
14 Movie Scenes That Traumatized Their Actors
Janet Leigh explained that after filming the notorious shower scene in Alfred Hitchcock's Psycho, she couldn't take showers for a long, long time.
In a 1996 interview with The New York Times, Leigh shared how she was so afraid of taking a shower after filming the stabbing scene in the 1960 classic Psycho, she resorted to quite extreme measures to avoid her terrifying experience and trauma from the set. She stated, "I make sure the doors and windows of the house are locked, and I leave the bathroom door open and the shower curtain open. I'm always facing the door, watching, no matter where the shower head is.'
Tippi Hedren, the lead of the 1960s classic The Birds, was actually attacked by real birds while filming, which left her terrified and utterly exhausted.
Tippi Hedren was originally told that there'd be mechanical birds "attacking" her on the set of Alfred Hitchcock's The Birds, but was told shortly thereafter that they didn't work and would have to resort to using real birds trained to attack. This left Hedren distraught as, for five straight days during filming, she was bitten, attacked, and had live birds thrown and strapped to her. After one of the birds nearly pecked her eye out, Hedren simply broke down out of pure exhaustion on set. She had to take a week to recover in the aftermath of everything. When recalling the traumatic event, Hedren shared "I was never frightened, I was just overwhelmed and in some form of shock, and I just kept saying to myself over and over again, 'I won't let him [Hitchcock], break me. I won't let him break me.'
Florence Pugh went through on and off-screen trauma while filming Ari Aster's Midsommar.
The main star of the film, Florence Pugh, came out to say during the Off Menu podcast how she'd end up putting herself in "really s*** situations that other actors maybe don't need to" in order to stem from her character's on-screen trauma. She went on to explain how "I was putting things in my head that were just getting worse and more bleak. I think by the end, I had probably – most definitely – abused my own self in order to get that performance."
Jack Reynor, who starred opposite Pugh, in Midsommar also suffered some trauma and mental health impacts from the filming, especially the famous bear scene.
Jack Reynor, who played opposite Pugh, shared how he struggled with his mental health all throughout the shoot, and well after. He was particularly traumatized from the final bear scene, in which he told Collider, "It's dark and it's unsettling to watch all these people around you basically making it look like they're going to kill you in a horrific way. There's nothing you can do and you're paralysed, you know? It was heavy."
And last but not least, supporting star of the film, Will Poulter, suffered psychological impacts and full-on nightmares from being in Midsommar.
Supporting star, Will Poulter, also confirmed the horrific psychological impacts the film had on him by sharing how he'd have "Terrible, terrible, full-on nightmares" in a interview with Empire. He further explained how the film Midsommar itself was just "utterly disturbing. And it's that kind of disturbing feeling that I think lingers longer than a fright. A fright has a very limited lifespan. This idea that humans are capable of what you see in Midsommar is kind of what's most disturbing about it ... Despite reading the script and despite being in it and shooting it, and presumably knowing what to expect, I was still caught massively off guard."
Gunnar Hansen, who played Leatherface in The Texas Chainsaw Massacre, explained the on and off-screen trauma himself and lead Marilyn Burns faced during the film, especially the dinner table scene.
In an interview with Esquire, Gunnar Hansen, who played Leatherface, came out to say how the dinner scene in The Texas Chainsaw Massacre is permanently "burned" into his memory because of "...the misery of it. At that point, we were really just on the verge of mental collapse. And Marilyn told me about how awful it was for her because she was terrified... just being tied to a chair and then having these men looming over her constantly, she said it was really unnerving. I think that whole scene was certainly the most intense part of the movie, and I think all of us were slightly insane by then."
In addition, many cast members of the classic horror The Texas Chainsaw Massacre were traumatized from filming and from the horrific conditions of the set.
According to various cast members, the set of The Texas Chainsaw Massacre was extremely gross and hostile, often smelling so bad it'd cause the actors to get sick due to the stench of dead animal parts. Some of the cast members weren't even allowed to change out of their dirty clothes or bathe for five weeks in order to maintain continuity, Marilyn Burns, who plays Sally, had spoken out about the conditions and explained how she was injured on set with her finger being cut and often scared she'd acquire a worse injury, especially from the chainsaws.
Isabelle Adjani, star of the horror fantasy Possession, tried to kill herself after seeing the intense final cut of the film.
In a 2000s documentary following his career, the director of the film, Andrzej Żuławski, spoke out about how his lead, Isabelle Adjani, attempted to commit suicide upon seeing the final cut of the film. He shared that "I think I was responsible for that. I was the one to blame. If somebody plays in my film and then is going through something like that, that means I didn't notice something." In regards to her experience, Adjani said to Interview magazine, "I remember – if you'll allow me to offer a comparison from my own career and some situations with [the director] Andrzej Żuławski – there was something of great violence that I agreed to take on. But I've realised over the years that it's something I could never accept again, and it's part of everything that my subconscious has been swallowing and incubating."
Alex Wolff, one of the leads of the film, developed PTSD after filming Ari Aster's Hereditary.
After speaking to Vice, Alex Wolff claimed that he'd suffered a type of PTSD after being in the emotional, psychological horror film Hereditary, directed by Ari Aster. Aster is known for leaving his actors emotionally damaged and scared, with Wolff explaining how "It's hard to describe eloquently. It's just a feeling. I don't think you can go through something like this and not have some sort of PTSD afterwards. When I started talking about it, all these flashes with all this disturbing s*** I went through sorta came back in a flood. It kept me up at night to where I got into a habit of emotional masochism at that point of just trying to take in every negative feeling I could draw from."
The set of The Blair Witch Project was terrifying and horrified many of its actors in the duration of filming.
The Blair Witch Project follows a group of teenagers roaming around the dark, spooky woods in search of clues to a mysterious town's local murderer, but were some of the scary moments caught on camera real? It was discovered that some of the producers of the film would unsuspectedly follow the camera crew around stepping on twigs and throwing rocks in order to create real-life fear and tension from the actors. However, while filming the tent scene, the tent began to shake uncontrollably without being touched, leaving many of the actors and crew seriously spooked from the event.
James McAvoy claimed that he'd experience terrible nightmares of Pennywise the Clown after filming It Chapter Two.
At an event with PA in San Diego, James McAvoy recalled a chilling dream due to the horrifying nature of Bill Skarsgård' performance of Pennywise in the film, It Chapter Two. He shared how, "The only one I can really remember is, I'm lying on my side in the bed and he was in bed with me. And he's stroking my back gently and saying, 'Wake up, James, wake up.' And I was just terrified, pretending to be asleep. I just thought, I've got to pretend to be asleep, I've got to pretend to be asleep. I had lots of nightmares about Pennywise, but that's the one specific one I can remember."
Coincidentally, Bill Skarsgård, who played Pennywise the Clown, also suffered bad dreams from both It films.
Bill Skarsgård recalled the scary dreams on Pennywise he had as a result of filming both It and It Chapter Two, sharing that "Those dreams were so strange. Either I was confronting Pennywise and I was upset with him, yelling at him — or I was Pennywise, but I was walking around in the streets that I grew up on, and I'm like, 'No, no. I shouldn't be out here in public walking around like this. This is not how it's supposed to be done." He went on to explain how "It was this weird thing where I was trying to separate myself from this thing," comparing his performance to his most recent as Orlook in Robert Egger's Nosferatu and how he'd had more ease in that role.
JoBeth Williams was scared half to death while filming the infamous pool scene in The Poltergeist.
During filming the pool scene where Williams is surrounded by skeletons, she was utterly unaware of the fact that they were real at the time she was in the water with them. Upon finding out, Williams was completely freaked out, stating, "I think everybody got real creeped out by the idea of that." However, she explained that it wasn't so much that the skeletons were real, she was worried initially that the materials of the fake ones posed an electrical danger to herself while in the water. Yet, writer Steven Spielberg, to ease her worries, actually jumped into the pool with her, saying, "Now if a light falls in, we'll both fry."
And finally, Shelley Duvall was pushed to her breaking point while filming Stanley Kubrick's, The Shining, and suffered immense health issues following.
During filming, Kubrick created extremely rough, hostile conditions that left Duvall having to reshoot one particular scene 127 times, which caused her immense dehydration and for clumps of her hair to fall out for the amount of crying she was expected to do during the scene. In The Complete Kubrick, a 2000s book of the director himself, Duvall shared "From May until October, I was really in and out of ill health because the stress of the role was so great. Stanley pushed me and prodded me further than I've ever been pushed before. It's the most difficult role I've ever had to play."
Know any more crazy, horrifying scenes that left actors traumatized from filming, share them in the comments below!

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
2 hours ago
- Yahoo
Son of Pulitzer-winning author Michael Chabon accused of rape, strangulation in NYC
NEW YORK — The 22-year-old son of the Pulitzer Prize-winning author Michael Chabon has been accused of choking and raping a woman in Manhattan last year, prosecutors announced. Abraham Chabon, a student at New York University, is facing a count of second-degree strangulation and first-degree rape in connection with the the alleged attack, according to a criminal complaint viewed by the Daily News He pleaded not guilty to both counts during an appearance in Manhattan Criminal Court on June 13 and he was released following the arraignment, after Judge Kacie Lally set bail at $45,000 cash or a $150,000 bond. The alleged incident occurred inside a building on East 12th Street on Jan. 25 2024, according to the complaint. That's where Chabon allegedly grabbed the woman by her neck and forced her onto the bed. She said he choked her to the point where she struggled breathe as he raped her. She also alleged that Chabon repeatedly struck her in the face 'causing stupor and loss of vision in one eye' as well as pain, swelling, and bruising to her neck and face. An attorney for Chabon, Priya Chaudhry, declared his innocence in a statement to The New York Times, adding that he 'was as shocked by these false allegations as anyone.' Chaudhry also noted that Chabon 'has strong family support and a devoted partner who all believe in his innocence. We hope the prosecutor's investigation reveals his innocence quickly.' His father, Michael Chabon's writings include 'The Mysteries of Pittsburgh,' 'Wonder Boys,' 'The Yiddish Policemen's Union,' 'Telegraph Avenue,' and 'The Amazing Adventures of Kavalier & Clay,' which won the 2001 Pulitzer Prize for fiction. It also served as inspiration for an opera of the same name, set to have its New York premiere at the Metropolitan Opera this fall. His mother, Ayelet Waldman, is also a writer known for her books 'Bad Mother' and 'A Really Good Day: How Microdosing Made a Mega Difference in My Mood, My Marriage, and My Life.' The couple share four children, including Abraham.


Boston Globe
2 hours ago
- Boston Globe
Vicki Goldberg dies at 88; saw photography through a literary lens
'Goldberg,' she added, 'brought a broad education, insatiable curiosity, and relentless ambition to her work. She showed us that photography was part of our social and cultural landscape.' Get Starting Point A guide through the most important stories of the morning, delivered Monday through Friday. Enter Email Sign Up Ms. Goldberg had a windfall in the case of Bourke-White. In 1973, two years after the photojournalist's death, 8,000 of her photographs and other artifacts were discovered under a stairway in her house in Darien, Conn. Bourke-White had burned most of her diaries, Ms. Goldberg told The New York Times in 1986, but had 'saved everything but the Kleenex,' including menus, receipts, and Time Inc. memo pads. On one pad she'd written, 'Should I marry Erskine Caldwell?' (She and the novelist had a brief and stormy marriage.) Advertisement Ms. Goldberg pored over the trove for an article in New York Magazine and soon embarked on her Bourke-White biography. Advertisement Bourke-White was America's first female photographer to be accredited to cover World War II, a swashbuckling personage who worked for Fortune and then Life magazines. She shot Nazi rallies, and, in agonizing images, the liberation of Buchenwald in Germany. She flew in a Flying Fortress bomber to get shots of a raid on Tunis, Tunisia. She photographed a smug-looking Josef Stalin. Away from the war, she perched on a gargoyle atop the Chrysler Building in Manhattan to photograph its twin and made perhaps what is the most famous portrait of Mahatma Gandhi, sitting cross-legged with his spinning wheel. Ms. Goldberg captured her contradictions. As an ambitious photojournalist, Bourke-White was wily, opportunistic, and courageous, but she was also manipulative, doing whatever it took to get her shot, including crying on cue. Writing in The New York Times Book Review, Timothy Foote, a former foreign correspondent for Life magazine, called Ms. Goldberg's biography 'an intricate and provocative portrait, as revealing as fiction, part 'Great Gatsby,' say, part 'I'll Take Manhattan.'' Ms. Goldberg's scholarship was rigorous and her knowledge expansive. Yet as a critic for the Times, where she was a regular contributor during the 1990s, her tone was light and often slightly bemused. When Madonna's much-ballyhooed 'Sex' book appeared in 1992, wrapped in Mylar, like a condom, Ms. Goldberg had this to say: 'This must be the most gorgeously, even lavishly, produced piece of junk food since Midas tried to sneak a potato chip and found his touch had turned it to gold.' In 1997, she wrote about Irving Penn, the celebrated Vogue photographer. 'Penn has spent over half a century wielding a camera against the most implacable enemies: disorder, imperfection, the distracting natural world, mortality. He has not exactly come to terms with any of these but erected what barriers he could -- a stringent sense of order to fend off chaos, a fierce devotion to a kind of photographic purity, a stripped-down sense of isolation to counter the world's insistent clutter.' Advertisement Victoria Hesse Liebson was born on July 24, 1936, in St. Louis to Alice (Schwarz) and Louis Liebson, a shoe company executive. She earned a bachelor of arts at Wellesley College in 1958. A year earlier, she had married David Goldberg, a banker. After the couple moved to New York City, Ms. Goldberg worked as a publishing assistant at Simon & Schuster and began pursuing a doctorate in art history at the Institute of Fine Arts at New York University. She didn't get around to defending her thesis, however; instead, she went to work as an editor for American Photographer magazine when it was launched in 1978. In addition to her son Eric, she leaves another son, Jeremy, and six grandchildren. She and David Goldberg divorced in 1973. Another marriage, to Loring Eutemey, a graphic designer and illustrator, also ended in divorce. Her third husband, Laurence Young, a professor emeritus of astronautics at the Massachusetts Institute of Technology, died in 2021. She lived in Waterville Valley, N.H., before moving to the Manhattan assisted living facility. Ms. Goldberg was a frequent lecturer on photography and the author or editor of a number of books, including 'Photography in Print: Writing From 1816 to the Present' (1981), a collection of essays by photographers such as Alfred Stieglitz and critics Charles Baudelaire and Susan Sontag. Advertisement Another book by Ms. Goldberg, 'The Power of Photography: How Photographs Changed Our Lives' (1991), is a lively history of the medium and its cultural impact, from daguerreotype to X-rays, moon shots, and Photoshop. Even back in 1991, Ms. Goldberg cautioned readers about the tricky nature of photography, writing, 'We could end up being more copiously supplied with news and less concerned, as well as less willing to believe the reports, than any society in history.' She added, 'These photographs walked into our lives and in some way managed to change them. So it seems appropriate to ask the questions one would ask any intruder: How did you get in? And what are you doing here anyway?' This article originally appeared in


Forbes
3 hours ago
- Forbes
A New Thriller: Visconti's Hitchcock Vertigo Pen Collection
Actors James Stewart as Detective John 'Scottie' Ferguson and Kim Novak as Madeleine Elster in a ... More publicity still for the film 'Vertigo', directed by Alfred Hitchcock, 1958. This year marks the 67th anniversary of Alfred Hitchcock's acclaimed film Vertigo, which some say is one of the best movies of all time and certainly one of the English film director's masterworks. And this anniversary year ushers in some exciting celebrations honoring the psychological thriller and its stars, including James Stewart and Kim Novak, among other well-known actors of that era. Next up is the Vertigo67: Fourth International Film Conference, which will be held at Trinity College Dublin. Slated for August 13 – 15, the event will include presentations by international scholars and artists, and a special screening of the movie will take place at the Lighthouse Cinema. Visconti Pens As Objects of Creativity Visconti Hitchcock Vertigo fountain pen. While pens are often considered tools of the imagination, it's not surprising to me that one of this year's Vertigo-inspired nods is a new pen collection from Italian pen maker Visconti, which captures the spirit of the film – and its director – in its design. And the Visconti Hitchcock Vertigo references an aspect of the film's groundbreaking collateral: the well-known promotional poster designed by legendary American graphic artist Saul Bass, who also created the enthralling title sequence for the film. The poster features a swirling vortex with Stewart and Novak in silhouette, and its dramatic color scheme is echoed by the pen. Bass's designs helped to revolutionize how movies are marketed and how audiences respond to opening credits. Sotheby's said of the artist's poster, 'Amongst his very best work is the legendary design for Alfred Hitchcock's 1958 film Vertigo, which incorporated a distinctive spiral graphic element to convey a dizzying sense of disorientation.' A poster for Alfred Hitchcock's 1958 psychological thriller, 'Vertigo', starring James Stewart and ... More Kim Novak. An interesting two-tone enamel engraving in black and ivory coils around the vibrant orange resin of the fountain pen and rollerball, recalling the poster's hypnotic motif - a metaphor for the film's mind-bending complexity. The cap is decorated with an engraved and enameled likeness of Hitchhock's bold signature, and the pens are accented with polished palladium metal trim and a white-enamel Visconti finial. The central ring is engraved and enameled with both the Visconti logo and Hitchcock's renowned profile. Here, too, is the emblem of the Alfred Hitchcock Foundation, established to preserve and promote the legacy of the filmmaker and director. There are just 958 pieces in the collection – a tribute to the year in which the movie was released. More Details The Hitchcock Vertigo fountain pen is fitted with a steel nib available in fine, medium and broad sizes; it is filled by cartridge or converter and is priced at $550. The rollerball pen is priced at $525. Both pens have magnetic caps. Viscconti was founded in Florence in 1988 by pen collectors Dante Del Vecchio and Luigi Poli with a goal of creating writing instruments that not only write well, but also explore the outer limits of pen design. The company's evolution has included new principals and new pens, such as the Hitchcock Vertigo, that are an homage to the broader context of creativity. Other limited editions currently available include the iconic Homo Sapiens and the Van Gogh collection, each of which – like the movie – set a new standard.