The Second Kate Moss x Zara Collab Is The Ultimate Festival Wardrobe

If you're heading to Europe for festival season, the fashion icon herself, Kate Moss, has just collaborated with Zara (who is celebrating 50 years) for second time on The Festival Collection. Following the success of the supermodel's first Studio 54-inspired collaboration in 2024, these new rock 'n' roll styles reminiscent of her Glastonbury days are sure to excite everyone.
Moss, who designed the collection with long-time stylist Katy England, was inspired by 'some of her favourite festival pieces, including styles from thrift stores of small-town America to the most elevated boutiques of Paris and Milan,' according to a press release. Think: sparkly mini dresses, embroidered vests, biker boots, and stacked bangles.
Speaking on these limited-edition pieces, Moss says: 'Nothing matches the feeling of finding a one-off piece. Just wow. The piece that only you own.' And while others may cart up the same item from the collection as you, the nostalgic designs feel exclusive and help you stand out from the crowd thanks to the supermodel's inimitable style.
The womenswear collection — which is modelled by Moss' equally cool daughter, Lila Moss — features everything from flowy blouses and lace matching sets to androgynous silk suits and go-go boots, with prices ranging from $49.95 to $679.

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12 hours ago

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9 Best Moments From Dua Lipa's Crowning Moment at London's Wembley Stadium

When Dua Lipa's electrifying Glastonbury Festival headline performance lit up the iconic Pyramid Stage last year, it was undeniable that the British-Albanian pop star's ascent had not finished. More from Billboard Dua Lipa Brings Surprise Guest Charli XCX to the Stage for '360' in London Morgan Wallen Walks Out With NFL Legend Andre Johnson & 'Mattress Mack' at Houston Tour Launch: Watch Watch Benson Boone Embrace His Haters in Joke-Filled 'Mr. Electric Blue' Music Video With a newly crowned No. 1 album in the Kevin Parker-produced Radical Optimism — which earned her the achievement of biggest opening week by a British female artist since Adele's 30 in 2021 — and charting singles 'Houdini,' 'Training Season' and 'Illusion,' the three-time Grammy winner proved herself capable of commanding one of music's most important stages while demonstrating that no dream was too big for her to manifest — the positive (and clearly effective) manifestation method she credits for getting her there in the first place. Yet before the tents had even been dismantled on Somerset's Worthy Farm, she was already plotting her bold next move which would take the Radical Optimism tour to bigger and better stages around the world. 'There came a point in the year where I was thinking, 'I've got to sit down and write some new dreams and new plans,'' she told Billboard U.K. last year. 'I feel like I ticked so many of my boxes this year.' Still 'flying high' from Glastonbury, she announced a show at London's 90,000-capacity Wembley Stadium, which sold out in a matter of minutes. Huge demand led to a second night, which swiftly followed suit. Kicking off her U.K. and Ireland run during the hottest week of the year, the final days of June will also see Lipa play stadiums in Liverpool and Dublin before she embarks on a U.S. arena run in the autumn. Here are the nine best moments from Dua Lipa's show at Wembley Stadium on Friday (June 20). With more than enough hits to her name to guarantee an explosive opener, punchy Radical Optimism single 'Training Season' was given the honor of kicking off proceedings as the singer's shimmering arrival on stage and impassioned vocals — quite literally — sent sparks flying through the air. Sparkling pyrotechnics erupted every few seconds throughout the dynamic track, including one particularly thrilling moment after the bridge where fireworks shot up perfectly in beat with the song. 'Wembley! You guys ready for a party?' Lipa asked cheekily before introducing the song that never fails to lead a thoroughly British sing-along. After becoming an unofficial football anthem for impassioned Liverpool football fans, it felt especially fitting to hear the pop star's most chantable lyrics reverberate in the 90,000-strong Wembley crowd, as voices of all ages and octaves hollered the infectious tune back at her while pumping their arms in frenzied unison. When you have a back catalog as hook-filled as this, it's easy to fill a finely tuned set with all the hits and best bits. Tracks like 'Levitating,' 'Electricity,' 'Houdini' and 'New Rules' were just some of the highlights that punctuated two hours of uninterrupted summer disco magic, as Lipa's decade of pop smashes ensured there was barely a moment to recover between tracks, earning the undivided attention of one of the biggest crowds of her career with total ease. If the sheer disbelief in the singer's dewey eyes didn't already say it all, Lipa carved out an intentional pause early in the set to tell the crowd how she'd waited 'my whole life' for this moment. 'It's so surreal, it's so crazy,' she continued as she scanned the vastness of the gargantuan crowd gazing back at her. Reflecting on her first London show a decade ago to just 350 people, the gravity of the milestone clearly powered her energy levels down to the final seconds of the performance. When your fans have queued for hours to secure a front-row spot in a stadium during a heatwave, it's only right you take a moment to say hello. Pausing her tightly choreographed spectacle just 30 minutes in to get up close and personal with barrier-clutching concertgoers, Lipa nattered away, signed autographs and took selfies with fans who squealed down the microphone in excitement — or could barely find any words at all — some of whom had traveled from as far as Portugal to be there. There were quiet hopes that Dua Lipa would mark the occasion of her first Wembley show with a special guest or two. Instead of introducing one of her many former collaborators, she invited someone who 'really inspired me from the moment that I started making music' and has 'been a trailblazer for British music'. Moments later, Jamiroquai's Jay Kay strutted onto the stage in a white fringed jacket and luminous purple trousers to perform his 1996 acid jazz classic 'Virtual Insanity', as their loose and limber vocals gelled instantly. If her Glastonbury performance didn't already prove that choreography is fast becoming one of the star's strong suits, night one at Wembley showed that Lipa's dance moves are very much a key part of her pop star package. Whether she was following her own groove or locking into her backup dancers' high-energy routines, there was no doubt that her disco-pop songs are increasingly taking on their own shapes. Armed with sequin-filled wardrobe changes, confetti cannons, multi-colored streamers, perfectly-timed pyro and even a retro dance-along workout to 'Physical', this was a dance party from start to finish. With a ship run as tightly as this one, spontaneous moments during the concert felt all the more special. 'Happy For You', a low-key gem from Radical Optimism, found Dua Lipa at her vocal best and truly in a flow state. Standing centered atop a raised stage as she stripped away all the frills, the crowd instinctively lit up the stands with their phones at just the right moment as the dusky sky slipped into the night. Milestones like this invite moments of reflection, and there was no better song to represent a full circle journey than Lipa's 2015 hit 'Be the One,' which remains a setlist staple and one of her biggest songs to date. Channeling the ambition of that 20-year-old singer with big pop dreams, her solo moment on a smaller stage situated in the crowd was symbolic and powerful as she led her usual call and response. 'Now that's what a stadium sounds like!' Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart

Business Insider

19 hours ago

• Business Insider

Carrie-Anne Moss is finally having fun

Carrie-Anne Moss has lived many lives. At 30, she got her big break opposite Keanu Reeves as Trinity, the sunglasses-wearing, gun-toting badass who fought the evils of a simulated reality in " The Matrix." In her 40s, she scaled down her workload so she could raise her three kids. Now in her 50s and with her kids off to college, Moss is back on our screens, making a dramatic appearance as a Jedi knight in the "Star Wars" Disney+ series " The Acolyte" and starring opposite Arnold Schwarzenegger in the second season of his Netflix series "FUBAR." But she still holds her breakout role close — so close that she almost turned on "The Matrix" on a recent plane trip to Los Angeles. "I seriously almost watched it, but I didn't want anyone on the plane to think I was watching it to watch myself," Moss told Business Insider. "I just love the story." While she ended up watching her former costar Reeves kick butt in " John Wick" instead, Moss still cherishes the opportunity to revisit the famous Wachowski sisters movie. "'The Matrix' is one of those movies where, as you grow in your thinking, it becomes something different," Moss continued. "There is so much in it that I know I haven't received yet in terms of storytelling." These days, Moss isn't just poring over her old movies in search of new meaning. Returning to acting in earnest now that her children are older has given her a newfound sense of enjoyment for the craft and the experience. That's especially true of her time on "FUBAR." As the East German spy Greta, Moss not only puts on an accent, but gets to play a juicy arc as a villain — one who kisses Schwarzenegger's character in their first meeting. The role was reinvigorating. "I love working and love so many of the jobs that I've done, but that wouldn't be how I would describe them," Moss said. "Having a job for the first time where I can say, 'That was so much fun,' it makes me want to do more." In the latest interview in Business Insider's "Role Play" series, Moss reminisces about about her years as a struggling actor, getting pulled over while nursing her baby, and the moment when the "Memento" script finally clicked. On getting sick immediately after learning she got the part in 'The Matrix' Business Insider: Let's take it back to the '90s. You're landing a few roles, most notably on the "Melrose Place" spinoff series, "Models Inc." What are you doing in that time to just pay the bills, pay the rent, and get by before the big break? Carrie-Anne Moss: I waited tables a little bit when I first came out. I was a model when I was first breaking into acting, so I made a little bit of money doing that. And then I would get little parts that would just make me enough money to get to the next one. I didn't know about paying taxes, so when I got that tax bill, I was like, "Oh, no! What do you mean?" I was in acting class, I was going to the gym, didn't have many friends, I would make friends on the treadmill, just becoming an adult. I was pretty innocent, naive, and very excited about living this dream that I had had my whole life. LA was so amazing then. Tell me about the moment you learned you got the role of Trinity in "The Matrix." I screen tested for it. I did all these different auditions to get to the final screen test, which was with Keanu [Reeves]. And it was on my 30th birthday. I met Keanu that day and felt very comfortable with him. He was very kind. I was very nervous. I mean, there was so much riding on it. You have to sign your contract before you go into the screen test, so you already know that if you get it how much you're going to get paid. So that just builds more pressure. Yeah, and I kind of didn't expect to get it. But at the same time, I had gone through so many times thinking I wasn't going to get to the next level, and then I got to the next level. So I do the screen test, and then they had a week to decide if they are going to book you. I knew the deadline was a Friday, so the whole week, when my phone rang, you're just wondering. The Friday I was supposed to hear from my manager and my lawyer, they called and said, "They've asked for an extension. They've asked for another week." And I was like, "Oh, god!" So by the next Friday, I had totally let it go, to be honest. It wasn't on my mind like it had been the week before. Please help BI improve our Business, Tech, and Innovation coverage by sharing a bit about your role — it will help us tailor content that matters most to people like you. Continue By providing this information, you agree that Business Insider may use this data to improve your site experience and for targeted advertising. By continuing you agree that you accept the Terms of Service and Privacy Policy . They called me, and everyone was on the phone, and they told me I got it, and I remember I instantly got sick. I remember that distinctly — I literally felt a head cold. I think I was holding so much stress, I was crying, and I was so happy, and got sick. I remember getting off the phone with them, and I didn't even know how to tell anyone. It was a surreal moment, almost too much. On the scene that convinced her to do 'Memento' My manager is the one who really wanted me to read that. I was reading it, and I was intrigued, but it does take quite a few reads. And I remember, even after reading it a couple times, I didn't fully get it. But when I got to that scene where Natalie turns on Leonard — I remember the big splurge I did for myself after "The Matrix" was I bought myself a lawn chair so I could lay down and read scripts out in the sun. It was a serious splurge — and I remember lying on it and reading that moment in the script and feeling, "Oh. My. God." I just felt I had to do that scene. I knew right then and there. There are other layers to why I wanted to do the movie, but so many years later, that still stands out. I like these characters and these moments where I would never ever have anything like that in my life. There's such freedom in a character that would do that. You can't play that wrong, really. She is so diabolical in that moment, she's so horrible and so nasty. So to be that manipulative and go in there and do that to him like that. I just felt that would be so incredibly fun to do. On losing her acting ambition while making 'Disturbia' Shia LaBeouf Not so much. I had just had my second baby, and I was not really that open to working at that particular moment. I had a 2-year-old and a new baby. I remember my team at the time going, "We really think you should do this." And very rarely did they do that; they really respected my need for being home. I do feel motherly to younger actors now, but back then, I didn't feel that. I really liked Shia and thought he was really talented and cared a great deal about him, but I didn't feel like that. You were literally feeling motherly to your own child. Was your baby on set with you? Yeah. We shot that in LA. I remember getting pulled over on the freeway, nursing him in his car seat at night while I had someone driving me. He was crying so hard to be fed. I was crying. I was thinking, I can't do this. But you figure it out. I did not get a ticket. I was crying, and the baby was crying. I think the cop was just like, "You need to go home." And I was like, "I know!" After "Disturbia," was that the time when you decided to focus more on being a mother than acting? Oh, yeah. I think I had my first child after doing "The Matrix." I think for the premiere of the second one, I was pregnant. It all changed. I was one of those people who didn't even want anyone else to hold my baby. It was all encompassing. It was feeding me so much that it wasn't like I made any kind of mental decision. I actually, physically, couldn't do the work. And I didn't have a built-in support system, and I didn't want it. So when I worked after I had kids, it was, "Can I get help?" So that was really hard. And it sounds so corny, but I would get offers and think about it, especially when my kids were really young, I just thought, at the end of my life, am I going to care that I did another movie or if I held my baby? It was a no-brainer. I have to say I lost a lot of my ambition for the business. But now that the kids have grown, has the drive returned? Yeah, totally different. I don't know if you have ever seen that movie " Searching for Debra Winger." I watched it again recently, and what Debra Winger said is that there's a season for everything. There's a season to be a struggling actor and eating chips and salsa and a little bit of sushi and having enough money to have a coffee — I mean, that was my life. I wasn't going on vacation. I worked a lot because I never went anywhere. So when everyone went home at Thanksgiving, I would get the job. I couldn't afford a plane ticket home. You have your very focused and driven time of really wanting it and fighting for it, and then, for me, a change happened when I had kids. I remember when I went to do "Jessica Jones," it was very jarring. I went to work in New York, and I was commuting a lot, and I literally felt like I didn't even know how to talk to people. I didn't know how to do Uber. Krysten Ritter had to show me how to do it. I mean, going to set and everyone having phones, that was a real culture shock for me. You're doing a take, and the dolly grip is on his phone. It was like, "When did this happen?" On her death on 'The Acolyte' and showing her kids 'The Matrix' It's great to see you working more. You were fantastic in the brief time you were on "The Acolyte." Was it explained to you, going into taking the role, that you would die in the first six minutes of the first episode? Yes. [Show creator] Leslye [Headland] really pitched that to me that she really wanted me to do this because she wanted it to be believable. Did you like that idea? I didn't really think about it. I think the reaction to it from the fans, I kind of thought, "Wow, how did I not think of that?" All of them have seen "The Matrix" at a certain age. Yeah, it wasn't like, "Hey, I really want to screen a movie for you." They knew it, maybe their friends talked about it. This was by the time they were 12 or 13. All their friends came over, and I made popcorn, and all the moms approved; it was a big thing. I remember when my oldest saw it for the first time, the look of shock on his face because I was the mom who said, "Don't use that stick as a gun, we don't play with guns in this house." [ Laughs.] That made me really laugh. When your kids realize you had a whole life that they have no idea —like, "Who is that person?" — that's how it should be. Your kids should be the center of their own world. I've always been very sensitive to that. Kids who have parents who are actors, it's often their parents are the center of attention, they get a lot of attention when they are out in the world. I always stepped back and didn't want that for them.

Yahoo

20 hours ago

• Yahoo

UK PM Starmer says Kneecap should not perform Glastonbury

UK Prime Minister Keir Starmer on Saturday said it was not "appropriate" for Irish group Kneecap to perform at Glastonbury, one of the country's biggest and most famous music festivals. Asked in an interview by The Sun tabloid whether the Irish rap trio should perform at the iconic festival next week, Starmer responded: "No, I don't, and I think we need to come down really clearly on this. "This is about the threats that shouldn't be made. I won't say too much because there's a court case on, but I don't think that's appropriate," he added. Kneecap has made headlines with their outspoken pro-Palestinian and anti-Israel stance, with one of their members charged with a "terror" offence for allegedly supporting Hezbollah. Last Wednesday, Liam O'Hanna, known by his stage name Mo Chara, appeared in court accused of displaying a Hezbollah flag while saying "Up Hamas, Up Hezbollah" at a concert that took place in London last year. The Iran-backed Lebanese force Hezbollah and the Palestinian militant group Hamas are banned in the UK, and it is an offence to show support for them. Glastonbury festival, attracting hundreds of thousands of music fans from around the world, is set to take place in at Worthy Farm in southeast England next week starting June 25. Kneecap is due to perform on Saturday June 28 on the West Holts Stage. The government had previously called on the organisers of Glastonbury festival to "think carefully" about the band's planned appearance there. The group has been pulled from a slew of summer gigs since, including a Scottish festival appearance and various performances in Germany. During their performances, rapping in Irish and English, Kneecap often lead chants of "Free, free Palestine" and display the Palestinian flag. The group apologised this year after a 2023 video emerged appearing to show one singer calling for the death of British Conservative MPs. But they deny the terrorism charge and say the video featuring the flag has been taken out of context. O'Hanna, Liam Og O Hannaidh in Gaelic, who has been granted unconditional bail, told London's Wide Awake Festival in May the charge was an attempt to "silence us". The group, which shot to fame with their biting, provocative song lyrics and an award-winning docu-fiction based on them, slammed it as "political policing" and "a carnival of distraction". aks/jj