
Dolomites soundscape and a nightingale's song win nature music prize
One is a dreamy soundscape collected from the peaks of the Dolomites. The other is a drum'n'bass track that samples a nightingale's quickfire song.
These contrasting tunes have won the inaugural Tune into Nature music prize, a contest that seeks to showcase new music by upcoming artists that is inspired by the natural world.
Dawn, Aurora, by Josephine Illingworth, was created from sounds that the 23-year-old musician and artist from London recorded during several weeks sleeping alone in mountain huts in northern Italy, with lyrics taken from the entries left by hikers in the hut guestbooks.
Nightingale by Wildforms, real name Dan Cippico, is inspired by recordings the electronic musician made last spring of the rare bird's incredibly fast, mesmeric song.
The two winners beat nine other shortlisted artists, covering genres including hip-hop, rock, pop, jazz, folk and classical, to take the prize, which was founded by Miles Richardson, the professor of nature connectedness at the University of Derby.
The prize, which was judged by musicians, artists and writers, including Cosmo Sheldrake, Andrew Fearn of Sleaford Mods, Melissa Harrison and Sam Lee, aims to support young talent and showcase how the natural world is central to creative life. Both songs will be played on BBC Radio 6 Music and BBC Radio 3.
Illingworth described her song as 'a tapestry of the memories and experiences taking place across the mountains, and a call for us to see life and movement in things we may think are silent'.
She added: 'I am so honoured to be chosen for the Tune Into Nature prize, and I hope that you can listen to the song, and that perhaps it touches you in some way.'
Cippico wrote his track after hearing the nightingale's song for the first time last spring. He said: 'I was instantly inspired by its song, which to me evoked the jungle and drum'n'bass music genres that were a major influence on my musical upbringing. I'm excited that the interplay of nature and music is being celebrated by a prize such as this.'
Judge Madame Gandhi said: 'Both tracks are richly emotive, deeply creative and immersive. In Nightingale, Dan was able to seamlessly sample the often robotic nature of a nightingale's song as the core motif in his drum n bass style piece. In Dawn, Josephine was able to drop us back into our human-centred heart space, encouraging us to listen to nature more and recognize oneness with our environment.'
Fellow judge, sound artist and nature beatboxer Jason Singh, said: 'There is a great feeling of hope in the music, and it was wonderful to hear tracks created from recordings of birdsong and sampling twigs and grasses to create new instruments which all feel unique.'
Richardson, who chaired the judges' discussion, said the panel wanted to give equal exposure and support to both tracks. He said: 'We constantly hear about the climate and biodiversity crises, but fostering hope and forging a new bond with nature is part of the solution. The entrants of the Tune into Nature music prize exemplify this, offering music that not only celebrates but also inspires hope through our connection with the natural world.
Sign up to Down to Earth
The planet's most important stories. Get all the week's environment news - the good, the bad and the essential
after newsletter promotion
'Listening to all the entries gave me an immense sense of hope. It was thoroughly enjoyable and at times a true celebration of the natural world. Nature has featured less and less in song lyrics over recent decades, but the entries show that there is a great deal more to explore.'
The shortlist also included indie singer Lizzie Esau and artist and producer Ciaran Austin.
The two prize winners will both receive £500 as well as a professional remix and access to one of the world's best archives of nature field recordings from The Listening Planet. The competition has been supported by organisations including University of Derby's Nature Connectedness Research Group, Yorkshire Sculpture Park, the Conservation Foundation, EarthPercent and Sounds Right.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Spectator
4 days ago
- Spectator
The secret child: Love Forms, by Claire Adam, reviewed
Claire Adam's compelling first novel Golden Child won the 2009 Desmond Elliot Prize and was also picked as one of the BBC's '100 Novels that Shaped Our World'. It told the story of contrasting twins in Trinidad – one an academic high-flyer, the other a misfit. When the latter is kidnapped, the father must act to rescue the son he has never quite understood. Adam has followed this with an ostensibly quieter novel about a Trinidadian woman called Dawn, divorced with two adult sons, who lives in south London and works for an estate agent, after abandoning her medical career. She decides to search for the baby girl she gave up for adoption more than 40 years earlier, having got pregnant by a tourist at Carnival, aged 16. 'The sex was unremarkable at best – it didn't take long. It was painful at first, then boring, then embarrassing.' Adam is a thoughtful writer and this is a soulful, unflashy narrative. Dawn was sent by her family to Venezuela to have the baby in secret, and after the event none of her relatives would discuss the matter with her. When she gives birth to her first son with her husband, he only finds out that she has previously had a child from reading her medical notes. She describes her own childhood as 'perfect'. The rupture only occurred when she was sent away. She is nonetheless keen to explain what the nuns, to whom she entrusted the baby for adoption, were like: I feel I should clarify about the nuns. When you say 'nuns' nowadays, people think of evil, cruel women who starve girls and make them scrub floors. Caribbean nuns aren't like that. For the most part they're cheerful women, busy, active. In Golden Child, the nightly news bulletins were full of stories of fatalities and domestic murders. In Love Forms, violence is hinted at when it is acknowledged that properties in Trinidad need to be gated for security. There is also a brief, horrifying scene in a morgue, which Dawn's brother Warren takes her to in an attempt to warn her that their position of comfort and safety is more precarious than it looks. Love Forms does not have the same propulsive quality as the kidnap narrative of Golden Child, but it's a reflective novel that sensitively explores love and motherhood.


The Guardian
12-06-2025
- The Guardian
Love Forms by Claire Adam review – the power of a mother's loss
Claire Adam's 2019 novel Golden Child was her debut, but it felt like the work of a master. It was tender, ravishing, shattering – you believed every word of it. The book had an effortless narrative authority that most first-time novelists would kill for. Love Forms is every bit as alive and convincing, and returns us to Trinidad, with its potent fizz of colour, heat and political instability. But unlike the earlier book, it's also set partly in south London – the writer's own home turf – and has a mother, rather than a father, at its heart. Dawn, our 'white, young, rich' narrator, is the youngest child of a well-known Trinidadian fruit juice dynasty. At 16, after a brief encounter with a tourist at carnival in Trinidad, she finds herself pregnant. Petrified of the stigma, her otherwise caring parents make a 'pact' never to speak of it again, dispatching her, under cover of darkness, on a terrifying and chillingly evoked boat trip to Venezuela. Here she spends four months with nuns who deliver her baby – a girl she never sees again – then is returned to Trinidad to resume her schooling as if nothing has happened. But something has happened. And 40 years later, now an ex-GP living in London, divorced with two grown-up sons, Dawn is still bereft, still searching. Not just for her daughter but, because her memories of her time in Venezuela are so cloaked in shame and secrecy, for what feels like a missing part of herself. Her family kept to their pact and the episode has never again been mentioned, but for Dawn the questions have only grown more pressing with time. What part of Venezuela was she sent to? Who exactly were the nuns? Most of all, who was that traumatised teenage girl who gave up her baby so easily? After years of emotionally exhausting research – letter writing, internet forums, DNA tests – she's still no closer to the truth. And then one night a young woman in Italy gets in touch. So many of her details seem to fit. Could this be Dawn's long-lost baby? It's a situation rich with logistical and emotional possibilities, all of which Adam mines with subtlety and finesse. What could all too easily have been a straightforward case of will-she-won't-she find her long-lost child is somehow both more mundane and more unsettling. Would Dawn have had a better life if she'd kept her baby? In many ways, probably not: she was able to go to medical school and make a career for herself. Yet still the terrible, unspoken loss has left its mark on every member of the family: not just her parents, but her older brothers, her somewhat disengaged ex-husband and her sons, whose understandable priority is to protect her from further hurt. It's her parents who, believing they were acting in her best interests, are most infuriated by Dawn's apparent inability to hold on to the good life she's made for herself. 'The man had enough!' her mother explodes in frustration when, after years of putting the search before everything else, her daughter's marriage breaks down. All they ever wanted was for her to have done well despite her 'trouble' – her mother's elation at noting, on a visit to the marital home in leafy Wandsworth, that she has a cooker with eight rings, is a lovely touch. Still, Dawn's abiding sense of loss, the instinctive feeling of her daughter's absence, which 'always arrived somewhere in my abdomen, the sudden shock, like remembering laundry left out in the rain or children not picked up from school', is something whose power cannot be overestimated. Adam is great on the unsaid, the half-said, and the way feelings will unravel and morph over the years. 'Mothers will fight off lions,' Dawn tells her father in a rare, late moment of reckoning. 'Actually it was you I should have been fighting … you were the lion. I didn't realise it back then.' It's credit to this novel's ability to wrongfoot you that at this moment you find yourself feeling a flicker of sympathy for her father. And this sense of uncertainty and unease continues to the end. The final pages, which unfold at the family's beach house on Tobago, are as gripping as any thriller, and the ending, when it comes, feels as right as it is devastating. Love Forms by Claire Adam is published by Faber (£16.99). To support the Guardian, order your copy at Delivery charges may apply


Daily Record
08-06-2025
- Daily Record
Coronation Street star welcomes second baby with unique and 'beautiful' name
Rebecca Ryan, who played Lydia Chambers on the cobbles, has given birth to her second child with husband Dan. Coronation Street's Rebecca Ryan has given birth to her second child. The former cobbles star, known for her role as Lydia Chambers, shared the delightful arrival of her newest daughter with husband Dan Acram. The soap actress announced the heartwarming news on Instagram, two years after their first child Aurora was born. She introduced her bundle of joy to her followers with a sweet reveal - and an even sweeter, stand-out moniker. "Introducing the newest member of my little girl gang, the adorable Oriana," Rebecca, 34, wrote. The name Oriana shares a Latin root with Aurora and is linked to the Latin meaning for gold, 'aurum', and dawn or sunrise, 'oriens'. Her brother Jack, who also appeared in the ITV soap as Jacob Hay, raced to share his delight in the comment section, gushing: "Proof that the first time wasn't a fluke, you make the most beautiful babies." Congratulatory messages poured in from Rebecca's Corrie colleagues, including Sally Carman who raved: "She's beautiful! Congratulations to you both!" and Elle Mulvaney who added: "congratulations she is beautiful." The mum-of-two also shared an adorable Instagram snap of Dan and Aurora carrying Oriana out of hospital in a car seat with the caption: "Family," followed by a pink love heart. Van Morrison's 'Days Like This' played over the Story. Rebecca has showcased her talent across various popular series such as Waterloo Road, Casualty, and Shameless. Prior to giving birth, she documented her pregnancy journey online with snapshots depicting her growing bump. "Sleeps overrated anyway, here comes baby No.2," she wrote in her latest pregnancy announcement. The touching post was followed by a red heart emoji. Rebecca and her husband have been eagerly showing off their firstborn daughter on social media since she arrived in 2023. Last year, Rebecca delighted followers with charming snaps of her darling girl celebrating her first birthday. Taking to Instagram, Rebecca wrote: "My darling girl Aurora, where has this year gone? "The immeasurable joy and love you have brought into my life is something I will be forever thankful for. "Your cheeky smile lights up every room, and I just love watching you grow and change every single day. "You are the best thing that has ever happened to me. Happy 1st birthday my girl." The arrival of a second child will add another member to Rebecca's expanding clan, which features her accomplished sibling, also known for his soap work. Audiences were surprised to hear that Rebecca and Jack were siblings when she joined the cast of the beloved British soap shortly after Jack began playing Jacob. Even the showrunners were taken aback when they discovered that the two were related upon casting them as principal stars. Reflecting on the reaction, Rebecca told The Mirror: "Nobody at 'Coronation Street' had any idea. "When I joined, I'd be talking to people and say, 'Oh, yeah, my brother works here'. And they'd go, 'Really, who's your brother? What? Jack!' "It's a dream come true to be working on the show at the same time, but it's a total coincidence." Join the Daily Record WhatsApp community! Get the latest news sent straight to your messages by joining our WhatsApp community today. You'll receive daily updates on breaking news as well as the top headlines across Scotland. No one will be able to see who is signed up and no one can send messages except the Daily Record team. All you have to do is click here if you're on mobile, select 'Join Community' and you're in! If you're on a desktop, simply scan the QR code above with your phone and click 'Join Community'. We also treat our community members to special offers, promotions, and adverts from us and our partners. If you don't like our community, you can check out any time you like. To leave our community click on the name at the top of your screen and choose 'exit group'.