
Dharmendra's first negative role in THIS film brought him greater stardom; story revolves around two best friends who fall in love with same girl, movie is…
Long before he became Bollywood's beloved 'He-Man,' Dharmendra took a bold risk that shocked fans and shaped his career by turning villain. The year was 1964, and the film was Ayee Milan Ki Bela, a musical romantic drama that hid a surprising twist: Dharmendra, usually cast as the perfect leading man, was the antagonist.
Directed by Mohan Kumar, the film told the tale of friendship, betrayal, and love, with Rajendra Kumar and Saira Banu in the lead roles. Dharmendra played Ranjeet, a man whose jealousy leads him to frame his own friend, Shyam (Rajendra), for theft, all over a romantic rivalry. It wasn't just another love triangle — it was Dharmendra's unexpected turn into grey territory that left the audience stunned.
The film's screenplay was written by Sachin Bhowmick and Sarshar Sailani. The soulful music, composed by the iconic Shankar–Jaikishan duo, became a major draw, with memorable songs that remain popular even today. Backed by J Om Prakash and shot by V Babasaheb, Ayee Milan Ki Bela was a complete package — emotionally rich, musically strong, and visually lush.
But what truly set the film apart was how it shifted Dharmendra's trajectory in Bollywood. Having debuted just four years earlier in Dil Bhi Tera Hum Bhi Tere (1960), he had only been seen in soft, romantic or supporting roles. Ayee Milan Ki Bela not only showcased his range but also proved that he could pull off layered characters with conviction.
Industry insiders say the film's success sparked a flurry of casting offers — nearly seven big films came his way by the end of 1964. From there, Dharmendra went on to rule the '70s with hits like Sholay, Chupke Chupke, and Yaadon Ki Baaraat — becoming one of the most bankable and versatile stars in Hindi cinema.
Now in his 80s, the veteran actor shows no signs of slowing down. After a celebrated return in Rocky Aur Rani Kii Prem Kahaani, Dharmendra is set to appear in several upcoming projects, including Apne 2, Ekkis, Housefull 5, and an untitled Shahid Kapoor starrer.
But for many cinephiles, Ayee Milan Ki Bela remains a turning point — the film where Dharmendra, the hero, dared to play villain… and won.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


India Today
17 hours ago
- India Today
Man climbs in and out of well in Spider-Man-like stunt, viral video stuns Internet
A video of a man climbing in and out of a deep well using only his hands and legs has left the internet a fitness trainer by profession, posted a video of his extraordinary feat of calisthenics on Instagram that has gone viral with millions of views. Calisthenics, a form of exercise that relies on body weight rather than equipment, focusses on strength, flexibility, and his legs stretched wide and braced against the curved walls of the well, Shiva climbed up and down with effortless ease, suspended mid-air in a Spider-Man-like pose. 'First try,' read the caption of the the video here: View this post on Instagram A post shared by (@shivazfitzone)Shiva's Instagram account is filled with similar videos as viewers marvelled at his body control, balance, and upper body the videos here: advertisement View this post on Instagram A post shared by (@shivazfitzone) View this post on Instagram A post shared by (@shivazfitzone) View this post on Instagram A post shared by (@shivazfitzone)Many called it a perfect example of what calisthenics training can help achieve.


Hindustan Times
21 hours ago
- Hindustan Times
DYK: Not Aamir Khan, but Manoj Bajpayee was the first choice for cult classic Rang De Basanti
Can you imagine Rang De Basanti (2006) without Aamir Khan? Well that was the original vision, before Aamir heard of this film in the making and got himself involved in the project. The same was revealed by Kamlesh Pandey, one of the screenwriters on the film during a chat with Ravya Sarda for her YouTube show. Rang De Basanti was initially supposed to be a "small film", and Manoj Bajpayee had already been signed on for the role of DJ/Chandrashekhar Azad. Kamlesh recalled, "We had been roaming around with the script of the film for 6 years, and no one was ready to make that film. We had signed Manoj for the role that Aamir played finally. We thought we would make a small film; we didn't have a big budget. The moment Aamir heard the script, he told us that he wanted to do the film, and he even got AR Rahman to come on the project. UTV, who had rejected the film twice in the past, immediately said yes to it". The core issue on the film being consistently bypassed till it caught Aamir's eye, was that nobody was willing to put the time in to understand the script and the film's message. Kamlesh said, "Producers thought that this was a Sholay remake from the point of view of Basanti. They used to make fun of it and ask who was going to play her, and I used to tell them with a straight face that we were thinking of casting Esha Deol. They used to take it so seriously, and I didn't really know whether to slap these people or ignore them". While Manoj, given his acting prowess, would of course have done a stellar job of playing DJ in Rang De Basanti, given the film's legacy and the kind of cementing impact it has had on the audiences — over almost 2 decades now — it's tough to imagine anyone but Aamir leading the film. If reading about this switcheroo has got you feeling nostalgic, Rang De Basanti is available for streaming on OTT.


Time of India
a day ago
- Time of India
I didn't want my memories to stay in my head, says Cop Shiva about his latest project
Photographer Cop Shiva steps in front of the camera to relive his childhood with his mother in his latest project called 'No Longer A Memory'. For most people, childhood memories and heritage are stored in family albums and stories passed down to several generations. Tired of too many ads? go ad free now But Shiva never had a single photograph with his mother. In this project, he is attempting to fill that absence. 'I didn't want my memories to just stay in my head. I wanted to create something visual—to make sure they're no longer just memories', he says. 'The seeds of this project were always there' 'Everyone around me had family albums—photos with their parents, vacations, childhood memories. I didn't have even one. I'd see all these perfectly archived family moments in people's homes, and I realised I had nothing like that, and it stayed with me for a long time. In 2018, I decided to change that. I used to play so many roles as a child—God, goddess, police, robber. Growing up near Ramnagar, where Sholay was filmed, I was constantly surrounded by the energy of theatre and the magic of storytelling. Those memories never left me. The pandemic gave me the time to slow down, sit with my memories, and write them down. That's when I began to think about what I wanted to bring to life. I started recreating those missing memories with my mother. It turned into this fun, ongoing project—a way to build the photo album we never had,' explains Shiva. I've always hunted for happy humour, and it runs throughout my work. Today, more than ever, we need humour. The world is getting too serious—with wars, accidents and tragedies Cop Shiva 'My mom is my biggest supporter' For Shiva, this project is more than just recreating his memories; it is also about making people think about their memories with their mothers. 'When I first told my mom about the project, she just laughed and went along with it. She thought I was just having fun; she didn't realise it would become serious work. Without her energy, this project wouldn't have happened. I saw a whole new side of her—not just as my mom, but as my co-actor and collaborator. My mom is everything for me—my friend, my mentor, my biggest supporter,' he says. When I started photography, I became interested in masquerades, in people living as different characters. Those projects became workshops for me. When you want to place yourself as a character, you need preparation, dedication, and a deep connection to history, culture, and roots. I had all that from my grandfather Cop Shiva 'Without photographs, we lose those stories' Photography is not about capturing moments, it's about preserving life, believes Shiva. 'Growing up, I had just one photo of my grandfather,' he says. 'I don't have a single picture of him performing as an actor. I missed the chance to document his life. That's why I feel photography is so important. Even one old photo can spark a hundred stories and bring up questions you never thought to ask. Photos take you back to your family, your past, your village. They help you reconnect. Without photographs, we lose those stories,' he shares.