
3 Los Angeles pop-ups to discover before the end of June
Until the end of June, three brands have decided to set up their pop-up in Los Angeles. On the menu: bikini and summer dresses by Australian brand Outcast Clothing; exclusive collaborations with the Paris Saint-Germain soccer team; and the arrival of ready-to-wear by Korean brand Glowny, beloved by millennials.
Outcast Clothing opens its 'Le Club Outcast' at the Grove Los Angeles
Outcast Clothing, the Australian brand founded in 2015 by Paris Marchant and Lawrence Lees, has opened its pop-up at the Grove, in Los Angeles, until June 26.
Initially focused on selling bikinis via local markets, the brand has become a global on-line brand, capturing over 2 million followers on Instagram and being endorsed by Kris and Kylie Jenner.
For this pop-up, entitled 'Le Club Outcast', the brand brings the luxury of the South of France to Los Angeles. The 3,500-square-foot space has been decorated in the spirit of the Côte d'Azur, with a red-and-white striped counter, parasols on the ceiling and photographs of the Riviera.
The pop-up presents more than 75 curated styles, from dresses and swimwear to accessories, with new arrivals each week.
'From statement minis to festival-ready fits, Outcast brings the ultimate beach-to-club energy,' said the brand.
Already present in the United States, the brand aims to use this pop-up to strengthen its presence on the West Coast and in Los Angeles. It has also established a new 8,800-square-foot headquarters in Los Angeles.
PSG opens its 'PSG House' on Melrose Avenue
Recent Champions League winners for the first time in their history, and present in Los Angeles for the first round of the FIFA Club World Cup 2025, the Parisian soccer team Paris Saint-Germain, has just opened its 'PSG House' on the corner of La Brea Avenue and North La Jolla Avenue.
Open until June 23, the PSG House has been created 'as a vibrant pop-up celebrating the meeting of soccer, fashion and culture' around exclusive collaborations with international icons in music, art, sport and design. The positioning chosen by the club is designed to "reinforce the club's roots in American culture and creativity".
Among the collaborations to be discovered, that of NBA superstar Kevin Durant, associated with Paris Saint-Germain, proposes a capsule collection celebrating the transatlantic voyage from Washington D.C. to Paris. The collection includes a varsity jacket, collector basketballs, travel items co-signed with French luxury luggage brand Au Départ, customized Nike Air Force 1S and a limited-edition PSG jersey.
Other collaborations are also unveiled, such as that with Dreamville Records for a capsule collection of hoodies and t-shirts combining Californian and Parisian spirit. Miami-born artist The Alchemist has also signed on, offering a nostalgic, academic reinterpretation of the PSG aesthetic with the 'Paradise Lost' collection, which includes faded camouflage jerseys and personalized details.
Thought sustainable, the first collection between PSG and Nike Re-Creation offers a second life to jerseys from the 2024 season. Finally, in collaboration with PTSF, Pablo Tee-Shirt Factory, the soccer club unveils a workwear jacket inspired by the Eiffel Tower and made from recycled denim.
Glowny, a new Korean brand for millennials
On June 6, Glowny, one of Korea's most influential contemporary womenswear brands beloved by millennials, opened its Los Angeles pop-up at 8013 Melrose Avenue.
Inspired by their Seoul flagship but reimagined for LA, founders and sisters Jane and Jiho Choi have curated a thoughtful, immersive environment that honors their dual heritage.
Visitors can explore current and past collections, including Glowny's signature silhouettes, hand-drawn artwork and soft yet bold patterns, the Hot Summer collection in collaboration with twins Simi and Haze and best-selling basics.
The Choi sisters launched Glowny in 2020, bringing their unique vision to life through hand-drawn artwork, nostalgic silhouettes, and a soft yet confident aesthetic.
'The LA pop-up marks the start of an exciting new chapter, set against the vibrant backdrop of Melrose Avenue, surrounded by some of the city's most iconic fashion destinations' said the brand.
The Los Angeles pop-up runs through June 22 with upcoming expansions to Tokyo, Macaco, and Taiwan next.
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In the early 19th century, Frédéric Chopin, George Sand, Ary Scheffer, and Eugène Delacroix lived in close proximity in the Parisian district of New Athens (Nouvelle Athènes). More than neighbours, they became friends, collaborators, and sources of mutual inspiration. At the heart of this artistic circle was Ary Scheffer's studio on rue Chaptal, now home to the Museum of Romantic Life in Paris. It was here that music, art, and literature converged. This intimate world of French Romanticism has now been brought to life at the Frédéric Chopin Museum in Warsaw through the exhibition Romantic Life. Chopin, Scheffer, Delacroix, Sand, curated by Seweryn Kuter and Urszula Król. According to its creators, the exhibition is a story not only about art and music, but also about friendship, emotion, and memory. On display are 59 objects on loan from the Museum of Romantic Life in Paris, divided into four thematic sections: The Chopin experience Visitors to the exhibition are transported to the estate of George Sand, Frédéric Chopin's partner, in Nantes, according to Dr. Artur Szklener, director of the Frédéric Chopin Institute and curator of the exhibition's musical component. The experience is designed to evoke the atmosphere of Chopin's creative world — as if, from another room, one can hear the ever-present sound of the composer tirelessly at work. "From the very beginning, we intended for the musical element to be more than just background — it is one of the central narratives of the exhibition," explains Dr. Artur Szklener, director of the Frédéric Chopin Institute. "In terms of the acoustic dimension, we were inspired by a letter from Eugène Delacroix, who described his stay at George Sand's estate in Nantes. He wrote of the exceptional hospitality of his hosts and the daily delight of hearing Frédéric Chopin's music drifting through the windows — Chopin, constantly at work, creating beauty without pause." He adds: "Such an extraordinary accumulation of almost symbolic objects — and assembling them into different kinds of narratives — is truly a remarkable undertaking and a great adventure." The exhibition brings together 59 carefully selected objects on loan from the permanent collection of the Museum of Romantic Life in Paris, divided into four thematic sections. The first is titled 'Ary Scheffer's Atelier,' a space where all the key figures of the exhibition converge. It features paintings by Scheffer himself, alongside works by his contemporaries and close friends. This is where the story begins. 'Ary Scheffer was a Dutch painter who lived in Paris, and from 1830 to 1858, his home was what is now the Museum of Romantic Life,' explains Gaëlle Rio of the Paris Museum. 'Scheffer was a close friend of both Frédéric Chopin and George Sand. The couple lived nearby, and his salon became a gathering place for artists, musicians, and writers of the Romantic era.' The second section of the exhibition is titled 'Romantic Themes.' "We wanted to show that certain motifs in Romantic art—whether in music, literature, or visual arts—are shared across cultures," explains Urszula Król, co-curator of the exhibition. "These themes appear in Polish, French, and German art alike. They reveal the common heroes, genres, and emotions that define Romanticism," says Król. "At the very heart of these themes is the ballad—found in literature, in painting, and of course, in music. And here, visitors will encounter the ballads of Frédéric Chopin." The third part of the exhibition focuses on the social circle of George Sand and Frédéric Chopin, offering insight into their friendships and artistic exchanges. The close relationship between Sand and Chopin lies at the heart of this section—a subject as complex as it is captivating, filled with creative inspiration, emotional intensity, and the influence of a remarkable network of friends and fellow artists. The next section, one that holds deep emotional significance for the curators, is titled 'Souvenirs.' "These are objects created to remember friends and loved ones — to ensure that death and the passing of time do not erase them from memory," explains Urszula Król. "Sometimes these mementos surprise us — with their unusual forms or the materials from which they're made — but their purpose is always the same: to make memory endure, to preserve friendship and love beyond the span of a human life." The exhibition concludes with a section devoted to 'Small Sculptures,' a genre immensely popular during Chopin's time. "These objects reflect the artistic sensibilities of the era — what people admired, what they collected, and the kind of aesthetic world they wanted to surround themselves with," say the curators. "Thanks to the richness and quality of these collections, I hope we've managed — even just a little — to immerse visitors in the spirit of the 'New Athens': the vibrant world of French Romanticism and the extraordinary relationships between painters, writers, and composers," says co-curator Seweryn Kuter. Kuter adds: "If you find yourself drawn into that world, even briefly, we'll consider the exhibition a success."


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In the early 19th century, Frédéric Chopin, George Sand, Ary Scheffer, and Eugène Delacroix lived in close proximity in the Parisian district of New Athens (Nouvelle Athènes). More than neighbours, they became friends, collaborators, and sources of mutual inspiration. At the heart of this artistic circle was Ary Scheffer's studio on rue Chaptal, now home to the Museum of Romantic Life in Paris. It was here that music, art, and literature converged. This intimate world of French Romanticism has now been brought to life at the Frédéric Chopin Museum in Warsaw through the exhibition Romantic Life. Chopin, Scheffer, Delacroix, Sand, curated by Seweryn Kuter and Urszula Król. According to its creators, the exhibition is a story not only about art and music, but also about friendship, emotion, and memory. On display are 59 objects on loan from the Museum of Romantic Life in Paris, divided into four thematic sections: The Chopin experience Visitors to the exhibition are transported to the estate of George Sand, Frédéric Chopin's partner, in Nantes, according to Dr. Artur Szklener, director of the Frédéric Chopin Institute and curator of the exhibition's musical component. The experience is designed to evoke the atmosphere of Chopin's creative world — as if, from another room, one can hear the ever-present sound of the composer tirelessly at work. "From the very beginning, we intended for the musical element to be more than just background — it is one of the central narratives of the exhibition," explains Dr. Artur Szklener, director of the Frédéric Chopin Institute. "In terms of the acoustic dimension, we were inspired by a letter from Eugène Delacroix, who described his stay at George Sand's estate in Nantes. He wrote of the exceptional hospitality of his hosts and the daily delight of hearing Frédéric Chopin's music drifting through the windows — Chopin, constantly at work, creating beauty without pause." He adds: "Such an extraordinary accumulation of almost symbolic objects — and assembling them into different kinds of narratives — is truly a remarkable undertaking and a great adventure." The exhibition brings together 59 carefully selected objects on loan from the permanent collection of the Museum of Romantic Life in Paris, divided into four thematic sections. The first is titled 'Ary Scheffer's Atelier,' a space where all the key figures of the exhibition converge. It features paintings by Scheffer himself, alongside works by his contemporaries and close friends. This is where the story begins. 'Ary Scheffer was a Dutch painter who lived in Paris, and from 1830 to 1858, his home was what is now the Museum of Romantic Life,' explains Gaëlle Rio of the Paris Museum. 'Scheffer was a close friend of both Frédéric Chopin and George Sand. The couple lived nearby, and his salon became a gathering place for artists, musicians, and writers of the Romantic era.' The second section of the exhibition is titled 'Romantic Themes.' "We wanted to show that certain motifs in Romantic art—whether in music, literature, or visual arts—are shared across cultures," explains Urszula Król, co-curator of the exhibition. "These themes appear in Polish, French, and German art alike. They reveal the common heroes, genres, and emotions that define Romanticism," says Król. "At the very heart of these themes is the ballad—found in literature, in painting, and of course, in music. And here, visitors will encounter the ballads of Frédéric Chopin." The third part of the exhibition focuses on the social circle of George Sand and Frédéric Chopin, offering insight into their friendships and artistic exchanges. The close relationship between Sand and Chopin lies at the heart of this section—a subject as complex as it is captivating, filled with creative inspiration, emotional intensity, and the influence of a remarkable network of friends and fellow artists. The next section, one that holds deep emotional significance for the curators, is titled 'Souvenirs.' "These are objects created to remember friends and loved ones — to ensure that death and the passing of time do not erase them from memory," explains Urszula Król. "Sometimes these mementos surprise us — with their unusual forms or the materials from which they're made — but their purpose is always the same: to make memory endure, to preserve friendship and love beyond the span of a human life." The exhibition concludes with a section devoted to 'Small Sculptures,' a genre immensely popular during Chopin's time. "These objects reflect the artistic sensibilities of the era — what people admired, what they collected, and the kind of aesthetic world they wanted to surround themselves with," say the curators. "Thanks to the richness and quality of these collections, I hope we've managed — even just a little — to immerse visitors in the spirit of the 'New Athens': the vibrant world of French Romanticism and the extraordinary relationships between painters, writers, and composers," says co-curator Seweryn Kuter. Kuter adds: "If you find yourself drawn into that world, even briefly, we'll consider the exhibition a success."


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