
Peter Sohn hails being chosen to direct The Incredibles 3 as ‘dream come true'
Peter Sohn has described being chosen to direct The Incredibles 3 as 'a dream come true'.
The 47-year-old filmmaker is known for Elementals, and helming the new movie marks a major milestone in his two-decade career with its maker Pixar.
He was quoted in Variety saying about working with the company on the third Incredibles movie: 'I've always loved this family and what they represent — the messy, funny, heroic chaos of everyday life. To help tell their next chapter is a true honour.'
The Incredibles 3 was announced at Disney's D23 Expo in late summer 2024.
It will be the first entry in the series not helmed by Brad Bird, 66, who directed and wrote both the original 2004 film and its 2018 sequel.
But Brad will remain on board as a producer and screenwriter for the third movie in The Incredibles franchise.
He is currently attached to two other projects — the science fiction film Ray Gunn for Skydance and the historical drama 1906 for Disney.
The Incredibles films follow Bob and Helen Parr, known to the world as Mr Incredible and Elastigirl, as they juggle family life with saving the world.
In the first film, the couple tries to maintain a quiet suburban existence after the government outlaws superheroes.
And the sequel focuses on the family's efforts to rehabilitate the public image of costumed heroes while battling a dangerous new cybercriminal.
The Incredibles earned $630 million at the box office globally, while Incredibles 2 brought in $1.24 billion, becoming one of Pixar's highest-grossing releases.
A full voice cast has not yet been confirmed for The Incredibles 3, and Disney has released no further plot details or a release date.
The previous films featured performances from Craig T. Nelson, 80, Holly Hunter, 66, and Samuel L Jackson, 76.
Peter Sohn's 2023 movie Elemental became a sleeper hit with nearly $500 million in global box office earnings.
He has worked on numerous Pixar titles in roles ranging from artist to director, including Finding Nemo, Up, Wall-E, as well as the first two Incredibles films.
Peter said to Variety about the prospect of working with Brad Bird on The Incredibles 3: 'Brad has been such a mentor to me.
'Working with him on the first two films shaped my whole approach to storytelling. To now be collaborating with him again, but in this new way, is both surreal and incredibly exciting.'
Further announcements about the film are expected later this year.
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Perth Now
12 hours ago
- Perth Now
Karol G unhappy with critics
Karol G is unhappy with criticism of her song 'Latina Forever'. The 34-year-old singer's ode to Latin women was slammed for sexualising women with the lyrics 't*** and a**' but Karol thinks it is unfair that she gets blasted for singing raunchy songs. She told Variety: 'I feel like the bigger the project gets, the harder the people get with me. I think there are different opinions on how I should and shouldn't be acting at this point in my career and it gets so confusing sometimes that it becomes hard to handle. 'It's difficult, because the video is incredible but I knew having us in bikinis with me singing about t*** and a** … I just knew it was going to be a talking point. But the way I see it, I am just singing of my realities. I don't want to change myself to have to please anyone, either. I have emotional songs on this record that are soul-touching, and then I have my fun and sometimes raunchy songs - Latinas are everything. Why can't we just be everything?' Meanwhile, Karol is one of the few Latin artists – including Luis Miguel, Bad Bunny and Shakira – who have embarked on a global stadium tour and she admitted she still hasn't processed how monumental it is. She said: 'I haven't spoken with [Bad Bunny], but I would love the opportunity to get to talk to him about the experience, because it is such a massive accomplishment that I haven't fully digested. When we first sat down to route the tour, everyone kept telling me, 'Don't you think it's too much too fast?' I'm so proud that we did it. I remember thinking 'My God, Shakira is doing this. I'm doing this?! I get to do what she does on this scale?!' It's insane.'


The Advertiser
a day ago
- The Advertiser
Enjoyable Pixar flick is fun but not out of this world
Elio (PG, 98 minutes) 3 stars The latest Pixar animated release isn't among the studio's very best, but it's still a quality offering suitable for viewers of all ages. It begins briskly. Elio Solis (voiced by Yonas Kibreab) was adopted by his aunt, Olga (Zoe Saldaa), a major in the US Air Force, after his parents died. Their relationship is somewhat strained. Work keeps her busy but she's trying, and the 11-year-old boy is a loner still mourning his loss and finding it hard to connect with her or anyone else. He even made up a language he shared with his parents and now can only use it to talk to himself. Elio is a space buff with quite an imagination and this sustains him in his solitude. He is inspired by the Voyager spacecraft which was launched in 1977 and contained information about Earth as an interstellar message of hope (there is always the possibility this might backfire, like the increasing development of artificial intelligence, but there are plenty of movies about those dangers). The boy is fascinated by the possibility of alien life and wishes that extra-terrestrials would come and take him away from his lonely life on Earth. His obsession nearly costs his aunt her job and she takes him to a camp to get him out of her hair for a while. But he gets his wish: aliens come and beam him up, and at just the right moment. The aliens, who despite all their knowledge apparently haven't done much research about Earth, mistake him for the planet's leader. He's happy to claim the title and go to the Communiverse, an organisation with representatives from galaxies across the universe who come together to share knowledge in a peaceful way. He is being considered for the position of ambassador from Earth. The aliens are a varied and cordial bunch - this isn't dystopian sci-fi - except for the battle-mad Grigon (Pixar regular Brad Garrett), who aggressively demands admission to the club. Unsurprisingly, the Communiverse members are reluctant, and this only makes him angrier. To prove his bona fides, Elio undertakes to negotiate peaceful terms with Grigon. But he might be taking on too great a challenge. Grigon has a son whose name looks like a typo but isn't - Glordon (Remy Edgerly). The youngster is expected to follow in his father's fighting footsteps, but really doesn't want to, and unsurprisingly, he and Elio soon bond. There are some familiar tropes here of course but some inventiveness as well. The alien and space designs are good to look at, although some of the critters aren't very well differentiated (most don't have faces, which help to convey character). And the voice actors, not as starry as in some Pixar movies, are good. There are some funny lines ("My first probe!" Elio says gleefully at one point - no, not that kind of probe; this is a family film) and enjoyable situations but despite, or perhaps because of, there being several credited writers and three directors on the project, there are some flaws in the script and approach. The supporting characters on Earth aren't as well established or distinctive as they might have been, giving their reappearance at a crucial point less impact than it should have had. Even Elio and Olga could have been given a bit more time before the kid flies off so the audience gets to know them and their relationship better before the new setting and story direction. And the film feels a bit too dry-eyed, unusually for Pixar: while restraint is better than descending into bathos, some moments that should have been touching don't evoke much of an emotional response. The thought comes to mind that maybe there's not much at home for Elio to miss. Disappointingly, there's no short film preceding Elio, though there is a scene during the end credits for those who wait. Elio is an enjoyable Pixar film and, thankfully, not another sequel or reboot. It's just not quite up to the standard we've come to expect. Elio (PG, 98 minutes) 3 stars The latest Pixar animated release isn't among the studio's very best, but it's still a quality offering suitable for viewers of all ages. It begins briskly. Elio Solis (voiced by Yonas Kibreab) was adopted by his aunt, Olga (Zoe Saldaa), a major in the US Air Force, after his parents died. Their relationship is somewhat strained. Work keeps her busy but she's trying, and the 11-year-old boy is a loner still mourning his loss and finding it hard to connect with her or anyone else. He even made up a language he shared with his parents and now can only use it to talk to himself. Elio is a space buff with quite an imagination and this sustains him in his solitude. He is inspired by the Voyager spacecraft which was launched in 1977 and contained information about Earth as an interstellar message of hope (there is always the possibility this might backfire, like the increasing development of artificial intelligence, but there are plenty of movies about those dangers). The boy is fascinated by the possibility of alien life and wishes that extra-terrestrials would come and take him away from his lonely life on Earth. His obsession nearly costs his aunt her job and she takes him to a camp to get him out of her hair for a while. But he gets his wish: aliens come and beam him up, and at just the right moment. The aliens, who despite all their knowledge apparently haven't done much research about Earth, mistake him for the planet's leader. He's happy to claim the title and go to the Communiverse, an organisation with representatives from galaxies across the universe who come together to share knowledge in a peaceful way. He is being considered for the position of ambassador from Earth. The aliens are a varied and cordial bunch - this isn't dystopian sci-fi - except for the battle-mad Grigon (Pixar regular Brad Garrett), who aggressively demands admission to the club. Unsurprisingly, the Communiverse members are reluctant, and this only makes him angrier. To prove his bona fides, Elio undertakes to negotiate peaceful terms with Grigon. But he might be taking on too great a challenge. Grigon has a son whose name looks like a typo but isn't - Glordon (Remy Edgerly). The youngster is expected to follow in his father's fighting footsteps, but really doesn't want to, and unsurprisingly, he and Elio soon bond. There are some familiar tropes here of course but some inventiveness as well. The alien and space designs are good to look at, although some of the critters aren't very well differentiated (most don't have faces, which help to convey character). And the voice actors, not as starry as in some Pixar movies, are good. There are some funny lines ("My first probe!" Elio says gleefully at one point - no, not that kind of probe; this is a family film) and enjoyable situations but despite, or perhaps because of, there being several credited writers and three directors on the project, there are some flaws in the script and approach. The supporting characters on Earth aren't as well established or distinctive as they might have been, giving their reappearance at a crucial point less impact than it should have had. Even Elio and Olga could have been given a bit more time before the kid flies off so the audience gets to know them and their relationship better before the new setting and story direction. And the film feels a bit too dry-eyed, unusually for Pixar: while restraint is better than descending into bathos, some moments that should have been touching don't evoke much of an emotional response. The thought comes to mind that maybe there's not much at home for Elio to miss. Disappointingly, there's no short film preceding Elio, though there is a scene during the end credits for those who wait. Elio is an enjoyable Pixar film and, thankfully, not another sequel or reboot. It's just not quite up to the standard we've come to expect. Elio (PG, 98 minutes) 3 stars The latest Pixar animated release isn't among the studio's very best, but it's still a quality offering suitable for viewers of all ages. It begins briskly. Elio Solis (voiced by Yonas Kibreab) was adopted by his aunt, Olga (Zoe Saldaa), a major in the US Air Force, after his parents died. Their relationship is somewhat strained. Work keeps her busy but she's trying, and the 11-year-old boy is a loner still mourning his loss and finding it hard to connect with her or anyone else. He even made up a language he shared with his parents and now can only use it to talk to himself. Elio is a space buff with quite an imagination and this sustains him in his solitude. He is inspired by the Voyager spacecraft which was launched in 1977 and contained information about Earth as an interstellar message of hope (there is always the possibility this might backfire, like the increasing development of artificial intelligence, but there are plenty of movies about those dangers). The boy is fascinated by the possibility of alien life and wishes that extra-terrestrials would come and take him away from his lonely life on Earth. His obsession nearly costs his aunt her job and she takes him to a camp to get him out of her hair for a while. But he gets his wish: aliens come and beam him up, and at just the right moment. The aliens, who despite all their knowledge apparently haven't done much research about Earth, mistake him for the planet's leader. He's happy to claim the title and go to the Communiverse, an organisation with representatives from galaxies across the universe who come together to share knowledge in a peaceful way. He is being considered for the position of ambassador from Earth. The aliens are a varied and cordial bunch - this isn't dystopian sci-fi - except for the battle-mad Grigon (Pixar regular Brad Garrett), who aggressively demands admission to the club. Unsurprisingly, the Communiverse members are reluctant, and this only makes him angrier. To prove his bona fides, Elio undertakes to negotiate peaceful terms with Grigon. But he might be taking on too great a challenge. Grigon has a son whose name looks like a typo but isn't - Glordon (Remy Edgerly). The youngster is expected to follow in his father's fighting footsteps, but really doesn't want to, and unsurprisingly, he and Elio soon bond. There are some familiar tropes here of course but some inventiveness as well. The alien and space designs are good to look at, although some of the critters aren't very well differentiated (most don't have faces, which help to convey character). And the voice actors, not as starry as in some Pixar movies, are good. There are some funny lines ("My first probe!" Elio says gleefully at one point - no, not that kind of probe; this is a family film) and enjoyable situations but despite, or perhaps because of, there being several credited writers and three directors on the project, there are some flaws in the script and approach. The supporting characters on Earth aren't as well established or distinctive as they might have been, giving their reappearance at a crucial point less impact than it should have had. Even Elio and Olga could have been given a bit more time before the kid flies off so the audience gets to know them and their relationship better before the new setting and story direction. And the film feels a bit too dry-eyed, unusually for Pixar: while restraint is better than descending into bathos, some moments that should have been touching don't evoke much of an emotional response. The thought comes to mind that maybe there's not much at home for Elio to miss. Disappointingly, there's no short film preceding Elio, though there is a scene during the end credits for those who wait. Elio is an enjoyable Pixar film and, thankfully, not another sequel or reboot. It's just not quite up to the standard we've come to expect. Elio (PG, 98 minutes) 3 stars The latest Pixar animated release isn't among the studio's very best, but it's still a quality offering suitable for viewers of all ages. It begins briskly. Elio Solis (voiced by Yonas Kibreab) was adopted by his aunt, Olga (Zoe Saldaa), a major in the US Air Force, after his parents died. Their relationship is somewhat strained. Work keeps her busy but she's trying, and the 11-year-old boy is a loner still mourning his loss and finding it hard to connect with her or anyone else. He even made up a language he shared with his parents and now can only use it to talk to himself. Elio is a space buff with quite an imagination and this sustains him in his solitude. He is inspired by the Voyager spacecraft which was launched in 1977 and contained information about Earth as an interstellar message of hope (there is always the possibility this might backfire, like the increasing development of artificial intelligence, but there are plenty of movies about those dangers). The boy is fascinated by the possibility of alien life and wishes that extra-terrestrials would come and take him away from his lonely life on Earth. His obsession nearly costs his aunt her job and she takes him to a camp to get him out of her hair for a while. But he gets his wish: aliens come and beam him up, and at just the right moment. The aliens, who despite all their knowledge apparently haven't done much research about Earth, mistake him for the planet's leader. He's happy to claim the title and go to the Communiverse, an organisation with representatives from galaxies across the universe who come together to share knowledge in a peaceful way. He is being considered for the position of ambassador from Earth. The aliens are a varied and cordial bunch - this isn't dystopian sci-fi - except for the battle-mad Grigon (Pixar regular Brad Garrett), who aggressively demands admission to the club. Unsurprisingly, the Communiverse members are reluctant, and this only makes him angrier. To prove his bona fides, Elio undertakes to negotiate peaceful terms with Grigon. But he might be taking on too great a challenge. Grigon has a son whose name looks like a typo but isn't - Glordon (Remy Edgerly). The youngster is expected to follow in his father's fighting footsteps, but really doesn't want to, and unsurprisingly, he and Elio soon bond. There are some familiar tropes here of course but some inventiveness as well. The alien and space designs are good to look at, although some of the critters aren't very well differentiated (most don't have faces, which help to convey character). And the voice actors, not as starry as in some Pixar movies, are good. There are some funny lines ("My first probe!" Elio says gleefully at one point - no, not that kind of probe; this is a family film) and enjoyable situations but despite, or perhaps because of, there being several credited writers and three directors on the project, there are some flaws in the script and approach. The supporting characters on Earth aren't as well established or distinctive as they might have been, giving their reappearance at a crucial point less impact than it should have had. Even Elio and Olga could have been given a bit more time before the kid flies off so the audience gets to know them and their relationship better before the new setting and story direction. And the film feels a bit too dry-eyed, unusually for Pixar: while restraint is better than descending into bathos, some moments that should have been touching don't evoke much of an emotional response. The thought comes to mind that maybe there's not much at home for Elio to miss. Disappointingly, there's no short film preceding Elio, though there is a scene during the end credits for those who wait. Elio is an enjoyable Pixar film and, thankfully, not another sequel or reboot. It's just not quite up to the standard we've come to expect.


Perth Now
a day ago
- Perth Now
Bad Bunny believes 'it feels silly to complain' about fame
Bad Bunny has declared "it feels silly to complain" about fame. The musician - real name Benito Martínez Ocasio - has become one of the most high-profile Latin stars in the world in recent years but he's determined to remain humble and insists his job is just to "sing" and cannot be compared to other professions despite all of the "sacrifices" he has to make. He told Variety: "At times, I do think ... what I'm signing up for is a lot. But the way I see it, I'm not a doctor; I'm not a teacher; I'm not someone who has to wake up every morning at 5 a.m. to lay down concrete on a busy road to survive. "My job is to f****** sing, and even though it comes with its own set of sacrifices, it feels silly to complain about it." He went on to add that he loves performing and hopes to continue for many years to come. Bad Bunny said: 'I like to perform like nobody there knows who I am or what I've accomplished. The stage is where I'm the most present and happiest. I'll probably be doing this until I'm an old man." In the interview, Bad Bunny credited his small circle of friends with keeping him grounded - insisting he's stayed close to pals he's known since childhood - and he's staying connected to his roots as he still lives in his native Puerto Rico despite finding fame in the US. He explained: "I've always felt that I read people extremely well ... "I'm very intuitive with who and how I spend my time. I take care of my mental and heart space ... "There are people that I work with who I've known since I was a kid, and what a blessing that is - to know that despite the outside world and time passing, or anything, they still love me the same ... "I'm still me, my greatest friends are still the ones from my childhood, and in the middle of it all, there's always Puerto Rico. It's not like I'm living a detached reality - I still live on the island."