‘She just conjured electricity': Celebrating Divinyls legend Chrissy Amphlett
Before Madonna talked sex and sexuality on stage, a working-class girl on the other side of the globe was shocking audiences with her fierce and powerful performances.
Chrissy Amphlett was unlike anything Australians had seen when she burst on the stage in 1980 as lead singer of Divinyls. Without her it's hard to imagine Amy Taylor from Amyl & the Sniffers, or Amphlett's fellow Geelong-born rocker Adalita.
A new show opening next week called Amplified showcases the work of the late artist – Amphlett died from breast cancer in 2013, aged just 53 – as well as her extraordinary impact and legacy.
Making the work has been a wonderful process, says Sheridan Harbridge, who stars in the show, and co-created it with acclaimed director Sarah Goodes and musical director Glenn Moorhouse (Hedwig and the Angry Inch).
Trawling through YouTube and watching old performances by the Divinyls and Amphlett solo, Harbridge says there are hundreds of comments from people writing things such as 'I saw them at the Crystal Ballroom and it was the most amazing thing I've ever seen'.
'And then women saying, 'I'd never seen a woman act like that and I didn't know you could',' the actor-singer-writer says, adding that 'equally for men, they were watching something quite electric'.
'I spoke to someone who worked with her and they said, 'she just conjured electricity'.'
Raised in a Pentecostal Christian family in Gippsland, Harbridge wasn't allowed to watch shows like The Simpsons and The Golden Girls, but thankfully her mum didn't know what Rage was, so that was where she first came across Amphlett.
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Perth Now
5 hours ago
- Perth Now
Horror story behind girl's smiling photo
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SBS Australia
17 hours ago
- SBS Australia
How Fiston beat the odds to crack an $8bn Aussie industry and go global
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Known to fans as Baraka the Kid, he sings in English and Swahili, and his rap music is finding an audience worldwide. "My biggest following is Nigeria, South Africa, and the United States," he said. "Australia sits at number four." Baraka is proud to contribute to the expanding Australian music industry, which grew in revenue by 6 per cent year-on-year in 2024, marking six consecutive annual gains, according to industry body ARIA. Overall, the Australian music industry generates revenues of $8.78 billion according to a recent report released by the federal government body Music Australia. It provides the first comprehensive measure of the economic contribution of Australia's music industry, and includes data from industry, government, and over 1,000 individuals and businesses working across the music industry. It found that streaming dominates the market, accounting for more than 70 per cent of all revenue. Industry growth provides opportunities for young artists, but music producer Ariel Blum said the playing field is far from level. "There are a lot of challenges for people that don't grow up with either the economic means or the social networks to access the decision makers," Blum said. "I have met many clients coming into the studio with a particular profile. They would typically come from privilege, economic privilege mainly, getting bills paid by mum and dad." It's one reason Blum co-founded a music mentoring project called GRID Series in 2013, to give artists from disadvantaged backgrounds a helping hand. "GRID is actually an acronym and stands for Grassroots in Development," he said. "Our main mission is to bring resources, access, and opportunities to artists from low socioeconomic backgrounds. "And in Australia, typically that means living in the outer suburbs or regional areas." Fiston Baraka is among the project's rising stars. 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His life changed dramatically when his parents bought a small parcel of land and started growing crops. "Myself and my older brother were taken out of school and we started working on the farm alongside our cousins," he said. "My parents decided the farm was more of a focus because that's what was actually bringing income," he said. It set back his education, and when the family was finally accepted into Australia on humanitarian visas, Baraka had received limited schooling and spoke little English. "The reading part was hard because I couldn't write and I couldn't read the words either," he said. "So, the way I learned English was by watching cartoons on television." Drawing on the resilience many refugees are respected for, Baraka went on to finish high school and tertiary qualifications, spent six years working in construction then started his own music business. He now explores his refugee journey through song. "It was not hard to kind of convince him to sing in Swahili," Ma said. "We talked about whether that would alienate an Australian listening public. Our conversation got to a point of: 'well, the world is bigger than Geelong, bigger than Melbourne, bigger than Australia'. "You can have an audience that extends to parts of Africa, America, Canada, and the UK because this story, although unique to you, is universal in so many ways." It was a strategy that's paid off for both artist and mentor. "I get a huge rush of pride when I see someone like Fiston making their way in the world and having an impact and finding his audience. It is amazing," Ma said. "I am very happy to be where I am and very proud to have [come] so far," said Baraka. "I didn't think of music as being anything more than a hobby when I first started, but now it is a passion and something I can actually make a career out of, as well." Baraka is among 70 participants to develop their style and their business acumen through the GRID Series. 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7NEWS
20 hours ago
- 7NEWS
Geelong's T-shirt stunt receives mixed reviews from AFL fans
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