
Fire at ancient Anglesey church nearing end of £2.3m upgrade
Concerns for an ancient Anglesey church were raised when smoke was seen billowing high into the sky. St Cybi's in Holyhead is undergoing extensive redevelopment and parishioners feared a fire could jeopardise next month's scheduled reopening.
It's understood vandals set light to portaloos being used by workers refurbishing the church, which dates from the 6th century and is built into Holyhead's Roman wall. The fire spread to adjacent timber stacked ready for use inside the building.
Smoke was seen rising from the churchyard at around 6.30pm on Thursday, June 5. Although firefighters extinguished the blaze before causing serious damage, it's believed a section of the church's exterior wall was left charred and blackened. This is expected to weather and disappear over time. "It could have been a lot worse," said one observer.
St Cybi's and its adjacent 14th century chapel, Eglwys y Bedd, are currently being redeveloped as part of a £2.3m project funded by UK Levelling up money. The church will reopen as a 'more accessible' multi-use community hub with a social enterprise cafe.
The chapel, built on the site of St Cybi's original cell, is being extended using Anglesey limestone, quarried in Moelfre. In the plans are some exciting innovations designed to appeal to a younger demographic.
Five ancient churches in the Diocese of Bangor are being upgraded as part of the Llefa'r Cerrig - Stones Shout Out initiative. Air source heat pumps are being installed to provide underfloor heating, and solar panels placed on south-facing roofs. Join the North Wales Live Whatsapp community now
St Cybi's is one of the five beneficiaries, with a shop and children's play area also planned. But the work hasn't been without controversy. Some parisioners were unhappy on learning that traditional old pews were being replaced by pews that can be moved to facilitate events and meetings.
There was also anger over the transfer of St Cybi's organ to another church that can afford its estimated £200,000 repair bill. Critics claimed the heart of St Cybi's was being 'ripped out of it'.
Meanwhile, the project timeline slipped when skeletal remains were discovered under the church and in the churchyard. In a pit beneath the chancel near the altar, a 'large collection of unarticulated human remains of unknown date' were found in summer 2023.
They were buried beneath the church's 'Victorian layer', laid by architect Gilbert Scott during his reordering of the church in 1876-1879. It's suspected they had been reinterred, probably from multiple graves within the churchyard. All remains removed were due to be reinterred within the churchyard.
Excitingly, other archaeological digs revealed what is believed to be part of the original footpath laid by Roman settlers at the site thousands of years ago. It's hoped St Cybi's can reopen in late July.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Metro
18 hours ago
- Metro
I can be myself in the UK - but now I can't go home
'I can now tell you that you are our first ever Miss Trans Global Uganda finalist – congratulations!' As soon as I heard this news in 2022 via Zoom, I screamed with delight. I had made it to the top seven of the global pageant and I couldn't be more proud. 'Yeah, yeah, yeah, yeah, yeah!' I shouted with joy and thanks. As a child, I loved everything about beauty and fashion, but I could never fully express this because I'm a transgender woman from Uganda. Although being trans is not explicitly banned in the country, people like me are essentially in legal limbo and discrimination is widespread. As a result, I felt like my dreams to explore creative arts were suffocated and I was forced to assimilate. I went to a Catholic school, which had a strict dress code. On top of that, I suffered through non-inclusive sex education, anti-LGBTQ+ religious sermons in church, and a derogatory media landscape. I decided I needed to prioritise a roof over my head before anything else. That meant that I sacrificed expressing or exploring my gender identity publicly. In order to find a sense of LGBTQ+ community, I created a fake profile on social media and joined an anonymous private group of similar people who were brave enough to express themselves online. Gradually, we started meeting each other secretly, despite living in the closet. With thousands of members from all over the world, our vibrant LGBTQ+ WhatsApp channel is a hub for all the latest news and important issues that face the LGBTQ+ community. Simply click on this link, select 'Join Chat' and you're in! Don't forget to turn on notifications! I couldn't really cross-dress in public with my new friends because I was scared of being outed, but I also didn't fit into the straight world either. So I felt stuck and unsafe, which impacted my emotional wellbeing. I devoted my time and energy into graduating. After that, I applied for a Commonwealth Shared Scholarship, which is a fully-funded scholarship from the British Government. Two months later, I was delighted to find out that my application was successful, so I moved to the UK in 2021 to study a masters at the University of Bath. Life after I came to the UK was liberating. Compared to Uganda, British cities embrace diversity from all walks of life. I watched TV shows that included trans people like Pose on BBC iPlayer. I also revamped my skincare routine and changed my wardrobe from a masculine to feminine aesthetic. I had the gender marker on legal documents changed and explored the nightlife of LGBTQ+ bars across the UK with a community of people just like me. Amanda was part of Hannah and Jake Graf's 'Trans is Human' campaign, which launched around Trans Day of Visibility (March 31) this year. For more information, visit their Instagram page here. The campaign is supported by Pride Wide, a charity featuring exclusive, investigative, fact-checked LGBTQ+ storytelling. Then in June 2022, I attended my first Pride parade in London and I was completely blown away by everyone proudly celebrating their identities. I was also pleasantly surprised by the support from the state in having police protection, endorsement from the mayor, and various companies marching in comradeship. None of these things would be possible in my home country. It was around this time that I stumbled across a Facebook post about a pageant called Miss Trans Global and was immediately interested in applying. Now that I was in the UK, I finally felt safe enough to be visible and express my true self. I had to send an audition tape talking about myself and why I wanted to compete in the pageant. 'I want to challenge stereotypes about femininity,' I said in the video, 'and I want to represent my country, Uganda.' I also had an interview with a panel of judges. In the lead up to the event, I made sure to learn how to walk confidently, practice public speaking, apply makeup, and show polished etiquette. Refugee Week is the world's largest arts and culture festival celebrating the contributions, creativity and resilience of refugees and people seeking safety. Each year, IMIX – a charity that helps change the way people think and talk about migration – supports Refugee Week Ambassadors. These are people, like Amanda, who came to the UK to rebuild their lives and who now play an important part in our communities. IMIX is proud to work with Metro as a trusted partner in highlighting these voices and shining a light on the many ways refugees help make the UK a better place for everyone. You can read Agnès' story below I followed every rule as an asylum seeker – I was still detained The pageant was intense from the very start – even though it all took place online due to Covid-19 restrictions. For the evening ball gown category, I walked in an elegant rose pink lace long prom dress as the crowds cheered via live streaming platforms like YouTube, Facebook, and Instagram. Throughout it all, I was nervous but also excited, since I was the first to represent Uganda. In the end, I won 'Third Princess Global' and 'Inspirational Queen of the Year', which I was thrilled with. The whole event was so special to me because it was an opportunity to celebrate our unique traits of beauty and gender expression in a world that forces us to live in fear or shame about our bodies. Personally, participating in a beauty pageant helped me find my feminine charm and confidence – something I've taken with me ever since. This newfound confidence helped me be proactive at university and I got elected as the campaign officer for the LGBTQ+ students club in 2022. I also started my medical transition that year, which is exciting, although comes with its own challenges. But being so open about my identity has had its downsides, leading me to getting outed in my home country. My family and friends back at home found out I was transgender through social media, and were initially furious. Some cut ties. Later, a few gradually became more accepting and looked to reconcile. But most people I knew still remain negative about my identity. As a result, it's no longer safe for me to return to Uganda. So I had to apply for asylum and was granted the right to remain in the UK in 2023. Besides that, life for me has been joyful as I have grown more in my career – working in the charity sector where I have co-founded a charity organisation called Minority Inclusion Foundation (which supports LGBTQ+ refugees) and even modelled in magazines, too. More Trending I am also an ambassador for Refugee Week UK 2025, which is the largest arts and culture festival celebrating the contributions, creativity, and resilience of refugees worldwide. From competing as Miss Trans Global Uganda, I learnt to conquer my fears about myself. The pageant changed my life by pushing me out of my comfort zone to a place of growth. It helped me change my geographical location, physical appearance, career and community, but most importantly the relationship I had with myself. This article was originally published April 6, 2025 Do you have a story you'd like to share? Get in touch by emailing Share your views in the comments below. MORE: I went to the world's wettest Pride parade where everyone gets soaked MORE: Stephen Fry's JK Rowling criticism is welcome – but I'm still disappointed MORE: 'I was the first person to survive rabies without a vaccination' Your free newsletter guide to the best London has on offer, from drinks deals to restaurant reviews.


North Wales Chronicle
a day ago
- North Wales Chronicle
Archaeological ‘jigsaw' reveals 2,000-year-old Roman wall paintings
Archaeologists have spent four years working on thousands of fragments of shattered plaster discovered at a site in Southwark, near London Bridge station and Borough Market, in 2021 to painstakingly piece together the artwork of a high-status Roman building. It is believed the frescoes once decorated at least 20 internal walls between AD 40 and 150, before the building was demolished and the wall plaster dumped into a pit before the start of the third century. But now the reconstruction of the wall art has shed further light on high society in Roman Britain. The paintings – which display bright yellow panel designs with black intervals, decorated with beautiful images of birds, fruit, flowers, and lyres – demonstrate both the wealth and taste of the building's owners, according to the excavation team at the Museum of London Archaeology (Mola). Yellow panel designs were scarce in the Roman period, and repeating yellow panels found at the site in Southwark were even scarcer, making the discovery extremely rare. Among the fragments is rare evidence of a painter's signature – the first known example of this practice in Britain. Framed by a 'tabula ansata', a carving of a decorative tablet used to sign artwork in the Roman world, it contains the Latin word 'fecit' which translates to 'has made this'. But the fragment is broken where the painter's name would have appeared, meaning their identity will likely never be known. Unusual graffiti of the ancient Greek alphabet has also been reconstructed – the only example of this inscription found to date in Roman Britain. The precision of the scored letters suggests that it was done by a proficient writer and not someone undertaking writing practice. Some fragments imitate high-status wall tiles, such as red Egyptian porphyry – a crystal-speckled volcanic stone – framing the elaborate veins of African giallo antico – a yellow marble. Inspiration for the wall decorations was taken from other parts of the Roman world – such as Xanten and Cologne in Germany, and Lyon in France. It took three months for Mola senior building material specialist Han Li to lay out all the fragments and reconstruct the designs to their original place. He said: 'This has been a 'once-in-a-lifetime' moment, so I felt a mix of excitement and nervousness when I started to lay the plaster out. 'Many of the fragments were very delicate and pieces from different walls had been jumbled together when the building was demolished, so it was like assembling the world's most difficult jigsaw puzzle. 'I was lucky to have been helped by my colleagues in other specialist teams for helping me arrange this titanic puzzle as well as interpret ornaments and inscriptions – including Ian Betts and the British School at Rome – who gave me their invaluable opinions and resources. 'The result was seeing wall paintings that even individuals of the late Roman period in London would not have seen.' Speaking to the Today programme on BBC Radio 4, Mr Li said: 'When you are looking at thousands of fragments of wall paintings every day, you start to commit everything to memory. 'You are sometimes working when you are sleeping as well. 'There was one time that I thought that this fragment goes here, and I woke up and it actually happened – so you could say I was working a double shift. 'But it's a beautiful end result.' One fragment features the face of a crying woman with a Flavian period (AD 69-96) hairstyle, hinting at the time period it may have been created. Work to further explore each piece of plaster continues.

Rhyl Journal
2 days ago
- Rhyl Journal
Archaeological ‘jigsaw' reveals 2,000-year-old Roman wall paintings
Archaeologists have spent four years working on thousands of fragments of shattered plaster discovered at a site in Southwark, near London Bridge station and Borough Market, in 2021 to painstakingly piece together the artwork of a high-status Roman building. It is believed the frescoes once decorated at least 20 internal walls between AD 40 and 150, before the building was demolished and the wall plaster dumped into a pit before the start of the third century. But now the reconstruction of the wall art has shed further light on high society in Roman Britain. The paintings – which display bright yellow panel designs with black intervals, decorated with beautiful images of birds, fruit, flowers, and lyres – demonstrate both the wealth and taste of the building's owners, according to the excavation team at the Museum of London Archaeology (Mola). Yellow panel designs were scarce in the Roman period, and repeating yellow panels found at the site in Southwark were even scarcer, making the discovery extremely rare. Among the fragments is rare evidence of a painter's signature – the first known example of this practice in Britain. Framed by a 'tabula ansata', a carving of a decorative tablet used to sign artwork in the Roman world, it contains the Latin word 'fecit' which translates to 'has made this'. But the fragment is broken where the painter's name would have appeared, meaning their identity will likely never be known. Unusual graffiti of the ancient Greek alphabet has also been reconstructed – the only example of this inscription found to date in Roman Britain. The precision of the scored letters suggests that it was done by a proficient writer and not someone undertaking writing practice. Some fragments imitate high-status wall tiles, such as red Egyptian porphyry – a crystal-speckled volcanic stone – framing the elaborate veins of African giallo antico – a yellow marble. Inspiration for the wall decorations was taken from other parts of the Roman world – such as Xanten and Cologne in Germany, and Lyon in France. It took three months for Mola senior building material specialist Han Li to lay out all the fragments and reconstruct the designs to their original place. He said: 'This has been a 'once-in-a-lifetime' moment, so I felt a mix of excitement and nervousness when I started to lay the plaster out. 'Many of the fragments were very delicate and pieces from different walls had been jumbled together when the building was demolished, so it was like assembling the world's most difficult jigsaw puzzle. 'I was lucky to have been helped by my colleagues in other specialist teams for helping me arrange this titanic puzzle as well as interpret ornaments and inscriptions – including Ian Betts and the British School at Rome – who gave me their invaluable opinions and resources. 'The result was seeing wall paintings that even individuals of the late Roman period in London would not have seen.' Speaking to the Today programme on BBC Radio 4, Mr Li said: 'When you are looking at thousands of fragments of wall paintings every day, you start to commit everything to memory. 'You are sometimes working when you are sleeping as well. 'There was one time that I thought that this fragment goes here, and I woke up and it actually happened – so you could say I was working a double shift. 'But it's a beautiful end result.' One fragment features the face of a crying woman with a Flavian period (AD 69-96) hairstyle, hinting at the time period it may have been created. Work to further explore each piece of plaster continues.