logo
Abu Dhabi International Book Fair: Celebrating decades of cultural, knowledge innovation

Abu Dhabi International Book Fair: Celebrating decades of cultural, knowledge innovation

Al Etihad26-04-2025

26 Apr 2025 15:09
ABU DHABI (WAM) With the opening of its 34th edition today, the Abu Dhabi International Book Fair has successfully reinforced its status as a leading cultural and intellectual destination. Over the decades, it has firmly established the concept of knowledge and cultural sustainability, while promoting the Arabic language's presence within the creative and cultural industries both locally, regionally, and globally.The Fair's journey began in 1981 when the late Sheikh Zayed bin Sultan Al Nahyan inaugurated the first edition under the name "Islamic Book Fair' at the Abu Dhabi Cultural Foundation, with the participation of 50 publishers.In 1986, the first official edition of the Abu Dhabi Book Fair was launched, again at the Cultural Foundation, featuring 70 publishers. The momentum grew in the 1988 edition, with 80 publishers from 10 Arab countries participating.By 1993, the event had evolved into an annual fixture, attracting an increasing number of local, regional, and international publishing houses.Entering the new millennium, the 2001 edition attracted around 514 publishing houses, marked by the notable presence of cultural leaders and intellectuals.The 2009 edition witnessed the launch of "The Arab E-Library" and attracted 637 publishers from 52 countries. France was the Guest of Honour for the first time in 2011.In 2014, the fair introduced Al Mutanabbi as the Fair's inaugural 'literary figure of honour', with participation from 1,050 exhibitors.In 2015, the fair celebrated its Silver Jubilee, honouring the late Sheikh Zayed bin Sultan Al Nahyan as pivotal personality of the Year, with 1,181 publishers from 63 countries participating.The fair again celebrated Sheikh Zayed in the 2018 edition, coinciding with the Year of Zayed, welcoming 1,350 exhibitors from 63 countries, with Poland selected as the Guest of Honour.In 2019, India was the Guest of Honour, and for the first time, the 'One Million Tolerant Document' initiative was launched, in line with the UAE's Year of Tolerance.The most recent edition saw 1,350 exhibitors from 90 countries under the theme "Where the World's Tales Unfold'. It also welcomed 145 new publishers and participants from 12 countries, including Greece, Sri Lanka, Malaysia, Pakistan, Cyprus, Bulgaria, Mozambique, Uzbekistan, Tajikistan, Turkmenistan, Kyrgyzstan, and Indonesia.In an unprecedented move, the current 34th edition (April 26 – May 5, 2025) extends the exhibition period to 10 days for the first time. This aims to encourage innovation within the publishing sector, enhance cultural dialogue, and provide greater support to local and Arab authors by offering more opportunities for networking with international publishers.The 2025 edition celebrates the Culture of the Caribbean as Guest of Honour, reflecting the UAE's commitment to cultural dialogue. The fair also spotlights Ibn Sina (Avicenna) as the central figure, and features a special tribute to "One Thousand and One Nights" within its rich programming.This year's edition features participation from over 1,400 exhibitors from 96 countries, speaking more than 60 languages. Impressively, 120 exhibitors are participating for the first time, marking an 18% growth.
Moreover, the fair welcomes publishers from 20 new countries across four continents, speaking more than 25 languages. It hosts 28 international pavilions, 87 local and international government entities, 13 author-publishers, 15 universities, and 8 initiatives dedicated to supporting the publishing industry.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Sand, sweat and high stakes
Sand, sweat and high stakes

Broadcast Pro

time2 hours ago

  • Broadcast Pro

Sand, sweat and high stakes

What happens when a global survival format gets a cultural reboot in the heart of Neom? In an exclusive interview with Vijaya Cherian, Blue Engine's Ziad Kebbi and MBC's Hussein Jaber explain how they turned an international hit into a distinctly Arab spectacle, powered by raw emotion and regional authenticity. Set against the dramatic backdrop of Saudi Arabia's Neom region, Million Dollar Island brought a daring new twist to reality television. Season 2 returned to the Middle East with a sharper edge, a more intimate cast and a desert twist that has attracted audiences far beyond the region. Rebranded as Million Dollar Land (or Ard Al Malyon), the Arabic-language version was filmed entirely in Neom under the creative direction of Blue Engine Studios and with the full backing of MBC Group. 'It's a partnership rooted in trust and aligned ambition,' says Ziad Kebbi, founder of Blue Engine Studios and Executive Producer of the show. 'MBC has the regional muscle and reach; Blue Engine brings the creative edge and executional agility. We complement each other in the best way, challenging each other, pushing boundaries, but always with the same goal: to elevate the content landscape in the region.' But there's more to it than survival drama and big-money suspense. At its heart, this is a show about identity, resilience and how global storytelling can take on new meaning when rooted in Arab values, say the duo. 'We flipped the script,' explains Kebbi. 'No one had ever done a desert version before. We didn't just relocate the geography; we redefined the cultural texture. From how competition is framed to the way alliances and group dynamics are portrayed, we built the format around values like trust, honour, resilience and respect for others. The tone of interaction, the story arcs, even how we depict conflict is all intentionally filtered through a regional lens. This isn't just an Arab version of a Western show, it's a rooted, reimagined take that stands on its own.' Kebbi, a long-time champion of international formats adapted for Arab audiences, knows how to find that sweet spot between global appeal and regional authenticity. For him, Million Dollar Land 'isn't just a survival show or entertainment'. He calls it 'a layered social experiment'. 'What fascinated me was the psychological interplay, the ever-shifting alliances and the way it unearths primal human behaviour under pressure. I saw an opportunity to localise those dynamics and make them culturally relevant. It's rare to find a format that's both epic in scale and deeply emotional. That duality is what pulled me in.' The format has already proved successful. In its first season, it quickly became the highest-rated non-scripted programme on MBC. 'Audiences were hooked. They rooted for some, plotted against others and fully immersed themselves in the ride. It wasn't just background TV; it became a weekly conversation starter. And let's not even talk about the visuals. Neom gave us a backdrop that made every frame feel cinematic. People weren't just watching a show, they were watching a spectacle,' says Kebbi. Now, with season 2 introducing only 30 contestants (down from 100), the stakes are more personal and less predictable. 'We wanted to go deeper,' says Hussein Jaber, Senior Programme Manager at MBC Group. 'Fewer contestants meant richer stories. The result is a more intense emotional arc that connects across the Arab world.' Kebbi elaborates: 'In season 2, we focused on filming in a deeply intimate way, capturing raw, unfiltered emotions with zero manipulation or scripting. We let reality unfold on its own, and what came through is powerful, unexpected and very real. This season brings unparalleled moments to the screen, ones that will cause gasps, awe and a flurry of emotions. And of course, we made sure to design water cooler moments that drive conversation and reaction. Think shocking twists, emotional reckonings and scenes that stick with you long after the episode ends. This isn't just a show, it's an emotional rollercoaster waiting to be talked about.' That depth, Kebbi notes, is the result of a team that brought both technical mastery and cultural sensitivity to the table. 'Director and Head of Production Jenane Mandour, Producer Nadine Smayra and our Content Producer Jad Azzam played key roles in shaping the narrative,' he says. That emotional resonance is what both Jaber and Kebbi believe makes the show work in this market. 'Audiences here want to see themselves reflected – people who sound like them, look like them, carry their stories and what they stand for. And they want complexity. They don't want to be spoon-fed,' explains Kebbi. The setting, of course, plays its own starring role. Neom's surreal desert backdrops elevate the show into something cinematic. But producing there comes with its own set of challenges. 'Neom is a beast in the best way,' Kebbi says. 'Logistically it's remote and ambitious, which presents challenges in infrastructure and access. But the flip side? You're standing in a landscape that looks like Mars and shoots like a dream. The visual scale is cinematic.' Jaber agrees: 'The location was stunning and futuristic, perfect for the show. Even though logistics were a bit tougher in terms of weather and proximity, it was worth it for the result on screen.' From Format to Franchise Talpa Studios, which created the original Dutch version, is now expanding the format internationally, with Million Dollar Land in the Middle East and Million Dollar Desert airing on NET5 in the Netherlands. Blue Engine Studios has been key to that evolution, not just executing the Middle East edition but helping bring other productions to the site as well. 'Season 1 made such an impact that it inspired the Dutch to shoot their next season here,' Kebbi says. 'That's a testament to the concept and to what Neom can offer.' The changes in season 2 go beyond cast size. New plot twists like the sudden disappearance of 10 bracelets (each worth $10,000) inject new layers of strategy and tension. 'That mystery kicks off the game with a bang,' says Kebbi. 'It's not just about surviving anymore; it's about decoding the game.' Culture Takes Precedence Every element of Million Dollar Land has been adapted with cultural consciousness at its core, says Kebbi. 'We understand this region – its complexities, its sensitivities and its deep-rooted values. That awareness isn't just a checkbox; it's embedded into every decision we make, from format tweaks to how we cast and guide interactions on set. And that extends to the contestants themselves. Everyone carries a deep respect for the cultural nuances of the countries they come from, and what's even more rewarding is seeing how eager they are to learn about each other's differences.' Jaber adds that the production went to great lengths to avoid the kind of confrontation-heavy content that often dominates Western reality formats. 'We prioritised storytelling that felt real. Family. Ambition. Roots. We made sure everything, including scripts, scenes, even tone, was authentic. We kept the thrill but grounded it in the Arab values of trust, growth and unity. Diverse casting and thoughtful challenge design made it relatable and inclusive.' That attention to nuance even shows up in unscripted moments. Kebbi recalls a powerful early scene: 'Without any intervention or instruction, the men in the game instinctively built shelters for the women to shield them from the rough desert environment and to provide them with a private space. That wasn't scripted. That was cultural DNA at work, and it was beautiful. This was an environment where cast and crew understood the line between drama and disrespect. And when that's your starting point, you rarely need to course-correct.' Connecting Across Borders For both Kebbi and Jaber, the show's success is proof that Arab audiences are ready for more emotionally complex, high-concept reality formats, especially when they're localised with care. 'The region was ready for a bold, emotional adventure. Neom gave us a dramatic canvas, and the format felt tailor-made for stories of loyalty, survival and community,' Jaber notes. 'We cast wide, hit key platforms and used social media smartly – teasers, BTS, polls. Mohamed El Shehri's hosting helped anchor the connection.' Blue Engine and MBC are already looking ahead, Kebbi reveals. 'We're working hard to establish this as a franchise that keeps coming back. The ultimate goal is to make this show the go-to place for anyone who wants to challenge themselves under extreme conditions and walk away with life-changing lessons. We've got exciting plans for future seasons, maybe even a celebrity version. We're also actively working to bring in other countries from around the world to film their own versions in this challenging desert environment.' He adds: 'This could be the franchise that keeps evolving. We're not done yet. Every format we've adapted has either struck gold or taught us how to refine. And we're just getting started.'

Cairo Int'l Film Festival opens submissions for 11th Cairo Film Connection
Cairo Int'l Film Festival opens submissions for 11th Cairo Film Connection

Broadcast Pro

time4 hours ago

  • Broadcast Pro

Cairo Int'l Film Festival opens submissions for 11th Cairo Film Connection

Eligible projects must be feature-length films in either the development or post-production phase, submitted by filmmakers from Arab countries. The Cairo International Film Festival (CIFF) has opened submissions for the 11th edition of the Cairo Film Connection, a major industry platform that forms part of the festival's 46th edition, scheduled to take place from November 12 to 21, 2025. Filmmakers can apply until August 1, 2025, through the festival's official website. A cornerstone of CIFF's Cairo Industry Days, the Cairo Film Connection is designed to support feature-length narrative and documentary films from the Arab world that are currently in either development or post-production. Through financial grants, production services, and matchmaking opportunities with influential producers, funders and distributors, the platform aims to empower Arab filmmakers and amplify their voices on the international stage. CIFF President and veteran actor Hussein Fahmy said: 'At CIFF, we strongly believe that supporting filmmakers from the region is fundamental to the growth of Arab cinema. Cairo Film Connection has become a true platform for launching promising projects. We take pride in what it has achieved over the years in discovering new talents and enhancing Arab cinema's presence on the global stage.' Mohamed Tarek, the festival's Artistic Director, added: 'Each edition, we strive to offer meaningful and diversified support to projects that stand out for their boldness and artistic integrity. The Cairo Film Connection is more than just a pitching platform—it is a vibrant space for exchange and creative dialogue between filmmakers, funders, and programmers from around the world.' Over the years, the platform has helped propel numerous Arab projects to international acclaim. Notable examples include Four Daughters by Tunisian filmmaker Kaouther Ben Hania, Inshallah a Boy by Jordanian director Amjad Al-Rasheed, Goodbye Julia by Sudanese filmmaker Mohamed Kordofani, and The Brink of Dreams by Egypt's Namir Abdel Messeeh—all of which went on to gain significant attention at global film festivals. Mohamed Sayed Abdel Rahim, Head of Cairo Industry Days, stated: 'Over the past ten years, the Cairo Film Connection has solidified its position as one of the most vital development platforms in the Arab region—not only because of the awards and funding it offers, but also because of the caliber of films it helps bring to life.' The 2024 edition welcomed 18 projects from 13 Arab countries and saw participants receive 31 awards totaling over $220,000 in cash and in-kind services, provided by both local and international partners. To be eligible, submissions must be feature-length narrative or documentary films from Arab filmmakers, either in development or post-production. Directors must be of Arab nationality or origin and must have completed at least one previous film—short or feature.

UAE strengthens global publishing ties in Beijing
UAE strengthens global publishing ties in Beijing

Gulf Today

time5 hours ago

  • Gulf Today

UAE strengthens global publishing ties in Beijing

Represented by a distinguished selection of established and emerging publishing houses, the Emirates Publishers Association (EPA) is participating in the 2025 edition of the Beijing International Book Fair, shining a spotlight on the UAE's experience in developing its publishing industry, particularly in the fields of children's literature and innovative educational content. This participation in Asia's largest copyrights exchange platform, and the second largest book fair in the world, reflects the EPA's ongoing commitment to empowering Emirati publishers, expanding opportunities for international collaboration, and strengthening the UAE's presence on the global publishing stage. The EPA's stand at the fair serves as a vibrant window into the UAE's dynamic publishing landscape, showcasing a unique blend of seasoned expertise and emerging voices in children's literature and educational publishing. Among the participants are publishers who graduated from the 'Onshur' programme—an initiative launched to empower the next generation of publishing entrepreneurs in the UAE by empowering them with professional and technical support. Featured publishers include Hamda Al Baloushi, Manager of Aalamkom Publishing and Distribution, and Treasurer and Board Member of the EPA, Salim Abdulrahman, Managing Director of AlRewaya Publishing, and Ghassan Rabih, representative of Dar Rabie Publishing. Representing the 'Onshur' graduates are Dr. Asmaa Emara, Founder of Dal for Publishing, a publishing house dedicated to innovative approaches to Arabic language education, and Fatema Al Hammadi, Founder of Sohub Publishing and Distribution, which specialises in educational content for people of determination and students with autism. Running from June 18-22, the Association's programme at the fair features a series of high-level events uniting content creators and publishing professionals from the UAE and China. A key event on the agenda is the 2025 Global Children's Book Forum, centred on the theme 'Integrated Innovation in Children's Books Amid New Realities.' Through this platform, the Association highlighted UAE's pioneering contributions to the global book industry, particularly in advancing children's publishing and fostering a culture of reading among young minds. The event agenda also features a panel discussion titled 'Nurturing Young Minds: Children's Publishing Priorities in the UAE and China,' with participation from publishers, Hamda Al Baloushi and Ghassan Rabih, alongside a group of distinguished Chinese children's publishers. Commenting on the Association's participation, Rashid Al Kous, Executive Director of the EPA, emphasised that the EPA's presence at major international book fairs represents a strategic opportunity for copyrights exchange, expanding professional networks, and exploring new markets for Emirati and Arabic content. He stated, 'This year, we placed special focus on the UAE's experience in children's publishing—a field that conveys universal messages with a distinctly local spirit, led by young publishers who possess clear vision and genuine passion. By empowering them, we are laying the foundation for a new generation that embodies innovation and authenticity.' He further noted, 'Our participation in the Beijing International Book Fair is an extension of the UAE's broader vision to support creative industries—particularly publishing—as a vital tool for knowledge dissemination and cultural dialogue. Each international platform is an opportunity to project our cultural voice globally and to showcase the wealth of creative potential that the UAE holds. The presence of 'Onshur' graduates at an event of this calibre sends a clear message: the youth are a powerful force shaping the future of Emirati publishing.' Publisher Hamda Al Baloushi described her participation as a significant milestone in her professional journey, highlighting the opportunity it provided for engagement and exchange with publishers from around the world. She added that it had opened new avenues for collaboration and copyrights exchange, particularly in the Asian market. WAM

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store