Predator: Killer of Killers
There's no denying how much of an impact the Predator franchise has left on the monster movie genre, evolving from its humble beginnings in 1987 with a relatively straightforward, almost slasher movie-like premise, to a massively successful series of films spanning time, space and even crossing over to another franchise, pitting man against monster across Earth and beyond.
Still, there was a space that even the titular apex hunter had yet to conquer – the animated one – or at least until now, as the franchise's latest outing, Predator: Killer of Killers , not only aims to break new ground in the field of animated films, but to also bundle three stories into one with its ambitious anthology format, featuring different Predators on the hunt across three periods of human history.
But as with its predecessors, it's the humans and not the alien hunters who continue to take centre stage, as the ugly creatures remain mostly cloaked and in the shadows across the film's three short story segments: The Shield sees a Viking raiding party led by Ursa and her son Anders taking revenge on an opposing faction led by Zorun, a brutal warlord responsible for the death of the shield-maiden's father; The Sword focuses on a pair of brothers in feudal Japan forced to go against each other after a childhood betrayal; and The Bullet, which follows an aspiring pilot during World War II as his squadron encounters something in the sky far deadlier than the German Luftwaffe.
Despite literally being in the title of the show and placed front and centre in promotional material, each Predator variant across the three chapters is mostly left on the sidelines, delegated until the closing minutes of its associated story for the big reveal and final showdown. Granted, the little screentime given to each hunter is certainly impactful, as not only do each Predator look intimidating in their own right, but each also fits nicely into their respective timelines.
Take the Vikings' Predator, for example, a massive, muscle-bound brute that leaves viewers questioning how it could have even kept to the shadows in the first place, decked out in appropriately low-tech weaponry (for a Predator, at least), armed with a single hand-cranked shockwave device in place of its missing right arm. There is still advanced equipment used by the creature, but the story focuses more on the ancient fight, as the Viking age brings the franchise the furthest back the series has gone, since its 1719 setting in 2022's Prey .
This same level of culturally appropriate detail extends to the two other hunters as well, with the Japan-era Predator equipped with all the stealth-centric tools fitting of a ninja during the time period, or the technologically advanced spaceship which stalks the skies of World War II, leading to an intense chapter set almost exclusively in the air.
That being said, with the majority of each chapter focuses on the story of human conflict, the film ultimately falls victim to its own ambitions, as by cramming three stories into a short 90-minute runtime, the speedy pace of each means that there simply isn't enough time for audiences to develop any sort of emotional attachment to the newly introduced characters.
To put it another way, it's tough to truly grasp the Viking Ursa's pain and anger when the backstory of her father's death lasts no longer than five minutes, or the sting of a brother's betrayal when their shared relationship is only depicted on-screen via a short montage. Frankly, the movie would have benefited more if it had been spread across more fleshed-out episodes as a miniseries instead.
Granted, when the action does kick in, it's truly a sight to behold, with decapitations, dismemberments, and disembowelment alike as the Predator makes quick and gory work of almost all who stand in its way, supplemented by a fluid stepped animation style similar to that seen in the recent Spider-verse films from Sony's Spider-Man series. Still, it's simultaneously satisfying yet disappointing to see what is supposedly the world's greatest hunters get outsmarted by a bunch of mere humans, although, as the film's title so aptly puts it, it takes a killer to kill a killer.
Yet, amidst all the glorious animated bloodshed occurring on screen, one can't help but wonder how much more epic the action would look if the film were made in live-action instead. As impressive as the film's animated scenes are, it can't emulate the same visceral feel of seeing actual blood and guts (or at least, CGI-ed ones) pouring out of an unfortunate soul as they scream in agony. And for a franchise so rooted in graphic violence, the shift to animation, while offering a new perspective, does unfortunately present a step down in terms of its thrill-factor.
Despite its missteps and missed opportunities, it's still heartening to see an almost 40-year-old franchise continuing to take risks to freshen up the monster movie formula. With its comparatively 'family-friendlier' visual style that's more accessible while still retaining on-brand amounts of violence, along with some interesting nods along the way to other shows in the franchise, Predator: Killer of Killers serves as a commendable starting point for those looking to dip their toes into the franchise, while still offering something refreshing for long time series veterans, just don't expect its move to animation to blow anyone's minds, well, apart from some of the unfortunate on-screen victims.
So what's the point of this film? Aside from bringing audiences a closer look at the various Predators across time, look out for a blink and you'll miss it cameo from a franchise favourite character. Given Trachtenberg's larger involvement in the franchise, with his live-action Predator: Badlands out later this year, this could jolly well be his attempt at bringing back a prey he has an affinity for.
Summary
Predator: Killer of Killers pits man against monster in the yet-to-be-conquered animation space, and while there are no true winners, the film itself included, it's always something special when a franchise chooses to break convention and try something new, no matter the success of the final result. Story - 7/10
Direction - 7.5/10
Characterisation - 6.5/10
Geek Satisfaction - 7/10
Kevin is a reformed PC Master Race gamer with a penchant for franchise 'duds' like Darksiders III and Dead Space 3 . He has made it his life-long mission to play every single major game release – lest his wallet dies trying. Disney+ Predator Predator Killer of Killers Review
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