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Braveheart at 30: Mel Gibson's gory, hokey Oscar winner plays like a biblical epic

Braveheart at 30: Mel Gibson's gory, hokey Oscar winner plays like a biblical epic

The Guardian24-05-2025

For a storied best picture Oscar winner and dorm-wall poster staple of the 1990s and beyond, it's a little surprising how modest Braveheart's success was when it opened in theaters 30 years ago. Though it powered through a mild opening to become a solid summer hit, on the 1995 charts it sits below Father of the Bride Part II and Congo (though congratulations are in order; it did edge out both Grumpier Old Men and Mortal Kombat). Even among other Mel Gibson vehicles from the 90s, you might be surprised to learn that Maverick, Conspiracy Theory and Payback all posted stronger numbers.
But Braveheart stuck around, both in theaters and in the public consciousness. It wasn't necessarily tipped as an awards contender at the time of release – Gibson had only directed one other movie, a small-scale drama called The Man Without a Face – but wound up nominated for 10 Oscars and winning half of them, including a best director prize for Gibson. He wasn't nominated for his performance, but it became a career signature, his rousing speech and blue facepaint instantly absorbed into his iconography. He plays William Wallace, a Scottish warrior who leads a rebellion against King Edward I in the 13th century, when Scotland's dead king left no heir and England swooped in to conquer. The details of the story, which positions Robert the Bruce (Angus McFadyen) as a politicking compromiser, are inspired more from an epic poem than the historical record, which presumably aided its easy-to-follow epic pull.
The movie itself is sort of a print-the-legend affair, too, rather than a parade of perfect scenes. Its three hours are full of hacky touches: plummy introductory narration getting the audience up to speed on the historical context; dialogue that underlines motivations at every turn; the occasional embarrassing tribute to its star's virility; Gibson's trademark zany broadness peeking through at odd times. Worst of that material is the running subplot about the king's gay son, where Gibson sees fit to stage the scene where the king throws his son's lover out a window to his death like a grim slapstick punchline – because to Gibson, that's precisely what it is. (King Edward may be a cruel tyrant, Gibson seems to be saying, but he sure isn't weak like his mincing son!) At times the movie resembles nothing more than an R-rated version of Robin Hood: Prince of Thieves – and some accounts of its historical accuracy or lack thereof would bear out that comparison.
What most people are thinking of when they think about Braveheart is a lengthy sequence in the middle of the film, where Gibson's Wallace, face striped in that memorable blue, gives his stirring speech about living a long life of regretting a lack of freedom, then leads the Scotsmen into a long and impressively gory battle, ending in triumph. Half an hour later, there's another, less victorious for the Scots, also memorably gory. And of course, the capture, torture and defiant death of William Wallace at the end of the film is a notable culmination (though by no means end) of Gibson's fixation on chronicling extensive bodily punishment, a grimmer Catholic-guilt precursor to what Tom Cruise puts himself in the name of stunts.
This may have been the precise point where Gibson became better known for taking that punishment than as a romantic lead; presumably less remembered or cherished among Braveheart's fans is Wallace's unconvincing dalliance with Princess Isabella of France, played by the decade-younger Sophie Marceau. The ease of reducing Braveheart to its highlights-reel essentials makes it a throwback to the have-you-actually-watched-this-lately epics of decades earlier – not the durably brilliant likes of Lawrence of Arabia or Spartacus, but rather more akin to the biblical epics that don't get quite as much play as The Ten Commandments.
Of course, that's where Gibson would go next as a director, and as surprisingly modest a grosser as Braveheart was in its day, The Passion of the Christ was shockingly huge nine years later. Yet despite that massive hit and his Braveheart Oscar in tow, Gibson's directorial career never really reached its full potential. Some of that was his own doing, as drunken, hate-filled antics came to dominate his public image right around the time he unleashed his, ah, Passion. But his peers were clearly ready to forgive (how else to explain the Oscar attention afforded to the similarly martyr-focused and gory Hacksaw Ridge?) and directing offered a clear opportunity to stay a little further from the spotlight while remaining in control of his films. His most recent project, the terribly generic (though recognizably Gibson-y) Flight Risk landed with a thud this past January.
Maybe Braveheart, successful as it was in the long term, made it harder to accept Gibson as a matinee idol with flashes of intriguing darkness, and easier to see him as a passionate madman who could really draw some blood. Or maybe it was just a hard one to top in the affections of so many bros. Regardless, the movie itself re-established a beachhead at the Oscars for mega-sized epics. After the Dances with Wolves victory at the top of the decade, the anointed best pictures got a little more eclectic for a few years: horror thriller The Silence of the Lambs, elegiac revisionist western Unforgiven, Spielberg's masterly Schindler's List, the picaresque comedy-drama Forrest Gump. Braveheart came along and waved the flag for subsequent winners like The English Patient, The Lord of the Rings and especially Gladiator. Thirty years on, that style of film-making feels more distant than it did back in 1995, its resources more likely to be poured into expensive fantasy. Of course, Braveheart is its own form of expensive fantasy, too, selling the power of its own brawny dumbness. For a few hours, it summons enough powerful sweep to convince the audience that Gibson, weird hang-ups and all, might be a star for the ages.

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I went to London's best rooftop bars – and one felt more like Mykonos than being in the city
I went to London's best rooftop bars – and one felt more like Mykonos than being in the city

The Sun

timean hour ago

  • The Sun

I went to London's best rooftop bars – and one felt more like Mykonos than being in the city

Jenna Stevens Published: Invalid Date, NOW that summer is in full swing and the heat is truly turning up, there's one spot like nowhere else to make the most of this weather - the rooftop bar. So I visited some of London 's most popular rooftop bars to see which ones are really worth it 18 Here are five of my favourites to visit if you are in the city this weekend. (Some of them feel like being at a beach club abroad, but for half the price). Magic Gardens, Victoria Flight Club Flight Club in London's Victoria is a buzzing spot for after-work drinks and competitive darts with friends. It's popular for its retro fairground decor and stunningly suave bars, serving everything from craft beers to velvety espresso martinis. It might be best known for its indoor high-energy darts, but take a step outside into their Magic Gardens and you're transported into a dreamy rooftop escape. As soon as I stepped out onto the terrace, I was hit with a vibrant floral explosion. It was a total contrast to the vintage feel of the indoor bar. The Magic Gardens are like a hidden oasis tucked between skyscrapers. The lush greenery and vibrant flowers make for a beautiful escape from the bustle of the surrounding city (and also make for a great Instagram backdrop!) The drinks menu is full of fresh, summery cocktails. The 'Rose-ito' in particular caught my eye. It's a blend of rose-flavoured vodka with fresh lime and mint - the perfect floral refresher to sip in the summer heat. Trendy English seaside town has rooftop bar that 'feels like the Med' 18 18 London Bridge Rooftop Bar In the centre of London, just minutes from Borough Market, is London Bridge Rooftop Bar. This colourful hangout is built for partying and spectacular skyline views. After making my way up a series of stairs (you forget that to visit a rooftop bar, you have to actually climb to the rooftop) I walked out onto a lawn decorated with picnic benches and bold colours. This spot definitely has a party vibe, with booming beats blasting through the speakers and a DJ booth right in the centre. It feels like a mix of city bar and Ibiza beach club, but weirdly it works. Business professionals were flocking in straight from the office, snacking on truffle fries in their suits and sunnies. 18 18 18 18 Think sipping on an Aperol Spritz and biting into a gourmet smash burger, all a stone's throw away from The Shard. The rooftop has DJ performances from 6pm Thursday through Saturday, playing the best in house and garage. They also do a bottomless brunch on Saturdays that tends to sell out. 90 blissful minutes of bottomless Prosecco, Aperol, mimosas and beers with burgers and fries for £40 per person. Given the location, views and vibe, I think it's well worth it. Circe's Rooftop This gorgeous rooftop bar felt less like London and more like Mykonos. After walking up a staircase full of painted clouds and mythical goddess quotes, I stepped out into a world of peachy pink beachfront bliss. With its palm trees, parasols and beach hut bar, why go for a girl's trip to Marbella when you can sip and sunbathe in Waterloo? This beach club style rooftop bar is just minutes' walk from a busy station. But once I arrived, I instantly forgot about where I really was. Less Northern line, more Negronis. 18 18 The rooftop has a truly Mediterranean vibe, offering mezze and small plates to go with your piña colada or kiwi margarita. The small plates are 3 for 2 if you're there before 5pm, and range from spiced kofta lamb skewers to chilli tiger prawns. I could honestly spend all day snacking, sipping and pretending I'm away on holiday. I also couldn't help but notice the espresso martini chocolate flavoured ice cream on the puddings, served with Hotel Chocolat chocolate sauce. 18 18 Frank's Cafe If you're looking for something a little more quirky and artsy, Frank's Cafe in Peckham really took me by surprise. It has a much more urban and industrial feel, an effortlessly cool vibe, and is also the cheapest of the lot. After walking up a hot pink staircase, you step out onto a giant playground. The bar is hidden at the back of a giant rooftop, as you walk by unique art installations that make you feel like you're in Berlin. 18 18 It's a cheap and trendy spot where people gather for toasties, iced cocktails, and to watch the sunset over the London skyline. By night, the rooftop is buzzing with groups sharing jugs of cheap drinks and enjoying food from the grill. Drinks like alcoholic slushies are served in takeaway style cups at wooden benches for that no-frills urban feel. It all felt a bit too cool and concrete for me, but the £5 drinks stole my heart. This quirky spot is a great place for casual drinks with friends, a cheap bite to eat, and some pretty spectacular views over the city. 18 18 Market Halls Victoria Opposite London Victoria station is a bar where street food market hall meets swanky rooftop hangout. You start by choosing your food in the downstairs market hall, where various venders offer a range of affordable eats. Burgers from Black Bear smelled divine, and the ever-popular eggslut was serving their famous breakfast style sandwiches. I grabbed myself a tub of gelato from Badiani, and headed upstairs. 18 18 This rooftop terrace was an absolute suntrap, and the perfect spot to enjoy the street food and soak up some rays. The atmosphere is lively and the music is loud, with many gathered to watch the busy world go by with an ice cold pint. The bar also hold live music events and regularly show football matches, making it a solid spot to meet up and soak up the summer vibes. And three other rooftop bars outside of London Goodness Gracious Roof Garden and Bar, Liverpool Located in Liverpool, Goodness Gracious Roof Garden and Bar can be found on the eighth floor of West Africa House. With views of the city's iconic 'Three Graces' - The Royal Liver Building, The Cunard Building and the Port of Liverpool Building. The bar is open from 12pm till late, Wednesday through to Sunday and has been described by previous visitors as a "real sun trap". 20 Stories, Manchester Over in Manchester, 20 stories is split between a roof terrace, restaurant and cocktail bar. And this summer, the bar has partnered with Aperol for a bespoke Spritz menu. The venue will also host live music every Thursday, Friday and Saturday. Guesthouse No.42, Margate Guesthouse No.42 opened in Margate back in 2023 and in the same year the spot opened their new rooftop terrace bar. The bar features amazing 360 degree views over the beach front and serves a wide range of tipples including local beers and wine. However, it is currently the only rooftop bar in Margate - so could be busy in the summer months.

Summer reading: the 50 hottest books to read now
Summer reading: the 50 hottest books to read now

The Guardian

timean hour ago

  • The Guardian

Summer reading: the 50 hottest books to read now

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Pandora in Puzzlevale: The Secret Town by Paul Duffield, Poqu and Siobhan McKenna Puzzle lovers of 7 or 8+ will devour this brainteasing, interactive story, helping Pandora solve riddles to track down her missing parents and uncover the mysteries of Puzzlevale itself. Naeli and the Secret Song by Jasbinder Bilan After losing her mother, Naeli leaves India to find her father with only a ticket to England, his name and her beloved violin. Her quest takes her from Hyderabad to a remote Northumberland farm, plunging her deep into a devious family plot in this absorbing, atmospheric 8+ historical adventure. Paddock Grove: A Pony to Own by JP Rose Winning a scholarship to Paddock Grove equestrian school is George's dream come true. But when her parents surprise her with scruffy, naughty pony Bear, it turns into a nightmare, especially when the other students make fun of them. Will George and Bear ever learn to trust each other and work together? A joyously satisfying pony book, first in a new 8+ series (out 3 July). Shadow Thieves by Peter Burns In an alternative London, Tom picks pockets to stay out of the workhouse – until his friends are caught, and a stranger offers him the chance to free them by joining an elite school for thieves. Can Tom adapt to his new milieu, save his friends and ward off the dangers threatening the school? This high-octane, fast-paced debut will be impossible to put down, especially for 9+ Skandar fans. Grimstink by Daniel Peak When alien warrior Grimstink arrives to annihilate life on Earth, 13-year-old Layla Tenby gets displaced to the planet he's just left. She's trying to dodge deathbots while Grimstink battles traffic wardens, the Subway ordering system and being hero-worshipped by Layla's younger brother. Is this the end of everything or the start of a beautiful friendship? An outrageously funny 9+ sci-fi caper by a Bafta-winning author (out 10 July). Kill Creatures by Rory Power Last summer, Nan's three best friends were lost, presumed drowned. Their fading tourist town has been in mourning ever since. Now, a year on, one of the girls has returned – to the joy of everyone but Nan, who killed them in the first place … A tense, enthralling psychological thriller for 14+, by the author of Wilder Girls. Lady's Knight by Amie Kaufman & Meagan Spooner Blacksmith's daughter Gwen knows how to forge a sword – and also how to swing one. When she catches the eye of Lady Isobelle, promised in marriage to the winner of the upcoming tournament, Gwen quickly becomes Sir Gawain – but what will happen when their deception is unmasked? This riotously feminist YA romp is full of heart-fluttering queer romance, bitchy knights and angry dragons. Embrace the Serpent by Sunya Mara After escaping the palace, imperial ward Saphira lies low, letting her new master take credit for her skilled jewel-smithing. When the charismatic Serpent King comes searching for a bride, Saphira strikes a dangerous deal. Trapped in a marriage of convenience, can she ever win her liberty? A wild, intricate, romantic YA fantasy. Run Away With Me by Brian Selznick, Scholastic, £19.99 In 1986, 16-year-old Danny spends the summer in Rome, falling in love for the first time with a boy called Angelo and the many layered histories of the city. Selznick's soft, shaded images and lyrical storytelling combine to create a work of dreamy, poignant beauty. To explore all the books in the Guardian's summer reading list visit Delivery charges may apply.

Royal Ascot is an absolute beast and keeps getting bigger – but Charlie Appleby can't buy a winner there
Royal Ascot is an absolute beast and keeps getting bigger – but Charlie Appleby can't buy a winner there

The Sun

timean hour ago

  • The Sun

Royal Ascot is an absolute beast and keeps getting bigger – but Charlie Appleby can't buy a winner there

THE beast that is Royal Ascot just keeps on getting, erm, beastier. I don't think that's a word, but oh well. Across the board, attendances have been dipping at our biggest tracks after a post-Covid surge. But this meeting continues to buck the trend. 1 Crowds have been up on each of the first four days this week — no doubt thanks also to the sweltering weather. Ascot has thoroughly deserved to have its days in the sun, though. As much as I've become a dinosaur and roll my eyes at things considered 'Instagrammable', that's exactly what this meeting is . . . and people can't get enough. From the moment the gates opened punters were streaming in and queuing for 20 or 30 minutes at four designated selfie spots. The action has been good off the track, but even better on it. It's one of the great weeks of the year and people like to be a part of it. Long may that continue. The game's wealthiest owners spend millions to have runners here and the result, as ever, has been a top-class four days of racing with one day still to come. And, Jesus wept, it's been hot. So hot, in fact, the icing on the cakes in the press room was close to melting. You don't realise how tough we have it sometimes. Thanks in advance for your sympathy. There is no doubt in my mind who the star performer of the week was, and that's Field Of Gold. He won the St James's Palace by three and a half lengths and it could have been even more comprehensive had Colin Keane delayed his challenge a little longer. Those with a greater grasp of the formbook than me reckon he is the best miler since his old man Kingman 11 years ago — it's hard to argue on what he's done the last twice at the Curragh and Ascot. The galloping grey got the Johnny G show rolling, and what a difference a year makes. In 2024, Gosden was scrabbling around looking for a half decent horse, and all of a sudden he's got a stable full of them. In contrast, what a complete nightmare it's been for Godolphin's main man Charlie Appleby. His last winner at Royal Ascot was in 2022, when Naval Crown struck at 33-1, and he has now had 35 straight runners without a winner at the Royal meeting. He had lots of beaten fancies last year and this week it's been a similar tale of woe, with Notable Speech (4-1), Ruling Court (4-1), Cinderella's Dream (5-4f) and Shadow Of Light (6-4f) among those turned over at short odds. It certainly does not bode well for his two fancied runners Treanmor and Rebel's Romance today. It's three years in a row now that Appleby has got off to a fast start in the spring before spluttering to a halt in early summer. What on earth is happening? Are the horses peaking early and unable to back up? Appleby must be sick of the sight of all those top hats and tails by now. And it must hurt even more that Godolphin have had three winners this week, two trained by Gosden and one by Saeed bin Suroor. I bet Saeed is secretly over the moon — he has been starved of ammunition over the last decade having falling down the pecking order with Sheikh Mo, but he has shown repeatedly he can still get the job done on the big days. If it's the most important week of the year for trainers, it's probably more significant for the men and women in the weighing room. A couple of jocks who were in the wilderness coming here were Richard Kingscote and Kieran Shoemark, but both went home with winners under their belts. You could see the weight of the world melt off Shoemark's shoulders in particular after he guided 22-1 shot Never Let Go home in the Sandringham yesterday. Whatever you think about his ability in the saddle, the bloke has clearly suffered since losing the Gosden gig and you'd have to have a heart of stone to not wish him well going forwards. Mind you, one jockey who hardly did his reputation on these shores any good was the mercurial Frenchman Mickael Barzalona. Zarigana travelled like stink in the Coronation but he couldn't lift the hot favourite home, just a couple of weeks after losing another tight one at Epsom on popular punters' pick Calandagan. He was only appointed as the No1 jock to the Aga Khan at the start of the year but, after this latest dud, he'll surely be feeling the heat . . . and that makes two of us. . Remember to gamble responsibly A responsible gambler is someone who:

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