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'New Sophie film may not solve murder but it will get people talking again'

'New Sophie film may not solve murder but it will get people talking again'

The shocking killing of French beauty Sophie Toscan du Plantier 29 years ago is the unsolved murder that won't go away.
The whole country wants to know did eccentric English journalist Ian Bailey, who lived in the west Cork area, brutally take her life or is the killer still out there roaming the countryside here or in France, free as a bird.
The truth is after all these years, nobody really knows. Ian Bailey died from a sudden heart attack 18 months ago and went to his grave proclaiming his innocence.
So far there has never been any hard evidence such as DNA produced to tie him to the murder and the finger of blame against him is largely based on circumstantial evidence contrived with hearsay.
Sophie's heartbroken family are convinced Bailey is the man and that the verdict of a dodgy French court in 2019 which found him guilty of the young mother's murder in absentia, proved that he did it.
The problem is a star witness in the whole saga, former Schull postmistress Marie Farrell was never called to give evidence at the French show trial.
She initially put Bailey in the frame by telling Gardai she saw him washing blood off his boots at Kealfadda Bridge, not far from the murder scene on the night she died.
But years later, she retracted her statement and admitted she lied.
A large amount of the evidence given in the French proceedings was hearsay and would never have been admitted in an Irish court of law.
For whatever reason, Sophie's family will not listen to any suggestions that someone else aside from Ian Bailey, might have killed her.
Now they are annoyed with the respected filmmaker Jim Sheridan, whose new movie on the story, Re-Creation opened in New York last Sunday night and will be screened publicly over the coming weeks.
Based in a courtroom setting, the film focuses on what would have happened if an Irish jury deliberated on the case and presents all the current facts known about the murder.
It has an all-star Irish cast including Colm Meaney and Aidan Gillen. Sheridan also claims there is some new evidence.
Sophie's family are extremely critical of the release of the movie at this moment in time when there are still two parallel Garda investigations into the horrendous crime ongoing.
The cops are also working with the FBI and new technology to try and identify some old blood samples taken from the murder scene.
Sophie's uncle Jean-Pierre Gazeau said the release of the film is "ethically questionable".
While the family fully acknowledge Jim Sheridan's reputation as a gifted and accomplished filmmaker, they regret "he has chosen to apply his talent to a project based on questionable evidence". He also said Bailey is still a person of interest in the case to the Gardai.
He fumed: "In particular we await the results of new DNA analysis. We believe it is ethically questionable to interfere with the ongoing Irish Garda search for truth by producing a fictional narrative based on assumptions that might be biased - or whose impartiality remains unclear."
What none of us know except those who have seen the movie is whether Sheridan's jury finds Bailey not guilty.
Sheridan, like myself, has always held the view that there was never any hard evidence to convict Bailey, that the Garda investigation was flawed and that they never seriously looked at any other suspects.
Irish detectives also never got to interview Sophie's late husband Daniel face-to-face at the time, and did not receive much cooperation from the French police.
All they got was a written, signed statement from Daniel handed over to them by the French.
I, like Sheridan, spoke to Ian Bailey many times over the years and he always denied the murder. Truth be told, I have no idea if he did it or not.
He was a strange fish in many ways but that did not mean he was a killer.
I met a lot of bad bastards in my time who wouldn't bat an eyelid about taking another life and I honestly don't believe Bailey had it in him.
Sheridan has defended the film and made it clear he is not trying to upset Sophie's family.
He said: "I am not trying to upset them, I am not trying to do anything to them, but if there is a possibility that Ian Bailey didn't do it and he is pursued and hounded for 25 years , you can't cure one crime by committing another."
He also told of his issues with the French trial. "Marie Farrell was not invited to France to give her evidence. Was that a selective trial? Was that a limited information trial, a media trial, or a real trial?
"It is outrageous that Gardai didn't get to interview the husband and other people in France. It's clinically F...king insane. Ian Bailey is a convincing scapegoat for everyone."
The new Sophie film is inspired by the infamous 1957 movie, 12 Angry Men.
It won't solve the murder but it certainly will put it right back in the public eye and have everyone talking about it again.
The Gardai, meanwhile, are ploughing away with their investigation and only time will tell if a new suspect other than Ian Bailey emerges from the fallout.

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Reasons to be Cheerful: Cork artist Noël O'Callaghan on her new exhibition and musical past
Reasons to be Cheerful: Cork artist Noël O'Callaghan on her new exhibition and musical past

Irish Examiner

time3 hours ago

  • Irish Examiner

Reasons to be Cheerful: Cork artist Noël O'Callaghan on her new exhibition and musical past

Noël O'Callaghan has always worked across a range of media, in music, theatre and the visual arts. The breadth of her interests is reflected in Reasons to be Cheerful, the title of her solo exhibition of landscape and portrait paintings at the Lavit Gallery in Cork. Reasons to be Cheerful (Part 3) was the title of one of Ian Dury and the Blockheads' best-known singles, which reached No 3 in 1979. 'But I was also thinking of one of my favourite Samuel Beckett plays,' says O'Callaghan. 'In Happy Days, the main character, Winnie, is buried up to her waist in sand at the start, and up to her neck at the end. But she still finds ways to be cheerful, like putting on her lipstick, and singing. It's simultaneously noble and pathetic.' O'Callaghan grew up in an artistic household in Cork city. Her father Diarmuid O'Ceallachain was a professional artist and educator who'd studied under Seán Keating and Maurice MacGonigal at the National College of Art and Design in Dublin, while her mother Joan O'Sullivan often modelled for his paintings. 'Even when I was a pre-verbal baby,' she says, 'my mother would be introducing me to my dad's landscapes. She'd have me up on her hip and be pointing things out to me. I learned the world through those paintings, really. Those little marks that represented a tree or something became more real to me than the real world.' One of Noël O'Callaghan's pieces in her Reasons to be Cheerful exhibition. O'Callaghan's father taught painting at the Crawford School of Art and Design from 1940 to 1970, and she won a place to study there herself in the late 1970s. 'I was quite young, so I had a romantic idea of what it might be like,' she says. 'But I found it quite repressive. They kept saying things like, we can fail you. I was rebellious, and I found that being given a piece of paper to say you were an artist grossly offended my sensibilities. All my class had a very hard time. We were the punk generation, and we didn't like this authoritarian attitude. Maybe it's changed now. I would hope so. 'But anyway, I put up some cartoons about the system, and I was given an ultimatum; I could conform or get out. So I left. I went on to UCC and studied English and History. I got interested in drama, and after college, I got a job acting with Graffiti Theatre Company.' O'Callaghan was restless, however, and she soon decamped for West Berlin. 'We were living with a wall around us,' she says. 'It was like an island. But rents were cheap, and there were an awful lot of empty buildings, so it was very easy to get space for band rehearsal rooms and artists' studios.' O'Callaghan flat-shared with a German woman. 'And that's how I learned the language,' she says. 'I was lucky enough to get a job in a theatre company, and I did that for a while. But then, again, I found that a bit restrictive as well. So I worked in pubs and did some English teaching, and focused on playing music.' O'Callaghan and her partner Douglas Henderson started a band called Alice Brennan, in which she sang and played percussion. 'We were a three-piece initially, with another guy named Mathias. We played Turkish-Irish speed folk, and that, for me, was really liberating. We wrote our own songs, and toured all over the place. When the wall came down, we became a nine-piece and toured East Germany.' A self-portrait by Noël O'Callaghan. O'Callaghan returned to Cork when her father fell ill in the early 1990s. He died in 1993, and her mother passed a year later. 'I stayed on in my family home after that, and immersed myself in painting. I did a lot of plein air painting, and life drawings. 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There's a handful of those portraits in the Lavit exhibition.' O'Callaghan returned to Berlin in 2000, where she continued to paint and make music, but she and Henderson have recently settled in West Cork. 'I came back to Ireland, basically, because I wanted to get away from fascist Germany,' she says. 'Germany is re-militarising, and it's scary, you know? I couldn't live there anymore.' The two now perform as the Vangardaí, playing what they describe as 'dystopfolk for the masses.' They have also collaborated on a multi-media project called Feathers for Rosa, a tribute to the Polish-born Marxist revolutionary, Rosa Luxembourg. 'We put that on in the New Theatre in Dublin in March 2024,' says O'Callaghan. 'The piece is about anti-militarism, really, and the futility of war. We're performing it on Skerkin Island on July 20 and at Uillinn for the Skibbereen Arts Festival on August 2.' Painting continues to occupy most of O'Callaghan's time. 'Some of my paintings take 25 years to finish,' she says. 'I can never throw anything away. I took a bunch of half-finished paintings back to Berlin with me in 2000, and then I shipped them back again two years ago. I finished some of them recently, but there's lots more upstairs. I plan to finish them one day.' Noël O'Callaghan, Reasons to be Cheerful runs at the Lavit Gallery, Cork until July 12.

Quiz: How well do you know the support acts of Slane's biggest concerts?
Quiz: How well do you know the support acts of Slane's biggest concerts?

The Journal

time3 hours ago

  • The Journal

Quiz: How well do you know the support acts of Slane's biggest concerts?

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Love Island ‘bullying' row sparked as Shakira and Toni ‘gang up' on Emily in ‘uncomfortable' scenes
Love Island ‘bullying' row sparked as Shakira and Toni ‘gang up' on Emily in ‘uncomfortable' scenes

The Irish Sun

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