Tourist Damages Museum's Crystal-Covered Chair By Sitting On It
A crystal-covered chair inspired by one of Vincent Van Gogh's most famous paintings was seriously damaged when a tourist sat on it while posing for a photograph. What do you think?
'And that, too, is art.' Gail Holmberg, Systems Analyst
'You can't really judge art until you know how comfortable it is.' Fabian Azarias, Polyurethane Enthusiast
'I can never keep track of what we're allowed to sit on these days.' Aaron Cuhz, Florist's Apprentice
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Screen Geek
20 minutes ago
- Screen Geek
Stephen King Praises "Scary" Horror Series Streaming For Free
For fans interested in finding a new horror series worth watching, it's always a good idea to look at the recommendations made by author Stephen King. In addition to his own library of classic works that include the likes of Carrie and The Shining , King often takes time to highlight the projects of other creators. Now fans can check out one 'scary' horror series recommended by Stephen King that's currently streaming. The recommendations made by King on social media platforms over the years have continued to have a life of their own, with fans consistently reviving titles mentioned by King on X or Threads. For this particular recommendation, King recommended this title in 2019, with King calling the series both 'scary' and 'involving.' In an era of streaming, those are definitely two requirements that most horror fans have on their lists, so here's the series that King suggests via X that he claims is worth watching: ' NOS4A2 : Scary? Yes. Involving? Yes,' he begins with his recommendation. 'But it's also doing something network TV can't or won't do–showing working-class people doing their jobs and trying their damndest (sometimes failing) to be decent. The best horror stories are firmly wedded to real life.' The television series NOS4A2 is based on the 2013 novel of the same name by Joe Hill, King's own son, which should naturally be an appealing concept for fans of King's works. The series itself lasted for two seasons on AMC, and while that might not seem very long, it's actually just long enough to adapt the entirety of Hill's original book. As such, fans can get a complete story out of streaming NOS4A2 , which revolves around an artist who attempts to track down an immortal being named Charlie Manx with the use of her own supernatural abilities. The series is currently available to stream via a variety of platforms, including PLEX and Xumo Play where it's currently free, as well as platforms like AMC Plus. Stay tuned to ScreenGeek for any additional recommendations from Stephen King and other titles trending on streaming platforms as we have them. For those looking to stream a complete horror story in a series format, however, NOS4A2 is certainly a good choice – especially if you're a fan of Stephen King, Joe Hill, or the novel the series is based on.
Yahoo
28 minutes ago
- Yahoo
‘Golden Girls' Creatives Spill the Tea on Bitter Feud Between Betty White and Bea Arthur — and Making a Classic Anyway
Creatives behind The Golden Girls shared funny and, at times, very candid behind-the-scenes stories — namely, among the long-rumored feud between stars Betty White and Bea Arthur — during a 40th-anniversary celebration of the long-running hit show on Wednesday night. The sold-out event, held at NeueHouse Hollywood as part of the monthlong Pride LIVE! Hollywood festival, featured a panel of writers, producers and others who worked on the show, which ran for seven seasons on NBC, from 1985-92. The series, created by Susan Harris, starred Bea Arthur as Dorothy Zbornak, Betty White as Rose Nylund, Rue McClanahan as Blanche Devereaux and Estelle Getty as Sophia Petrillo. (The Hollywood Reporter is the presenting media sponsor of Pride LIVE! Hollywood.) More from The Hollywood Reporter K-pop Star Bain is Ready to Open a New Chapter Following Historic Coming Out: "I Can Finally Be Free" The 'Wizard of Oz' of Gay Erotica OUTtv: They're Here, They're Queer, They're Canadian! Co-producer Marsha Posner Williams brought up a topic that has been much-discussed and speculated on: whether Arthur and White got along in real life. 'When that red light was on [and the show was filming], there were no more professional people than those women, but when the red light was off, those two couldn't warm up to each other if they were cremated together,' she quipped. Arthur 'used to call me at home and say, 'I just ran into that c' — meaning White, using the c-word — 'at the grocery store. I'm gonna write her a letter,' and I said, 'Bea, just get over it for crying out loud. Just get past it.'' In fact, the panelists shared that Arthur called White the c-word more than once. 'I remember, my husband and I went over to Bea's house a couple of times for dinner. Within 30 seconds of walking in the door, the c-word came out,' Williams said, and Thurm noted that he heard Arthur call White that word as well while sitting next to her on a flight. It's a story he shared a few years ago on a podcast and then got surprised at the internet's response over his revelation. The panelists differed on their theories about why the two didn't get along. Co-producer Jim Vallely thought it was because White got a lot more applause during cast introductions ahead of tapings, but Williams shot that down, noting that Arthur hated doing publicity and came from a different background (theatrical) than White (television). 'The show would have continued after seven years,' she shared. 'Their contracts were up and … the executives went to the ladies, and Estelle said, 'Yes, let's keep going,' and Rue said, 'Yes let's keep going,' and Betty said, 'Yes, let's keep going.' And Bea said 'no fucking way,' and that's why that show didn't continue. … And Betty would break character in the middle of the show [and talk to the live audience], and Bea hated that.' Script supervisor Isabel Omero remembered it differently, noting that the two used to walk 'arm in arm' to get notes together after the first of two tapings. Williams joked that was in case they were walking across the lot and a golf cart got out of control, suggesting that one of them might push the other in front of it. Casting director Joel Thurm was there from the beginning for the casting of all four leading ladies. He shared that Brandon Tartikoff, then-head of NBC Entertainment, originally did not want Arthur in the show, but Harris was dead set on her, having previously worked with the actress on Maude (she wrote several episodes, including the legendary abortion episode). Thurm said Tartikoff's resistance to casting Arthur had to do with her low Q scores in likability. '[This] created a big problem, but I never knew how dug in Susan was, because I just wasn't in the room where those kind of discussions happened,' he shared. 'So my job, according to Brandon, was to find someone that Susan would be happy with instead of Bea Arthur. I should have realized that she wouldn't have been happy with anybody besides Bea, but I was too naive, and I thought, 'Oh, I have someone. Her name is Elaine Stritch. She has the same acidic quality, you know, stare at you and give you the same thing that Bea does.'' Thurm shared that when Stritch came in for her audition, 'None of the people associated with Golden Girls wanted her. So this woman had to walk into a freezer of an office and try to make it funny. Stritch asked Susan one thing, it was something like, 'Is it OK if I change something?' And Susan said, 'Yes, only the punctuation.' There was no love in that room. I felt so sorry for poor Stritch because it wasn't her fault. She didn't do anything. And had I known that, that Susan was immovable on this, I wouldn't have done what I did and then try to find somebody else.' Williams, however, shared a different view of Stritch. 'I want to just say that I worked on a pilot, and Elaine Stritch was a guest star for one day,' she chimed in. 'Before the day was half over, we were calling her 'Elaine Bitch.'' Meanwhile, Getty, who was then an unknown actress, came in to her audition and nailed it: 'She did her homework and prepared for the part,' Thurm said, noting she was the first one of the four leads to be cast. Incidentally, Cher was supposed to guest star in the episode focusing on the death of Sophia's son, playing his wife, but she never replied to the offer, and Brenda Vaccaro was cast instead. The event kicked off with a highlights reel of some of the show's LGBTQ moments, including Blanche's brother coming out as gay, Sophia's coming to terms with her cross-dressing son and a politician's revelation that he was transgender. But behind the scenes, things weren't so progressive, shared writer Stan Zimmerman. 'People have to remember back then, we were told by a representatives to stay in the closet, so nobody knew we were gay,' he shared. 'Our first day on the set, we noticed Estelle come running toward us, and she's like … 'I know. Your secret's safe with me. You're one of us.' I thought she meant Jewish,' he quipped. 'But she meant gay. She wasn't gay, but she was probably the first ally ever.' Zimmerman added that he was telling his co-workers how he had bought some vintage sweaters at a garage sale one day, and they told him to 'go home and burn those sweaters because it was probably somebody that died of AIDS. … That was the climate then.' I know you see all these progressive scenes and you think, 'Oh, it was one big gay party there,' but we couldn't be who we really were.' Omero, who came out as transgender in 2019, shared that she was in the closet for all seven seasons of the show. She said that one day, Arthur offered to give her an Indian sari that she had picked up on a trip. 'In my closeted, panicked, paranoid brain, all I knew is that at that moment Bea Arthur was offering me a dress to wear around the house, and I wish I had been in a place where I could have said something, to even accept the gift without ever using it, just so I could express something to someone. But fear and shame is a big thing,' Omero said. Asked why The Golden Girls tackled so many different LGBTQ issues, Vallely replied: 'I think it's because we knew … we had a gay audience. They would play [the show] in [gay] bars across the country. … It was a big deal for middle America to see these women embrace the gay culture.' The panel, which also featured story editor Rick Copp and was moderated by New York Times best-selling author Jim Colucci (Golden Girls Forever), ended with a highlights package of cut scenes from the pilot, which originally featured a live-in gay housekeeper and cook named Coco, who was played by Charles Levin. The character was cut from the show because Sophia — initially meant to be a recurring character — was so popular that they made Getty a regular; unfortunately for Levin, that meant another character had to be cut. Among those in the audience were actress Deena Freeman, who played Dorothy's daughter Kate in an episode of the show, and production designer Michael Hynes. Best of The Hollywood Reporter 'The Studio': 30 Famous Faces Who Play (a Version of) Themselves in the Hollywood-Based Series 22 of the Most Shocking Character Deaths in Television History A 'Star Wars' Timeline: All the Movies and TV Shows in the Franchise
Los Angeles Times
28 minutes ago
- Los Angeles Times
'Étoile' Stars Gideon Glick and Luke Kirby Reflect on Canceled Series, Dance Immersion, and Palladino Magic
Actors Gideon Glick and Luke Kirby of the Prime Video series 'Étoile' recently discussed the show's first season with Los Angeles Times moderator Matt Brennan. The Q&A, held on June 11 at the NeueHouse in Hollywood, covered various aspects of the series, which is set in New York City and Paris and follows two ballet companies swapping their star dancers to save their institutions. Glick and Kirby revealed they learned of the show's cancellation shortly before Glick received an award for the series. Both actors shared their introduction to the dance world for their roles; Glick, from musical theater, shadowed choreographers, while Kirby, with family ties to dance, took ballet classes, gaining appreciation for the art form's physicality and dedication. A significant part of the discussion focused on their collaboration with creators Amy Sherman-Palladino and Dan Palladino, with whom they previously worked on The Marvelous Mrs. Maisel. Glick likened the Palladinos' writing to Steven Sondheim, noting, 'It is all there and it's so well constructed and it's psychologically potent that for an actor it's pretty much a dream.' Kirby compared it to Shakespeare, explaining, 'You don't do the text, the text does you ... things are revealed in the writing in the moment.' Glick, who also worked in the 'Étoile' writer's room, described Amy Sherman-Palladino's creative bursts as 'being struck by lightning,' with dialogue 'spitting out almost word for word.' He also shared that his character, Tobias, was specifically written for him, an experience he called 'pretty life-changing' that expanded his ambitions to include writing. The actors also reflected on filming in Paris. Glick, who is hearing impaired, found the French accents challenging but noted, 'I did feel a little isolated and I felt it really helped me stay in Tobias's mind.' Kirby described the experience as 'just great to be in Paris,' highlighting the dedication of the French crew and the 'rare gift' of working with international talent. They reminisced about shooting pivotal romantic scenes, with Glick calling it 'the most magical day of shooting.' Kirby, recalling his scene, praised his co-star Lou de Laâge: 'Lou is exceptional and I was staggered by her, always staggered by her talent.' Finally, they touched upon the show's theme of art as a form of 'insanity' or 'ecstasy.' Glick described the creative process as sometimes 'manic,' akin to the Greek word 'ecstasis,' meaning 'to leave the body.' Kirby said, 'I think it's a shame if you've never been insane ... it's a great gift to know you have that option.' They concluded by expressing profound gratitude for the collaborative and enriching experience of making 'Étoile,' with Glick stating, 'It was one of the greatest artistic experiences of my life. Everybody was extraordinary.' Kirby added, 'I think it asserted the whisper that we all have within us. And to listen to the whisper, don't shut it down.'
