
Fitness freak Shah Rukh Khan has one food weakness, and it is his favourite. Gauri Khan's restaurant chef tells all
In the heart of Mumbai, Gauri Khan's upscale restaurant, Torii, has emerged as a favorite destination for the city's elite and Bollywood celebrities. Known for its sophisticated ambiance and eclectic menu, the establishment even made a notable appearance in the previous season of Netflix India's popular show Fabulous Lives of Bollywood Wives. Among its regular patrons is none other than superstar Shah Rukh Khan, whose frequent visits with his family add a glamorous touch to the restaurant's profile.Head Chef Stefan Gadit, who helms the kitchen at Torii, recently opened up in an interview with SCREEN magazine, offering a glimpse into the dining habits of the Khan family. According to him, Shah Rukh Khan often chooses the signature lamb chops, a dish that has clearly become a personal favorite."Shah Rukh Khan has enjoyed the lamb chops we serve here; that's his usual order,' he told the magazine.To maintain privacy and comfort, especially for high-profile guests like the Khans, the restaurant features a discreet private entrance, allowing them to arrive and leave without attracting attention. This level of consideration has made Torii a reliable retreat for the family. Chef Gadit shared that the Khans are frequent visitors, often stopping by to dine in person. On days when their schedule doesn't permit a visit, they regularly place delivery orders to enjoy the restaurant's offerings in the comfort of their home.The youngest in the family, AbRam, is said to be fond of the restaurant's sushi, a testament to the wide variety of Asian dishes Torii serves. Suhana Khan, Shah Rukh's daughter, has also dropped by several times, occasionally bringing along friends for casual meals. Shah Rukh, too, has been seen at the restaurant, usually in the company of Gauri and other family members. Notably, they even marked Pooja Dadlani's anniversary at the venue, further highlighting its significance in their personal celebrations.Gauri Khan, who is known for her design acumen and entrepreneurial ventures, plays an active role in the restaurant's operations. Chef Gadit emphasized that she often provides feedback and suggestions, contributing meaningfully to the restaurant's day-to-day decisions. There's a healthy, collaborative rapport between her and the management team, which has helped the business thrive.Interestingly, the chef recounted his initial reluctance to include Thai curry—Gauri's favorite dish—on the menu. He felt the dish was too common and widely available to feature at Torii. However, respecting her preferences, the team eventually added it as a dedication to her, underlining her influence on the menu curation.However, in April, Torii faced criticism when YouTuber Sarthak Sachdeva accused them of serving adulterated paneer. In his viral video, iodine was applied to paneer pieces, causing them to darken—a reaction he suggested indicated impurities. The restaurant swiftly responded, clarifying that the change in color was due to soy-based starch components in the dish and not a compromise on quality. They stood firm on the authenticity of their ingredients and reaffirmed their commitment to high standards.Torii continues to be a blend of celebrity charm, culinary finesse, and uncompromised quality—firmly held together by Gauri Khan's signature touch.
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The Hindu
an hour ago
- The Hindu
Dokii Dokii in Hyderabad serves Asian fusion food
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Indian Express
2 hours ago
- Indian Express
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Indian Express
2 hours ago
- Indian Express
Rekha's gun-wielding fans turned up on Umrao Jaan sets, Muzaffar Ali recalls how he made them a part of shoot: Umrao Jaan re-release
For those who have seen Muzaffar Ali's melancholic opus Umrao Jaan, with Rekha inhabiting the titular role like a faded dream, it is nearly impossible to move beyond its spell. The film simmers, its frames soaked in poetry, its sorrow rendered with grace. Rekha's performance aches tacitly, Asha Bhosle's voice weaves through Shahryar's verses like silk through smoke, and the Urdu… it breathes. And now, for those who have only heard of its legend, scratches of its songs, the verses of ghazals played late into the night, it is a moment to look forward to. Umrao Jaan returns to the screen on June 27th, inviting both the old lovers and the curious new to lose themselves once again. In a conversation with SCREEN, at his equally sumptuous villa in Juhu, Ali reflected on what first inspired him to adapt Umrao Jaan Ada, the novel on which his film is based. 'My passion has always been Awadh, Lucknow, its people, its culture,' he said. 'That's what I carried with me, even when I was in Calcutta watching Satyajit Ray at work. He was deeply devoted to Bengal, to its spirit. And I knew then, I wanted to do something about Awadh, to tell one of its stories. The idea was always about this girl, set a hundred years ago, yet facing something timeless. Torn from her roots, raised and sold into a kotha. And from there, becoming a creative force in her own right, shaping her own story. That moved me.' He found that story in Mirza Hadi Ruswa's Umrao Jaan Ada, 'a book,' he said, 'that truly inspired me.' Responding to Rekha's remark in an old BBC Urdu interview, where she humbly claimed she did nothing to deserve the National Award for Umrao Jaan, crediting instead the film's triumph to the craftsmen and technicians behind it, Ali agreed with her sentiment, yet offered a deeper view. 'Of course,' he said, 'she had to prepare on many levels. Language, singing, dancing. Yes, there were people to guide her, but she performed beyond expectations.' Expanding on this, Ali reflected, 'You see, Rekha understood from the very beginning that this film would matter. She sensed that it would give her a chance to express something deep within her. She honoured that instinct from the first frame. Working with her was a gift, because this film is woven from quiet emotions. And it takes an actor like her to absorb those feelings and translate them onto the screen.' Also Read | Rekha and Umrao Jaan: The story of women who learn to live with broken hearts Recalling another moment from the shoot, Ali spoke about an incident Farooq Sheikh once recounted, when a group of Rekha's fans reportedly turned up with guns, eager to catch a glimpse of the shoot in progress. Laughing, Ali said, 'It wasn't as scary as it sounds. But yes, there was a little episode. We were shooting in Malihabad, and some locals, clearly excited, showed up wanting to watch. So I let them in.' 'They were thrilled,' he smiled. 'And later, I even cast them in the film. You see, I made them all decoys, using the very same guns they'd brought.' Speaking about Sheikh, whom Ali had earlier directed in his debut film Gaman, he said, 'Farooq was a remarkably natural actor. He brought a sense of realism to his roles. He wasn't like anyone else I could have imagined.' 'There was a softness in him,' Ali continued, 'an aristocratic grace paired with a subtle sophistication. And yet, nothing about him felt 'filmy.' Even in Gaman, he carried a different kind of rawness, windblown, a little lost. In Bombay, people often grow hard. But Farooq held on to his gentleness, that innocence. That's what I needed in my characters, and he brought it beautifully.' While talking about Sheikh and Rekha, it is impossible not to mention the legendary song 'In Aankhon Ki Masti Ke', which was shot in long takes, as if the camera were soaking in all the grief and romance that hung in the air. Explaining this visual choice, he said, 'You have to bring out the meaning of the words, you have to bring out the language of the face, or the story on the face. So I think the face became a very important element; the stories are in the eyes. You have to dwell on that to be able to tell the story. You couldn't have had a quick, fast-paced film or too many movements. The movements are any way happening within the frame.' There is also a certain perception among audiences that Umrao Jaan was, even if subconsciously, inspired by Kamal Amrohi's Pakeezah. However, Ali denied any such influence, saying, 'I don't think Pakeezah had anything to do with this film. Because, you see, the character has a different look and feel. The film also has a different style. I don't think you'll find any frame where you feel it's inspired by Pakeezah. Except for the fact that this is a courtesan, and that was a courtesan. But that was a very commercial kind of treatment of the subject. In this, the treatment is very individualistic and abstract.' As the film gears up for a re-release, he shared how the entire cast and crew are planning to come together to watch the film with the audience, to live it all over again and witness its reception now. He also mentioned that the film might be best suited for OTT, as it's a reflective, mood-driven piece, ideal for personal, intimate viewing. But for now, he's glad it isn't on any platform, as that absence has created a thirst among audiences to see it again on the big screen. And as a filmmaker, what more could he ask for, 44 years after its release?