EXCLUSIVE Sharon Osbourne's reclusive daughter Aimee, 41, has grown close to Elvis impersonating rock singer, 29

Ozzy and Sharon Osborne's reclusive eldest daughter Aimee is travelling the world with a US rock band after growing close to their lead singer, MailOnline can reveal.
The 41-year-old is believed to be 'besotted' with Elvis Presley impersonating rock singer Wes Leavins, who is the frontman of Chicago group Brigitte Calls Me Baby, and attended their two most recent gigs in London.
Last weekend, Aimee made a rare public outing when she was pictured with Leavins, 29, emerging from a hotel in Manchester, where the rockers had been supporting Morrissey during his home-coming gig in the city on Saturday night.
When asked if the pair were at item, Aimee simply answered 'no', but according to insiders, her coy response was in keeping with the shy star's bid to keep away from the spotlight.
An insider told Mailonline: 'Aimee and Wes clearly share a deep connection.
'She would never go public with anybody, as she's so private.
'So she's happy to continue slipping under the radar and getting on with her life without the attention her other family receives, which is handy when you want to keep a blossoming relationship under wraps.
Aimee famously shunned the MTV reality show The Osbournes which made stars of her siblings Kelly and Jack as well as boosting her parents' fame.
She's rarely seen in public, which is why her most recent pictures caused a stir online as her face has dramatically changed since her last appearance courtesy of her chiseled facial features and plumped lips.
Brigitte Calls Me Baby - formed in 2016 and who take their name from Leavins' teenage pen-pal correspondence with French actress Brigitte Bardot - are currently on the British leg of their global tour.
Following their gig in Manchester, they played The Horn in St Albans, Hertfordshire on Tuesday night, which was when she was quizzed about the rumoured romance.
Aimee attended the gig and seemingly tried going incognito wearing sunglasses and a woolly beanie hat and stood at the back briefly while the band performed.
The following night, she turned up to the band's gig at The Sebright Arms in Hackney, arriving at the East London pub at 8.30pm in a cab - two and a half hours after the band turned up in a white tour van.
Whilst Leavins and bandmates; guitarists Jack Fluegel and Trevor Lynch, bassist Devin Wessels, and drummer Jeremy Benshish, played the basement stage, Aimee - dressed in black - hovered around the bar talking to friends.
She was later joined by Texas-born Leavins following the band's hour-long show.
Clutching a takeaway pizza box, she left with the singer at 10.30pm and headed straight to the band's van, parked right outside the pub.
Leavins - who played Elvis Presley in a touring production of musical Million Dollar Quarter in 2022 - helped pack away the band's equipment while Aimee waited in the back before driving off at 11pm.
Leavins was still in high school when he was cast as a young Elvis in a touring production of Million Dollar Quartet, the musical about a legendary recording session at the Sun Records studio.
Film director Baz Luhrmann, who saw the show, was so impressed by Leavins that he later cold-called him to ask him to work as a consultant on his 2022 film Elvis.
His band, said to sound like a mix of Roy Orbison and The Smiths, have supported The Strokes and played London festival All Points East.
Rumours of a romance were first sparked by Aimee leaving sweet messages for Leavins and his bandmates on their Instagram page.
On several posts she pens heart emojis in the comments, while others see her sharing supportive messages ahead of his shows.
Aimee - who is also a singer and performs under her initials ARO - was born in London and raised in California until the age of 16 but moved out of the family home as filming for The Osbournes began in the early 2000s.
Reflecting on her decision to not appear on the show she said: 'Back then, I still felt I was trying to figure out who I was in the chaos of family life, so why on earth would I want that portrayed on television?
'I wanted to protect myself, my parents, my siblings, too. They were very young, very impressionable.'
She later defended her decision in 2008 and told The Independent: 'I'm not some weirdo depressed daughter that's afraid of the world and locks herself in her room all day.
'I just didn't choose to do the show. I want to be a singer, and I felt if I'd stayed with the Osbournes and done the whole thing I would have been typecast right away.
'[Sharon] was hurt, and we definitely had a tough time with disagreements. I'm more reserved and my private life is very important.'
Leavins (pictured) was still in high school when he was cast as a young Elvis in a touring production of Million Dollar Quartet, the musical about a legendary recording session at the Sun Records studio
Aimee also has a strained relationship with younger sister Kelly, who confirmed in an interview four years ago that they are estranged.
Appearing on the Dax Shepard podcast - Armchair Expert in 2021, Kelly revealed: 'We don't talk. We're just really different.
'She doesn't understand me and I don't understand her.'
Back in 2015 Aimee admitted to The Independent that she and Kelly were not on close terms and said: 'I wouldn't say there is an ease between us, but there is an acceptance. Do we socialize? No.'
However, Aimee and brother Jack's bond is much better, with the pair both running production company Osbourne Media together.
The siblings are also in the process of co-producing a biopic about their parents, according to Variety magazine.

Try Our AI Features

Explore what Daily8 AI can do for you:

Learn with AIFact CheckingText to SpeechAI Summary

Related Articles

Daily Mail​

30 minutes ago

• Daily Mail​

Food Network star Anne Burrell's shock death under police investigation for possible drug overdose

Celebrity chef Anne Burrell's death is being investigated as a possible drug overdose after she was discovered on the floor of her bathroom surrounded 100 pills, police said. The beloved Food Network star, who hosted Secrets of a Restaurant Chef and co-hosted Worst Cooks in America, was found dead inside her Brooklyn apartment on Tuesday. New details revealed the 55-year-old was found 'in the shower unconscious and unresponsive surrounded by approximately (100) assorted pills', according to NYPD documents seen by The New York Times. Emergency medical teams had responded to the home that she shared with her husband Stuart Claxton. She was pronounced dead at the scene. A spokeswoman for the city's medical examiner's office confirmed that Burrell's autopsy had been completed. Findings on the exact cause of her death were still pending. Claxton reportedly last saw his wife alive at approximately 1AM the night prior before discovering her unconscious between six to seven hours later in their bathroom. It was reported earlier this week that EMS crews had attempted CPR on Burrell but could not resuscitate her. Her family said in a statement: 'Anne was a beloved wife, sister, daughter, stepmother, and friend — her smile lit up every room she entered. 'Anne's light radiated far beyond those she knew, touching millions across the world. Though she is no longer with us, her warmth, spirit, and boundless love remain eternal.' A Food Network spokesperson added, 'Anne was a remarkable person and culinary talent – teaching, competing and always sharing the importance of food in her life and the joy that a delicious meal can bring. 'Our thoughts are with Anne's family, friends and fans during this time of tremendous loss.' Just hours before her passing Burrell had performed at improv show at a comedy club in Brooklyn, after having taken classes at the venue's training center. In a podcast earlier this year she spoke with Tori Spelling on taking the classes and how she planned to expand her horizons. She said: 'I just started taking acting classes. I started yesterday, actually... It's like an improv for actors' class. 'I got there and it's like eight people in the class. I'm the oldest one. Every other person has like, "Oh, I have a master's in fine arts in theater."' Burrell showed off her self-awareness and sense of humor that her fans were familiar with as she joked about the age gap between she and her fellow students. She said: 'I'm like, "okay, I've never taken an acting class. I don't know, this is new to me." 'I wonder if these delightful and super talented kids look at me and they're like, "What's this old lady doing here?"' The television personality had taken a break from her show Worst Cooks In America for season 28 which baffled many fans and Spelling, 52, asked at the time what led her to that decision. Burrell answered: 'I can cook, yes, I can do TV, but also, what else? I've got more to do in my life, I feel like.' She also admitted that she was just 'dipping my toe' when it came to the pivot to acting. Burrell explained: 'I feel very excited about it. I've got a few other things that I'm working on as well, which I'm not quite ready to share yet. Hopefully, exciting [are] things coming.' Gigi Hadid, who famously appeared on the cooking competition series Beat Bobby Flay with Burrell, led the celebrities expressing their heartbreak over Burrell's death. 'I am heartbroken to hear of the loss of the Great Anne Burrell,' the supermodel, 30, began. Hadid included a photo of herself and Burrell from their time filming Beat Bobby Flay back in 2023. 'As a longtime fan, getting to share this day with her was a dream come true. Beat Bobby. Hang. Eat,' she recalled. 'I wish we could have done it again. She was awesome. Rest in Peace Legend.' Chef Carla Hall, who previously appeared on Food Network's Top Chef, called Burrell an 'incredible cook and teacher.' Queer Eye for the Straight Guy star Carson Kressley, who was a close friend of Burrell's, revealed that he spoke to her just days before her death. He also shared a post to his own Instagram page which included a photo of him and Burrell. 'Rest easy, Chef Anne. I'm so blessed I was able to work with you, learn from you, laugh with you. 'So many memories - on screen and off - I cherish this photo of us living our best lives, as the kids say,' Kressley wrote. 'It's one of my favorite memories - just swimming in the ocean after a great lunch. Good food, good friends and lots of love and laughter all around. 'That's what I wish for you where you are now . I'll see you again someday, dear friend.' To conclude the tribute, Kressley revealed that 'Anne loved this photo of us so I know she'd be happy I chose this one.' The TV chef - who became synonymous with her trademark spiky platinum hair - is survived by husband, whom she wed in October 2021 in an autumn-themed ceremony and reception in her hometown of Cazenovia, New York. She is also survived by her mother Marlene and sister Jane and her children Isabella, Amelia and Nicolas, and her brother Ben. Anne developed a passion for cooking at a young age, inspired by her mother's home-cooked meals and by watching food icon Julia Child on television. After earning a degree in English and Communications from Canisius College in Buffalo in 1991, she followed her culinary dreams and enrolled at the Culinary Institute of America in Hyde Park, graduating in 1996. She worked at a whole host of New York City hotspots including Felidia and Savoy in Soho, where she honed her craft in Mediterranean cuisine. She was later thrust into the spotlight and became best known as the longtime host of Worst Cooks in America. The show, which ran for 28 seasons, saw celebrated chefs mentor amateur cooks in an attempt to transform them from rookies to kitchen experts. Elsewhere, she appeared on Chef Wanted, Chopped, Food Network Star, and most recently, competition series House of Knives - which premiered in March this year. She also penned two of her own cookbooks - Cook Like a Rock Star and Own Your Kitchen: Recipes to Inspire & Empower.

Sky News

37 minutes ago

• Sky News

From niche to a billion pound industry: How immersive events have taken over

While cinemas are struggling and London's West End has witnessed a significant escalation in ticket prices, creatives behind immersive experiences say their sector is experiencing "a gold rush moment". From shows built around obvious fan bases - such as Mamma Mia! The Party - to those working with established intellectual property, including Squid Game: The Experience, the UK has proven to be a world leader when it comes shows that make audiences feel part of the action, rather than just observers. Little Lion Entertainment are the team behind two shows currently running in the UK: Pac-Man Live in Manchester and the Crystal Maze Live in London. Its CEO Tom Lionetti told Sky News: "There has been a real boom in the experience economy… It kind of feels like a bit of a gold rush moment in this industry. "It's not nascent anymore, it really is a big industry and it's getting bigger. "West End theatre is incredibly expensive at the moment and even cinema can be expensive for what it is, so I think it's about caring about the experience … you've got to consider value for money these days." Their Crystal Maze show challenges ticketholders to climb through tunnels and collect crystals just like contestants on the '90s programme. And it's one of the longest-running immersive shows in the world, still going strong in London 15 years after the concept was first staged. "The genesis really was this idea of breaking the fourth wall," Lionetti says. "I was an actor and I come from a theatre background, but what we were really intrigued with was giving people agency so you become the star of the show." Last year, according to the Gensler Research Institute's 2025 Immersive Entertainment & Culture Industry Report, the global market for immersive entertainment was valued at £98bn - and it's projected to reach £351bn by 2030. Despite times being financially tough post-pandemic, while cinemas have been struggling to put bums on seats, the continued popularity of experience events could indicate consumers are being a little more choosy about what they spend their hard-earned wages on. Our eagerness to show off on social media could also account for some of what's driving the boom, as well as the isolating nature of how technology-dependant we've become. As Secret Cinema's senior creative director, Matt Costain, explains: "Whether it's competitive socialising or immersive experiences, people are look for something that offers them more… and this is an example of an activity where people can come together and have a sense of community." Secret Cinema - which combines live performance and film screenings - has been staging events for 15 years now. In that time, they've partnered with major studios from Marvel to Netflix. Their latest offering will run from August see them bring Grease's Rydell High to life. Costain says: "When we first started this was niche, film fans who wanted to dress up and keep a secret… but immersive has moved mainstream and we've found ourselves one of two or three companies who've been in it since the beginning. "Part of our job as artists is to help people remember that they really love to play." He jokes that those "who find it the most difficult to get started" are invariably the ones "at 11pm with their tie tied around their head and dancing on a table". While there are many shows working with established intellectual property (IP), there are also some hugely creative original works also being produced - Storehouse being one of those. For 16 weeks, attendees at Staged in Deptford, which was once the archival store for Rupert Murdoch's News International, will be guided through a story that takes place inside a 'digital memory palace' that supposedly houses every story, message, memory, and meme since the dawn of the internet. Produced by Sage & Jester, its lead producer Rosalyn Newbery explains: "You're not moving into a theatre with infrastructure, put it this way, we literally had to bring electricity to the venue, bring power to the venue, bring water to the venue, none of that was there for us… it's a big old job and there's a lot of detail that you can't take for granted." Over 7,000 crew worked more than 57,000 hours to build the set. Getting a show of this size and scale off the ground is a feat in itself. As creative director Sophie Larsmon says: "There are a lot of people trying to get these projects off the ground and there are a lot of projects that never see the light of day…because of the hoops that have to be jumped through for licensing and financing. "It takes huge amounts of creative effort, I've seen a lot of projects where quite late in the process the green light is taken away." While some creators might struggle to access support because the work doesn't fit into traditional cultural boxes, it is certainly an industry that's worth shining a spotlight on. As Larsom says: "The UK has always led the way in developing this form… I think people are cottoning on to the fact that this is a sector [that's] going to be a big revenue earner for the UK."

The Independent

an hour ago

• The Independent

New Hampshire city in 'Jumanji' marks 30th anniversary with animal costume race

Madeline Murphy remembers the instructions she was given on the set of 'Jumanji' when she was an extra some 30 years ago: 'Pretend you're frightened and you're screaming because an elephant's coming after you.' So, that's what she did in the Central Square of Keene, New Hampshire, running back and forth, over and over, on a long day in November 1994. 'I was pretty tired by the end of the day, and it was cold," said Murphy, 61. She got a check for $60.47 — and several seconds of screen time. Murphy was one of about 125 extras cast in the classic Robin Williams film, which is marking its 30th anniversary. It's spawned several sequels, including one planned for next year. The city of about 23,000 people in the southwestern corner of the state is celebrating its ties to 'Jumanji' this weekend. A featured event is a 'Rhino Rumble Road Race' saluting the film's stampede scenes of elephants, rhinos and zebras on Saturday. Runners in inflatable animal costumes are sprinting about a quarter mile (less than half a kilometer) around the square. There's also a cast party, a parade, and a scavenger hunt, among other events. Keene gets picked thanks to coffee craving Based on the 1981 children's book by Chris Van Allsburg about a mysterious jungle adventure board game, the movie version of 'Jumanji' is set in the fictional small town of Brantford, New Hampshire. Veteran location manager Dow Griffith was crisscrossing New England in search of the right spot. A coffee lover who grew up in Seattle, he recalled feeling desperate one day for a good brew. He was a bit east of Keene at the time, and someone suggested a shop that was near the square. 'I took my cherished cup of double dry cappuccino out to the front porch, took a sip, looked to my left — and by God — there was the place I had been looking for!" he told The Associated Press. 'So really, we have coffee to thank for the whole thing.' Scenes were filmed at the square that fall and the following spring. The fall scenes show a present-day town that had declined. Extras played homeless people and looters, in addition to panicked runners fleeing from the jungle animals. Joanne Hof, now 78, had needed her son's help to spot herself behind the elephants, running with her hands up. Hof, a reading specialist, bought a videotape of 'Jumanji' and showed it to the kids she worked with. 'They were very impressed that I was in the movie,' she said. The spring scenes, appearing early in the film, depict the town in 1969. Extras drove classic cars around the pristine-looking square and others walked around, dressed for that time period. 'I told the makeup person, 'Do you know how to do a French twist?'" recalled Kate Beetle, 74, of Alstead, who said she can be seen for "a micro-second" crossing a street. 'They just found me the right lady's suit and right flat shoes, and then the hair is kind of what I suspect did it.' The city helped transform itself The 'Jumanji' crews worked well with the city in getting the permits to transform Central Square into a dilapidated, neglected piece of public property, recalled Patty Little, who recently retired as Keene's clerk. 'They brought in old, dead shrubbery and threw it around and made the paint peel on the gazebo,' she said. Items such as parking meters and lilac bushes were removed and a large Civil War-era statue was brought in to cover a fountain. Graffiti was on the walls and crumpled vehicles in the stampede scene were anchored in place. Everything was restored, and fresh flowers were brought in the following spring, she said. Crews spent a total of about a week in the city for both settings. Little, whose classic 1961 Ambassador is caught on camera, could see everything happening from her office window. 'Did I get a lot of work done? I don't know during those days,' she said. Locals watch and meet Robin Williams A crowd turned out to watch a long-haired, bearded Williams run down the street in a leaf-adorned tunic. In the movie, he had just been freed from the game that had trapped him as a boy for years. 'He's shorter than I thought he was!' one viewer said, according to local chronicler Susan MacNeil's book, 'When Jumanji Came to Keene." Others said, 'He has great legs — muscular, isn't he? But so hairy!" and 'Isn't he freezing dressed like that?" The mayor honored him with a key to the city. Williams, noticing the mayor was a bit shorter, suddenly announced at the presentation, ''I am the mayor of Munchkinland,'' with a voice to match, City Councilor Randy Filiault recalled. He stayed in character for 15 to 20 minutes, 'just bouncing off the walls," approaching people in the audience and pulling their hats over their eyes. Eventually, he stopped, ending with a solemn 'Thank you,' Filiault said. 'I am really seeing something cool here,' Filiault remembered thinking. 'How fortunate we were.' When Williams died by suicide in 2014, people left flowers and photos beneath a painted 'Parrish Shoes' wall sign advertising a fictional business left over from 'Jumanji." Former Keene police officer Joe Collins, who was assigned to watch over then-child actors Kirsten Dunst and Bradley Pierce, also died by suicide, last year. Festival organizers planned a discussion about mental health and suicide prevention to pay tribute to Williams and Collins. 'I think Robin would have been impressed with that,' said Murphy, who met Williams and shook his hand. ___