‘Good Bad Ugly' box office collections day 15: Ajith's film collects Rs 144.63 crores
(Picture Courtesy: Facebook)
Ajith Kumar's high-octane action thriller 'Good Bad Ugly' continues its solid run at the box office, collecting an impressive Rs 144.63 crore in India net within 15 days of release.
According to estimates by the Sacnilk website, the film earned Rs 1.25 crore on its fifteenth day across all languages, maintaining a steady pace in its third week.
Strong opening
Directed by Adhik Ravichandran, the film opened strongly with Rs 29.25 crore on Day 1, with its Tamil version contributing Rs 28.15 crore. Despite a predictable dip over weekdays, the movie bounced back on weekends, posting Rs 22.3 crore on Day 4 and continuing to draw decent footfalls in the second week.
Good Bad Ugly | Song - OG Sambavam
Here's a breakdown of the collections:
Week 1 total: Rs 119.15 crore
Week 2 (Days 8–14): Rs 23.23 crore
Day 15 (April 24): Rs 1.25 crore (early estimate)
Decent occupancy on day 15
The film recorded a Tamil occupancy rate of 17.43% on Day 15, with peak numbers in the afternoon (20.41%) and evening (18.98%) shows. Morning and night shows stood at 12.29% and 18.02% respectively, indicating consistent interest among viewers.
'Good Bad Ugly' features an ensemble cast including Trisha Krishnan, Arjun Das, Rahul Dev, Yogi Babu, Priya Prakash Varrier, Jackie Shroff, Sunil Varma, and Sayaji Shinde. ETimes review for the film reads, 'But all said and done, this is an out-and-out Ajith show, and the actor seems to have had great fun revisiting the iconic moments from his previous blockbusters. In his last few films (especially his previous film, Vidaamuyarchi), he seemed to have made a conscious decision to pull back on hero glorification. While such an approach did get him a few admirers among the general audience, fans were largely underwhelmed. And this one seems to be Ajith doing a course correction to keep fans happy. And in Adhik, he seems to have found the right director to pull it off. Adhik's films so far have been largely polarising - you either like his style of filmmaking or hate it, with no in-between.'
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