
Judas Priest's Decades-Old Concert Gives The Band A New Bestseller
Judas Priest's Live in Atlanta '82 debuts at No. 40 on Billboard's Top Album Sales chart, giving the ... More metal legends a seventeenth career entry. British heavy metal group Judas Priest perform onstage at the Rosemont Horizon, Rosemont, Illinois, June 14, 1984. Pictured are, from left, guitarist KK Downing, singer Rob Halford, and guitarist Glenn Tipton. (Photo by)
Judas Priest is back with another bestseller in America — though not in the way that most artists collect big wins. The metal legends only just returned with a brand new full-length studio effort, Invincible Shield, a little over a year ago, and while some may have assumed a long break in between drops was coming, the band had a different plan. Instead of dropping another typical studio project, the group took part in this year's Record Store Day celebration and offered up something longtime fans have been craving: a standalone release of a classic live show that had never been available in this format.
The strategy worked. Once Live in Atlanta '82 became available, fans rushed out to grab their copies — and they immediately gave Judas Priest another huge success in the U.S.
Live in Atlanta '82 manages to perform well enough to reach a single Billboard ranking this week. The full-length collection arrives at No. 40 on the Top Album Sales chart, barely squeaking onto the roster of bestsellers in the U.S. inside the top 40. That showing is based solely on pure purchases, as the tally doesn't incorporate streams or any other consumption metrics.
According to Luminate, Judas Priest's latest offering sold just under 4,400 copies in its first few days of availability. Considering it's a live set from more than 40 years ago, and a reissue at that, that's a solid total.
With Live in Atlanta '82, Judas Priest claims its seventeenth placement on the Top Album Sales chart. Out of all those showings, only three have made it into the top 10. The band's highest peak on the ranking remains No. 2. The group first reached that position in 2018 with Firepower and matched just last year with Invincible Shield.
This week's Top Album Sales chart is particularly packed, thanks to the annual Record Store Day sales event. 28 projects debut for the first time on the 50-position roster. Among those, Judas Priest lands the twenty-second loftiest debut of the week. The metal pioneers are edged out by several other rock legends, including Rage Against the Machine, Talking Heads, David Bowie, The Doors, and the Grateful Dead, among others.
The material featured on Live in Atlanta '82 won't be unfamiliar to the band's diehards. Superfans will recognize the set from its original inclusion in the massive box set 50 Heavy Metal Years of Music, which arrived years ago. Until now, it was only available on CD, buried inside the expansive collection.
For Record Store Day, Judas Priest finally issued Live in Atlanta '82 as a standalone release — and gave it a proper vinyl treatment. The double LP was pressed on bright red wax, making it a collector's item for fans who had been hoping for a vinyl version ever since the concert first surfaced.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Epoch Times
5 hours ago
- Epoch Times
A Joint Museum Acquisition of a Rare British Self-Portrait
The British Baroque artist William Dobson (1611–1646) is not a household name, but that may be changing with the international news that London's Tate and the National Portrait Gallery (NPG) have jointly acquired one of his rare self-portraits. The purchase Among modern scholars, Dobson's paintings have been critically acclaimed, especially after two 20th-century exhibitions. Art historians have found similarities between his work and that of such illustrious figures as Caravaggio and Rembrandt, two artists who also have important self-portraiture legacies. However, Dobson has long been forgotten by the general public due to personal and historical circumstances.

USA Today
5 hours ago
- USA Today
Is there a post credit scene in 28 Years Later?
The newest sequel in the 28 Days Later franchise hit theaters on Friday, with audiences heading to see what the rage virus had done to the United Kingdom in the nearly three decades since it began. The story picks up with Spike (Alfie Williams) and his dad (Aaron Taylor-Johnson) heading onto the mainland from the safety of their island refuge for a coming-of-age hunting trip. Warning: Spoilers for 28 Years Later follow! Eventually Spike and his mother Isla (the wonderful Jodie Comer) go on a search for a doctor (Ralph Fiennes) that can hopefully help her migraines and bouts of confusion. They, of course, run into a lot of trouble with hordes of infected and a particularly difficult Alpha (the more evolved and stronger infected). After finding Dr. Kelson, Spike has to come to grips with grief and death in a new way, and he decides to stay out on the mainland to learn more about himself. So, is there a post-credit scene in 28 Years Later? The short answer is no, you can leave when the credits start to roll. The longer answer is that there should have been one. Director Danny Boyle and writer Alex Garland ended the movie with a bizarre scene that involves track-suited, karate fighting killers in blond wigs, led by ringleader Jimmy Crystal (Jack O'Connell). It's a deep cut reference to disgraced British television host Jimmy Savile, but it's also a drastic tonal shift from the rest of the movie. The newest movie is actually the launching point for a hopeful new trilogy, starting with 28 Years Later and continuing with the January 2026 release of 28 Years Later: The Bone Temple. Since the final scene seems to be more of a lead-in to that follow up film, it would have been less of a vibe shift had it followed a wave of credits.


Buzz Feed
6 hours ago
- Buzz Feed
Bad Bunny Says It Is Silly To Complain About His Job
It's fair to say that Bad Bunny is one of the hardest-working music artists in the game right now. Benito Antonio Martínez Ocasio went from the barrio to the Billboard charts, becoming one of the first Latin artists to sell out stadiums around the world, even breaking the record for most tickets ever sold in Spain (he's set to perform 12 shows there on his upcoming tour). In a June 18 interview with Variety, the Puerto Rican superstar spoke to his work ethic as a music artist and celebrity. When his comments went viral, the fans were eating it up just as much as his boricua beats. In the interview, discussing his upcoming residency and tour surrounding his sixth studio album, Debí Tirar Más Fotos, Benito got real about what's expected of him as he embarks on one of the biggest tours of his career. "At times, I do think, cabrón, what I'm signing up for is a lot," he said. For context, Benito is set to perform a 30-night residency at the Colseo de Puerto Rico in San Juan, not too far from where he grew up from July 11 to Sept. 14, and then he's going on a 56-date world stadium tour from November 2025 to July 2026. Basically, he's booked and busy. "But the way I see it, I'm not a doctor; I'm not a teacher; I'm not someone who has to wake up every morning at 5 a.m. to lay down concrete on a busy road to survive," Benito continued. "My job is to fucking sing, and even though it comes with its own set of sacrifices, it feels silly to complain about it." When Benito's comments on the pressure of fame started to make their rounds on the internet, like in this Reddit thread, a lot of people had something to say about it, many praising the three-time Grammy winner for his honesty. Here are some of my favorite comments. "He's a man who got famous as an adult and has managed to become the hometown hero of Puerto Rico, which he obviously put in the work to deserve. It's not necessarily easy to handle, but you can compare that to what a lot of women and people who start as child stars go through. Good for him that he feels this way about it, but I'm not shocked that it's not a common perspective. If he can avoid the toxicity of overwhelming greed and not chase being a billionaire or whatever, he might actually stay happy," a Reddit user shared. Another Reddit user said, "Finally someone with some common sense. I'm so tired of celebs complaining how hard their job is, having never worked a real job in their lives. Like, sure, the pressure must be a lot and paparazzi and public scrutiny, but that's nothing compared to some annoying boomer manager breathing down your neck 24/7 or a customer having a screaming meltdown over a difference of 28 cents or cleaning up vomit, etc." "I appreciate the humility but the more artists downplay the work they put in the more the public does as well. EVERY job has pros and cons so please remember that. He is lucky to have the job he has but it's not like many of them don't work hard for it. 💙" X user wrote. This Reddit user wrote, "He has the right attitude and a healthy perspective." "Good way of putting it, everything is relative and even with fame and money and privilege you can still stress and be sad and be overwhelmed at times, but still understand and be grateful for what you have," another X user wrote. "I truly wish more celebrities and influencers had enough self-awareness to realize that publicly whining about their privileged lives doesn't hit the way they think it does," another Reddit user added. Finally, this Reddit user said, "It doesn't even sound like he's saying that as a performer you can't have bad days or struggle in/with your career, it more so sounds like he simply thinks it's in poor taste to publicly lament about how hard you have it since it's a highly privileged profession." What do you think about Bad Bunny's take on the pressures of being a famous singer? Let's talk about it in the comments.