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Is It Givin' Entenmann's Or Homemade: Let's Get Into These Pound Cakes

Is It Givin' Entenmann's Or Homemade: Let's Get Into These Pound Cakes

Buzz Feed20-04-2025

Is It Givin' Entenmann's Or Homemade: Let's Get Into These Pound Cakes
Now a good pound cake is fluffy, buttery, and has a little bit of creaminess in the middle of the bite. The top must be golden brown on the top – a little bit light skin while the bottom and the side could be a bit browner.
We have Donna, KD, and Shatera who are going to try each other's pound cake, and hopefully it gives what it needs to give.
KD broke down the traditional way a pound cake should be baked – 1 lb of butter, sugar, eggs, and other fixings you would like to add, but the first three are a must.
Shatera also lets the audience know that this is truly a Black family staple – you can have this at a baby shower, funeral, birthday party, and just in the crib for a late night bite.
Anyways, let's get into the competition and we first have Shatera.
Shatera spiced her pound cake up and made a 7 Up by the pound cake. Now, 7 Up cake is also a cultural staple in the Black community so merging the two MIGHT not be so bad. She also added a secret ingredient: cream cheese.
Shatera lets us know she's the go-to cook during the holidays, so let's see how the aunties react and if they would stop by for a plate of this pound cake.
From the presentation, Auntie Donna is skeptical while Auntie KD seems to be intrigued by the submission, highlighting the glaze on the sides.
First bites are in: Auntie Donna said its 'just okay,' while Auntie KD kept it very cutesy, very demure, and shared Shatera 'did a good job on this one.'
Final score: 15
It's Auntie Donna's turn – and I may have a bone to pick with our Cocoa Butter producers.
Why is this Auntie Donna's first time making pound cake but she has so much to say about Shatera?
Who is on the talent side? We need to vet the folks better (unless the goal is for the giggles and the comments to eat her up, then hey, mission accomplished).
Anyways, Auntie Donna says her pound cake is 'delicious,' but from what I see, it looks like a chocolate cake with powdered sugar.
Auntie Donna shares her ingredients, and first off, who puts Pink Himalayan on pound cake?
Already lost me, no shade.
Her secret ingredient is sour cream.
Whew.
I can't even continue – Auntie Donna is bigging herself up and chile….
So anywho, let's get into the first bites from Auntie Shatera and Auntie KD.
Auntie Shatera hit it on the nail and said the same thing I said – it looks like it has some chocolate drizzle and powdered sugar. While not traditional, Auntie Shatera isn't giving it too much flack.
Auntie KD is a sweetheart, giving positive sentiments to the pound cake calling it a 'nice presentation.'
Auntie KD says it's a 'nice cake,' while Auntie Shatera questions if Ashton Kutcher is in the room and she's being Punk'd.
I feel you, Auntie.
She compared her cake to Entenmann's from the store – now didn't I say at the top of this commentary to leave the Entenmann's at home?
Final score: 14
Now, let's see what Auntie KD has for me.
Now, the presentation looks cute – she added some strawberries and a homemade cream to the top of the pound cake.
Welp – at first glance, Auntie Donna and Auntie Shatera are skeptical. Auntie Shatera says its giving 'strawberry shortcake' while Auntie Donna wasn't feeling the presentation.
Auntie Shatera took her bite and labeled it 'plain,' wondering where the sugar or sweetness is while Auntie Donna is not a fan of it at all.
And the way they describing it, I wouldn't be either chile.
Final score: 7
Here comes one of the world's favorite Auntie's – summoning Miss Vivica A. Fox!
Vivica starts with Donna's submission – and she was feeling it folks, but noted it was 'dry.'
She gives it a 5.
Next, she tried KD's pound cake and was already into it.
She gives her an 8.
Finally, it's time for Shatera's and calls it dry.
She ends up giving her a 3.
This means…. shockingly enough, Auntie Donna wins.
If you liked my shady commentary, I know you'll love this shady episode.
Click the video below – and Auntie Donna, right on playa!
Sometimes it takes one shot and boom, you're a winner.

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Key moments from the sixth week of Sean 'Diddy' Combs' sex trafficking trial

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Key moments from the sixth week of Sean 'Diddy' Combs' sex trafficking trial

NEW YORK -- The sixth week of the Sean 'Diddy' Combs' sex trafficking trial was shortened by a holiday and a juror's illness as prosecutors nearly concluded their case, setting the stage for a one- or two-day defense presentation next week. In the trial's first five weeks, jurors repeatedly heard testimony about drug-fueled marathon sex events described as 'freak-offs' by one of Combs' ex-girlfriends and as 'hotel nights' by another. In the sixth week, they were shown about 20 minutes of video recordings from the dayslong events. Combs, the founder of Bad Boy Entertainment, has pleaded not guilty to sex trafficking and racketeering conspiracy charges in the trial, which continues Monday. Here are key moments from the past week: Jurors largely kept their reactions muted when they were shown about 20 minutes of recordings made by Combs of his then-girlfriends having sex with male sex workers at the elaborately staged 'freak-offs' or 'hotel nights.' Prosecutors say the events were proof of sex trafficking and racketeering conspiracy charges because Combs coerced his employees, associates and even his girlfriends to recruit and arrange flights for sex workers while his workers obtained drugs, stocked hotel rooms with baby oil, lubricant, condoms, candles and liquor and delivered cash. In her opening statement, defense lawyer Teny Geragos had called the videos 'powerful evidence that the sexual conduct in this case was consensual and not based on coercion.' Prosecutors played about 2 minutes of the recordings before the defense team aired about 18 minutes of the videos. The public and the press were unable to observe whether the prosecutors or defense lawyers had the better arguments after the judge ruled that neither the recordings nor the sound could be seen or heard by anyone except lawyers, the judge and the jury. Several jurors seemed to cast their eyes and sometimes turn their bodies away from the screens directly in front of them while the recordings played. The jurors listened through earphones supplied by the court, as did Combs and lawyers. Judge Arun Subramanian started the week by dismissing a juror whose conflicting answers about whether he lived in New Jersey or New York convinced the judge he was a threat to the integrity of the trial. Subramanian said the juror's answers during jury selection and in the week before he was excused 'raised serious concerns as to the juror's candor and whether he shaded answers to get on and stay on the jury.' 'The inconsistencies — where the juror has lived and with whom — go to straightforward issues as to which there should not have been any doubts, and the answers also go to something vital: the basic qualifications of a juror to serve,' the judge said. Residents of New Jersey would not be permitted to sit on a New York federal jury. A day before Subramanian ruled, defense lawyers argued fiercely against dismissal, saying that replacing the Black juror with a white alternate juror so late in the trial would change the diverse demographics of the jury and require a mistrial. The jurors are anonymous for the Combs trial. It wasn't the only issue regarding jurors for the week. The judge, angered by a media report about the questioning of another juror the week before that occurred in a sealed proceeding, warned lawyers that they could face civil and criminal sanctions if such a leak happened again. That juror was not dismissed. And Wednesday's court session had to be canceled after a juror reported "vertigo symptoms" on the way to the courthouse. Defense attorney Marc Agnifilo seemed to close the door on any chance Combs would testify when he said Friday that the defense presentation would be finished Tuesday or Wednesday the following week, even if prosecutors don't rest until late Monday. 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We spent 8 hours at Ebony Beach Club's 'Juneteenth on the Pier'
We spent 8 hours at Ebony Beach Club's 'Juneteenth on the Pier'

Yahoo

time5 hours ago

  • Yahoo

We spent 8 hours at Ebony Beach Club's 'Juneteenth on the Pier'

The Ebony Beach Club's priority is to create a space for Black beachside communities in Los Angeles. So, every year on Juneteenth, they transform a local beach into a full-blown festival, consisting of nonstop DJs, a vivacious dance floor and neighborly vendors. This year, the beach club partnered with Black Lives Matter and took over the Santa Monica Pier. Here's everything that went down. 12:39 p.m. I arrive early. Ebony Beach Club founder, Brick, runs from vendor to vendor, ensuring everyone is ready for the day ahead. He boasts that there's 'not a cloud in sight' — and that everything is aligning for today's 'historic moment.' 1:58 p.m. I never thought I would be able to say I've found a sense of inner peace in the middle of the Santa Monica Pier. The typically chaotic environment is transformed by rhythmic breathing exercises and sound bath frequencies. For a moment, it does feel like I am cooking under the hot summer sun, but still, I couldn't be more at ease. 3:09 p.m. So far, the music selection transcends generations. Anything from Aaliyah to YG and Frankie Beverly fills the beachy air. But after hearing more than one early 2000s Ne-Yo classic, I can't help but wonder what he's up to. Why the lack of 2025 Ne-Yo bangers? 3:40 p.m. The crowd is slowly growing. Most partygoers sport a mix of brightly colored swimwear with denim shorts or matching mini skirts. Others wear graphic tees that commemorate the holiday and show L.A. pride. The most standout looks so far have included bejeweled thongs, color-coordinated snapbacks and sneakers and pleated, baggy jorts. 3:58 p.m. In the flash of a moment, a familiar face glides through the crowded pier. Her grill catches the light and a pair of Labubus hangs from a designer bag. It's none other than R&B royalty Kehlani. A growing swarm of fans start to catch on. I get my chance to say something as she passes. I compliment her latest single and let her continue on her mission to the bar. Cool, casual and of course, no mention of the fact that I was listening to the Kehlani Spotify radio on the whole drive over. 4:45 p.m. Brick halts the music and offers a quick history lesson from the DJ decks. He speaks of the first Ebony Beach Club, started by a man named Silas White in 1957. That year, 2,000 Black people, including Brick's own grandfather, signed up to be members. But the City of Santa Monica had barred it from ever opening. Today's Ebony Beach Club celebration roughly creates space for around 2,000 people to be at the exact same beach and enjoy the party. 'This is the most Black people the Santa Monica pier has seen in a while,' said Brick, who was met with an echoing applause. 'Today, we are Black people who are occupying this space for the first time in a long time.' 5:30 p.m. The emcee says, 'If you're outside the barricade, I'm sorry. If you couldn't get a ticket, I'm sorry.' He addresses the consistent crowd of onlookers who have lingered by the barricades. Some appear to be tourists, but most spectators seem like they were too late to grab a ticket. Nonetheless, they are able to indulge in the sights and sounds, even if it's for only a few minutes. 6:17 p.m. What's an L.A. party without Los Tucanes de Tijuana's 'La Chona?' The norteño anthem gets mixed into T.I. 's 'What You Know.' Unexpected, but somehow serendipitous. 7:25 p.m. I'm starting to seriously question the weight limit on the truck. Though its height is that of a monster truck, it has the feel of a clown car. The truck bed, filled with DJ equipment, is overflowing with people singing along and jumping to the beat. People are perched atop the car, as well as those hanging off its side, in an impressive, partially aerial twerk. I can't even imagine the kind of core strength that it takes. 7:51 p.m. As the party wraps up, Sexyy Red's distinctive vocals overtake the crowd. It feels like one final hurrah. If there's been one consistent feeling that's marked the entire party, it's been an infectious sense of joy. 8:05 p.m. On the way back to the car, people yell 'Happy Juneteenth' out their car windows. My feet are a bit achy and the tops of my shoulders a little sore to the touch, but spirits are still high. Now for the biggest test of patience — braving the traffic of leaving a Santa Monica parking structure. This story originally appeared in Los Angeles Times.

We spent 8 hours at Ebony Beach Club's ‘Juneteenth on the Pier'
We spent 8 hours at Ebony Beach Club's ‘Juneteenth on the Pier'

Los Angeles Times

time7 hours ago

  • Los Angeles Times

We spent 8 hours at Ebony Beach Club's ‘Juneteenth on the Pier'

The Ebony Beach Club's priority is to create a space for Black beachside communities in Los Angeles. So, every year on Juneteenth, they transform a local beach into a full-blown festival, consisting of nonstop DJs, a vivacious dance floor and neighborly vendors. This year, the beach club partnered with Black Lives Matter and took over the Santa Monica Pier. Here's everything that went down. 12:39 p.m. I arrive early. Ebony Beach Club founder, Brick, runs from vendor to vendor, ensuring everyone is ready for the day ahead. He boasts that there's 'not a cloud in sight' — and that everything is aligning for today's 'historic moment.' 1:58 p.m. I never thought I would be able to say I've found a sense of inner peace in the middle of the Santa Monica Pier. The typically chaotic environment is transformed by rhythmic breathing exercises and sound bath frequencies. For a moment, it does feel like I am cooking under the hot summer sun, but still, I couldn't be more at ease. 3:09 p.m. So far, the music selection transcends generations. Anything from Aaliyah to YG and Frankie Beverly fills the beachy air. But after hearing more than one early 2000s Ne-Yo classic, I can't help but wonder what he's up to. Why the lack of 2025 Ne-Yo bangers? 3:40 p.m. The crowd is slowly growing. Most partygoers sport a mix of brightly colored swimwear with denim shorts or matching mini skirts. Others wear graphic tees that commemorate the holiday and show L.A. pride. The most standout looks so far have included bejeweled thongs, color-coordinated snapbacks and sneakers and pleated, baggy jorts. 3:58 p.m. In the flash of a moment, a familiar face glides through the crowded pier. Her grill catches the light and a pair of Labubus hangs from a designer bag. It's none other than R&B royalty Kehlani. A growing swarm of fans start to catch on. I get my chance to say something as she passes. I compliment her latest single and let her continue on her mission to the bar. Cool, casual and of course, no mention of the fact that I was listening to the Kehlani Spotify radio on the whole drive over. 4:45 p.m. Brick halts the music and offers a quick history lesson from the DJ decks. He speaks of the first Ebony Beach Club, started by a man named Silas White in 1957. That year, 2,000 Black people, including Brick's own grandfather, signed up to be members. But the City of Santa Monica had barred it from ever opening. Today's Ebony Beach Club celebration roughly creates space for around 2,000 people to be at the exact same beach and enjoy the party. 'This is the most Black people the Santa Monica pier has seen in a while,' said Brick, who was met with an echoing applause. 'Today, we are Black people who are occupying this space for the first time in a long time.' 5:30 p.m. The emcee says, 'If you're outside the barricade, I'm sorry. If you couldn't get a ticket, I'm sorry.' He addresses the consistent crowd of onlookers who have lingered by the barricades. Some appear to be tourists, but most spectators seem like they were too late to grab a ticket. Nonetheless, they are able to indulge in the sights and sounds, even if it's for only a few minutes. 6:17 p.m. What's an L.A. party without Los Tucanes de Tijuana's 'La Chona?' The norteño anthem gets mixed into T.I. 's 'What You Know.' Unexpected, but somehow serendipitous. 7:25 p.m. I'm starting to seriously question the weight limit on the truck. Though its height is that of a monster truck, it has the feel of a clown car. The truck bed, filled with DJ equipment, is overflowing with people singing along and jumping to the beat. People are perched atop the car, as well as those hanging off its side, in an impressive, partially aerial twerk. I can't even imagine the kind of core strength that it takes. 7:51 p.m. As the party wraps up, Sexyy Red's distinctive vocals overtake the crowd. It feels like one final hurrah. If there's been one consistent feeling that's marked the entire party, it's been an infectious sense of joy. 8:05 p.m. On the way back to the car, people yell 'Happy Juneteenth' out their car windows. My feet are a bit achy and the tops of my shoulders a little sore to the touch, but spirits are still high. Now for the biggest test of patience — braving the traffic of leaving a Santa Monica parking structure.

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