logo
Disney+ Suspect release date, cast, trailer, plot: Everything you need to know

Disney+ Suspect release date, cast, trailer, plot: Everything you need to know

Daily Mirror23-04-2025

Disney+ is gearing up to release Suspect: The Shooting of Jean Charles De Menezes, which stars the likes of Russell Tovey, Max Beesley and Laura Aikman.
Suspect is set to drop on Disney+, a gripping drama that explores the tragic killing of Jean Charles De Menezes.
Penned and executive produced by Jeff Pope, known for his work on Philomena and Stan And Ollie, Suspect takes viewers on a journey through the aftermath of the 2005 London bombings and the death of Brazilian Jean Charles De Menezes who was tragically mistaken for a terrorist.

The drama, brought to life by an ensemble cast, portrays the errors that led to his death and how memories, "both accurate and distorted" can morph into fact.
Disney+ Suspect release date
Suspect: The Shooting of Jean Charles De Menezes is set to be released on Wednesday, 30th April, on Disney+.
This limited series is a four-part drama with all episodes being released at once, allowing subscribers to binge-watch the entire series in one go if they so choose.
Disney+ Suspect cast
Disney+'s Suspect boasts a star-studded cast, each portraying real-life individuals in this graphic reenactment of events.
Game Of Thrones actor Conleth Hill plays the role of then Met Police Commissioner Sir Ian Blair, with Years and Years and Being Human's Russell Tovey as his deputy assistant commissioner Brian Paddick and The Gentleman star Max Beesley as assistant commissioner Andy Hayman.

Des, The Long Shadow and A Thousand Blows star Daniel Mays will be taking on the role of principal forensic investigator Cliff Todd in the upcoming series. Gavin And Stacey's Laura Aikman will portray Lana Vandenberghe, a secretary at the Independent Police Complaints Commission who plays a crucial part in the aftermath of Menezes' death.
The Crown's Alex Jennings will play barrister Michael Mansfield KC, representing Menezes' family at his shooting inquest, while Paddington In Peru's Emily Mortimer will depict Cressida Dick, the Gold Commander of the surveillance operation pursuing those believed to be behind the bombings.
Newcomer Edison Alcaide will portray Menenzes himself, marking his first-ever onscreen role in this Disney+ drama.

What viewers can expect from Suspect on Disney+
The series follows the terrifying London bombings on July 7, 2005, and a subsequent failed set of planned attacks, leading to one of the UK's largest ever manhunts and a covert surveillance operation led by Commander Cressida Dick (played by Emily Mortimer).
The synopsis further reveals: "As tension and uncertainty rises across the nation, a series of extraordinary events unfolds, and the actions of the Metropolitan Police leads to a critical misidentification.

"Jean Charles de Menezes, an innocent young Brazilian electrician on his way to work, is mistaken for a terrorist and fatally shot at Stockwell station.
"In the wake of these tragic events, Independent Police Complaints Commission secretary Lana Vandenberghe (Laura Aikman) makes a life-changing decision, and Deputy Assistant Commissioner Brian Paddick (Russell Tovey), in a police force engulfed by crisis, fights for the truth to prevail.
"What follows is a family's fight for justice and answers, and a long-fought struggle to bring clarity to a situation clouded by disinformation."

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Real Housewives star's grim surgery horror as her flesh left dying after op
Real Housewives star's grim surgery horror as her flesh left dying after op

Daily Mirror

time39 minutes ago

  • Daily Mirror

Real Housewives star's grim surgery horror as her flesh left dying after op

EXCLUSIVE. WARNING: GRAPHIC IMAGES. Real Housewives of Cheshire star Lauren Simon has spent the past three years dealing with the devastating and painful consequences of a 'botched' boob job in Turkey Lauren Simon, star of The Real Housewives Of Cheshire, has spent the past three years dealing with the devastating and painful consequences of a 'botched' boob job in Turkey. The 53-year-old visited a clinic in Istanbul to reduce her 34DD chest down to a 34D, after being encouraged to go abroad by a friend. Now that she's nearing the end of her reconstructive treatment, Lauren exclusively reveals to new the extent of her ordeal to help educate other women thinking of going under the knife abroad. ‌ 'I can totally understand why someone who's had three kids might want to boost their confidence and pay £2,000 in Turkey rather than £10,000 in the UK, but if something seems too good to be true, it probably is,' she says ruefully. ‌ Hi, Lauren! Why go to Turkey for your breast reduction operation? I was typical Lauren – jump first, think later. I went with a friend, involved in a plastic surgery business out there, so I thought I'd be OK. I'd never had invasive surgery and I thought, 'I've had two kids, I'll just have my boobs put back where they're supposed to be.' Did you do much research into where you were going? No. I told friends, and everybody said I was crazy, but I didn't listen. I'm very headstrong. Also, once you've gone through a tough divorce like I have, you think you're in control and do whatever you want. I felt invincible, if I'm being honest. My mum said, 'Don't go' but I wouldn't listen. I thought, 'I'm going with a friend, I'll be fine.' What happened when you got there? ‌ I flew to Bodrum to have my teeth done and, then flew to Istanbul for breast surgery and to get a bit taken off my nose. I was taken to a very swish hospital, full of people wearing Chanel, looking like movie stars. I was on the VIP floor and, at 7am, the surgeon, who I hadn't seen or spoken to, came in and said, 'Right, what are we doing?' I showed him a picture of what I wanted my nose to look like (of Megan Fox – who takes in a picture of Megan Fox? Ridiculous!) and said I wanted my breasts one size smaller, with an implant that lifts them. So you went in for both surgeries. What happened when you woke up? ‌ I realised I'd had a reaction to the general anaesthetic. I was so swollen, so I stayed in for an extra day but then went back to the villa where I was staying with other women who were also getting things done. You were all going in for surgery at the same time? ‌ Yes, six women, including myself, staying in the same villa, with a nurse checking on us. All had numerous surgeries on the same day. Most were having breast reductions, tummy tucks, full-body lipo and Brazilian butt lifts. I had different needlework on the left and right breast, so I don't think I even had the same surgeon. Did you notice more problems straight away? Yes, my left nipple was purple, and the breast was about three times the size of the other, and boiling hot. I knew something was wrong. I went back into the hospital a few days later and, when they opened the bandages, the whole nipple was black – the flesh was dying. ‌ That sounds so scary. You must have felt far from home... I refused to fly home because my nipple was getting blacker and blacker. They admitted me and came in every two-and-a-half hours to have blood pricked back into the nipple to help blood flow. I ended up staying in Turkey for a month, barely sleeping and in a lot of pain. The first few weeks I was just crying. The last two weeks, I was in and out of hospital to get the infection treated. ‌ What did you do each day? I'd go for a walk in the morning, then watch TV. I also did a lot of meditation and listened to self-help podcasts. I had to get strength from somewhere very deep to be able to stay sane. What happened when you got home? ‌ I'm really lucky that I found some amazing doctors here, and I had a surgery last week with a doctor at The Pall Mall Surgery. A lot of UK doctors don't like to deal with surgeries from abroad, and I understand why. I was in a lot of pain and had capsular contracture, where scar tissue tightened around the implants. It was such an ordeal. What advice would you give to someone considering surgery abroad? If you're going to a surgeon that's reputable, and you are speaking to and FaceTiming them, that's one thing. If you're going somewhere that just does Instagram adverts, don't do it. That said, I understand that for someone on a normal salary, there's still a big difference in costs, so it's about educating people to help them make sensible decisions and making the UK market more competitive. ‌ Your daughters, Gigi and Kika, must have been very worried. They didn't want me to go but they're 21 and 17 now. They realise we all make mistakes. ‌ I think they were just happy to have me home. It's put them off having their boobs done, though! They might tell me I'm stupid, but they'll always support me. Have you sworn off surgery? Well, it took me so long to decide to get something done. I'm in my fifties, now. I think eating healthy and going to the gym is the way forward. It's definitely changed how I live and work. ‌ You haven't lost your confidence, though. No, I'm actually very body positive. My clothes are always too short and too tight, but I always think I look amazing! And is there anyone special on the scene? I'm not in a relationship at the moment – I'm... interviewing! But I think I'll wait for the sports bra to come off and the sexy lingerie to come back before jumping into anything.

Disney legend Alan Menken: The dwarves are the whole point of Snow White
Disney legend Alan Menken: The dwarves are the whole point of Snow White

Telegraph

timean hour ago

  • Telegraph

Disney legend Alan Menken: The dwarves are the whole point of Snow White

'Are we going to talk about Disney and woke?' Alan Menken makes a horrified face and draws a finger across his neck in a throat-cutting mime. 'I'm going to pull the plug on this interview if there is any mention of Disney and politics!' He's joking. Having composed some of the most memorable scores in the history of animation, including nine for Disney – from The Little Mermaid to Beauty and the Beast – Menken is not about to let a ­culture-war kerfuffle throw him off balance. 'It's fine,' he says. 'Ask me anything.' We are meeting a few months ahead of the West End opening of Hercules, a new stage-musical ­version of Disney's 1997 animated riff on Greek mythology, set to ­Menken's original gospel-driven score (with lyrics by David Zippel). 'It's a very sophisticated score ­stylistically,' he says. 'It has a lightness to it and a rhythmic propulsion.' A native New Yorker, Menken doesn't do false modesty – and why should he? After all, he's one of only 27 people ever to have achieved the EGOT, winning Emmy, Grammy, Oscar and Tony awards. His last Academy Award came in 1996, for Pocahontas, though he's been nominated multiple times since. 'The Oscars have dried up because I've won eight of them now.' Yet it's another Disney production, the live-action remake of Snow White – not a film that Menken had anything to do with – which is dominating the headlines when we meet and that will, in the weeks that follow its woeful box-office performance, come to be seen as a nadir in the studio's muddled, frequently controversial project to update its much-loved back catalogue. At the time, Rachel Zegler, Snow White's leading lady, was drawing criticism from some quarters for comments she had made about Palestine, while the decision to have computer-­generated dwarfs in an otherwise human cast had gone down badly with just about everyone. 'How you deal with all this stuff, it's as tricky as hell,' says Menken, who is in two minds about the whole idea of updating the classics, although he is sympathetic towards Zegler. 'She's just a kid. Yes, she said 'Free Palestine'. It's the kind of thing any of us might have said. We all want people to be free. Although, of course, there are also the nuances of history. 'But when it comes to the dwarfs…' He pauses, takes a breath. 'I'm sorry, but the dwarfs are what Snow White is all about!' There's been a bit of 'that stuff' with Hercules, he admits. The story, in which Hercules, a demigod raised among mortals, learns to embrace his destiny, has been updated for the stage show and, says Menken, now allows for its hero – depicted in the cartoon as a buff, blue-eyed redhead and played on stage by the dark-haired, Surrey-born actor Luke Brady – to be ­portrayed as 'a racial outsider'. Menken applauds the 'richness' this brings to the character, but laments the toning down of the ­cartoon's randy satyr, Philoctetes, who, he says with a hint of regret, will not be seen on stage 'running around lusting over nymphs'. 'At the time, you play with certain clichés because it's fun,' he says. 'But each new adaptation has to be sensitive to the passing of time and the way people will look at ­certain issues.' Menken is a hyperactive speaker; he talks in stops and starts, and is as physically expressive as any one of the animated characters to whom he has given such glorious musical voice over the years. He and his writing partner Howard Ashman are widely credited with reviving Disney's fortunes during the late 1980s after a prolonged period of creative and commercial decline for the studio in the decades that had followed the death of Walt Disney in 1966. The duo, who had already had a theatrical hit in 1982 with Little Shop of Horrors, struck gold three times in quick succession with The Little Mermaid (1989), Beauty and the Beast (1991) and Aladdin (1992), the lyrics for the last completed by Tim Rice following Ashman's death from Aids in 1991. Menken, who proudly calls himself 'the keeper of the flame', would go on to score Newsies, Pocahontas, The Hunchback of Notre Dame, Enchanted and Tangled. For him, the essence of Disney can be traced back to those classics of the 1930s, 1940s and 1950s that have enriched the childhoods of multiple generations, and to the spirit of which his own scores nod. 'Fantasia, Dumbo, the later Winnie the Pooh: they all had a depth and a beauty, a proper form, a moral,' he says. 'When the Aids crisis hit, or when 9/11 happened, I couldn't watch the news, I couldn't watch my favourite action adventure movies, it was just too fraught a time. But I would watch Disney. For me, those films were the only safe space in the world. I grew up on those films, but, by the 1980s, it had all gone. So Howard and I came along and rebooted it.' Now, the company to which he has dedicated his career once again finds itself at a turning point, caught between trying to appease the more progressive yet censorious Left and the diehard traditionalist Right. Although Menken is in favour of a live-action remake of The Hunchback of Notre Dame (initially announced in 2019), he accepts that, given the story's more ­'problematic' aspects, it is unlikely to go ahead. 'People will go, 'Let's leave out the fact that Frollo [Quasi­modo's clergyman nemesis] is obsessed with the gipsy Esmeralda.' They'll say, 'We can't have Quasimodo as a hunchback.' Well, f--- that. I'd love to make a Hunchback movie [that ­follows] what ­Victor Hugo wrote. But it can't be done.' However, he says, swerving onto a more diplomatic course, 'I don't think Disney is having an identity crisis. Obviously, Disney has been very open for gay people and diversity and woke. And then woke became a dirty word. Sometimes, when you press against limits, things push back. But I know Bob,' he says, referring to the Disney CEO, Bob Iger. 'I think he's pretty savvy about the business model.' Menken grew up in a Jewish household in New York City during the dawn of rock 'n' roll in the 1950s and, throughout his early years, set his heart on becoming a pop star. 'I didn't want to go to school, ever,' he says. 'I was very ADHD. My parents were appalled.' When he told them he wanted to be a songwriter, in the mould of his hero Bob Dylan, they insisted that he practise the piano every single day. 'They imprinted on me the need to dig in and work. They would say, 'You want to be a shoe salesman instead?' I find it very depressing to buy shoes now.' After graduating from college in 1972, he attended the BMI Lehman Engel Musical Theatre Workshop – a well-respected incubator for future Broadway talent – partly to placate his parents, who were ­musical-theatre fanatics. That same year, he met and fell in love with Janis Roswick, a ballet dancer; half a century later, they remain married and have two daughters. ­Suddenly, the itinerant lifestyle of a touring pop star no longer looked quite so appealing, so Menken dedi­cated himself instead to composition. It's often said of his Disney music that it lacks an identifying style of his own, unlike, say, the higher-brow Stephen Sondheim, whose musical imprimatur is instantly recognisable. 'You can only pull on the stuff that's in your gut,' Menken says. 'And when it comes to audiences, the great thing about Disney is that it's a leveller.' All the same, he is keen to point out that his scores do have musical and emotional specificity, be it the 'apocalyptic' Phil Spector girl-group sound behind Little Shop of Horrors or the ragtime influence on Newsies. 'I'm not trying to be egotistical, but that was very much my and Howard's approach: we established throughout our scores a specificity of place,' he says. By comparison, 'a lot of the new Disney scores are generic…'. He stops, as if reconsidering what he is about to say. 'I think they have moved into a different place, where a Lin-Manuel score is very much Lin-Manuel,' he con­tinues, referring to Lin-Manuel ­Mir­anda, the creator of Hamilton, who wrote the Oscar-nominated score for Disney's 2021 film Encanto. 'That's not what Howard and I did, but, hey, things evolve.' At 75, Menken still has multiple projects on the go – including both a live-action remake and a stage adaptation of Tangled, the 2010 ­Disney animation loosely based on the story of Rapunzel – and can't imagine himself retiring any time soon. 'Well, I can if I think what I'm producing isn't good enough,' he says, 'but I haven't reached that point yet.'

Disney+ unveils packed summer 2025 slate amid £1.99 subscription deal
Disney+ unveils packed summer 2025 slate amid £1.99 subscription deal

Wales Online

time5 hours ago

  • Wales Online

Disney+ unveils packed summer 2025 slate amid £1.99 subscription deal

Disney+ unveils packed summer 2025 slate amid £1.99 subscription deal Here's what's coming to Disney+ this summer, including new titles from Marvel, The Bear and the Alien franchise Disney+ is offering a monthly subscription for £1.99 this month Disney+ has unveiled its summer slate of new and returning TV shows and there's plenty to look forward to. There's new titles from Marvel, FX and a brand-new instalment of the iconic Alien franchise on the way, all of which can be enjoyed with the streamer's latest price-cutting deal. Until June 30, new and returning Disney+ members can sign up for the Standard with Adverts plan for £1.99, securing the discounted rate for four months. This represents a 60% drop from the usual subscription fee, saving customers £12. This also includes access to beloved Disney+ series like Welcome to Wrexham, Rivals and Only Murders in the Building. The streamer's packed library can plug the gap between Netflix's Squid Game season three (June 27) and Prime Video's Gen V season two (September 17). READ MORE: Disney+ deal cuts subscription price to £1.99 - but you'll need to act fast READ MORE: 'Best pillow ever' from Emma shoppers 'love' is 20% off but not for long But for those sticking with Disney+, here's what's coming up this summer. Marvel's Ironheart – June 25 Riri Williams in Marvel Television's Ironheart Set after the events of Black Panther: Wakanda Forever, Marvel Television's Ironheart pits technology against magic when Riri Williams (Dominique Thorne) – a young, genius inventor determined to make her mark on the world – returns to her hometown of Chicago. Her unique take on building iron suits is brilliant, but in pursuit of her ambitions, she finds herself wrapped up with the mysterious yet charming Parker Robbins, a.k.a. The Hood (Anthony Ramos). Get Disney+ for £1.99 for four months £4.99 £1.99 Disney+ Get the deal here Product Description Disney+ has brought back its popular deal that lets new and returning customers join its Standard with Ads plan for £1.99 per month for four months. This means members can stream hit shows like Andor, The Bear and Alien: Earth, plus countless titles from Star Wars and Marvel, for a fraction of the usual price. The Bear Season Four – June 26 Jeremy Allen White as Carmen 'Carmy' Berzatto in The Bear FX's beloved comedy drama returns for its fourth season later this month, with plenty of drama in store as the sandwich shop-turned-fine dining restaurant is at risk of closure. The new episodes find Carmen 'Carmy' Berzatto (Jeremy Allen White), Sydney Adamu (Ayo Edebiri) and Richard 'Richie' Jerimovich (Ebon Moss-Bachrach) pushing forward, determined not only to survive, but also to take The Bear to the next level. With new challenges around every corner, the team must adapt, adjust and overcome. This season, the pursuit of excellence isn't just about getting better – it's about deciding what's worth holding on to. The Secret Lives of Mormon Wives: Reunion Special – July 1 The Secret Lives of Mormon Wives: Reunion Special After a shocking end to season two, host Nick Viall reunites all of #MomTok and #DadTok to uncover secrets and scandals, never-before-seen footage, and a surprise announcement in the first-ever reunion special for the hit reality series. Jaws @ 50 : The Definitive Inside Story Steven Spielberg films the mechanical shark on the set of Jaws The definitive inside story is the authorised documentary celebrating the film that redefined Hollywood, 50 years after its premiere. Alongside Steven Spielberg, Jaws @ 50 charts the extraordinary journey from Peter Benchley's bestselling novel to one of the most iconic films ever made. Featuring rare archival footage and interviews with acclaimed Hollywood directors, top shark scientists, and conservationists, the documentary uncovers the behind-the-scenes chaos and how the film launched the summer blockbuster, inspired a new wave of filmmakers, and paved the way for shark conservation that continues today. Washington Black – July 23 Eddie Karanja in Washington Black Based on the bestselling novel of the same name, this eight-part drama follows the 19th-century odyssey of George Washington 'Wash' Black, an eleven-year-old boy born on a Barbados sugar plantation, whose prodigious scientific mind sets him on a path of unexpected destiny. When a harrowing incident forces Wash to flee, he is thrust into a globe-spanning adventure that challenges and reshapes his understanding of family, freedom and love. As he navigates uncharted lands and impossible odds, Wash finds the courage to imagine a future beyond the confines of the society he was born into. Alien: Earth – August 13 Sydney Chandler as Wendy in Alien: Earth This sci-fi horror series serves as a prequel to the iconic franchise, set two years before Ridley Scott's original film in the year 2120, when Earth is governed by five corporations: Prodigy, Weyland-Yutani, Lynch, Dynamic and Threshold. In this Corporate Era, cyborgs – humans with both biological and artificial parts – and synthetics – humanoid robots with artificial intelligence – exist alongside humans. But the game is changed when the founder and CEO of Prodigy Corporation unlocks a new technological advancement: hybrids – humanoid robots infused with human consciousness. The first hybrid prototype named Wendy marks a new dawn in the race for immortality, but after Weyland-Yutani's spaceship collides into Prodigy City, she and the other hybrids encounter mysterious life forms more terrifying than anyone could have ever imagined. Each of these titles are available to stream with the Disney+ £1.99 deal, with members of the platform highlighting the 'very good selection' as one of its standout features. One customer said: 'Very good selection, friendly support and easy to cancel if you need to. Very easy to navigate their site and the openness and transparency they show should be a model for others.' Article continues below However, others have found their experience to be lacking, as this member said: 'The content library is extensive and impressive. However, the streaming quality is inconsistent.' But this five-star review said: 'Disney+ has consistently delivered high-quality streaming content, from classic Disney movies to new releases, along with a wealth of popular TV shows and original content. The interface is user-friendly, making it easy to find and watch my favourite programs without any hassle.'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store