Lokesh Kanagaraj upcoming movies: Rajinikanth's Coolie to Aamir Khan starrer superhero film
Lokesh Kanagaraj is one of the most celebrated filmmakers in Indian cinema, known for his action-packed ventures, including Vikram, Master, Kaithi, and others. In a recent interview, Bollywood actor Aamir Khan confirmed the director's lineup.
Coolie
Speaking with Too Filmy, the actor revealed that he would be appearing in a cameo role in Rajinikanth's Coolie. Making an official confirmation, Khan said his character would be an interesting one, which everyone would love.
The action entertainer by Lokesh Kanagaraj is slated for release on August 14, 2025, with stars like Nagarjuna Akkineni and Upendra Rao also joining the cast. Apart from them, actors Soubin Shahir, Shruti Haasan, and more are in key roles.
While more details about the film are yet to be revealed, it is reported that the movie will not be part of Lokesh Kanagaraj Cinematic Universe (LCU) and will instead be a standalone, similar to Master.
Kaithi 2
Talking ahead, Aamir Khan made it clear that the director's next venture would be Kaithi 2 with Karthi in the lead. The much-awaited sequel has been in limbo due to Kanagaraj's commitments and is now expected to kickstart shoot from the latter half of 2025.
For those unaware, the film is a sequel to LCU's first installment, Kaithi, which was released in 2019. The story focused on an ex-convict who is forced into a night's mission by an honest officer with a violent gang right on their heels.
With Karthi in the lead, the movie featured actors such as Narain, Arjun Das, Harish Uthaman, George Maryan, and many more in key roles.
Aamir Khan superhero film
Finally, the Bollywood superstar made it clear that he would be joining hands with Lokesh for a film. While not going into serious details, the superstar mentioned that it would be a superhero movie, which is set to begin shooting in the latter half of 2026.
On an interesting side note, Lokesh had initially expressed his desire to make a superhero film titled Irumbu Kai Maayavi, based on DC's The Steel Claw. However, this hasn't been confirmed yet.
With the director having such confirmed projects, he had once mentioned his ideas for sequels to Vikram, Leo, and a standalone Rolex movie starring Suriya in the lead.
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an hour ago
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2 hours ago
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In Sitaare Zameen Par, Aamir Khan finally faces the man in the mirror, as he trades perfection for vulnerability
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And strangely, this is a huge shift. For once, Aamir Khan doesn't hijack the story halfway through; he centers himself from the very beginning. And because of that, it becomes honest. It becomes his. And maybe that's why the performance begins to land, because it isn't designed to awe. He plays a man-child, emotionally immature, socially unaware. His wide-eyed earnestness, his furrowed brow, his awkward charm, they all fit. Because this time, he is the one being corrected. And, thankfully for once, he listens. Perhaps the film's deepest triumph lies in the realization his character finally reaches: that it is okay not to be right. That you don't have to be the one with all the answers, the intellect, the mastery. That not every battle needs to be won, not every moment needs to be conquered. For so long, in every film where he has championed the different, the misunderstood, the misfit, the arc has still bent towards triumph. Moral victory, yes, but often, unmistakably, material as well. Consider the ending of 3 Idiots. It isn't enough that Rancho finds joy in teaching, in shaping young minds. No, we must also be told that he has become a world-famous scientist, more 'successful' than the classmate who once mocked him. Or even take Taare Zameen Par. It isn't enough that Ishaan (Darsheel Safary) is seen painting, finally at peace with himself. The film must assure us that he has also won the competition. That's where the pain creeps in. This idea that to be different, to be gentle, to be inward, one must still, eventually, emerge as victor. As if kindness needs a medal. As if sensitivity must be redeemed by success. As if only by winning the cycle race, only by wearing the gold medal, can he earn the title Sikandar. But here, in Sitaare Zameen Par, something softens. For once, we are allowed to imagine a hero who does not need to win to be worthy. Who does not need history to remember him, as long as the present is better for his effort. A hero not made by applause, but by intention. One who learns that trying is triumph. That growth is grace. That perfection is not a crown, but a pursuit.
