and it's our role to protect it,' he says.
Bellringer also noted the long-standing relationship between New Zealand and Nepal through the Himalayan Trust, and the involvement of Nepalese students in conservation and education programs, including through Lincoln University's Parks and Recreation degree. Since 1953 around 70 Nepalese including many from the Sherpa community have come to Lincoln for study in nature-based tourism and community conservation.
'Sir Edmund Hillary dedicated much of his life after 1953 to supporting Nepalese communities,' Bellringer added. 'It is fitting that this project recognises the life and contributions of Tenzing Norgay, and we are proud to provide a setting that supports this storytelling. It's an iconic setting for an incredible story.'
Filming in New Zealand is scheduled to begin next month. The production, which has already completed scenes in Kathmandu, Nepal, will feature Tom Hiddleston as Sir Edmund Hillary, Genden Phuntsok as Tenzing Norgay, and Willem Dafoe as English expedition leader John Hunt.
The production is expected to bring a significant economic boost to the local area with a large production crew and cast staying in the village and surrounding area.
Set construction and logistical preparations are currently underway. DOC staff will continue to work closely with the production team to ensure minimal environmental impact. Ray Bellringer says he happy Tenzing Norgay's story is getting recognition.
'We're pleased to support this movie project and help showcase it to the world. For Aoraki and the staff here to play a small part in helping to make that happen is special,' he says.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


NZ Herald
19 hours ago
- NZ Herald
Endless tourist tours are our modern purgatory
We tourists love, a virtuous sense of cultural improvement. Photo / 123rf St Olav Gate in Oslo, and a sleek red bus draws up beside me. The destination board says 'Helsfyr'. The doors swoosh open. The driver looks at me. 'Does 'Helsfyr' mean what I think it means?' I ask. Bus drivers, like everyone else in Norway, speak splendid English. The driver

NZ Herald
2 days ago
- NZ Herald
Alarmed by a dream start: Wyn Drabble
Wyn Drabble is a teacher of English, writer, public speaker and musician. I thought it was starting out as a normal day. The signs were all good. The alarm went off, I hauled myself from the snugness of the bedclothes, switched on the power to charge my phone, staggered


Otago Daily Times
3 days ago
- Otago Daily Times
Avoid the bus to hellfire and damnation
St Olav Gate in Oslo, and a sleek red bus draws up beside me. The destination board says Helsfyr. The doors swoosh open. The driver looks at me. "Does Helsfyr mean what I think it means?" I say. Bus drivers, like everyone else in Norway, speak splendid English. The driver nods and waits for me to come aboard. Several passengers at the front are eyeing me with flat expressions. I shake my head. "Maybe not today." The driver shrugs. The doors close. And the bus takes off without me down the primrose path to the everlasting bonfire. Apparently elsewhere in Norway there's a town called simply Hell. The authorities lure tourists there by promising to stamp their passport "Been to Hell." But there are other ways to get there. On the rural fringe of Oslo stands the Norsk Folkemuseum. It's a chunk of farmland on which they've parked a variety of wooden farm buildings brought from all over Norway. The most recent were built 200 years ago, the oldest 800. And very pretty they are too, time-hallowed, dark, low-ceilinged, bone simple, many raised on stilts to surmount the winter snows. But the most noticeable thing about them is how the oldest hardly differ from the youngest. The only significant change that happens over 600 years is the advent of glass, and not much of it. Otherwise, continuity. Every one of these buildings bespeaks a life of simple purpose, that being to grow enough food and to hew enough wood to survive the winter, and then to do it again. And the purpose of all that was to get a child or two through to adulthood so that they could carry on. Century on century. It was a pre-industrial way of life without any of the benefits of modernity that we so enjoy — no television news, no online influencers, no tagging, no art installations, no urban alienation, no obesity and of course no tourism. The legacy of the industrial revolution is not just the way of life it altered, but the leisure it has foisted on us, the hours that have to be filled. So it is that tourists by the hundred disgorge from buses to pay the museum entrance fee (nothing is free in Norway, nothing. I paid $6 for a pee the other day and was so put out I could barely deliver) and set off dutifully around the acre or so of former houses, cowsheds, granaries, smithies and so on. Every building comes with a small explanatory board to be perused and instantly forgotten, but it provides the illusion of learning that we tourists love, a virtuous sense of cultural improvement. The children see right through it from the start and just go scampering about and then get bored and pester for food and drink. But the cellphone-toting adults persevere. It is, after all, something to do, to kill the hours before we can decently go for a drink. For, as a species, we are just no good at idleness. Lions on the Serengeti, sated from a kill, do nothing with a rich aplomb. They lie, yawn, digest. Lazing is a luxury. Not so for us. We must be up and about. We must tour and gawp. And oh what hells we have contrived to visit upon ourselves by doing so, from airport security queues to — cross your fingers while you whisper it — guided tours. I recently watched a guided tour party on the waterfront of Oslo. Ye gods. It would have softened the heart of Caligula. Here were grown men and women, who ought by rights to have achieved autonomy, wearing lanyards with their names on them, like evacuee children. They were a group of 15 or so only one of whom was having a good time, the jaunty guide, who bore the pink umbrella of leadership, who saw himself as Gielgud of the Oslo waterfront and who was being paid. While those who were paying him trudged in his wake and longed for it to end. Their eyes were the eyes of a fish on the slab. They had boarded a bus there was no getting off. • Joe Bennett is a Lyttelton writer.