
Full text of Pope Leo XIV's first speech: 'Peace be with you'
VATICAN CITY, May 8 (Reuters) - The following is the full first speech of Pope Leo XIV, given from the central balcony of St. Peter's Basilica shortly after his election as the new pope and leader of the Catholic Church.
"Peace be with all of you!
Dearest brothers and sisters, this is the first greeting of the Risen Christ, the good shepherd who gave his life for God's flock. I too would like this greeting of peace to enter your heart, to reach your families, to all people, wherever they are, to all peoples, to the whole earth. Peace be with you!
This is the peace of the Risen Christ, an unarmed and disarming peace, humble and persevering. It comes from God, God who loves us all unconditionally. We still have in our ears that weak but always courageous voice of Pope Francis who blessed Rome!
The pope who blessed Rome gave his blessing to the world, to the entire world, that Easter morning.
Allow me to follow up on that same blessing: God cares for us, God loves all of us, and evil will not prevail! We are all in God's hands. Therefore, without fear, united hand in hand with God and among ourselves, let us move forward.
We are disciples of Christ. Christ goes before us. The world needs His light. Humanity needs Him as the bridge to reach God and His love.
Help us too, then help each other to build bridges - with dialogue, with encounter, uniting all of us to be one people always in peace. Thank you, Pope Francis!
I also want to thank all the fellow cardinals who chose me to be the Successor of Peter and to walk with you, as a united Church always seeking peace, justice - always trying to work as men and women faithful to Jesus Christ, without fear, to proclaim the Gospel, to be missionaries.
I am a son of Saint Augustine, (an) Augustinian, who said: "With you I am a Christian and for you a bishop." In this sense, we can all walk together towards that homeland that God has prepared for us.
To the Church of Rome, a special greeting! We must seek together how to be a missionary Church, a Church that builds bridges (and) dialogue, always open to receive (people), like this square, with open arms - everyone, all those who need our charity, our presence, dialogue and love.
(Switching into Spanish) And if you allow me also, a word, a greeting to all those, and particularly to my beloved diocese of Chiclayo, in Peru, where a faithful people have accompanied their bishop, have shared their faith, and have given so much, so much to continue being a faithful Church of Jesus Christ.
(Switching back to Italian) To all of you, brothers and sisters of Rome, of Italy, of the whole world, we want to be a synodal Church, a Church that walks, a Church that always seeks peace, that always seeks charity, that always seeks to be close especially to those who suffer.
Today is the day of the Supplication to Our Lady of Pompeii. Our Mother Mary always wants to walk with us, to stay close, to help us with her intercession and her love.
So I would like to pray together with you. Let us pray together for this new mission, for the whole Church, for peace in the world, and let us ask for this special grace from Mary, our Mother."

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Daily Mail
12 hours ago
- Daily Mail
PETER HITCHENS: Don't celebrate this ultra-violence. Trump's broken all the rules and plunged us into a forever war
Well, yes, it may be that it will work this time. Perhaps the Angels of Peace and Love will float down onto the arid plains and jagged mountains of ancient Persia, borne on the wings of a B2 bomber, or riding on the fins of a bunker-busting bomb. It is about time one of these high explosive interventions in the Near East turned out well. Just because everything went wrong in Suez, Baghdad, Kabul, Damascus and Tripoli, there's no reason to be sure it won't work this time. Operation 'Midnight Hammer' may have hit the nail on the head. But there is good reason to be cautious.


Telegraph
17 hours ago
- Telegraph
Spaghetti with gin and a lemon butter sauce
Think of pasta alla vodka. That sweet, slightly tangy, creamy-but-not-in-a-heavy-way sauce which is so silky and clings to the penne. This sauce does a similar thing. The lemon and softened garlic are rounded out by the splash of gin. Plenty of parmesan and black pepper add savoury depth. And cold butter swirled through at the end brings it all together. It's as if pasta al limone and fettuccine Alfredo had a baby. It's fast, satisfying, the perfect Friday night dinner at the end of an odd week. Ingredients 200g spaghetti 2 tbsp olive oil, for frying 4 garlic cloves, finely chopped juice of 3 lemons 60ml gin or vodka 20g freshly grated Parmesan, plus extra for serving 1 heaped tsp of freshly cracked black pepper, plus extra for serving 30g cold butter a few chives, snipped, to serve (optional) Method Step Put a large pan of salted water on to boil. Step Cook 200g spaghetti until almost al dente or according to the package instructions, then drain, reserving 30ml of the cooking water. Step Meanwhile, set a large frying pan over a low heat and add 2 tbsp olive oil. Step Add 4 garlic cloves (finely chopped) and a big pinch of salt. Cook for 2 minutes. Step Add juice of 3 lemons and cook for another 2 minutes, then add 60ml gin (or vodka) and cook for 3 minutes more. Take off the heat. Step Put the 20g freshly grated Parmesan and 1 heaped tsp of freshly cracked black pepper in a bowl. Pour a little of the reserved cooking water in the bowl – just enough to make a paste with the cheese. Step Put the cheese mixture in the garlic pan then turn the heat to medium. Step Cook, stirring vigorously for a couple of minutes, or until you have a sauce which is starting to cling to the spaghetti. Step Turn the heat off, add the 30g cold butter and keep stirring until melted. By now the sauce should be glossy. Speaking of gin, it's national gin day on Saturday apparently. A good excuse to put a bottle in the freezer to chill while you peruse our thorough collection of gin recipes, from twists on a classic G&T to ice lollies and jellies. Happy cooking, and see you next Friday!


Times
a day ago
- Times
The two-decade battle to fell Italy's most hated crane
Roberto Amadori dismantled a large crane in Florence this week and was suddenly the most popular man in the city. 'There was a crowd cheering when I finished,' he said. 'An elderly women rushed up to thank me, saying, 'Florence shines once again'.' Amadori, who carries out such projects for a living, had pulled down not just any crane, but the most notorious and hated one in Italy. Known locally as the 'Metal Monster' it had stood obstinately for 19 years in the narrow piazza between the two wings of the Uffizi Gallery, home to fabulous Botticellis, Caravaggios, Raphaels and Titians: a giant yellow eyesore looming over one of the biggest concentrations of beauty anywhere in the world. Standing 60 metres high, it was a scar on a celebrated skyline which boasts Brunelleschi's magnificent cathedral dome, Giotto's bell tower and the 14th-century Palazzo Vecchio. 'This was a historic moment for our city — watching the dismantling of the crane after all these years was extremely emotional,' said the mayor Sara Funaro when the crane came down. The Italian culture minister travelled from Rome to celebrate the event. Loathing of the crane grew as its survival, year after year, summed up a very Italian culture of political squabbling, lethargic bureaucracy and the shunting of tough decisions between stakeholders. 'For 19 years no one knew how to get rid of the crane and no one really knows why it stayed there so long,' said a local official who declined to be named. First erected in 2006, the 33-tonne crane was put to use as builders started converting the first floor of the gallery, which was still used to store archives, into a exhibition space to add to the existing gallery area on the second floor. The metal structure was set up near the front door of the 16th-century building, opposite a statue of Giotto, the 14th-century painter and architect, who appeared to glower at it furiously. Planners said the crane would be needed for five years, but a decade later, with the conversion still continuing, Florentines began to question if the crane was really needed. By 2018 Marco Stella, a councillor, was raging about the 'unacceptable' presence of the crane. People lit 12 candles at its base and wished it happy birthday in an ironic protest. The crane, gru in Italian, was given its own Instagram page, 'Gru in Florence' which posted stunning photos of the city ruined by the crane sticking into them. The anonymous author of the cult page took on the persona of the crane, writing, 'Disclosure: I am 13 years old but in Gru-years that's 26,' and, 'If getting photoshopped out of pictures was a sport, I'd be [the record-breaking swimmer] Michael Phelps.' Behind the jokes, anger was growing. 'People were asking, 'Is there an alternative to the crane?' But there were restrictions and despite mayors and local culture chiefs trying to get rid of it, they all failed,' the official said. Almost inevitably, the crane became handy ammunition in local political battles. When Eike Schmidt, then director of the Uffizi, announced last year that he would stand for mayor — an election he lost — he took aim at the incumbent Dario Nardella. He claimed Nardella was only then waking up to the crane 'outside his office'. Nardella hit back that as head of the Uffizi it was Schmidt's job to get rid of it, and said: 'He claims he is a great manager but he has not been able to take down a crane. How can he govern a city?' The truth is the refurbishment, and the crane, were run by the local culture authority, part of Rome's ministry of culture, adding another layer of bureaucracy. Typically the regional culture authority, known as a soprintendenza, is often short-staffed, underfunded and wrapped in red tape. But in 2023 the ministry handed control of the crane to the Uffizi and the following year a new director, Simone Verde, planned a final assault on the monster. Rather than waiting for funds, he raised €175,000 from a coalition of rich benefactors to replace the crane with a less intrusive elevator to raise building materials to the first floor. Valerio Tesi, who is managing the refurbishment, says the elevator is needed because the job will not be finished for a few years. One reason it is taking so long is that the first floor has already been put to use as an exhibition space and work to finish it needs to fit in around millions of visitors, he said. 'We also dug down 80cm at the bottom of a lift shaft during the refurbishment and found at least ten buried corpses from the Middle Ages,' he added. Finally, on Monday, Roberto Amadori arrived in his lorry which has a telescopic crane and gently brought down pieces of the larger crane as workers unbolted them, taking care not to drop them through the roof of the gallery. 'Mostly I install air conditioning units on hotels, so as a Florentine, this job was a privilege and an honour since people in this city couldn't bear the sight of the crane anymore,' he said. Verde reported that residents of the city had been stopping him in the street to thank him. 'Before it came down, one man in his eighties stopped me and said, 'Please let me see the Piazzale degli Uffizi again without the crane before I die'.' Verde said the crane had been such an irritant for Florentines because they were so attached to their collection of art, churches and palazzos — even more so than Romans. 'The link between heritage and identity here is unique in the world,' he said. The day after the crane vanished, Lucia Manneschi, a Florentine security guard, was patrolling the piazzale where the crane had stood and stopped to blink up at the blue sky. 'I'm 55 now, so I was 36 when they put that thing up,' she said. 'I'm so happy — I can't believe it's finally gone.'