
This week's TV: ‘The Studio,' ‘MobLand,' and more
The buzzy comedy title will release the first two of its 10 episodes Wednesday, then roll out episodes weekly until its finale on May 21.
What else clicks this week?
Advertisement
Shohei Ohtani of the Los Angeles Dodgers applauds fans after the MLB Tokyo Series game between the Dodgers and Chicago Cubs at Tokyo Dome on March 19, 2025 in Tokyo.
Kenta Harada/Getty
1.
MLB opening day doubleheader
, Thursday on ESPN: The first ball gets tossed out at Yankee Stadium in the 36th season of the cable network's Major League Baseball coverage. Up at 3 p.m., the New York Yankees with Aaron Judge host the Milwaukee Brewers and Christian Yelich. After that, at 7 p.m., with time for a beer run in between, the 2024 World Series champion Los Angeles Dodgers and Shohei Ohtani welcome the Detroit Tigers and Tarik Skubal to Dodger Stadium.
2.
'
Mid-Century Modern
,' Friday on Hulu: Billed as a contemporary gender-switched 'Golden Girls,' the new comedy series from 'Will & Grace' creators David Kohan and Max Mutchnick stars Nathan Lane, Matt Bomer, and Nathan Lee Graham. The gay trio become unlikely Palm Springs roommates and a sitcom is born. In the pilot, the late Linda Lavin stars as Lane's mother. Comedy titan James Burrows ('Will & Grace,' 'Cheers') directs all 10 episodes.
3.
'
Number One on the Call Sheet,
' Friday on Apple TV+: Actors aspire to carry the narrative arc, to portray a character that changes over a project's course. The clearest external proof of this is where their name falls on the production call sheet: If it's at the top, then they're the lead, and the story's most important player. In this two-part, in-depth look at Black actors rising to that hallowed spot, the documentarians talk to Denzel Washington, Morgan Freeman, Cynthia Erivo, Idris Elba, Tiffany Haddish, Halle Berry, and more about their rise to the industry's pinnacle, the costs of getting there, and future opportunities for the next generation of Black talent.
Advertisement
4.
'
Wildlife Rehab
,' Saturday on National Geographic at 10 p.m.: The nonfiction 'All Creatures Great and Small' unfolds at the Living Sky Wildlife Rehab Center in Saskatoon, Saskatchewan. The dramas and delights of caring for animals in distress unfolds as high-stakes ER events. The caretakers' passionate fight to save and protect rescued animals with the goal of rehabilitating them and returning them to their native habitats propels the series that walks, and flies, on the wild side.
5.
'
MobLand
‚' Sunday on Paramount+: Producer-director Guy Ritchie ('The Gentlemen') continues developing stellar, action-packed genre television. In his explosive British crime family saga (originally envisioned as a 'Ray Donovan' prequel), the affluent Irish mob family Harrigan is in the midst of a London turf war. The Mr. and Mrs. (Pierce Brosnan, Helen Mirren) recruit fixer Harry Da Souza (Tom Hardy), who gets enmeshed in the Harrigans' battle for loyalty, spoils, and dominance in a global criminal enterprise.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Hypebeast
32 minutes ago
- Hypebeast
Ryan Coogler's 'Sinners' Receives Max Streaming Premiere Date
Summary Ryan Coogler'sSinnersofficially received aMaxstreaming date for at-home viewers. TheMichael B. Jordan-led feature hits the streamer on July 4, followed by anHBOpremiere on July 5 and physical copies on July 8. Sinners sees Jordan portray a set of identical twins, Stack and Smoke, who return to their hometown of Clarksdale, Missisipi after a tenure for the Chicago Outfit. They, along with their cousin and preacher's son Sammie, open a juke joint for the local Black community, but are haunted by the supernatural on opening night. Joining Jordan in the cast are Hailee Steinfeld, Miles Caton, Jack O'Connell, Wunmi Mosaku, Li Jun Li, Yao, Jayme Lawson, Omar Miller and Delroy Lindo. Sinnershas since grossed a total of $363.8 million USD in the global box office since its release and was met with critical and commercial acclaim. Sinnershits Max July 4, and premieres on HBO on July 5.
Yahoo
2 hours ago
- Yahoo
Ohtani, Muncy Lead Dodgers over Nationals to Take Series
Ohtani, Muncy Lead Dodgers over Nationals to Take Series originally appeared on Athlon Sports. Shohei Ohtani isn't quite ready to pick up where he left off pitching for the Los Angeles Dodgers in 2023. But he's getting closer. Advertisement Ohtani made his second pitching start of the season Sunday against the Washington Nationals. He only pitched a single inning again - the same as his first start last week - but looked even better than he did in his opening outing. Ohtani induced a groundout from Nats leadoff hitter CJ Abrams before James Wood reached on an error from Mookie Betters. After that, Ohtani struck out both Luis Garcia Jr. and Nathaniel Lowe swinging to clear the first-inning hurdle. At the plate, the Dodgers star was even more extraordinary. Ohtani went 2 for 4 with a triple, a home run, a walk, three runs and five RBIs in Los Angeles' 13-7 win to take the series from Washington. Kiyoshi Mio-Imagn Images The game at the plate was the best for Ohtani in almost a month. The 30-year-old had a total of five RBIs over his previous 17 games. Those five are one short of his season high, registered May 15 against the Athletics in a 19-2 win. Ohtani's home run was his 26th of the season, leading the National League. Advertisement Dodgers manager Dave Roberts had previously said Ohtani could be used in multiple innings as a starter, but the right-hander wasn't ready to log traditional starts yet. In his first two in 2025, Ohtani has worked just a lone inning. On Sunday, he threw 18 pitches, including 12 for strikes. Los Angeles exits the weekend with the best record in the NL at 48-31 and 3 1/2 games in front of rival San Francisco in the NL West. In theory, Ohtani's next start will take place Saturday at Kansas City. Related: Reds Make Major Roster Decision on No. 2 Draft Pick Related: Mets Demote Struggling Former Top Prospect to Minors This story was originally reported by Athlon Sports on Jun 22, 2025, where it first appeared.


Black America Web
3 hours ago
- Black America Web
Bring Back Boredom: A Requiem For Black Gen X Summers
Source: iantfoto / Getty There used to be a thing called boredom. Not the kind you complain about with Wi-Fi and seven streaming platforms within reach. I'm talking about real boredom; staring-at-the-ceiling, watching-ants-on-the-sidewalk, 'ain't-nothing-on-but-soap-operas-after-The-Price-Is-Right' boredom. And as a Black Gen X dad who grew up in the era of Jheri curls, tube socks, and universal latchkey kid protocol (see: 'Don't you let nobody in this house.'), I say this without a hint of irony: boredom might have been the most important part of summer vacation. It was in that boredom that we got creative. We built worlds with nothing but imagination, bike tires, and the occasional giant cardboard box that was a clubhouse, a breakdance pad, or an art canvas, respectively. We passed long hours playing Uno or freeze tag or making up ridiculous games with equally ridiculous names. Some days were filled with activity, but just as many were left to the elements of whatever came our way. And that was the magic of it. The freedom. The chaos. The possibility. Fast forward to now, and it feels like summer, at least the kind that shaped us, is dead. We didn't kill it. Hyper-competitive parenting did. Today's kids have schedules tighter than a Silicon Valley CEO. Between travel sports, enrichment camps, accelerated reading lists, and STEM programs, we've programmed the summer to death. What was once a break has now become the offseason grind. A warm-weather bootcamp for future scholarship recipients, Google interns, and startup founders. But in all that hustle, we've stolen something essential. Summer used to be about the absence of structure. Now it's about maintaining control in a different font. Look, I get it. As a Black parent (especially a single Black father) I'm acutely aware of what the world wants to deny my kids. So we push. We prepare. We polish them up and present them as exceptional, because we know they have to be. But damn if it isn't exhausting. For them and for us. My Glee-obsessed 13-year-old daughter is starting to come into her own artistic and dramatic potential. She's in theater camp this summer, and I'm glad she has a place to explore her passion. But I'm also kind of sad. Because theater camp is scheduled. Structured. Supervised. She'll grow as a performer, sure. But will she learn how to do nothing and be okay with it? Will she know how to entertain herself with a cardboard box and a Sharpie? Will she ever just roam? My summers were a beautiful blur of spontaneity and slight danger. From the public pool to the basketball courts to random treks to corner stores with no particular purpose, our summers were self-directed chaos. Even when we were enrolled in day camp, it was mostly a teenage-led survival exercise with dodgeballs and boxed lunches. There were rules, sure. But there were also long stretches of unsupervised time. Time to be curious. Time to fail. Time to try things that might not go anywhere but still taught us something. We learned how to read people, how to handle conflict, and how to entertain ourselves and others. And we did it all without a single app. What those summers gave us was adaptability. Resilience. The ability to walk into a room with strangers and figure out what game was being played and its random rules, and then figure out how to win. They gave us improvisational skills for life. They taught us how to make lemonade from warm tap water and two sugar packets. Today's kids? They're brilliant. But some of them can't hold a conversation without checking a screen. And it's not their fault; it's the culture we've built around them. A culture that values productivity over presence, structure over soul, and outcomes over experiences. The pressure to be excellent all the time has trickled down from Wall Street to the jungle gym. And as Black dads, we often feel that pressure more acutely. We want our kids to succeed not just for themselves, but for the generations they represent. And in our fear of their marginalization, we push them toward perfection. But what happens when we forget to teach them how to sit still? To just be ? You can't push creativity on a schedule. You can't over-prepare for discovery. You have to make room for it. You have to leave space in the summer for the kind of moments that don't show up on a résumé but shape a life. Like wandering around the neighborhood for no reason. Or figuring out how to turn a laundry basket into a roller-coaster on the stairs. Or learning how to read the vibes at the basketball court before deciding whether or not to shoot your shot (metaphorically or literally) and call 'next'. I'm not anti-camp. I'm not against organized activity. But I am against the idea that kids should never be idle. That every second of every day must be accounted for, optimized, branded, and captured. I want my daughter to know that freedom isn't just something we talk about on Juneteenth—it's something you feel on a Tuesday in July with nothing to do but ride your bike and follow your thoughts wherever they lead. So I'm trying to build in blank space. Days where there's no itinerary. Where she gets to decide how the day unfolds, even if that means doing nothing at all. Because that, too, is a skill. One that too many of us are forgetting to pass down. We're raising kids in this world that moves too fast and expects too much. A world that commodifies every interest and gamifies every interaction. But if we want to raise humans, not just high-performing outputs of our parental anxiety, we have to give them time to be human. Summers are supposed to be messy and weird and wonderfully unproductive. They're supposed to be the seasons of origin stories, when kids figure out who they are outside the classroom, outside their parents' gaze, outside the grind. We figured it out because we were left to our own devices. Not the digital kind; the real ones. Our guts. Our instincts. Our imaginations. My daughter may never know the feeling of getting on her bike and riding until the streetlights come on. But she can still have the kind of summer that isn't about achievements. A summer that feels like hers, not something planned for her. A summer where her mind can wander and her soul can breathe. So yes, let her go to theater camp. Let her find her voice. But let her be bored too. Let her be curious. Let her figure it out. Because one day, when she's older, I want her to smile at the memory of the summer where nothing much happened—but everything changed. She'll have the rest of her life to run the rat race. I just hope she gets one summer to ride a bike down a steep hill. SEE ALSO: This Was Supposed To Be A Review Of 'Forever,' But It's Not The Uncomfortable Realities Of Middle-Aged Black Manhood SEE ALSO Bring Back Boredom: A Requiem For Black Gen X Summers was originally published on Black America Web Featured Video CLOSE