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Next Phase: Intuitive AI That Attempts To Mimic The Human Psyche

Next Phase: Intuitive AI That Attempts To Mimic The Human Psyche

Forbes29-03-2025

Next frontier: automate intuition?
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Can artificial intelligence eventually mimic human intuition? And is that a good thing?
Intuition has fueled many a business or personal life decision, and there is plenty of evidence to suggest that it's a fairly powerful and accurate tool. It taps into and selects from a vast wellspring of information in one's brain.
As this recent podcast with neuroscientist Joel Pearson illustrates, intuition involves more than just 'tapping into any unconscious information. It's the learned information. So when we go about our lives, our brains processing thousands of things, we're only conscious of a tiny bit of that. We have no idea what our brains processing most of the time.'
Intuitive AI – which can sense and respond to many seen and unseen factors – may represent the next phase of the technology. With the advent of machine learning and generative AI, there's been excitement about its productivity potential.
The next frontier of AI may be what Ruchir Puri, chief scientist at IBM Research and IBM Fellow, describes as 'emotional AI.' While "human intelligence encompasses multiple dimensions – IQ or intelligence quotient, EQ or emotional quotient, and RQ or relational quotient. So far, AI has primarily only mastered IQ.'
'EQ helps humans understand and manage emotions, while RQ shapes how we build relationships,' Puri explained. "These are the next frontiers for AI development – systems that recognize, interpret and respond to human emotions beyond just sentiment analysis.'
Emotional AI may even "become one of the most significant cultural turning points of our time,' he continued. 'Machines capable of understanding, responding to and generating emotions will reshape how society and businesses functions, with AI working alongside humans in a profoundly integrated way.'
The IQ of AI will definitely keep growing as well, and "we'll soon see AI with an IQ of 1,000,000, as described by Emmy Award-winning producer Ryan Elam, founder and CEO of LocalEyes Video Production.
'At some point, AI will reach a level of intelligence so far beyond human cognition that it will no longer be comprehensible to us,' Elam predicted. "A machine with an IQ of 1,000,000 wouldn't just solve problems faster; it would perceive and define reality differently. These ultra-intelligent AIs may discover scientific laws we don't even have the cognitive framework to understand, essentially operating as alien minds among us. The challenge won't be building them—it will be figuring out how to interpret their insights."
Wrap this into a future in which "our most intimate signals -- heart rate, body temperature, microexpressions, and subtle voice shifts -- are openly accessible,' said Dr. Zulfikar Ramzan, chief technology officer at Point Wild. 'In this world, AI, once celebrated for mastering highly analytical domains like Chess, Go, and even protein folding, can elevate – or wreak havoc upon -- the concept of emotional intelligence.'
Most of the required technology already exists, Ramzan continued. 'High-resolution and high-frame-rate cameras, remote photoplethysmography, thermal imaging, radar-based skin conductivity sensing, and sensitive microphones can capture signals that that we once thought private: real-time pupil size, subtle color changes in skin caused by blood flow, microexpressions, skin temperature, sweat gland activity from a distance, voice prosody.'
AI can merge these data streams, 'and analyze video, images, and speech to transform ostensibly hidden signals into a cogent narrative about the inner workings of the people around us. We can literally read the room.'
Ramzan illustrates how this could work in business settings. 'Imagine negotiating a deal when AI notes your counterpart's pupils widen at a specific price point -- signaling non-verbal interest that could pivot the conversation,' he said. 'Picture delivering a presentation, but getting instant feedback on audience engagement. Suddenly, those who persistently struggle to interpret non-verbal cues are on nearly equal footing to the most preternaturally gifted empathetic, charismatic social chameleons.'
Getting to more intuitive or emotional AI requires a more fluid user interface – to the point in which people do not realize they're still talking to machines – but, hopefully, will still be aware they are. 'Too often, AI impresses in carefully curated demos or cherry-picked case studies, but struggles in real-world use," said Anastasia Georgievskaya, founder and CEO of Haut.AI. "People end up spending 15 to 20 minutes trying to make it work or even an hour refining prompts just to get a decent result.'
This frustration, she continued, "comes from a fundamental limitation: we're trying to communicate highly complex, contextual thoughts through simple text prompts, which just isn't efficient. Our thoughts are richer, more layered than what we can type out, and that gap between what we mean and what AI understands leads to underwhelming results.'
Once we move beyond prompting and text commands, 'the real innovation will happen—moving beyond text commands,' said Georgievskaya. 'I see a future where we can leverage neurotechnology to express intent without language. AI that doesn't wait for us to spell things out, but instead picks up on our thoughts, emotions, and context directly, making interactions far more intuitive.'
'Take skincare recommendations. Instead of typing, 'I want something lightweight with vitamin C,' AI could already know,' said Georgievskaya. 'It could sense your emotional reactions, subconscious preferences, even remember which influencer's review you engaged with. It might recognize that you're drawn to certain textures or packaging – without you needing to say a word. Within a few years, AI may no longer ask what we want – it will simply understand.'

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‘Elio' is an intergalactic tale — but for Toronto's Domee Shi, it hits close to home
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Hamilton Spectator

time4 days ago

  • Hamilton Spectator

‘Elio' is an intergalactic tale — but for Toronto's Domee Shi, it hits close to home

TORONTO - For Domee Shi, making a movie about an introverted kid getting abducted by aliens felt oddly familiar. Not because she's had any close encounters, but because she remembers being a teenager longing to be taken away to a world where her weirdness was understood. The Toronto native co-directs 'Elio,' a Pixar animated sci-fi film about an 11-year-old orphan who yearns to be snatched by extraterrestrials to escape his loneliness — and gets his wish when an interplanetary organization mistakes him for Earth's ambassador. 'He's this lonely artsy kid who just wants to belong somewhere. I definitely felt that way growing up,' says the Oscar-winning animator behind 2022's coming-of-age Toronto-set hit 'Turning Red.' Born in Chongqing, China and raised in Toronto after immigrating to Canada as a child, Shi grew up obsessed with anime. She describes it as an isolating experience. In high school, she was the vice-president of the anime club — a group that had only two members. 'Back in the '90s and 2000s, anime was popular, but it wasn't as popular, I feel, as it is now…. I really wished people cared about the same stuff that I cared about,' Shi says during a promotional stop in Toronto. She recalls dreaming of going to animation school so she could 'find people who understood me, who spoke my language, who understood all my nerdy-ass references.' In 'Elio,' out Friday, the film's titular character, voiced by Yonas Kibreab, finds a sense of belonging in the Communiverse — a kind of cosmic United Nations where alien civilizations convene to share knowledge and resolve conflicts. It's a far cry from life on Earth, where Elio feels out of place living with his stressed-out, overextended aunt Olga, voiced by Zoe Saldaña. In real life, Shi says she found her own place in the universe at Anime North, an annual anime convention in suburban Toronto. She remembers attending for the first time as a teen. 'I had a really crappy 'One Piece' cosplay on. I wore a straw hat and was dressed like a bad version of Luffy,' she says, referring to the protagonist of the Japanese manga series. 'But then I looked around and there were so many crappy cosplays around me, and people just wearing their nerddom on their sleeve…. I was like, 'Oh my God, everyone speaks the same language as me.'' It was there that Shi learned about the renowned animation program at Toronto's Sheridan College, which had propelled graduates into orbit at studios such as Pixar and Disney. After graduating from Sheridan, Shi went on to work for Pixar as a storyboard artist for films including 2015's 'Inside Out' and 2019's 'Toy Story 4.' Shi became the first woman to direct a Pixar short with 2018's 'Bao,' a heartfelt tale about a Chinese-Canadian mother and her dumpling-turned-son that won the 2019 Oscar for best animated short. She broke new ground again with 'Turning Red,' becoming the first woman to solo direct a Pixar feature. 'Elio' marks Shi's first time co-directing a feature. Shi says the film began as a project by 'Coco' director Adrian Molina, inspired by his isolated childhood growing up on a military base. After delays caused by the Hollywood strikes, Molina was tapped to co-direct 'Coco 2' and handed the reins to Shi and fellow director Madeline Sharafia, who was a storyboard artist on 'Turning Red,' to complete the story. Shi describes the final product as 'a beautiful mind-meld' of all three directors' styles. In addition to channeling her own teen experience, she infused the film with influences from her favourite sci-fi films growing up — including 1979's 'Alien' and 1982's 'The Thing' — as well as eerie stop-motion classics such as 1993's 'The Nightmare Before Christmas.' 'I think kids can handle a little bit of scariness if it's more of a fun scary, like a thrill,' she says. Shi notes there are some Canadian influences in 'Elio' as well. 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Shi says the actor infused Olga with personal touches, including the suggestion of a Dominican song for one scene. A nod to Shi's own heritage turns up in an unexpected way. 'I feel like the Communiverse could be an allegory for Canada,' she laughs. 'It's definitely a mishmash and a beautiful, chaotic mosaic of different cultures and species and aliens all working and living together.' This report by The Canadian Press was first published June 18, 2025.

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