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PATRICK MARMION reviews The Fifth Step at Soho Place: Lost soul Jack Lowden tackles Martin Freeman in a ruthless boxing match of a drama

PATRICK MARMION reviews The Fifth Step at Soho Place: Lost soul Jack Lowden tackles Martin Freeman in a ruthless boxing match of a drama

Daily Mail​20-05-2025

Jack Lowden has become one of the hottest properties on telly since starring opposite Gary Oldman in Apple TV+'s hit spy drama Slow Horses.
In fact, our Jack's got so big that no less a figure than Hobbit and Sherlock star Martin Freeman has become his wingman in a new play by David Ireland about two men in Alcoholics Anonymous.
As is common with AA stories, the subject matter is raw, excruciating and often alarmingly funny.
Lowden's nervy Scottish character, Luka, is a desperate loner and end-of-road boozer who identifies as an incel, or 'involuntary celibate'. He's grown jealous of married mates who have sex (not his word) 'on tap'.
And, in addition to long-haul descents into alcohol bingeing, he has porn and self- abuse as surrogate, back-up addictions. He is, in short, in free fall.
We are a long way from Lowden's ill-fated MI5 agent River Cart- wright in Slow Horses.
In desperation, Luka has submitted to the 12-step programme for recovering drinkers in a seemingly vain attempt to turn his life around with help from his 25-years-sober mentor James (Freeman).
And Lowden gives us an absolutely top-of-the-range performance, fully exploring the psychological cul-de-sacs and self-defeating wiles of his dismal character.
Lowden's wounded puppy-dog eyes come as standard for a young man who is dangerously lonely and hopelessly vulnerable. It's an understated, nervously volatile display that's simultaneously edgy and guarded.
Luka has whole repertoires of defensive ticks – wardrobes of scratching, catalogues of leg tremors and gamuts of blinking. But, blessed with a benign, unaffected idiocy, you can't help loving Lowden's lost soul, who's been saved after encountering Jesus one night at a multi-gym.
Freeman by contrast as the fully-recovered Mr Ordinary oozes the complacent personality of a Marks & Spencer mannequin. With typical highly-focused fidgeting, Freeman's James is an ostentatiously patient alter-ego and secular confessor to Luka.
But it's the work of Ireland's confrontational boxing match of a drama that ensures Freeman's shell of anti-charisma gets cracked too – as both men grapple with AA's Fifth Step of admitting their wrongs, to themselves, each other and to God.
Yes, God features quite prominently in Ireland's ruthlessly unecclestiastical writing, although there must be moments when the Almighty wishes he could bow out. But mobilising four-letter, weapons-grade repartee, Ireland is never merely gratuitous and has a genius for embarrassing moral dilemmas.
Never flattering us with what we'd like to believe of ourselves, he is an aficionado of unacceptable attitudes and shameful home truths.
This left viewers joyously grateful. Women in the audience in particular near howled with laughter at Luka's pitifully sexist delusions.
We men may prefer to crawl under a stone. Nor does Finn Den Hertog's production leave either of his actors anywhere to hide, with spectators on all four sides of a rectangle of fitted carpet.
So, in addition to the unburthening and self-torture, it's a chastening exercise in forgiveness and acceptance. Unsurprisingly, tickets have sold out. Pray for an extension or returns.
The Fifth Step runs until July 26

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In 2020, I got in touch with the guys and suggested we do something. I was thinking, 'Will people actually turn up?', but we sold out the Kentish Town Forum in 10 minutes. And here we are! I had never worn a flat cap in my life. It was not my thing, so I felt self-conscious. But this was 2005 – I felt self-conscious permanently. I was almost certainly thinking: 'Right, a flat cap, is it? I'll just stand here and try to look tough.' Before Hard-Fi, I was on the dole. I'd go in and say: 'We've got meetings at a record label, the band might actually happen.' They'd reply: 'Sure. Have you thought about getting a job at HMV?' When we signed to Atlantic in December 2004, the dole office thought I was making it up. I was shocked, too – so much so that I wanted to hide my portion of the advance in a pillow case. That approach continued whenever the band had success. As soon as anything good happened, I couldn't celebrate. I just felt fear. 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Although, these days I would have the confidence to say no to the flat cap. Those Versace shades definitely helped me get into character. When I joined the group, I realised I was probably not in the best place for what could be a really exciting opportunity. I wasn't getting enough sleep or living my best life, so I had to sharpen up and straighten out. I had a lot of respect for Richard, I had come across Steve at university, and I got on with Ross straight away – we were both just lads from Staines. Before Hard-Fi, I was doing pest control. We used my van for some of those early gigs, and, as I had tough guts, I wasn't bothered by much. Once someone dropped something down a toilet and I grabbed it out with my hand. When the taxi office had an ant infestation, I said: 'Why do you think they're here? It's not for the tunes. There's sugar everywhere.' When our first single made the Top 20, I couldn't believe it was happening. Looking back, I don't think I responded well. 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I was only 21 when Hard-Fi took off, and the last one to join. I was nervous, but they were an easy bunch of fellas. I'm the youngest of three siblings, I go with the flow, and I applied that same mentality to being in Hard-Fi. It's almost impossible to wind me up. Only my kids can – they've got special skills. In 2005, we were out every night and away from home for months on end. It was great, but I found doing red carpets stressful. Even after four pints, I look like I'm thinking: 'Ahh. What the fuck.' When the third album came around, I started having kids and I thought it was time to get a job. Music stopped for me for a few years – my guitars were put in a cupboard to keep them away from the kids. As we started up the group again, I realised I had forgotten how much I loved playing. But it is a different dynamic this time around. Back then I was just making music. I had zero responsibilities. I knew absolutely nothing at all.

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