
Justin Bieber suffers embarrassing incident in public as troubled star grabs hold of his crotch
Justin Bieber suffered an embarrassing incident in public while holding up his distressed blue jeans during a visit to First Credit Bank in West Hollywood on Wednesday.
The 31-year-old pop star - who disrespected his wife Hailey Baldwin Bieber on Tuesday - clearly forgot to put a belt on as he awkwardly grabbed at his crotch fabric.
Justin was behind the wheel of a large white SUV, which he parked improperly during his errand on the Sunset Strip.
While Bieber was away, a LADOT traffic officer on a bicycle issued him a parking ticket most likely for not feeding the one-hour meter.
That same day, the two-time Grammy winner posted an Instagram snap of his buddies with the non-sensical caption: 'Peep the skyleezzies on Eddie's feet u lil puss.'
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Justin was attempting to refer to musician Eddie Benjamin, who was sporting a bright blue pair of his not-yet-released, Yeezy-style SKYLRK shoes.
There is still no official launch date for Bieber's athleisure clothing company replacing Drew House, for which he enlisted business partner Neima Khaila and 3D design consultant Finn Rush-Taylor.
The guy pals then enjoyed some shirtless skateboarding on the half pipes built on the tennis court of his $25M Beverly Hills estate.
The Canadian crooner - who boasts 607.6M social media followers - has been flooding the zone with post after post, many of which don't make a lot of sense.
On Tuesday, Justin got into a lot of hot water for the shameful way he congratulated his 28-year-old wife on her first solo American Vogue cover - something he told her she'd never achieve as a model.
'Yo this reminds me when Hailey and I got into a huge fight. I told Hails that she would never be on the cover of Vogue,' Bieber wrote.
'Yikes I know, so mean. For some reason because I felt so disrespected, I thought I gotta get even. I think as we mature we realize that we're not helping anything by getting even.
'We're honestly just prolonging what we really want which is intimacy and connection. So baby [you] already know but forgive me for saying [you] wouldn't get a Vogue cover cuz clearly I was sadly mistaken.'
After a slew of outrage, the heavily-tattooed millennial deleted the offensive caption and replaced it with emojis including a man shrugging.
Justin was behind the wheel of a large white SUV, which he parked improperly during his errand on the Sunset Strip
That same day, the two-time Grammy winner posted an Instagram snap of his buddies with the non-sensical caption: 'Peep the skyleezzies on Eddie's feet u lil puss'
Justin and Hailey welcomed their first child, nine-month-old son Jack Blues Bieber, on August 22 but that did nothing to stop the divorce rumors.
'You would think after having a child, people would maybe move on, chill out a little bit, but no,' the Rhode founder scoffed to the mag.
'So I guess these b****es are going to be mad.'
The married couple of six years originally met backstage at the TODAY Show in 2009, they began dating in 2015, and they rekindled their on/off romance in 2018 three months after his split with Selena Gomez.
'As much as they are in love, there are plenty of times that they are at each other's throats,' a source told DailyMail.com on Tuesday.
'Hailey has been mad at him plenty of times, and it will happen again and again. She comes around and forgives him. She will let him do what he needs to do and will accept his apology.
'The Justin we see now is the Justin that Hailey has seen all along, and she feels like she can always fix him. Good or bad, it is a never ending circle.'
Bieber recently fired his manager Scooter Braun, 'swagger coach' Ryan Good, business manager Lou Taylor, bodyguards Keith Gibbs and Eric Johnson, as well as security guard Kenny Hamilton.
Bieber wrote: 'Yikes I know, so mean. For some reason because I felt so disrespected, I thought I gotta get even. I think as we mature we realize that we're not helping anything by getting even'
After a slew of outrage, the heavily-tattooed millennial deleted the offensive caption and replaced it with emojis including a man shrugging
The former YouTube sensation was already suffering from depression before revealing he had come down with Ramsay Hunt syndrome in 2022, which made him focus more on his health than his career.
Justin's most recent single - Moments - was featured on his former mentor Sean 'Diddy' Combs' fifth studio album The Love Album: Off the Grid in 2023.
The 55-year-old disgraced music mogul is currently incarcerated at MDC Brooklyn's Special Housing Unit amid his federal criminal trial, but Bieber insisted he was not one of his victims.
The born-again Christian's rep told Access Hollywood last Thursday: 'Although Justin is not among Sean Combs' victims, there are individuals who were genuinely harmed by him. Shifting focus away from this reality detracts from the justice these victims rightfully deserve.'
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Daily Mail
34 minutes ago
- Daily Mail
How tragic Anne Burrell ditched 'rock star chef life' to finally find love in her 50s before shock death
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'From when I was a kid, I don't know why, but I always was like, I am not getting married until I feel like I have something in life to share — until I have accomplished stuff,' she shared. In a bittersweet twist, Burrell had recently appeared on Tori Spelling 's misSPELLING podcast, where she reflected on meeting her husband Stuart Claxton later in life—after living what she called 'the rock star chef life' In her 20s and 30s, Burrell sai dshe embraced the whirlwind of her culinary rise. 'I was living my best life! I was like, living the rock star chef life. I was working a lot, and I had a great social life,' she said. But over time, her priorities began to shift. 'I just started to feel like, all right, you're getting a little old to keep on doing this,' she added, reflecting on what led her to seek something more grounded. That turning point eventually led her to Claxton, whom she married on Oct. 16, 2021. 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'The culinary family is like family, so this hurts a lot of us. We just all feel it.' The shock comes from seeing her a few days ago at an intimate dinner she hosted - which she of course was the chef for the 'fun night' - at Soho House on June 9. 'I've seen [her] over all these years, not just on television competitions and shows, but at different parties and events and stuff, and we've always been friendly. 'But just in the last month we've been texting. I said, "Come to my dinner at Soho House, it'll be great to see you." And she brought her husband and we just had such a good time,' she shared about how the famous chefs reconnected. 'It was just so sweet. So this is just really so sudden and shocking.' Burrell even texted her the following day on June 10 to let her know that she and her husband, Stuart Claxton, had a great time. 'She's like, "Thanks so much for inviting us. It was a truly lovely time and very delicious. Please send me some pics so I can post." 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And I think she was definitely enjoying her life outside of that whole world of the networks and all that stuff.' Burrell spoke exclusively with Daily Mail back in April about marital bliss. Her and Stuart got married in 2021 after meeting on a dating app in 2018. 'October will be four years,' she said at the City Harvest gala. 'It seems like it's been four minutes. I don't know if it's a honeymoon [phase], but I feel like it's settled into married life days which I really enjoy.' Falkner told Daily Mail, 'I'm just bummed. I feel like [our friendship] just got cut really short fast' (pictured is an exclusive photo of Falkner with her pal at Burrell's former Brooklyn restaurant, Phil And Anne's Good Time Lounge, shared with Daily Mail) Falkner, who appeared on cooking shows like Iron Chef and Top Chef, recalled meeting Burrell's husband before they got married in 2021. 'I randomly saw her in Rome outside of a restaurant, and I was like, "Oh my God, that's Anne Burrell walking by!" And we said hey and stuff,' Falkner revealed, noting that she and Stuart were on a 'pre-wedding trip.' Describing her passing 'really unfortunate,' 'so sad,' 'unexpected' and even 'tragic,' Falkner believes Burrell's death is a huge loss to the restaurant community since everyone involved is 'another kind of family.' Falkner, herself, said that being a chef is a 'highly stressful job,' but it was something that Burrell mastered throughout her career. 'The thing about Anne Burrell is she wasn't only a TV chef, she was a really good, really good cook, really good chef. She educated a lot of people,' the James Beard Foundation's board of trustees member told Daily Mail. 'I don't even know how she had the patience to do Worst Cooks in America, because I think that would be a challenging show to do patience wise. But she was the real deal. She could cook a lot. She had mad skills. It was always fun watching her cook. I told her I loved watching her on House of Knives.' 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The Sun
44 minutes ago
- The Sun
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The Independent
an hour ago
- The Independent
Marlee Matlin tells her story in an intimate and groundbreaking documentary
When American Masters approached Marlee Matlin about doing a documentary, Matlin had one name in mind to direct: Shoshanna Stern. Like Matlin, Stern is deaf. She also hadn't directed before. But Matlin, who herself became the first deaf person in the Directors Guild of America just a few years ago, was certain she was up to the task. The resulting film, 'Marlee Matlin: Not Alone Anymore' is an intimate look at her life: Growing up in a hearing family; winning the best actress Oscar at 21 for her first movie role in 'Children of a Lesser God,' which film critic Rex Reed at the time called a 'pity vote'; what she's described as an abusive romantic relationship with her co-star, the late William Hurt, which he denied; getting sober; and her experiences in an industry not equipped to accommodate deaf actors. It's also an evocative portal into the world of the deaf community that uses groundbreaking techniques and sound design to put American Sign Language (ASL) and visual communication first. The film opens in select theaters Friday. While Matlin told much of her story in the memoir 'I'll Scream Later,' on some level it wasn't a completely satisfactory experience. Before the #MeToo movement, its revelations were not treated entirely seriously in the media. But a documentary also provided an opportunity. 'We communicate visually,' she said. Matlin and Stern spoke though translators to The Associated Press about the 'CODA' effect, making the doc on their terms, and why they hope Reed sees this film. Remarks have been edited for clarity and brevity. AP: Shoshanna, what was your approach? STERN: I had never seen a deaf person direct an episode of TV or film. Never. I thought, what does that even look like? I didn't realize until I took the job that really the whole form of documentary as we know it is really rooted in sound, in the assumption that people will be speaking and they can speak. I thought, what are we going to do when we're using American Sign Language? I have to reframe a whole form of documentary. We have to be able to see what a visually-based documentary is going to look like. We wouldn't do justice to Marlee's life if I had forced this form that really wasn't rooted in the way that she experienced this life. And that was exciting to do. Scary for some people out there, but I never felt scared in making this documentary because she believed in me. MATLIN: If I had had a hearing director approach me to do this project, we could have done a very good job, but that person would not have seen me in the same way. They would not have the same lens as a deaf person. AP: What were some techniques you used to spotlight the deaf experience? STERN: I did want to film with captions in mind, so I made sure that we did have a wider frame. We figured out visual voiceover with a split screen that we added. We did this little surgery with words and syllables in one of the scenes where we mixed them all around to be able to bring people into how Marlee experiences conversations and the world. We wanted to make this documentary an immersive experience for the audience members, a sensory experience to help them understand. AP: 'CODA' felt like a big moment, but in the years since it won the Oscar, have you seen things change? MATLIN: 'CODA' certainly was a milestone and respected by so many people in the industry. It tackled a lot of things that both deaf and hearing people or audiences can identify with. I love the fact that they burnt in the captions. That you can't just turn it off. And I hoped that all the love we received and the three Academy Awards that we got would make a difference. It was honored on so many other levels too as well, whether we're talking about (director) Sian (Heder) or you're talking about Troy (Kotsur) or the SAG award which was just a dream come true, specifically of mine. I took that opportunity to specifically address that that we 'exist,' that we want to be actors just like you, we want to be directors, we want be producers, we want to be hair and wardrobe stylists. We want to work in all levels of production. So 'CODA' really elevated that conversation about how much we wanted to be part of the industry. But for some reason it didn't really break open the door as wide as I would have thought. Yet we just don't give up. We are persistent. Because it is what it is. We are working on our own levels to make changes. STERN: Marlee said something really brave when we were at Sundance. She said, 'It won't last.' The moment, yes, in the moment. But I don't know if we have movement. MATLIN: There's so many stories that we can tell, so many stories that you can put up on screen, so many stories that we can put on stage. I'd like to see action because I've been hearing that, 'Yes, we have to do this' or 'I will do this,' but it's been 40 years. I don't want to sound like I'm complaining. I just want to make sure that we put our money where our mouth is. I go back to that comment about Rex Reed. I wonder if he would ever see this film. I'd love to see if he has the balls to make a comment and say, "Oh look, I realize I might have said something wrong." That's just one example of the things I'd like to see happen. And maybe the people who interviewed me over the years. I don't want you to misunderstand me, I have a great deal of respect for them. But specifically, I am calling out Rex Reed. So, you know, sorry but not sorry.