
Alanna Panday reveals chilling details of brother Ahaan Panday's birth: ‘Wrapped in cloth, suffered a hairline fracture…'
Ahaan Panday, cousin of actor Ananya Panday, is gearing up for his Bollywood debut. In a recent vlog shared by his sister, digital creator Alanna Panday, she and their mother, Deanne Panday, reflected on Ahaan's birth. Deanne recounted the terrifying experience of Ahaan's premature arrival. Alanna mentioned that her brother's birth was almost like a movie; he was as small as a rat and was transported to another hospital, wrapped in cloth with a hairline fracture.
In a recent vlog, Alanna Panday shared that hearing the story of her brother Ahaan Panday 's birth continues to trigger anxiety for her. She mentioned that their mother, Deanne Panday, had never spoken about the incident publicly before and described it as a frightening experience.
Deanne then recounted how, nearly six weeks before her due date, she noticed her water bags leaking slightly. When it happened again, the family alerted Ahaan's grandmother, who immediately contacted a doctor. The doctor advised that Deanne be rushed to the hospital without delay.
Deanne Panday further recalled that when doctors conducted a sonography, they discovered that all the amniotic fluid had already drained, and Ahaan was found curled up in a corner of her womb.
She was immediately taken in for an emergency C-section. Upon delivery, Ahaan was so tiny that she described him as being "as small as a rat." Deanne said she lost consciousness shortly after the procedure and, upon waking, inquired about her baby's whereabouts.
She was informed that Ahaan had been shifted to the NICU in a different hospital. Despite having just undergone surgery, she insisted on being taken there to be with her newborn.
Alanna mentioned that her mother had left out a crucial detail: Ahaan was transported to the hospital in a cooler, specifically a thermocol box. She remarked on how cinematic the story seemed, especially considering it happened around 25 years ago.
Deanne confirmed this, describing how they wrapped Ahaan in cloth, placed him inside the box, and how both her mother-in-law and mother rushed him to Nanavati hospital. She recalled the pain of being separated from her baby, being taken to her room in a wheelchair despite the discomfort.
Deanne also noticed a small stick attached to Ahaan's leg, a result of a hairline fracture he had suffered. She reflected on the ordeal, saying that Ahaan had been through a lot and that she spent 10 days in the hospital feeding him.
Saiyaara, directed by Mohit Suri. The movie, which also features Aneet Padda, is scheduled for release in July.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
&w=3840&q=100)

First Post
2 days ago
- First Post
Saiyaara director Mohit Suri: ‘Flawed, imperfect people make for perfect and complete love stories'
Mohit in his brilliant 20 year career has delivered some of the most mesmerising young love stories of our times. read more Yash Raj Films and Mohit Suri's Saiyaara has been getting unanimous praise from audience who have felt that this romantic film is about two real people, who have their flaws and issues but are electrifyingly compatible. The songs of the film showcasing this palpable chemistry is already a rage on the internet and Mohit reveals how he wanted to make a film showcasing 'imperfect people who become perfect in each other's company '. STORY CONTINUES BELOW THIS AD The ace director says, 'Flawed, imperfect people make perfect and complete love stories. Such people, such romances feel real, feel relatable and somehow I like to root for them. Saiyaara is one much romantic story that hopefully people will see and feel that they have come across lovers like this or feel these are their own stories.' Mohit in his brilliant 20 year career has delivered some of the most mesmerising young love stories of our times. Knows as a master of the romance genre, he reveals when a love story works with the audience. He says, 'There cannot be an amazing love story if everything is hunky dory between the boy and the girl. If there is love .. there is heart break and pain … we don't have a choice… It has to touch your heart and talk to your soul. For me, a good love story has to make you connect to the lovers at a very emotional level and that's only possible when the love story feels real.' Mohit adds, 'With Saiyaara, I'm trying to tell a story like this. There is a lot of genuineness to this love story and I hope people feel the same way when they see Saiyaara in theatres from July 18. Saiyaara is one of the most special love stories that I have directed in my 20 year old career. It has a piece of my heart only because of the romance that this young boy and girl experience. The arc of their story is innocent yet complex and unconventional and it pulled me in to tell their story.' He further says, 'So, if you see the two leading actors Ahaan and Aneet and the lovers they are portraying in Saiyaara, there is nothing conventional about it. In the film, these two characters are figuring their lives with one another while navigating their issues, they haven't made it big in life, they are from very different backgrounds with very different value systems, they have their own struggles, they are imperfect separately but together they try to be perfect! That's the kind of love story that i want to tell as a director and hopefully that's the kind of love story people want to see.' STORY CONTINUES BELOW THIS AD The title of Saiyaara has piqued interest of audience. It means a wandering celestial body, but in poetry it's often used to describe something (or someone) dazzling, ethereal, or otherworldly — a wandering star - always shining, always guiding, but always out of reach. The introduces Ahaan Panday as a hero to the Hindi film industry and also stars Aneet Padda (who stole hearts with her brilliant performance in the much-acclaimed series Big Girls Don't Cry) as the female lead. Saiyaara is produced by the company's CEO Akshaye Widhani and it is set to release on July 18, 2025 in theatres worldwide. YRF, in its 50 year history, is known for giving India some of the cult romantic films of all time primarily directed by Yash Chopra and Aditya Chopra. Mohit Suri, who is currently in his 20th year in cinema, has also directed some of the most favourite romantic films like Aashiqui 2, Malang, Ek Villain, etc. STORY CONTINUES BELOW THIS AD


Indian Express
2 days ago
- Indian Express
From the ‘soundproof' hills of Kashmir to Bollywood: Meet Faheem Abdullah and Arslan Nizami, musicians behind Saiyaara's title track
Yash Raj Films recently announced their upcoming film Saiyaara, starring Ahaan Panday and Aneet Padda. Both faces are newcomers to Bollywood and will face the ultimate test of debutantes come release day. Another duo related to the film who are already under the spotlight are musicians Faheem Abdullah and Arslan Nizami. Faheem is the voice behind Saiyaara's title track, while Arslan got a chance to compose the song alongside industry veteran Tanishk Bagchi. Hailing from Kashmir, the duo have made people notice their ability to tell stories via music through their respective debut albums. Now, however, they must tackle a different beast, making music for a big-budget Bollywood movie backed by Yash Raj Films. Staked by director Mohit Suri, the duo have been given a seat on the high-rollers' table, and it's up to the fans to decide whether this hand will be a winner or not. In an exclusive interview with SCREEN, the two young artistes talk about entering Bollywood with a Yash Raj Film and how different the process of creating something as pure as music is when you are a solo troupe compared to when you have a big banner backing you up. So what kind of music are Faheem and Arslan listening to these days? Faheem – Well, that is a very personal question, to be honest, but I think I have been listening to a lot of Turkish rock-pop right now and a lot of Afro house these days. Arslan – I have been exploring the band Bayaan these days, and I have also been listening to this new artist that I have recently explored, Charle Cunningham. Faheem – I mean, the music taste is very similar; that's why Arslan and I make music a certain way. We keep exploring genres, and that helps when you are feeling very emotional and overwhelmed. Bayaan has been an inspiration to both of us. Both of you had incredible debut albums. How is the experience of recording your very own independent album different from recording a project for a big banner like Yash Raj Films? Faheem – Well, I think it was a blessing to have a very similar sort of experience while making music for independent releases and now for Yash Raj Films. We as artistes, Arslan and I have believed in collaborating. If you look at our albums, it's been a collaborative effort from other Kashmiri artists and people from all over the country. As artistes, we are very possessive about our melodies and work, but when you do something for a film, you have to rewire yourself. The lyrics might change, the length of the song might change, and you have to be very open to it. The inclusivity in the making of a film song is such an experience. Everybody is trying to make a beautiful piece of art. Arslan – Recording my own independent album was like standing in front of a mirror, with no script, and just my own truth. On the other hand, working with a banner like YRF is like being part of a grand cinematic symphony. You are always surrounded by some of the best minds in the business, and it has taught me discipline, collaboration, and how to elevate a song so that it can fit into a movie. What was it like working with a mind like Tanishk Bagchi, someone with a discography so vast and varied? Faheem – I think working with Dada (Tanishk) was no less than getting yourself into a school. There is so much to learn from him and his experience. He made us very comfortable with whatever we were doing, and he gives you the freedom to express yourself. He makes it look so seamless while he is transcending what you have created in a raw form into something which the world would get to listen to. It was a great learning process for both of us, and especially for me. Arslan – Dada is very collaborative and open to experimenting. He brings that energy and creativity to the studio. He tells you to do whatever you feel like in the moment. It's just you, your guitar and whatever you want to do with it. That kind of support and space was special for the both of us. Coming from a place like Kashmir, how important do you think it is for someone to have the agency to make music like both of you? Do you guys think that through your projects, you have somehow given power to whosoever comes after you? Faheem – Tough situations and tough conditions make the artistes who they really are. If you give an artiste all the luxury, I don't think they will be able to truly express the emotions they have been feeling. A major emotion behind us making music is the experiences and the pain that we have gone through in our lives. All those summed up together, and Kashmir has been the inspiration behind our melodies and our music. At the same time, since we have come out and started making music, we have actively seen a lot of young musicians coming up to us, mailing us and even coming to our studio. The valley felt like it was 'soundproof' and that our music wasn't going through, but now it is, and it feels great being able to do this. Many established singers like Sunidhi Chauhan and Jonita Gandhi have talked about playback singers not getting paid for Bollywood projects. Do you think that is still the case, or are things changing? Faheem – If you look at the change in pattern in the industry, earlier the singers from the industry used to record songs for the films, and that was it. The trends have changed in the last couple of years, as a lot of artistes from the indie background have set foot into Bollywood. It's true that for an indie musician, the pressure is not that much. If it doesn't work out in the industry, you can always go back to pursuing your own independent music that you used to. Speaking for Arslan and me, we never came into music for earning money. He was working as an engineer in a tunnel; I finished my master's in English Literature and was planning to be a full-time writer and editor. The music journey came at the right time, and we call ourselves 'God's chosen duo'. But if it doesn't work out, we are very comfortable going back to lead the lives that we used to. You both have talked about the power and importance of collaborations. What are some of the dream collaborations for both of you from within the industry? Faheem – Well, I personally want to work with a few names out there; one is Mithoon sir, the other is Vishal Bhardwaj sir, and the end goal would be working with AR Rahman. I think I will have achieved everything if I get to work with him. Arslan – I always wanted to work with Rekha Bhardwaj ma'am, and I did that on the track 'Rooh'. Apart from that, AR Rahman sir would be lovely. Does working with someone like YRF come with its own pressures? What would you say to the people discovering you or thinking of venturing into the world of music? Faheem – It certainly does, because you have a responsibility on your shoulders. Someone like YRF, who has been doing it for decades now and does it like no one else, working for them does put you under some pressure, coming from a place like Kashmir. To be accepted by someone like YRF, Mohit Suri sir and Dada, it felt like a responsibility, and we were trying to do it right initially until we were told that 'you don't have to do it right; you just have to do it the way you feel about it, and you have to be honest about it.' Arslan – I think the key is to just stay grounded. I always remind myself about why I started. It's about the music and not the spotlight, and as long as I stay true to my emotions and the emotions behind the song, the pressure becomes the fuel rather than a source of fear.


Pink Villa
3 days ago
- Pink Villa
6 Bollywood movies releasing in July 2025: From Metro In Dino to Son Of Sardaar 2
After a lul phase where new releases were hard to come by every week, Bollywood is all set to welcome 6 reasonably sized movies in the month of July, 2025. The movies releasing in July are - Metro... In Dino, Maalik, Aankhon Ki Gusthakhiyaan, Saiyaara, Son Of Sardaar 2 and Param Sundari (as things stand). Let's discuss the prospects of each film in detail. 1. Metro... In Dino Cast: Aditya Roy Kapur, Sara Ali Khan, Ali Fazal, Fatima Sana Shaikh, Nina Gupta, Anupam Kher Directed by: Anurag Basu Release date: 4th July, 2025 Genre: Romance, Drama Anurag Basu's Metro... In Dino is among the most awaited Bollywood movies for two vital reasons - It is a sequel to Life In A Metro and it boasts of an excellent music album. The movie is set to release on 4th July, 2025. Watch the Trailer of Metro... In Dino 2. Maalik Cast: Rajkummar Rao, Manushi Chhillar Directed by: Pulkit Release date: 11th July, 2025 Genre: Action, Drama Rajkummar Rao, after Bhool Chuk Maaf, gears up for Maalik. Maalik is a crime- action-drama with the actor in a never-seen-before avatar. Co-starring Manushi Chhillar, the movie promises excitement and thrill in equal measure. Get ready to book tickets for the movie on 11th July, 2025. 3. Aankhon Ki Gustaakhiyan Cast: Vikrant Massey, Shanaya Kapoor Directed by: Santosh Singh Release date: 11th July, 2025 Genre: Romance, Drama The dependable Vikrant Massey, after his reasonable theatrical performer, The Sabarmati Report, is back in an interesting romantic-drama, Aankhon Ki Gustaakhiyan, co-starring Shanaya Kapoor. The film's teaser is intriguing and we suspect there can be some thrill on offer too. The movie locks horns with Maalik on 11th July. Watch the Aankhon Ki Gustaakhiyan Teaser 4. Saiyaara Cast: Ahaan Panday, Aneet Padda Directed by: Mohit Suri Release date: 18th July, 2025 Genre: Romance, Thriller Mohit Suri's Saiyaara, starring debutants Ahaan Panday and Aneet Padda, gears up for release on 18th July, 2025. The musical-thriller-drama has already generated ample excitement for the chemistry of the leads. Things look bright for the film, a month out. Watch the Saiyaara Teaser 5. Son Of Sardaar 2 Cast: Ajay Devgn, Mrunal Thakur Directed by: Vijay Kumar Arora Release date: 25th July, 2025 Genre: Action, Comedy Ajay Devgn is back with yet another sequel of his successful film - Son Of Sardaar 2. Co-starring Mrunal Thakur, the movie releases on 25th July, 2025 and promises to be a laugh riot. The teaser of the movie will be out in 2 days from the time this article goes live. The official teaser/trailer of Son Of Sardaar 2 is still to release 6. Param Sundari Cast: Sidharth Malhotra, Janhvi Kapoor Directed by: Tushar Jalota Release date: 25th July, 2025 Genre: Romance, Comedy Sidharth Malhotra and Janhvi Kapoor reunite for the first time with Param Sundari. The movie shall blend the South Indian and North Indian culture in a very seamless way. While the movie is looking to posptone by a week, it will be no surprise if it doesn't postpone and releases on the 25th of July.