
Mario Vargas Llosa, Peruvian author and Nobel literature laureate, dies at 89
LIMA, Peru (AP) — Peruvian author Mario Vargas Llosa, Nobel literature laureate and a giant of Latin American letters, died Sunday. He was 89.
He was a prolific author and essayist with such celebrated novels as 'The Time of the Hero' (La Ciudad y los Perros) and 'Feast of the Goat,' and won myriad prizes. The Nobel committee said it was awarding him in 2010 'for his cartography of structures of power and his trenchant images of the individual's resistance, revolt, and defeat.'
'It is with deep sorrow that we announce that our father, Mario Vargas Llosa, passed away peacefully in Lima today, surrounded by his family,' read a letter signed by his children Álvaro, Gonzalo and Morgana, and posted by Álvaro on X.
'His departure will sadden his relatives, his friends and his readers around the world, but we hope that they will find comfort, as we do, in the fact that he enjoyed a long, adventurous and fruitful life, and leaves behind him a body of work that will outlive him,' they added.
The author's lawyer and close friend, Enrique Ghersi, confirmed the death to The Associated Press and recalled the writer's last birthday on March 28 at the home of his daughter, Morgana. 'He spent it happy; his close friends surrounded him, he ate his cake, we joked that day that there were still 89 more years to go, he had a long, fruitful, and free life,' Ghersi said.
Tributes poured in for Vargas Llosa. In Spain, where he spent long stretches of his life, King Felipe VI and Queen Letizia expressed their condolences, writing on social media that 'the Olympus of universal literature has opened its doors to Mario Vargas Llosa.'
Latin America's new wave of writers
Vargas Llosa published his first collection of stories 'The Cubs and Other Stories' (Los Jefes) in 1959. But he burst onto the literary stage in 1963 with his groundbreaking debut 'The Time of the Hero,' a novel that drew on his experiences at a Peruvian military academy and angered the country's military. A thousand copies were burned by military authorities, with some generals calling the book false and Vargas Llosa a communist.
That, and subsequent novels such as 'Conversation in the Cathedral,' (Conversación en la Catedral) in 1969, quickly established Vargas Llosa as one of the leaders of the so-called 'Boom,' or new wave of Latin American writers of the 1960s and 1970s, alongside Gabriel García Márquez and Carlos Fuentes.
Vargas Llosa started writing early, and at 15 was a part-time crime reporter for La Crónica newspaper. According to his official website, other jobs he had included revising names on cemetery tombs in Peru, working as a teacher in the Berlitz school in Paris and briefly on the Spanish desk at Agence France-Presse in Paris.
He continued publishing articles in the press for most of his life, most notably in a twice-monthly political opinion column titled 'Piedra de Toque' (Touchstones) that was printed in several newspapers.
Vargas Llosa came to be a fierce defender of personal and economic liberties, gradually edging away from his communism-linked past, and regularly attacked Latin American leftist leaders he viewed as dictators.
Although an early supporter of the Cuban revolution led by Fidel Castro, he later grew disillusioned and denounced Castro's Cuba. By 1980, he said he no longer believed in socialism as a solution for developing nations.
In a famous incident in Mexico City in 1976, Vargas Llosa punched fellow Nobel Prize winner and ex-friend García Márquez, whom he later ridiculed as 'Castro's courtesan.' It was never clear whether the fight was over politics or a personal dispute, as neither writer ever wanted to discuss it publicly.
As he slowly turned his political trajectory toward free-market conservatism, Vargas Llosa lost the support of many of his Latin American literary contemporaries and attracted much criticism even from admirers of his work.
A pampered early life and 'hell' in a military school
Jorge Mario Pedro Vargas Llosa was born March 28, 1936, in Peru's southern city of Arequipa, high in the Andes at the foot of the Misti volcano.
His father, Ernesto Vargas Maldonado, left the family before he was born. To avoid public scandal, his mother, Dora Llosa Ureta, took her child to Bolivia, where her father was the Peruvian consul in Cochabamba.
Vargas Llosa said his early life was 'somewhat traumatic,' pampered by his mother and grandmother in a large house with servants, his every whim granted.
It was not until he was 10, after the family had moved to Peru's coastal city of Piura, that he learned his father was alive. His parents reconciled and the family moved to Peru's capital, Lima.
Vargas Llosa described his father as a disciplinarian who viewed his son's love of Jules Verne and writing poetry as surefire routes to starvation, and feared for his 'manhood,' believing that 'poets are always homosexuals.'
After failing to get the boy enrolled in a naval academy because he was underage, Vargas Llosa's father sent him to Leoncio Prado Military Academy — an experience that was to stay with Vargas Llosa and led to 'The Time of the Hero.' The book won the Spanish Critics Award.
The military academy 'was like discovering hell,' Vargas Llosa said later.
He entered Peru's San Marcos University to study literature and law, 'the former as a calling and the latter to please my family, which believed, not without certain cause, that writers usually die of hunger.'
After earning his literature degree in 1958 — he didn't bother submitting his final law thesis — Vargas Llosa won a scholarship to pursue a doctorate in Madrid.
Vargas Llosa drew much of his inspiration from his Peruvian homeland, but preferred to live abroad, residing for spells each year in Madrid, New York and Paris.
His early novels revealed a Peruvian world of military arrogance and brutality, of aristocratic decadence, and of Stone Age Amazon Indians existing simultaneously with 20th-century urban blight.
'Peru is a kind of incurable illness and my relationship to it is intense, harsh and full of the violence of passion,' Vargas Llosa wrote in 1983.
After 16 years in Europe, he returned in 1974 to a Peru then ruled by a left-wing military dictatorship. 'I realized I was losing touch with the reality of my country, and above all its language, which for a writer can be deadly,' he said.
In 1990, he ran for the presidency of Peru, a reluctant candidate in a nation torn apart by a messianic Maoist guerrilla insurgency and a basket-case, hyperinflation economy.
But he was defeated by a then-unknown university rector, Alberto Fujimori, who resolved much of the political and economic chaos but went on to become a corrupt and authoritarian leader in the process.
Cuban writer Guillermo Cabrera Infante, Vargas Llosa's longtime friend, later confessed that he had rooted against the writer's candidacy, observing: 'Peru's uncertain gain would be literature's loss. Literature is eternity, politics mere history.'
Vargas Llosa also used his literary talents to write several successful novels about the lives of real people, including French Post-Impressionist artist Paul Gauguin and his grandmother, Flora Tristan, in 'The Way to Paradise' in 2003 and 19th-century Irish nationalist and diplomat Sir Roger Casement in 'The Dream of the Celt' in 2010. His last published novel was 'Harsh Times' (Tiempos Recios) in 2019 about a U.S.-backed coup d'etat in Guatemala in 1954.
He became a member of the Royal Spanish Academy in 1994 and held visiting professor and resident writer posts in more than a dozen colleges and universities across the world.
In his teens, Vargas Llosa joined a communist cell and eloped with and later married a 33-year-old Bolivian, Julia Urquidi — the sister-in-law of his uncle. He later drew inspiration from their nine-year marriage to write the hit comic novel 'Aunt Julia and the Scriptwriter' (La Tía Julia y el Escribidor).
In 1965, he married his first cousin, Patricia Llosa, 10 years his junior, and together they had three children. They divorced 50 years later, and he started a relationship with Spanish society figure Isabel Preysler, former wife of singer Julio Iglesias and mother of singer Enrique Iglesias. They separated in 2022.
Vargas Llosa is survived by his children.
Their letter announcing his death said his remains will be cremated and there won't be any public ceremony.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Hamilton Spectator
3 hours ago
- Hamilton Spectator
Simon Cracker creates a brand uniform to highlight star upcycled garments during Milan Fashion Week
MILAN (AP) — Simon Cracker's collection for next summer is an expression of exasperation with a world of uninformed 'experts,' and as an antidote the Italian upcycled brand has distilled its focus to singular, spotlight garments, paired with a Simon Cracker new uniform. For designers Filippo Biraghi and Simone Botte, upcycling is the lexicon they use to tell the story. This season's was titled: 'The devil in the details.' They took inspiration for their ironic and disproportionate details from the Belgian designer Martin Margiela, adding to the garments oversized buttons that were actually facsimile copies, huge safety- and clothespins and giant zipper pulls. 'We didn't copy Margiela. We tried to use the same language,'' Biraghi said. New brand uniform highlights the stars The basic Simon Cracker co-ed uniform for Spring-Summer 2026 was a simple square T-shirt fashioned from jersey stock that they saved and reconditioned after it became waterlogged in flooding. The T-shirts, each with a big care label sewn on the front, were paired with tailored black shorts. The uniforms were backdrops for the real stars: A blazer with multiple crumpled arms that unfurled on the runway into dramatic trains. A triplicate of belted trousers tiered to make super low-waisted streetwear. Shirts sewn on dress fronts, with the arms tied behind the waist. A frenzy of shirts that become a ruffled skirt. Three pleated skirts layered to form a strapless tiered dress. Each garment, made of clothes that had been in some way discarded, had its own architecture, and its own story. Simon Cracker recipe Biraghi said that the designers have come up with a 'recipe' for some core garments, including the Siamese T-Shirt he was wearing. It was made out of two T-shirts, one forming the sides with the arms, the second contributing the front and back panels. The idea is put out some identifiable pieces, while maintaining the uniqueness of each garment that is core to the brand. 'Our niche wants unique pieces. It is not the herd that interests us. Fewer but more devoted,'' Botte said.


San Francisco Chronicle
4 hours ago
- San Francisco Chronicle
Simon Cracker creates a brand uniform to highlight star upcycled garments during Milan Fashion Week
MILAN (AP) — Simon Cracker's collection for next summer is an expression of exasperation with a world of uninformed 'experts,' and as an antidote the Italian upcycled brand has distilled its focus to singular, spotlight garments, paired with a Simon Cracker new uniform. For designers Filippo Biraghi and Simone Botte, upcycling is the lexicon they use to tell the story. This season's was titled: 'The devil in the details.' They took inspiration for their ironic and disproportionate details from the Belgian designer Martin Margiela, adding to the garments oversized buttons that were actually facsimile copies, huge safety- and clothespins and giant zipper pulls. 'We didn't copy Margiela. We tried to use the same language,'' Biraghi said. New brand uniform highlights the stars The basic Simon Cracker co-ed uniform for Spring-Summer 2026 was a simple square T-shirt fashioned from jersey stock that they saved and reconditioned after it became waterlogged in flooding. The T-shirts, each with a big care label sewn on the front, were paired with tailored black shorts. The uniforms were backdrops for the real stars: A blazer with multiple crumpled arms that unfurled on the runway into dramatic trains. A triplicate of belted trousers tiered to make super low-waisted streetwear. Shirts sewn on dress fronts, with the arms tied behind the waist. A frenzy of shirts that become a ruffled skirt. Three pleated skirts layered to form a strapless tiered dress. Each garment, made of clothes that had been in some way discarded, had its own architecture, and its own story. Simon Cracker recipe Biraghi said that the designers have come up with a 'recipe' for some core garments, including the Siamese T-Shirt he was wearing. It was made out of two T-shirts, one forming the sides with the arms, the second contributing the front and back panels. The idea is put out some identifiable pieces, while maintaining the uniqueness of each garment that is core to the brand. 'Our niche wants unique pieces. It is not the herd that interests us. Fewer but more devoted,'' Botte said.


San Francisco Chronicle
4 hours ago
- San Francisco Chronicle
Prada wants to change the conversation away from aggression, toward gentleness
MILAN (AP) — With global tensions escalating, Miuccia Prada and Raf Simons want to change the conversation to something gentle, calm and nice with their menswear collection for next summer, previewed during Milan Fashion Week on Sunday. 'We tried to make a change of tone, from powerful to gentle, calm,'' Prada said after the show. 'Basically, the opposite of aggression, power, nastiness.'' 'Sometimes it is good to reflect, and be a bit more calm,'' added Simons, her co-creative director. Innocence reimagined In that vein, the pair's latest menswear collection recalled childish innocence, opening with short shorts that were more precisely elasticized briefs, with pleated pockets, worn with a sturdy, sure-footed shoe and black sock and a crisp white buttoned-down shirt with a naive print of a sun and waves. These panty-shorts were paired also with leather coats, long cotton shirts or fringed knitwear that give men access to the pant-less look already embraced by some female celebrities. Freedom in form and color A more serious double-breasted suit was worn with the sleeves pushed up in a get-to-work gesture layered over track jackets. Track pants with a side stripe or straight, cropped cotton trousers otherwise anchored the looks with leather jackets, car coats or knitwear. Urban looks ensembles paired with backpacks and flip-flops, on the verge of the getaway. Light, summer looks were finished with loafers. Nothing was completely office, and nothing was completely beach. The silhouette was deliberately unstructured, and the color palette broad and undefined. Gray, black, khaki and navy were offset by red, sky blue, lime green and turquoise and purple, monochromes mixing casually, as if to say, any way you want. 'We wanted everything to be human in its dimension, to be light and fresh and colorful,'' Simons said. Playful, with a shadow There was humor, even whimsy, in bright cone-shaped woven raffia hats that recalled a shuttlecock, some with strands of raffia feathering over the eyes as if a shade. In the spirit of change, the showroom was left deliberately raw, with concrete and orange beams exposed and sunlight streaming through the high windows. Childlike daisy-shaped rugs were the only decoration. 'We are always very aware of that,'' Prada said. 'Good luck to everyone.'' Celeb frenzy Outside the Prada Foundation showroom, hundreds of fans screamed for the arrival of Asian pop group TransfOrmProject, South Korean actor Lee Do-hyun and Japanese singer Sana. Also on hand were English-Ghanaian rapper Stormzy, NBA star Anthony Edwards and actors Benedict Cumberbatch and Harris Dickinson.