
Creative industries to get £380m boost ahead of industrial strategy launch
Britain's film, music and video game industries are set to receive millions of pounds of investment as the Government seeks to ensure the UK's place as a creative superpower.
The investment, announced by Culture Secretary Lisa Nandy, will see £380 million spent on a range of projects intended to double private investment in the creative industries.
Ms Nandy said the investment would 'boost regional growth, stimulate private investment, and create thousands more high-quality jobs'.
The figure includes £25 million for research into cutting-edge technologies such as the virtual avatars used in Abba Voyage, and £75 million to support the film industry.
It will also see £30 million put towards backing start-up video games companies – an industry worth billions of pounds to the UK – and another £30 million for the music industry, including an increase in funding for grassroots venues.
Another £150 million will be split between the mayors of Manchester, Liverpool, the West Midlands, West Yorkshire, the North East and the West of England to support creative businesses in their regions.
The announcement comes as the Government prepares to publish its industrial strategy next week, billed as a 10-year, multibillion-pound plan to back certain sectors and secure growth for the UK economy.
The creative industries are set to be one of the winners, with a plan for the sector expected to be published alongside the wider industrial strategy.
Business Secretary Jonathan Reynolds said: 'The UK's creative industries are world-leading and have a huge cultural impact globally, which is why we're championing them at home and abroad as a key growth sector in our modern industrial strategy.'
But earlier this month, the Government also rejected a planning application for a major new film studio near Holyport, in Berkshire, over its impact on the green belt.
The £380 million has been welcomed by the industry, with the Broadcasting, Entertainment, Communications and Theatre Union (Bectu) saying it was a 'show of commitment to the sector'.
But Bectu chief Philippa Childs said creative workers would also be looking for 'sustained support' from the Government as the sector 'recovers from a series of external shocks'.
Recent years have seen the sector rocked by Covid, the cost-of-living crisis and concerns about the impact of AI and Donald Trump's threat to impose tariffs on films made outside the US.
Conservative shadow culture secretary Stuart Andrew accused Labour of threatening the 'very survival' of the creative industries.
He said: 'From their national insurance jobs tax to their business rates hike, Labour are pushing creative businesses to the brink, and we now know that Rachel Reeves has a secret plan to raise taxes – meaning things will only get worse.
'Labour must recognise that their economic mismanagement is dealing a devasting blow to the sector.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Sun
24 minutes ago
- The Sun
Britpop legend reveals band's unreleased new song is a ‘banger' ahead of first album in 12 years
OCEAN Colour Scene are working on new music which could become the band's first album in 12 years, The Sun can exclusively reveal. The popular British band has five top 10 albums to its name but hasn't put out a full length release since 2013's Painting. 4 4 That might soon change as frontman Simon Fowler has written three new tracks, one of which guitarist Steve Cradock has branded a "banger". In an exclusive interview with The Sun ahead of their performance at Godiva Festival, Cradock, 55, said: "Simon sent me three tunes, that's what I've heard. I've demoed them up to a point where they sound f**king smart. There's one banger, and there's one interesting one. "I mean, we haven't done a record in like 11 years or something, we've been waiting for Simon to write for a long, long time. " The Beatles wrote together for eight years. That sort of puts it into some kind of funk. From where I sit at the moment, it would be fun for us all to do it, I think." The group's back catalogue includes singles The Day We Caught The Train and The Riverboat Song, both of which are currently getting play time during festival season. Having released 10 albums to date, Cradock is content playing Ocean Colour Scene's hits, of which there are many - 17 top 40 singles to be precise. "I don't think it would make a difference to gigs, if I'm honest," he says of a new record. "Because we've kind of got what we are through all the albums that we did back in the day. And when we play festivals, we play the main singles that people know, obviously. "I don't see the point in being self-absorbed when you're doing festivals. You've just got to play the songs that people hopefully will know. And leave it at that. "It's different for your own gigs. There's many tunes that we can unearth. I think that those sort of fans would find it interesting." While he wouldn't be drawn on a timescale for a new album, Cradock says the creative process could be very quick if material is right. Paul Weller - Wildwood "If the songs are there, it wouldn't take me long at all to produce it and to get it out." Away from Ocean Colour Scene, Cradock plays guitar for Paul Weller, a role he's held since 1992. Last year's 66 featured in numerous best of 2024 lists and will be followed this July by the Modfather's covers album, Finding El Dorado, featuring the likes of Robert Plant and Noel Gallagher. "It's beautiful, because you can see what a creative force Paul Weller is," he says. "That's just what he does, and he's a force of nature, and he's a force of melody. When you're in the studio, you see things happen just like that, in the instant, the second. And then, by the end of the day, something's happened. "There's not many days that I've seen where people got that disappointed. To be around that creative process is great." 4 4 Weller didn't hang around, laying it down in just 10 days, and there were no egos in the studio despite the calibre of musicians involved. Led Zeppelin frontman Plant turned up ready and willing to work like a regular session musician. "He was prepared for it, like a working musician, not a rock god," says Cradock. "He was humbling and he played some beautiful harp. Then we asked if he would sing and he sang and it was just like, 'wow'." Mod fan Cradock rejoiced in hearing Plant's tales from his days before superstardom, particularly how he played a role in a notorious battle between two subcultures on the south coast. "He told me he left the Black Country in '64 on his hand-painted Lambretta, went down to Hastings and got involved in the mods and rockers fight and then drove back on his Lambretta. "It blew my mind the fact that you've got this sort of rock icon who was originally a mod fighting the rockers. "He was a gentleman and he's a great singer and he's really tuned in to what's happening in that moment you know, a true professional, a G. He's a f***ing G." Music fans can hear Plant do his thing when the record is released on July 25.


BBC News
an hour ago
- BBC News
Riot-hit Spellow Library's artwork celebrates community's 'hope'
A library set on fire during last summer's riots is set to unveil a new artwork celebrating the community who were there to help it rise from the ashes. Spellow Community Hub and Library, in Walton, Liverpool, was torched in August amid unrest which swept across the country after the stabbings in reopened in December after £250,000 was raised and books were donated from the Queen and a host of well as the Welcome Home artwork featuring images of people from the Walton community, a song and a film, which is the culmination of Dora Colquhoun's artist residency at the hub and library, will be showcased on Saturday. Colquhoun was commissioned by Culture Liverpool. She has led creative workshops with local residents and with community organisations, schools and businesses as part of the Welcome Home installation will feature pictures by St Francis De Sales pupils, as well as photographs of Walton residents including Kenny Robert from County DIY, Joan Abela co-director of Our House Walton Community Hub and 98-year-old Anne Gandy, who was appointed an MBE in 2007 for her services to the community. Colquhoun, said she had been humbled by the local community who have welcomed her during her residency, adding Walton has "stolen a piece of my heart"."Liverpool is a unique city, and the people in Walton are a true reflection of what makes it so special: a sharp sense of humour, natural storytelling, and the confidence to tell you if they don't like your outfit."Ms Gandy added: "Scousers are the best people in the world, you won't meet a kinder group of people or more generous of heart."Liverpool City Council's cabinet member for health, wellbeing and culture, councillor Harry Doyle, said: "The story of Spellow Library continues to be one of resilience, hope, and the unbreakable bonds of community. "Artist residencies like this help the neighbourhood reclaim their shared narrative. The locals have opened their hearts and minds to Dora and the result is a beautiful installation, song and film."Cash for the project was provided by the UK Shared Prosperity Funding and it is supported by recovery funding provided by central government and the Arts Council England. The Spellow Lane Community Hub and Library opened in 2023 to serve deprived communities. It suffered severe damage to its ground floor during violent disorder which as tensions flared following the murder of three young girls by Axel Rudakubana at a Taylor Swift-themed dance party in Southport, Merseyside, on 29 July last year. The event takes place between 11:00 BST and 13:00 Spellow Community Hub and Library. Listen to the best of BBC Radio Merseyside on Sounds and follow BBC Merseyside on Facebook, X, and Instagram. You can also send story ideas via Whatsapp to 0808 100 2230.


Telegraph
an hour ago
- Telegraph
The catastrophic truth about London's decline
It may well be a few years behind schedule, but it is finally happening. The UK is levelling up between London and the rest of the country. House prices are falling in the capital, the mega-rich are all leaving for Italy and Dubai, the City is not minting new hedge fund millionaires any more, and this week we learnt that it is now the only region of the country where productivity has not managed to claw its way back to its pre-pandemic levels. There is just one catch. A failing London will be a catastrophe for the British economy – and if we can't find a way to turn that around, it will be impossible to escape from permanent stagnation. We may think of London as the beating heart of the British economy. But increasingly that is no longer true. According to the latest data from the Office for National Statistics, output per hour worked in London fell at an average annual rate of 0.3pc from 2019 to 2023, compared to an average annual gain of 0.7pc a year across the rest of the country. Every other region has now clawed back its pandemic losses, and is above the 2019 level for productivity, but London is still behind. Sure, it is still the most productive part of the country, with output per hour still 28pc ahead of the rest of the UK. But its lead is steadily shrinking, falling from a 33pc lead in 2019 and an all-time high of 38pc back in 2007. At this rate, by the middle of the century there won't be much difference in output per person between London and Manchester, Leeds or Bristol. We can all speculate about the reasons for that. London has a lot of civil servants, and we know that productivity levels in the public sector are dire. It has always been a slog to get into the office, so working from home has stuck for longer in the capital than elsewhere, and that also typically means less output.