Video shows last minutes before Gaza aid workers' deaths, Red Crescent says
A video recovered from the cellphone of an aid worker killed in Gaza alongside other rescuers shows their final moments, according to the Palestinian Red Crescent, with clearly marked ambulances and emergency lights flashing as heavy gunfire erupts.
The aid worker was among 15 humanitarian personnel killed on March 23 in an attack by Israeli forces, according to the United Nations and the Palestinian Red Crescent.
The Israeli military has said its soldiers "did not randomly attack" any ambulances, insisting they fired on "terrorists" approaching them in "suspicious vehicles".
Military spokesman Lt. Col. Nadav Shoshani said that troops opened fire on vehicles that had no prior clearance from Israeli authorities and had their lights off.
But the footage released by the Red Crescent on Saturday appears to contradict the Israeli military's initial claims, showing ambulances traveling with their headlights on and emergency lights flashing.
The six minute 42 second video, apparently filmed from inside a moving vehicle, captures a red firetruck and ambulances driving through the night amid constant automatic gunfire.
The vehicles stop beside another on the roadside, and two uniformed men get out.
In the video, the voices of two medics are heard — one saying "the vehicle, the vehicle", and another responding: "It seems to be an accident."
Seconds later a volley of gunfire breaks out and the screen goes black.
The Red Crescent said it had found the video on the phone of Rifat Radwan, one of the aid workers killed.
"This video unequivocally refutes the occupation's claims that Israeli forces did not randomly target ambulances, and that some vehicles had approached suspiciously without lights or emergency markings," it said in a statement.
Red Crescent spokesperson Nebal Farsakh told journalists that Israeli soldiers had "opened fire frantically and hysterically" at the medics.
"We then clearly heard the soldiers speaking Hebrew," Farsakh said, adding that the fate of one medic, identified only as Assad, remained unknown.
"We believe he has been arrested."
An Israeli military official told journalists late on Saturday that there were two incidents in the early hours of March 23.
The first occurred at 4:00 am when troops fired at a vehicle carrying members of Hamas internal security force, killing two and detaining one, he said on condition of anonymity.
The second occurred two hours later.
"At 6:00 am they received a report from the aerial coverage that there is a convoy moving in the dark in a suspicious way towards them," he said.
The soldiers who were in the area felt that it was a similar incident to the earlier one, the official said.
"They opened fire from far. What we see from surveillance, we see them shooting from a distance," he said.
"There were no handcuffs, no firing from a close distance. ... The forces are not trying to hide anything. They thought they had an encounter with terrorists."
Those killed included eight Red Crescent staff, six members of the Gaza civil defense agency and one employee of the U.N. agency for Palestinian refugees.
The bodies were found buried near Gaza's southernmost city of Rafah in what the U.N. Office for the Coordination of Humanitarian Affairs (OCHA) described as a mass grave.
Hamas accused Israeli forces of a "deliberate attempt to cover up the crime by burying the victims in mass graves and concealing the truth".
OCHA has said that the first team was targeted by Israeli forces at dawn on March 23. In the hours that followed, additional rescue and aid teams searching for their colleagues were also struck in a series of attacks.
In the video, a medic recording the scene can be heard reciting the Islamic profession of faith, the shahada, which Muslims traditionally say in the face of death.
"There is no God but God, Mohammed is his messenger," he says repeatedly, his voice trembling with fear as intense gunfire continues in the background.
He is also heard saying: "Forgive me mother because I chose this way, the way of helping people."
Just before the footage ends, he is heard saying "The Jews are coming, the Jews are coming," referring to Israeli soldiers.
Seconds later, a male voice is heard speaking in Hebrew without a foreign accent. "Wait, we're coming. We're not responsible — you are responsible," the voice says.
The identity of the speaker and who he is addressing are unclear.
The deaths of the aid workers sparked international condemnation.
Jonathan Whittall, the head of OCHA in the Palestinian territories, said the bodies of the humanitarian workers were "in their uniforms, still wearing gloves" when they were found.
The U.N. High Commissioner for Human Rights, Volker Turk, said the attack raised concerns about possible "war crimes."

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Japan Today
5 hours ago
- Japan Today
Israel recovers remains of 3 more hostages from Gaza
By TIA GOLDENBERG and SAMY MAGDY The Israeli military said Sunday that it has recovered the remains of three hostages held in the Gaza Strip. At least four Palestinians were killed in an Israeli airstrike and 22 wounded while waiting for humanitarian aid, according to a local hospital. The military identified the remains as those of Yonatan Samerano, 21; Ofra Keidar, 70; and Shay Levinson, 19. All three were killed during Hamas' Oct. 7, 2023, attack into Israel that ignited the ongoing war. The militant group is still holding 50 hostages, less than half of them believed to be alive. The military did not provide any details about the recovery operation, and it was unclear if the airstrike was related to it. 'The campaign to return the hostages continues consistently and is happening alongside the campaign against Iran,' Prime Minister Benjamin Netanyahu said in a statement. Kobi Samerano said in a Facebook post that his son's remains were returned on what would have been Yonatan's 23rd birthday. Hamas-led militants killed some 1,200 people, mostly civilians, and abducted 251 people in the Oct. 7 attack. More than half the hostages have been returned in ceasefire agreements or other deals, eight have been rescued alive and Israeli forces have recovered dozens of bodies. Israel's retaliatory offensive has killed over 55,000 Palestinians, according to Gaza's Health Ministry, which has said that women and children make up more than half of the dead. It does not distinguish between civilians and combatants. Four people were killed on Sunday in an airstrike in the built-up Nuseirat refugee camp in central Gaza, according to Al-Awda Hospital, where the bodies were brought. It said another 22 people were wounded while waiting for aid trucks. Palestinian witnesses and health officials say Israeli forces have repeatedly opened fire on crowds seeking desperately needed food, killing hundreds of people in recent weeks. The military says it has fired warning shots at people it said approached its forces in a suspicious manner. Separately, World Central Kitchen, the charity run by celebrity chef José Andrés said it had resumed the distribution of hot meals in Gaza for the first time in six weeks after shutting down because of Israel's blockade, which was loosened last month amid fears of famine. The Oct. 7 attack and Israel's offensive ignited a chain of events leading to Israel's surprise attack on Iran last week. The United States entered the war overnight with attacks on three Iranian nuclear sites. The Hostages Families Forum, the main organization representing families of the hostages, has repeatedly called for a deal to release the remaining captives. 'Particularly against the backdrop of current military developments and the significant achievements in Iran, we want to emphasize that bringing back the remaining 50 hostages is the key to achieving any sort of victory,' it said in a statement Sunday. Hamas has said it will only release the remaining hostages in return for more Palestinian prisoners, a lasting ceasefire and an Israeli withdrawal from Gaza. Netanyahu has rejected those terms, saying Israel will continue the war until all the hostages are returned and Hamas is defeated or disarmed and sent into exile. Even then, he has said Israel will maintain lasting control over Gaza and facilitate what he refers to as the voluntary emigration of much of its population, plans the Palestinians and others view as forcible expulsion. The United States, Qatar and Egypt have been trying to broker a new ceasefire and hostage release after Israel ended a truce in March with a surprise wave of airstrikes. Those talks appear to have made little progress as Israel has expanded its air and ground offensive. © Copyright 2025 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed without permission.


The Mainichi
2 days ago
- The Mainichi
Lone Japanese activist attracts attention from foreigners through videos posted online
TOKYO -- In late May, a 49-year-old man was seen speaking to passersby in front of JR Shinjuku Station in the Japanese capital, with a handmade sign that read "Stop Gaza Genocide." "We have remained silent without raising our voices against war crimes while living in a country where freedom of expression is guaranteed," said Yusuke Furusawa, a Tokyo resident. "Perhaps you think it's simply because you're not interested or because it doesn't concern you," he continued. His husky voice faded into the evening crowd. He began his solo street activities in October 2023. After contracting COVID-19 and returning to work, he experienced three months of poor health. When browsing social media on his smartphone, he was constantly bombarded with videos depicting the devastation in the Palestinian territory of Gaza that has been attacked by the Israeli military. He couldn't sit idly by. Since then, come rain or wind, he has been demonstrating daily in front of stations like Shinjuku and Shibuya. Furusawa works as a day laborer creating sets for television programs. He dedicates about an hour to his activities after work on weekdays and whenever possible on weekends. "My voice has become hoarse. But since I work in set construction, it doesn't affect my job," he said. The turning point in his solitary struggle was video. He started recording videos on his smartphone for "security" after facing violence from foreigners believed to be Israeli and being harassed by drunk people during his activities. When he posted snippets on social media, he received reactions from around the world. Over the past year and a half, his Instagram followers have increased by 170,000. Being interviewed by a television station in the Middle East also accelerated the spread of his activities. In reality, most people who approach Furusawa on the street are foreigners. It's not uncommon for them to say, "I learned about you on social media and came to meet you." Almost every day, he receives direct messages from foreigners staying in Japan saying things like, "Where are you today?" He communicates with these foreigners using simple English and body language. His keffiyeh, a traditional Arab scarf he wears around his neck during his activities, and the bag adorned with the Palestinian flag are gifts from people he connected with on social media. Furusawa discovered his passion for theater while attending a private university in Kanagawa Prefecture. He graduated during the early "employment ice age," and chose to continue pursuing his love of theater while working part-time. His acting activities continue to this day. Observing him standing in front of the station for a while, a pair of young women engrossed in their smartphones cast harsh glances at Furusawa, who didn't stop speaking. A man in a suit on the phone hurriedly covered one ear and rushed past, clicking his tongue. A foreigner with tears in her eyes approached him, and they exchanged words for about a minute. The woman, who told Furusawa that she also thought the current situation was wrong, was Israeli. He conveyed his thoughts to her, saying, "I am complaining to the government. This is not a criticism of you." Through his activities, he has experienced both solidarity and conflict. "I believe human connections are also a part of politics," he commented. When he uploads videos to social media, complaints fly in. "This is pointless," "Go there yourself," "It's annoying,"... He's even been told directly, "You're noisy." "I'm aware it's noisy. If possible, I want to forcefully intrude into your silence and field of vision. I don't think it will have an effect, nor do I believe I can change anything alone, nor do I intend to change the awareness of passersby," Furusawa said. So why does he stand on the street every day? He commented, "I live with fundamental human rights guaranteed by the Constitution. If there are people whose rights are being violated, I believe I must raise my voice, even if it's in another country. Whether it has meaning or not is irrelevant; it's just the right thing to do, isn't it?"


Japan Today
2 days ago
- Japan Today
AI ‘reanimations': Making facsimiles of the dead raises ethical quandaries
By Nir Eisikovits and Daniel J Feldman Christopher Pelkey was shot and killed in a road range incident in 2021. On May 8, at the sentencing hearing for his killer, an AI video reconstruction of Pelkey delivered a victim impact statement. The trial judge reported being deeply moved by this performance and issued the maximum sentence for manslaughter. As part of the ceremonies to mark Israel's 77th year of independence on April 30, 2025, officials had planned to host a concert featuring four iconic Israeli singers. All four had died years earlier. The plan was to conjure them using AI-generated sound and video. The dead performers were supposed to sing alongside Yardena Arazi, a famous and still very much alive artist. In the end Arazi pulled out, citing the political atmosphere, and the event didn't happen. In April, the BBC created a deep-fake version of the famous mystery writer Agatha Christie to teach a 'maestro course on writing.' Fake Agatha would instruct aspiring murder mystery authors and 'inspire' their 'writing journey.' The use of artificial intelligence to 'reanimate' the dead for a variety of purposes is quickly gaining traction. Over the past few years, we've been studying the moral implications of AI at the Center for Applied Ethics at the University of Massachusetts, Boston, and we find these AI reanimations to be morally problematic. Before we address the moral challenges the technology raises, it's important to distinguish AI reanimations, or deepfakes, from so-called griefbots. Griefbots are chatbots trained on large swaths of data the dead leave behind – social media posts, texts, emails, videos. These chatbots mimic how the departed used to communicate and are meant to make life easier for surviving relations. The deepfakes we are discussing here have other aims; they are meant to promote legal, political and educational causes. Moral quandaries The first moral quandary the technology raises has to do with consent: Would the deceased have agreed to do what their likeness is doing? Would the dead Israeli singers have wanted to sing at an Independence ceremony organized by the nation's current government? Would Pelkey, the road-rage victim, be comfortable with the script his family wrote for his avatar to recite? What would Christie think about her AI double teaching that class? The answers to these questions can only be deduced circumstantially – from examining the kinds of things the dead did and the views they expressed when alive. And one could ask if the answers even matter. If those in charge of the estates agree to the reanimations, isn't the question settled? After all, such trustees are the legal representatives of the departed. But putting aside the question of consent, a more fundamental question remains. What do these reanimations do to the legacy and reputation of the dead? Doesn't their reputation depend, to some extent, on the scarcity of appearance, on the fact that the dead can't show up anymore? Dying can have a salutary effect on the reputation of prominent people; it was good for John F. Kennedy, and it was good for Israeli Prime Minister Yitzhak Rabin. The fifth-century BC Athenian leader Pericles understood this well. In his famous Funeral Oration, delivered at the end of the first year of the Peloponnesian War, he asserts that a noble death can elevate one's reputation and wash away their petty misdeeds. That is because the dead are beyond reach and their mystique grows postmortem. 'Even extreme virtue will scarcely win you a reputation equal to' that of the dead, he insists. Do AI reanimations devalue the currency of the dead by forcing them to keep popping up? Do they cheapen and destabilize their reputation by having them comment on events that happened long after their demise? In addition, these AI representations can be a powerful tool to influence audiences for political or legal purposes. Bringing back a popular dead singer to legitimize a political event and reanimating a dead victim to offer testimony are acts intended to sway an audience's judgment. It's one thing to channel a Churchill or a Roosevelt during a political speech by quoting them or even trying to sound like them. It's another thing to have 'them' speak alongside you. The potential of harnessing nostalgia is supercharged by this technology. Imagine, for example, what the Soviets, who literally worshipped Lenin's dead body, would have done with a deep fake of their old icon. Good intentions You could argue that because these reanimations are uniquely engaging, they can be used for virtuous purposes. Consider a reanimated Martin Luther King Jr., speaking to our currently polarized and divided nation, urging moderation and unity. Wouldn't that be grand? Or what about a reanimated Mordechai Anielewicz, the commander of the Warsaw Ghetto uprising, speaking at the trial of a Holocaust denier like David Irving? But do we know what MLK would have thought about our current political divisions? Do we know what Anielewicz would have thought about restrictions on pernicious speech? Does bravely campaigning for civil rights mean we should call upon the digital ghost of King to comment on the impact of populism? Does fearlessly fighting the Nazis mean we should dredge up the AI shadow of an old hero to comment on free speech in the digital age? Even if the political projects these AI avatars served were consistent with the deceased's views, the problem of manipulation – of using the psychological power of deepfakes to appeal to emotions – remains. But what about enlisting AI Agatha Christie to teach a writing class? Deep fakes may indeed have salutary uses in educational settings. The likeness of Christie could make students more enthusiastic about writing. Fake Aristotle could improve the chances that students engage with his austere Nicomachean Ethics. AI Einstein could help those who want to study physics get their heads around general relativity. But producing these fakes comes with a great deal of responsibility. After all, given how engaging they can be, it's possible that the interactions with these representations will be all that students pay attention to, rather than serving as a gateway to exploring the subject further. Living on in the living In a poem written in memory of W.B. Yeats, W.H. Auden tells us that, after the poet's death, Yeats 'became his admirers.' His memory was now 'scattered among a hundred cities,' and his work subject to endless interpretation: 'the words of a dead man are modified in the guts of the living.' The dead live on in the many ways we reinterpret their words and works. Auden did that to Yeats, and we're doing it to Auden right here. That's how people stay in touch with those who are gone. In the end, we believe that using technological prowess to concretely bring them back disrespects them and, perhaps more importantly, is an act of disrespect to ourselves – to our capacity to abstract, think and imagine. Nir Eisikovits is Professor of Philosophy and Director, Applied Ethics Center, UMass Boston. Daniel J Feldman is Senior Research Fellow, Applied Ethics Center, UMass Boston. The Conversation is an independent and nonprofit source of news, analysis and commentary from academic experts. External Link © The Conversation