
GK Barry reveals reason I'm A Celeb cast no longer speak seven months after show – and Maura and Danny's drunken kiss
I'M A Celeb star GK Barry has split the tea on her relationship with her former campmates - and who she's still in contact with.
Speaking on The
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The I'm A Celeb cast of 2024 are no longer in contact with each other
Credit: PA
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GK Barry starred on the ITV show in series 24 last December
Credit: Rex
TV star Katie inquired if she still communicated with her 2024 camp buddies.
The 47-year-old asked: 'Have you kept in contact, because this is another thing, when I've done Big Brother and all of that, you're like, Yeah, I'll stay in contact...
"But you know the ones you'll stay in contact with and some you just know… in the beginning you text and then…'
GK admitted: 'We had a group chat. It has died down slightly as you can imagine, it's died down."
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She added: 'But I still keep in contact with the Rev [Richard Coles] - and Dean [McCullough] I still keep in contact with a little bit, but mainly the Rev and Melvin [Odoom]."
The
The internet personality entered the I'm A Celeb Jungle last year and quickly became a fan favourite and ended up placing fifth.
Following her TV stint she went on to make multiple appearances on daytime TV show Loose Women.
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Most read in Showbiz
Breaking
Back in April, the group was still active and
radio star
Before the group fell apart, he said: "No, no one's left. Everyone's in it. Everyone's chatting away.
Danny Jones returns to TV after drunken Maura Higgins kiss_1
"I just love it because you'll just wake up one morning, and there'll just be a picture of
"He was dressed as a nun. Everyone's in it, of course, and excited to meet up again."
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While love is in bloom for
Singer
The pair starred alongside GK in the 2024 series of I'm A Celeb.
Wife and podcaster
was reportedly
of the scandal.
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Read more on the Irish Sun
A few of the campmates are set to be working together soon, which could make things very awkward for Maura and Danny.
Georgia broke her silence on social media after three months on from the kiss and posted
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Danny and Maura's kiss sent shockwaves across the celeb world
Credit: The Sun
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GK appeared on the ITV show with Danny, Maura and Oti Mabuse
Credit: Shutterstock Editorial
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The podcaster - seen her on her YouTube channel - opened up on Katie's show
Credit: YouTube

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Irish Examiner
an hour ago
- Irish Examiner
20 years of YouTube: 'We couldn't have predicted how the platform would evolve'
What toppled Egyptian president Hosni Mubarak, launched the careers of Justin Bieber and Ed Sheeran, and gave the world Gangnam Style and K-pop, sneezing pandas, and Mr Beast? Yes, YouTube. Happy 20th birthday to the video-streaming platform with three billion users in 100 countries, the world's second biggest search engine, and a billion hours of content a day. Crikey. Has it really been 20 years? Beloved of everyone from primary school kids to their grannies and everyone in between (in our house it's a verb), the existence of YouTube came about thanks to two very different events in 2004 — the Asian tsunami and Janet Jackson's nipple at the Super Bowl. Back then — for very different reasons – it was hard to find footage of these two events online. This gave three tech bros working at PayPal an idea for a video-sharing platform. Originally launched on Valentine's Day 2005 as a potential dating site — the three co-founders, Jawed Karim, Steve Chen, and Chad Hurley were self-declared geeks in need of dates — its initial slogan was 'tune in, hook up'. But the stampede of people uploading dating video profiles failed to materialise, so the three guys opened the platform to everyone — the first video, uploaded in April 2005, was a grainy 19-second clip of Karim at San Diego zoo in front of the elephants, titled 'Me At The Zoo'. Not long after, in October 2006, Google bought YouTube for $1.65bn — a year after Rupert Murdoch's NewsCorp had bought the now long-dead platform MySpace for $580m. 'We're the stage, you're the performers,' Hurley told the public. And behold, a new internet species was spawned — the YouTuber. Nobodies in their bedrooms became somebodies earning serious cash — remember Zoella? PewDiePie? Today's top three biggest YouTubers are Mr Beast (390m subscribers), T-Series (293m subscribers), and Cocomelon (193m subscribers). You might not know who these people are if you're Gen X and use YouTube for music, film, or how-to tutorials rather than following the YouTube-famous. Yet so many YouTube cultural moments are cross-generational — a YouTube 20th video in the form of a RickRoll has had a billion plus views to date (YouTube has its own constantly evolving language — the Rick in a RickRoll is Rick Astley). In Ireland, some YouTube classics include The man who fell on the ice, Singing priest, Irish man fights with sat nav, and The Spark. Silly, fun, heart-warming, shared and shared and shared. Alison Lomax, MD of YouTube in UK & Ireland: 'We've seen a lot of growth in the Irish YouTube community and economy and want to bring it together. If you're a YouTube creator and work on your own it can be quite lonely — having that peer group [of fellow creators] means people can learn from each other". Photograph Moya Nolan. A LIGHTBULB MOMENT Alison Lomax is CEO of YouTube for Ireland and the UK. After 11 years at Google — she's been working in tech and creativity since the days of dial-up — she moved to her current role at YouTube two years ago. Based in London, she regularly pops over to Dublin — on the day I speak with her, she's here for an event celebrating Irish YouTubers. 'What's fascinating about my job is that no two days are the same,' she says. 'It's incredibly broad and varied, there's always a lot to think about — everything that's happening in the UK and Ireland is happening in my inbox. 'We've seen a lot of growth in the Irish YouTube community and economy and want to bring it together. If you're a YouTube creator and work on your own it can be quite lonely — having that peer group [of fellow creators] means people can learn from each other. "When the first video was uploaded in 2005, there was no such thing as a creator, let alone a creator economy. People have gone from vlogging in their bedrooms to building studios and having meaningful careers off the back of their YouTube business. 'Another big difference we've seen is, as well as all the genres involved, is the breadth of partners involved — now we work with news publishers, sports partners, broadcasters like RTÉ, businesses keen to partner with YouTube to reach younger audiences and also reach a more global platform.' This involvement of traditional media outlets began in 2005 when US broadcaster NBC had a lightbulb moment. Early YouTube uploaded an NBC-owned Saturday Night Live clip, Lazy Sunday, and NBC sued — before realising that an SNL clip going viral on YouTube was actually a good thing. A very good thing. 'That change in decision making was quite a pivotal moment in YouTube's history. What we see now with big partners globally is their understanding of the role YouTube plays, how it can complement what they're trying to achieve. We are a redistribution platform,' says Lomax. Creators — the people uploading self-created content — and YouTube split the revenue from the uploaded content 55%/45%. 'Over the past three years, we have paid out $70bn to creators, partners, and musical artists. YouTube is a unique revenue-sharing model that no other platforms have at this scale. It's what has allowed creators to build their businesses on YouTube. It's revenue that they get week in week out.' Being famous on YouTube can open all kinds of doors. The Sidemen, a group of eight friends who post comedy, vlogging, and gaming content, are popular with teenagers — they're worth around $50m. 'The Sidemen launched 10 years ago, and are now probably the UK's biggest creators,' says Lomax. 'They have a vodka brand, chicken shops. They had a charity football match at Wembley recently and it sold out faster than any other football match, they raised £6m. They're celebrities. 'Anyone with a phone and an idea or a passion can build a business, which means the representation is from all over, from rural as well as urban areas, all over the world,' she says. 'Global distribution means that for a local creator, the majority of their content is watched outside of their country, so they can reach a global audience. 'Allie Sherlock is a great example, from the days of busking in Grafton St, she now has a huge YouTube channel [6.28m followers] and is well known in the US. I think YouTube is super-interesting when it comes to music, you have big artists who have launched their careers on YouTube, and genres like K-Pop. It's really positive.' Well, mostly. But like every other corner of the internet, there's toxicity, particularly in the so-called manosphere. Alison Lomax, MD of YouTube in UK & Ireland: 'Our view is that generative AI is going to power human creativity, not replace it. But with AI, there are obviously areas where the platform has needed to evolve, and areas where we've needed to look at our policies to see how they've needed to change." Photograph Moya Nolan. THE DARK SIDE OF THE TUBE Recent research from Dublin City University showed how the recommender algorithms on YouTube and TikTok fed 10 sock-puppet male-identifying accounts on blank smartphones 'masculinist, anti-feminist, and other extremist content irrespective of whether they sought out general or male supremacist-related content, and that they all received this content within the first 23 minutes of the experiment'. Yikes. So what does YouTube do about harmful content — misogyny, white supremacy, far right extremism? Why is the algorithm allowed to push toxic content with the potential to reinforce and influence harmful behaviours? To spread misinformation, to amplify the deranged toxicity of fringe groups and individuals? To proliferate far right content? Is it because, as outlined in Facebook whistleblower Sarah Wynn Williams' book Careless People, spreading hate and far right extremism is extremely profitable? 'It's a societal challenge,' says Lomax. 'We have guidelines and policies about hate speech, and policies which prohibit content that has hatred towards any individuals or groups based on certain attributes, and we enforce this really rigorously. We have a 20,000-strong trust and safety team, and we work around the clock to make sure that any content which violates our policies is removed from the platform.' Andrew Tate, the online face of toxic masculinity, was permanently banned from YouTube in 2022 (unlike on Elon Musk's X, where he currently has 10.7m followers). 'We terminated his channels for multiple violations. He cannot own or upload onto any YouTube channel, or reupload any content,' says Lomax. 'He has no channels.' She explains how the platform deals with removing harmful content, which is done retroactively, that is, it has to be up there in order to be taken down. 'We have AI, which everyone thinks is new, but has been part of our platform for a long time. That's the first step.' Content flagged by AI is reviewed by the trust and safety team which is made up of 20,000 humans. 'We publish quarterly reports where we share the percentage of content which violates our views — the last one was 0.1%. It will never be zero, but we want it to be as close to zero as possible. We have removed over 236,000 videos which violated our hate speech policies.' YouTube Kids, launched in 2015, is aimed at tweens too young to have access to the platform (you have to be 13 or older), with parental controls around content, watch time, and search history. 'We also work with independent child development specialists and we have an independent youth and family advisory committee made up of independent experts who consult with us on our safety and age appropriateness from a content and platform perspective,' she says. 'We are always looking at ways we can protect children at all different stages. It's critical for us. Online safety is the most important thing for the platform.' SHORT SHORTS YouTube is famous for mutating to survive. When, for example, TikTok came along, YouTube responded in 2020 with YouTube Shorts, offering YouTube users a TikTok-like experience. And while AI has played a long-term role in scraping harmful content from its millions of uploads, how is generative AI impacting the platform? 'Our view is that generative AI is going to power human creativity, not replace it. But with AI, there are obviously areas where the platform has needed to evolve, and areas where we've needed to look at our policies to see how they've needed to change. "Last year, we launched creative disclosure labelling, which means there's a label required if someone has altered the content. It's now required that this is disclosed, and in some cases a watermark is shown on the content itself. So this means creators are transparent about which content is AI and which isn't.' Another innovation is content ID — if you own content, and someone else uploads it in a user-generated content way, you can claim it and monetise it. 'It's protected under your copyright. Which is a good source of monetisation for creators and partners. It's a way of expanding systems we've built over the years to protect creators, because ultimately our business is only successful if it works for creators. It's an ecosystem based on trust. We want users to know what is real and what has been created by AI. And deepfakes are subject to our community guidelines the same as any other content.' As tech and our human responses to it continue to develop at warp speed, it's impossible to predict what YouTube, and the digital ecosystem in which it exists, will look like in the future. Or does Lomax have a crystal ball? She laughs. 'Looking back over the past 20 years, we couldn't have predicted all of the different changes and how much the platform has evolved. 'We're constantly responding to user behaviour changes and also to changes within the media landscape as well. We've made so many big pivots over the years that it's really difficult to predict the next 20 years.' She'd like to see more acknowledgement for the role of YouTube creator as a legitimate career path. 'How do we and businesses and the government support this creator economy and recognise its growth potential within the creative industries? It's a real incubation for talent. We want YouTube to be the most rewarding platform, creatively and financially.' Cork busker Allie Sherlock has been one of Ireland's great YouTube success stories. Pic: Marc O'Sullivan IRELAND'S MOST-FOLLOWED YOUTUBERS 1. jacksepticeye - 30.9M The Athlone-based gaming YouTuber started his channel in February 2012, achieving a milestone one million subscribers just two years later in August 2014. More than a decade on, he is Ireland's most-followed creator. He's also got his own coffee brand, Top of the Mornin' coffee. 2. Nogla - 7.41M After 12 years on YouTube, the Limerick YouTuber has cemented his place as our second most-followed content creator. 3. Allie Sherlock - 6.29M The 20-year-old Cork native regularly draws crowds busking on Dublin's Grafton Street, but her astounding success on YouTube has given her a global reach. She went viral smashing covers, but now she's releasing her own original music. 4. Inventor 101 - 5.89M This DIY channel says its based in Ireland, but its creator has kept their identity a secret. They upload "inventions and science experiments" every week. 5. Kauczuk - 5.24M The Meath-based 27-year-old has gained a following sharing videos of himself creating stunning pieces of art.


The Irish Sun
5 hours ago
- The Irish Sun
Watch the moment Love Island feud explodes as Toni slams horrified rival in sweary rant
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The Irish Sun
7 hours ago
- The Irish Sun
16 must watch TV series of the summer – from Keeley Hawes spy thriller to Danny Dyer comedy and return of Netflix hits
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Glastonbury - BBC, from June 27 THE BBC is showing more than 90 hours of the festival, with live streams from five main stages, and on-demand content for 30 days. The likes of Clara Amgo, Jo Whiley, Lauren Laverne and Huw Stephens will be there to guide viewers through the action on the iPlayer Glastonbury Channel. Neil Young The 1975, Olivia Rodrigo, The channel will also have special recap montages from previous festivals, including Beyonce and Coldplay. The Hostage - Netflix, August 21 14 Suranne Jones returns to our screens playing a Prime Minister in a new Netflix drama Credit: Des Willie/Netflix SHE'S played some big characters and now But her life is turned upside down when her husband is kidnapped and she is forced to work together with the French President, a long-time rival. The two powerful women, who are also being blackmailed, have to navigate betrayal, danger and looming threats to their careers and personal lives in this twisting five-parter. Also featuring are Queen Charlotte hunk Corey Mylchreest, Miss Scarlet's Sophie Robertson, Before Sunrise actress Julie Delpy and actor and musician Ashley 'Bashy' Thomas. Dora And The Search For Sol Dorado - Paramount+, July 4 STARTING off as an animation series in 2000, Dora The Explorer had her first live action film in 2019's Lost City Of Gold. Now she is back for more adventuring. This time, teenage Dora, played by Samantha Lorraine , is embarking on a new journey deep in the jungle on a quest to find the mythical treasure of Sol Dorado. Along the way she will have to battle villains, with the help of her loyal cousin Diego, archaeologist Camila the Crusader and her trusty sidekick Boots the monkey. After making its premiere on kids' channel Nickelodeon UK on July 2, it will be available to stream – for kids and adults – on Paramout+. The Institute - MGM+, July 13 14 Martin Freeman's son Joe features in Stephen King-based horror The Institute Credit: Chris Reardon/MGM+ BASED on a 2019 novel by horror writer Stephen King, this eight-episode thriller follows 12-year-old genius Luke Ellis, who is kidnapped and wakes up in a mysterious facility where children with unusual abilities are being held against their will. As Luke (played by Martin Freeman's son Joe) plots his escape, a former police officer, who has moved to the town for a quiet life, uncovers disturbing facts about the place, known as The Institute. Expect Stranger Things-style superpowers and the same kind of simmering discomfort as Stephen's previous TV adaptations, Castle Rock and The Outsider. Mr Bigstuff - Sky, July 14 Danny Dyer is back for a new series of Bafta winning comedy Mr Bigstuff Credit: ©Sky UK AFTER winning a Bafta for its first series, Sky's hit comedy returns for a second run, reuniting Ryan Sampson and Danny Dyer as brothers Glen and Lee. This time, the Essex duo navigate the Earth-shattering revelation that their dad might still be alive, sending the pair into a meltdown over how to locate him. Meanwhile, secrets threaten to tear the family apart. Expect a host of new characters, including Rula Lenska as the eccentric Rita, and Shaun Williamson playing a surprisingly angry children's entertainer. Shark! Celebrity Infested Waters - ITV, July 14 A brand new reality show will test the fears of celebrities when they dive with sharks WHAT better way to mark the 50th anniversary of the film Jaws than to challenge a group of ocean-phobic celebrities to dive alongside sharks? Filmed off the coast of Bimini in the Bahamas, this new reality format sees the group coming face to face with increasingly larger and more dangerous sharks. The high-stakes, five-part show will feature Sir From panic attacks to near-miss encounters with the apex predators, the celebrities will be pushed to their personal limits in what is sure to make fun viewing. Wednesday - Netflix, August 6 14 Addams Family inspired drama Wednesday is back for an eagerly awaited new series Credit: JONATHAN HESSION/NETFLIX HIT series Wednesday became Netflix's most-watched English-language series of all time, in large part thanks to Jenna Ortega's deadpan performance of the iconic Addams Family character. And after solidifying itself in pop culture with the help of a viral dance, there's little surprise the series is back, this time with a darker mystery. Wednesday returns to boarding school Nevermore only to discover there is a serial killer on the loose. Series two brings back fan favourites Morticia, Gomez and Pugsley, while fresh faces on the cast list include Steve Buscemi and Joanna Lumley . Uefa Women's Euros - ITV & BBC, from July 2 14 There is live sport to get excited about when the Women's European Championships kick off Credit: Getty THE BBC and ITV are sharing coverage of the Women's Euros in Switzerland as the Lionesses, captained by BBC Sport will air half of the group-stage matches, including both England and Wales' games against the Netherlands , as well as three of the tense quarter-finals. Commentary and analysis will come from The England v Wales clash on July 13 will be a big live draw for ITV. Both channels will simultaneously broadcast the final on July 27. Thursday Murder Club - Netflix, August 28 14 Screen legends Helen Mirren and Pierce Brosnan are set to feature in Thursday Murder Club Credit: Giles Keyte/Netflix RICHARD Osman's best-selling first book is hitting the box with a star-studded cast. The series follows sharp-witted retirees – ex-spy Elizabeth, former union activist Ron, retired psychiatrist Ibrahim and nurse Joyce – in a fancy village for old folks who meet to solve cold cases. But then they find themselves caught up in a current murder that happens on their doorstep – and like the nosy old folk they are, they get to work trying to solve it. With a cast list that includes Dame Helen Mirren and Pierce Brosnan, above, plus Sir Ben Kingsley, Celia Imrie,