Review: Disney, Pixar's ‘Elio' channels '80s nostalgia and science in new adventure
Elio, the cheeky moppet at the center of Pixar's latest animated confection, could have been inspired by any child of the 1980s. Astronomer Carl Sagan is his muse, and as he peers at the stars through his telescope he dreams of faraway places and wonders if we are alone in the universe.
We are not. At least not in ' Elio,' in which a grieving, lonely boy improbably becomes Earth's representative in a galactic dispute.
The movie's '80s vibe extends beyond references to Sagan, the planetary scientist whose PBS limited series 'Cosmos' became a phenomenon, back when the national public broadcaster was fully funded and not a target in the culture wars. In fact, 'Elio' would fit perfectly on the Blockbuster shelf (if the video rental chain was still around) next to other '80s kid-powered movies such as 'The Goonies,' 'Explorers' and of course 'E.T. the Extra-Terrestrial.' The title of the animated film itself is a nod to that era, with screenwriters Julia Cho, Mark Hammer and Mike Jones naming Elio afterElliott, the boy played by Henry Thomas in Steven Spielberg's classic.
When the movie opens, Elio (voiced with depth and sensitivity by Yonas Kibreab) is mourning the recent deaths of his parents. He is taken in by his Aunt Olga (Zoe Saldaña), who is in the U.S. Air Force Space Command tracking junk debris in space. But Olga finds Elio to be a handful, and the boy feels lost and alone.
His imagination is sparked by a planetarium show about the Voyager space probe, with narration by Sagan, and begins to long to be abducted by aliens. He spends hours on the beach drawing messages in the sand that he hopes the aliens will see.
One evening while on the base with his aunt, Elio overhears one of the technicians say he thinks he has intercepted an alien transmission. The boy sneaks into the command center and contacts the aliens, and soon he is transported across the galaxy to a place called the Communiverse that seems like a Mad magazine parody of ' Star Wars: Episode I — The Phantom Menace.'
Elio is mistaken as the leader of Earth, and tries to mediate a dispute between the war-like Lord Grigon (Brad Garrett) and the population of the Communiverse while simultaneously striking up a friendship with the lord's son Glordon (Remy Edgerly).
Directed by the Oscar-winning Domee Shi (' Turning Red '), Alameda native Madeline Sharafian and Adrian Molina (' Coco '), the visually appealing 'Elio' moves confidently and delicately handles themes of isolation, grief, family strife and friendship.
And Sagan provides the coda, so it's not just the children in the audience who are transported to another time and place, but the adults as well.
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