Napoleon's world is on display for a landmark auction, from divorce papers to his iconic hat
PARIS (AP) — After the Hollywood epic 'Napoleon' exposed the legendary emperor to a new generation two years ago, over 100 relics — which shaped empires, broke hearts and spawned centuries of fascination — are on display in Paris ahead of what experts call one of the most important Napoleonic auctions ever staged.
His battered military hat. A sleeve from his red velvet coat. Even the divorce papers that ended one of history's most tormented romances — with Josephine, the empress who haunted him to the end.
Two centuries after his downfall, Napoleon remains both revered and controversial in France — but above all, unavoidable. Polls have shown that many admire his vision and achievements, while others condemn his wars and authoritarian rule. Nearly all agree his legacy still shapes the nation.
'These are not just museum pieces. They're fragments of a life that changed history,' said Louis-Xavier Joseph, Sotheby's head of European furniture, who helped assemble the trove. 'You can literally hold a piece of Napoleon's world in your hand.'
From battlefields to boudoirs
The auction — aiming to make in excess of 7 million euros ($7.5 million) — is a biography in objects. The centerpiece is Napoleon's iconic bicorne hat, the black felt chapeau he wore in battle — with wings parallel to his shoulders — so soldiers and enemies could spot him instantly through the gunpowder haze.
'Put a bicorne on a table, and people think of Napoleon immediately,' Joseph said. 'It's like the laurel crown of Julius Caesar.'
The hat is estimated to sell for at least over half a million dollars.
For all the pageantry — throne, swords, the Grand Eagle of the Legion of Honor — the auction's true power comes from its intimacy. It includes the handwritten codicil of Napoleon's final will, composed in paranoia and illness on Saint Helena.
There is the heartbreakingly personal: the red portfolio that once contained his divorce decree from Josephine, the religious marriage certificate that formalized their love and a dressing table designed for the empress. Her famed mirror reflects the ambition and tragedy of their alliance.
'Napoleon was a great lover; his letters that he wrote are full of fervor, of love, of passion,' Joseph said. 'It was also a man who paid attention to his image. Maybe one of the first to be so careful of his image, both public and private.'
A new generation of exposure
The auction's timing is cinematic. The recent biopic grossed over $220 million worldwide and reanimated Napoleon's myth for a TikTok generation hungry for stories of ambition, downfall and doomed romance.
The auction preview is open to the public, running through June 24, with the auction set for June 25.
Not far from the Arc de Triomphe monument dedicated to the general's victories, Djamal Oussedik, 22, shrugged: 'Everyone grows up with Napoleon, for better or worse. Some people admire him, others blame him for everything. But to see his hat and his bed, you remember he was a real man, not just a legend.'
'You can't escape him, even if you wanted to. He's part of being French,' said teacher Laure Mallet, 51.
History as spectacle
The exhibition is a spectacle crafted by celebrity designer Jean-Charles de Castelbajac, famed for dressing Lady Gaga and Pope John Paul II.
'I wanted to electrify history,' Castelbajac said. 'This isn't a mausoleum, it's a pop culture installation. Today's collectors buy a Napoleon artifact the way they'd buy a guitar from Jimi Hendrix. They want a cabinet of curiosities.'
He's filled the show with fog, hypnotic music and immersive rooms. One is inspired by the camouflage colors of Fontainebleau. Another is anchored by Napoleon's legendary folding bed. 'I create the fog in the entrance of the Sotheby's building because the elements of nature were an accomplice to Napoleon's strategy,' the designer said.
Castelbajac, who said his ancestor fought in Napoleon's Russian campaign, brought a personal touch. 'I covered the emperor's bed in original canvas. You can feel he was just alone, facing all he had built. There's a ghostly presence.'
He even created something Napoleon only dreamed of. 'Napoleon always wanted a green flag instead of the blue, white, red tricolore of the revolution,' he said, smiling. 'He never got one. So I made it for Sotheby's.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Forbes
32 minutes ago
- Forbes
Golf Gives Gareth Bale A New Sport To Try To Master
Gareth Bale putts during the first round of the Sunningdale Foursomes at Sunningdale Golf Club in ... More England. To say Gareth Bale's tenure at Real Madrid was polarizing is an understatement. From 2013-22, Bale dazzled on the field by scoring 106 goals across all competitions—two more than Ronaldo—and his bicycle kick against Liverpool in the 2018 UEFA Champions League Final is heralded as one of the best goals in Champions League Final history. Bale also won 15 trophies while playing in the Spanish capital—more than double Zinedine Zidane's tally of six as a Madrid player. Despite achieving the success and accolades most players could only dream of, the Welshman still faced criticism. Some questioned why he didn't speak Spanish publicly, though Bale has since come out saying he didn't want to 'have this big fuss around me.' Others even questioned his priorities and commitment to the club. Former Real Madrid sporting director Pedja Mijatovic claimed on the radio that despite not speaking to Bale, the impression he got was that the player's priorities were allegedly: 'Wales, golf and Madrid—in that order.' While soccer remained his passion and priority until he retired in January 2023, Bale was introduced to another competitive outlet during his time at Tottenham Hotspur when he was about 20 years old: golf. 'You're playing football all the time, so it's nice to kind of mix it up,' Bale said recently from adidas global headquarters in Herzogenaurach, Germany. 'It's difficult to play other sports, so if you're playing tennis or another sport where it requires a lot of movement, it can really tire you out, but in golf you can get around it in a cart where you're getting in and out hitting golf shots and it's not massively strenuous. 'Once you start to hit a couple of cleaner shots, it kind of really sucks you in and gets you addicted.' After starring for Southampton as a teenager, Bale signed a four-year deal with Tottenham in 2007. Playing with teammates mainly during the offseason or on the rare off day from training, golf gave Bale another competitive outlet without the physical demands—and risks—that came with professional soccer. 'Basically as soon as I started playing, that natural competitive instinct of trying to get better went in straight away,' said Bale, a five-time UEFA Champions League winner. 'And you just want to keep improving—playing better, shooting better scores, not losing so many balls. It was that natural progression.' As his soccer career progressed, including a brief loan spell with Spurs as well as a 13 appearances with LAFC, Bale's golf obsession continued to blossom in the background as he helped his national team qualify for the 2022 FIFA World Cup for the first time in 64 years. (Celebrating with a Welsh flag with 'Wales. Golf. Madrid. In that order.' written on it certainly didn't win over any Madridistas.) Bale's backyard of his Welsh estate is a golfer's paradise with replica holes of TPC Sawgrass' Island Green, Augusta National's Golden Bell and Royal Troon's Postage Stamp. He's played in Pro-Ams and charity competitions as he continues to lower his handicap, which was at 0.1 as of February. He was quick to point out he wasn't officially scratch (0.0) yet, meaning shooting par or better on a regular basis. Bale also continues to work with adidas as he transitions from the soccer field to the fairway. Rather than sharing feedback on optimizing soccer cleats to give him a competitive advantage as he speeds by defenders, Bale is now providing feedback on adidas golf shoes and apparel. 'I always say in football it was so important to me as I got faster and more powerful, I needed a boot that could withstand the amount of weight I was putting on it so my foot wouldn't move and I was able to react quickly,' he said. 'It's having that same kind of stability through the foot where you can go after a drive knowing where you push off the ground, your foot's not really going to slip inside the shoe and also having the traction on the bottom so you stay on the grass. 'I think it's so important to have the confidence in your footwear that you're able to not really have to think about it so you can concentrate on the more important aspects of your game which is trying to hit the ball straight.' Recently linked to a U.S.-based private equity company eyeing a potential takeover of Plymouth Argyle, whether or not Bale gets into club ownership is still to be determined, but his pursuit of perfection on the course remains. 'I knew I wasn't going to master it quite like I did football,' Bale said. 'It was something I really enjoyed doing and, most importantly, was able to do (during my playing career).'


Vogue
32 minutes ago
- Vogue
MSGM Spring 2026 Menswear Collection
Milan isn't just the glossy Quadrilatero or a pit stop for luxury overtourism—at least not in Massimo Giorgetti's world. For him, the city is a living, shifting canvas where art, design, and underground music collide. 'Milan is expanding at the edges,' he says, 'where new creative communities are taking shape.' It's there that Giorgetti is finding new fuel, energized by welcoming these voices into his practice. This season, he scrapped the traditional runway show entirely; instead, his men's collection took over his store, transformed by a bold intervention from Milan-based Fosbury Architecture, who cloaked the space in a Christo-esque wrap that practically erased the retail fixtures. A lo-fi video by Turbo Studio set the tone, but the real star of the presentation was the 24.7 Fastlife Collective, a crew of young acrobatic bikers whose daredevil spirit inspired MSGM's take on men's, and that was also captured in the lookbook's images. 'I like to create collisions and accidents between different artistic languages,' Giorgetti said at a preview. Yet despite the talk of creative crashes, his ethos is anything but reckless. Giorgetti isn't out to shock, his approach is more conciliatory than confrontational. From the 24.7 Fastlife Collective, he drew not rebellion, but raw energy—the speed, the adrenaline, the rush. That vibe replaced logos on mesh tees and sweats with wording like Dopamine, Antidoping, and Endorphins, alongside nods to classic cycling culture; the Tour de France's yellow and the Giro d'Italia's pink jerseys, were reworked into sweats, cotton knits, and oversized shirting. The pieces were hybrid and functional, wired with a high-performance vibe. But Giorgetti, an avid mountain biker, dialed in a personal touch: natural landscapes snapped on his iPhone mid-ride were turned into prints on oversized shirting or knitted waistcoats. Pajama-like tailoring with contrasting piping was crafted from malleable triacetate jersey—the same fabric used for tracksuits—blending comfort with a sporty edge. In an out-of-context dash, Giorgetti turned thick floral Gobelin tapestry into a zip-up bomber with matching shorts, basically, haute upholstery with a BMX pulse. 'It's like wearing your living room armchair,' he joked. After all that high-speed biking adrenaline, a soft-landing crash straight into the couch would definitely be more than welcome.


Forbes
37 minutes ago
- Forbes
‘Jaws @ 50' Gives Longtime Spielberg Historian Laurent Bouzereau Final Word On The Original Summer Blockbuster
Steven Spielberg, Director of Jaws and Director Laurent Bouzereau are pictured during an interview ... More for National Geographic's Jaws @ 50: The Definitive Inside Story. What can be said about Jaws that hasn't been said over the last 50 years? That was the big question for longtime Steven Spielberg documentarian Laurent Bouzereau (Faye, Music By John Williams) once he teamed up with Amblin and National Geographic to make Jaws @ 50: The Definitive Inside Story, a star-studded look back at the original summer blockbuster, featuring brand-new interviews with Spielberg, screenwriter Carl Gottlieb, production designer Joe Alves, and many more. 'When we set it up at NatGeo I was like, 'Oh my God, there are so many documentaries on Jaws!' [There are so many] books. [Even] I've done a book! What is left to say about Jaws?'' Bouzereau remembers over Zoom. A valid fear. As one of the most iconic and influential movies of all time, the big screen adaptation of Peter Benchley's bestselling novel has endlessly been picked over and analyzed since it first took a bite out of the big screen on June 20, 1975. But if anyone could pull off a new angle, it was Bouzereau, who is not only chummy with Spielberg (no pun intended), but also brings a uniquely international perspective to the topic. 'I grew up in France, and we didn't have summer blockbusters,' he explains. 'It's changed now, but essentially, big movies came out in the fall or the early fall. So I didn't really grow up with that concept of the summer blockbuster.' He wouldn't become familiar with the idea until arriving in the United States for the first time in 1977, the year of a certain game-changing space opera. One of the first things Bouzereau saw upon entering the airport in Athens, Georgia was an issue of People with R2-D2 and C-3PO on the front cover. 'I said, 'What's that? I want to see that!' So that's summer blockbuster [for me], it's People magazine. I think it established a certain type of expectation of big films … [Jaws] certainly gave birth to a much bigger recognition of the impact that a film can have on an audience and how the audience wants to live it [with] merchandising, books, and knowing the secrets behind them. Building a whole mythology around a cinematic experience, down to having a [theme] park ride. Jaws is beginning of that movement, which, of course, explodes even bigger with Star Wars." Nevertheless, Jaws (or Les Dents de la Mer — aka The Teeth of the Sea — as it was titled in French) sparked a major cinematic 'awakening' in the future filmmaker, who was around 13-years-old in the summer of '75. 'It was such a phenomenon, that it immediately [drove home] the importance of the director for me,' Bouzereau says. 'From that day on, I wanted to see everything Steven Spielberg ever made, and that name became symbolic of a dream for me, much more than the film itself. It was the realization of the power of images in the hands of an incredible artist … I was mesmerized by the shots and, of course, the economy of the first scene where you never see the shark and [hear] the music by John Williams. So everything was sort of summarized in that one movie, not to mention that I collected all the lobby cards and poster. My bedroom was wall-to-wall Jaws. But it was not a fanatical thing. It was really an awakening for me as an appreciator and it never left me. Sometimes, I go back to that initiation I got from Jaws as a young kid and remember those feelings of the very first time [I saw it]. It's like a first of anything." Half a century later, and Bouzereau found himself sitting across from Spielberg, free to ask any and all questions about the movie that changed both their lives. Rather than focus on the making of Jaws, a topic that had been covered so extensively over the years, the former angled for a thematic exploration of the classic picture, viewing its turbulent production as a reflection of the plot itself. Like Brody (Roy Scheider), Hooper (Richard Dreyfuss), and Quint (Robert Shaw) searching for and battling the man-eating shark, principal photography 'became a story of survival," Bouzereau notes, later adding, 'I think it's about not giving up. It's the human experience, right?' He continues: "The first time I sat down with Steven, I felt the humanity that we know from anything he's done — before Jaws and after. He was so young then, that it was still forming in a sense. But it was so mature and so much of it was there, that you can look at Jaws and say, 'That's the man who did Schindler's List years later,' and not blink at that association because his humanity is just so obvious. Not only in the story and the way that he put it together, but in his own journey as an artist making it, what he's learned from it, and how it affected him. I felt that story had not been told.' Director Steven Spielberg on the set of Jaws with the mechanical shark in the background. (Courtesy ... More of Universal Studios Licensing LLC) While the film's runaway success skyrocketed the 26-year-old wunderkind to the top of Hollywood's A-list pretty much overnight, Spielberg understandably did not recover from the trauma of a production marked by one setback after another (the most notable obstacle being an animatronic shark that refused to cooperate in salty water) for years after. Such commitment to realism, a fierce desire to shoot on the Atlantic and work the local Martha's Vineyard populace into the frame, proved to be a double-edged sword. 'A few years before, Jaws would have been made on a soundstage with local background artists who were just coming off the set of another movie,' Bouzereau says. 'There would have been no sort of colorful characters like Craig Kingsbury [who played the ill-fated Ben Gardner] from Martha's Vineyard. Going there and realizing that Jaws is something that is passed on generation after generation on that particular island —that's a microcosm of what the impact of Jaws is.' But as Spielberg reveals in the documentary, he'd often sneak aboard the screen-used Orca on the Universal Studios Hollywood backlot tour and cry. 'Everybody knows it was a nightmare, but they all say it with laugh, because we can laugh at the fact that here is one of the best movies of all time,' Bouzereau adds. 'It could have been a disaster, but I think [Steven] said it with heart and humility in a truly inspiring way that I think feels relatable for anyone, especially young people who are starting a career in anything, and feel like, 'Wow, I just learned that from my own craft.'' Speaking of which, Jaws @ 50 devotes a good amount of attention to the acclaimed storytellers who, like Bouzereau, grew up to be directors after seeing Jaws: Guillermo del Toro, J.J. Abrams, Cameron Crowe, Jordan Peele, Steven Soderbergh, Robert Zemeckis, and James Cameron. 'To really see the impact it had on some of the most important filmmakers of our times, to see the the lessons that they got from Jaws, was was eye-opening to me," admits Bouzereau. 'Because it wasn't just, 'Oh, I love the movie. It scared me.' You know, the usual sound bites. It was a very profound and big discovery for me. I also think the other aspect of the film that I had not really known about, even though it was in plain sight, was how it affected the ocean and [led to] sharks being massacred … The fascination with this novel and this movie have changed the dialogue about the ocean. I don't know if there are many movies that have had that kind of social impact. "Very few works of art turn 50 and are relevant today. I don't have any children, but I have nieces and nephews, and I have forced them to watch Jaws, and now they're forcing their kids to watch it. So it's something that's passed on, and it's pretty extraordinary to see that 50 years later. Listen, I asked myself a lot of questions if I was still relevant when I turned 50. Jaws doesn't have that problem.' 'Jaws @ 50: The Definitive Inside Story' Jaws @ 50 premieres exclusively on Disney+ and Hulu Thursday, July 10