
Naver, Webtoon CEOs head to Silicon Valley to meet Netflix executives
Top executives from Korea's Naver and its webtoon subsidiary are set to meet with Netflix leadership this week in Silicon Valley, signaling a potential deepening of strategic collaboration between the digital content giants.
According to Naver on Monday, the IT giant's CEO Choi Soo-yeon and Webtoon Entertainment CEO Kim Jun-koo are slated to visit Netflix headquarters on Thursday at the invitation of the US streaming platform.
It will mark the first meeting between Choi and Netflix executives. While details have not been disclosed, the invitation-only nature of the meeting has sparked speculation about new collaborative opportunities at both the content and platform levels.
The two companies have been strengthening ties since last year. In November, Naver integrated a Netflix subscription benefit into its paid membership program.
Under the deal, users paying 4,900 won ($3.55) per month for a Naver Membership were granted access to Netflix's ad-supported plan, which costs 7,000 won -- a move widely seen as a bold and innovative bundling strategy.
The so-called Naver-Netflix partnership has shown tangible results. Netflix's monthly active users across the country surged from 10 million in June 2023 to over 14 million after the Naver partnership was launched. Naver saw a 1.5-fold increase in average daily new signups to its membership service.
On the content side, Naver Webtoon has emerged as a key intellectual property supplier to Netflix. Original webtoon-based series such as 'All of Us Are Dead,' 'Sweet Home' and 'Trauma Center: Golden Hour' have topped the global charts, cementing the webtoon platform's value on streaming platforms.
Despite market rumors, both sides denied that the upcoming talks would explore the integration of Naver Webtoon content directly into the Netflix mobile app. 'It's a meeting arranged purely within the context of a partnership,' a Naver official said.
'The CEOs are indeed scheduled to meet with Netflix executives at their invitation, but there are no predetermined agendas or confirmed outcomes,' the official added.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Korea Herald
a day ago
- Korea Herald
Korean horror films tap everyday anxieties for spine-chilling thrills
Summer's crop of domestic frights trades supernatural scares for all-too-familiar urban nightmares Summer in South Korea traditionally means one thing: audiences flocking to darkened theaters for a good scare. It's a peculiar cultural ritual where horror films offer an icy jolt to counter the sweltering heat — a shiver down the spine in place of a cool breeze. But this year's slate of Korean horror marks a departure from the genre's usual paranormal suspects. Gone are the vengeful spirits and timeworn curses that once haunted screens. Instead, filmmakers are leaning into the anxieties of modern city life, spinning terror from the everyday frustrations that haunt urban dwellers. These films suggest that in a country as densely populated and tightly packed as South Korea, the real horrors might not be otherworldly — they might just be the people around you. Leading the charge is "Noise," opening June 25. Already a buzzed-about title on last year's international festival circuit, including Sitges and Fantasia, the film zeroes in on one of Korea's most maddening urban grievances: the relentless, brain-rattling thuds from upstairs neighbors. Director Kim Soo-jin transforms this all-too-familiar nuisance into a mounting sense of claustrophobic dread, turning domestic discomfort into a full-blown horror show. In a country where more than two-thirds of the population lives in apartment complexes, inter-floor noise complaints are no laughing matter — they've sparked violent altercations, stabbings and arson attacks, some fatal. The film roots its horror in this simmering tension, following the perspective of a hearing-impaired woman (played by Lee Sun-bin) who's searching for her missing sister. Her investigation leads her into a labyrinthine high-rise where every creak, shuffle and muffled knock feels like a threat, and even silence becomes suspicious. Backing the film's psychological horror is a razor-sharp soundscape designed by the veteran audio engineer behind "The Wailing" (2016) and "Gonjiam: Haunted Asylum" (2018). From the stickiness of tape being peeled to the hair-raising scratch of nails on wallpaper, each sound is fine-tuned to shred nerves. Netflix joins the fray on July 18 with "Wall to Wall," another thriller that draws on noise-fueled paranoia. It's one of seven original Korean films the streaming juggernaut is rolling out this year — and the lone horror entry — part of its broader push into the Korean film industry at a time when local theaters are reeling from record-low attendance. Kang Ha-neul, a leading man known for his range across romance and thrillers, plays an everyman who bets everything — savings, pension, even family property — to secure a modest apartment in Seoul. But his dream home quickly devolves into a psychological minefield as neighbors turn hostile and cryptic sounds pierce the thin walls. Apart from the scares, the film promises a timely commentary on South Korea's ruthless housing market and the emotional toll of securing — and keeping — a piece of it. (Fittingly, the Korean title "84 Square Meters" refers to the standard size of a middle-class unit here.) Rounding out the lineup is "Ghost Train," which premiered at last year's Busan International Film Festival. The anthology turns Korea's ubiquitous subway system — the daily artery for millions of commuters — into a haunted maze of uncanny encounters. Despite the title, the horror here is grounded in the all-too-familiar: drunken passengers, flickering platform lights and vending machines that seem just a little too creepy. Joo Hyun-young, best known for her comedic skits on "SNL Korea," makes her feature film debut as a clout-chasing YouTuber hunting for viral horror content at a notoriously cursed station. The film opens in local theaters on July 9.


Korea Herald
a day ago
- Korea Herald
S. Korea's trade chief vows 'interest-based, pragmatic' trade talks with US
South Korea's trade minister said Sunday he will pursue a "national interest-based and pragmatic" approach in trade negotiations with the United States as he left for Washington for tariff talks with US officials. Trade Minister Yeo Han-koo told reporters that he will focus on "pragmatic and mutually beneficial negotiations based on national interests" in trade talks with the US. Yeo will hold a meeting with US Trade Representative Jamieson Greer and Commerce Secretary Howard Lutnick this week to discuss various trade issues, including tariffs and non-tariff trade measures, and reach out to officials at the White House and the US Congress. South Korea also plans to hold the third round of technical discussions on such issues during this week's visit to Washington, officials said. The ministry said Yeo will address Korea's concerns over US President Donald Trump's administration's hefty tariff measures, including 50 percent tariffs on steel imports and 25 percent duties on imported cars, and discuss mutually beneficial solutions to resolve trade issues between the two countries during his trip to Washington. Yeo will also call for US lawmakers' efforts to create a "stable" and "predictable" environment for Korean companies investing in the US regarding Washington's push to make revisions to tax incentives under the Inflation Reduction Act, the ministry added. "We will do our best to come up with a win-win solution for both South Korea and the US regarding tariff issues and make as many allies as possible within the US to help with Korean companies' businesses," the trade minister said. Seoul and Washington had agreed to craft a package deal covering tariffs, non-tariff measures, economic cooperation and other trade issues by July 8 -- when the US administration's suspension of reciprocal tariffs, including a 25 percent duty for South Korea, will end. (Yonhap)


Korea Herald
3 days ago
- Korea Herald
Lim Yunchan reimagines Tchaikovsky's 'The Seasons'
Lim's second album this year to be released Aug. 22 Celebrated pianist Lim Yunchan's recording of "June: Barcarolle" was released on major streaming services Friday, ahead of the release of his new album, 'Tchaikovsky: The Seasons," Decca Classics announced Friday. "June: Barcarolle" is the sixth track in the album scheduled to be released Aug. 22. The album will be Lim's second album this year, and was recorded at the Menuhin Hall in Surrey, England, on July 31 and Aug. 1, 2024. The recording presents a bold reinterpretation of the Russian composer's 12-piece piano cycle — not as a sequence of changing seasons, but as a meditation on the final year of a human life, according to Decca. Lim explained, 'Tchaikovsky's 'The Seasons' captures the final year of a human life. The first piece, 'By the Hearth,' depicts the dying fire in a stove. At first, you're swept up in a sorrow rooted in memories of the past, without knowing exactly why. Then, something new happens that gives you hope. You feel overwhelmed, drift into daydreams while watching cigarette smoke curl in the air, and cry yourself to sleep. Forgotten memories resurface, and you hesitate at the threshold of the past. Eventually, you return to the present, come to terms with everything and close the chapter on a day that will never come again, accompanied by the sound of a bell.' The album features artwork titled 'What Is the Weight of a Petal?' by Lim's friend, Korean artist Choi Ho-yeon. 'The cover art is a work by my dear friend Choi Ho-yeon, whose brush and words trace the still, fleeting memories of those tender ancient hours which this music recalls, and dares to resurrect as eternal reverie,' Lim wrote on his Instagram post. This is Lim's second release of the year, following the May release of the live recording of Rachmaninoff's 'Piano Concerto No. 3' from the 2022 Van Cliburn International Piano Competition, where he won first prize at just 18. His 2024 studio album debut, 'Chopin: Etudes,' received widespread acclaim and swept three categories at the BBC Music Magazine Awards.