logo
Val McDermid to premiere new play on Christopher Marlowe's death

Val McDermid to premiere new play on Christopher Marlowe's death

The National15-06-2025

This August, Pitlochry ­Festival ­Theatre, in partnership with ­Edinburgh International Book ­Festival, will present a special script-in-hand reading of Val McDermid's play, And Midnight Never Come, which explores the notoriously ­controversial circumstances of playwright Christopher Marlowe's death.
One of crime fiction's most ­formidable voices, McDermid has been crafting best-selling thrillers for more than 30 years, selling more than 19 million copies worldwide.
From her groundbreaking Lindsay Gordon series to the beloved Tony Hill and Carol Jordan books, she has consistently pushed the ­boundaries of crime fiction. Her novels have been translated into more than 40 ­languages and adapted for television, most recently Karen Pirie.
READ MORE: 'Naked and Unashamed' cements Nan Shepherd's place in Scotland's literary canon
McDermid's unflinching examination of human nature and evil has earned her numerous awards, ­including the CWA Diamond Dagger for Lifetime Achievement and The Theakston Old Peculier Outstanding Contribution Award.
The author said she had always been interested in Marlowe as a character and a writer and was ­particularly drawn to his death in mysterious circumstances in an alehouse in Deptford. The three men with him at the time were all closely connected to the Walsingham family and the English secret service.
'I've been fascinated by ­Christopher Marlowe since I first encountered his dynamic and ground-breaking work as a student, more years ago than I care to admit,' said McDermid.
'He was only 29 when he died in circumstances that are often ­misrepresented and this is my ­attempt to provide an explanation that fits the known facts and makes sense.
'I'm delighted to be working with such talented teams across Pitlochry Festival Theatre and the Edinburgh International Book Festival and I hope audiences will be as thrilled by the life and death of one of our most startling playwrights.'
Director Philip Howard added: 'Val McDermid applies a lifetime of experience and forensic observation to the story of Christopher Marlowe and the last day of his life and – as a playwright – she does it with vibrant theatricality.
'I'm excited that Pitlochry ­Festival Theatre and the Edinburgh ­International Book Festival have combined forces to give Val's play its first public reading.'
And Midnight Never Come will take place in the Studio at Pitlochry Festival Theatre on August 18 and at the Edinburgh International Book Festival on August 19 at Spiegeltent

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Edinburgh International Book Festival warning after 'huge' demand for Outlander star Sam Heughan tickets
Edinburgh International Book Festival warning after 'huge' demand for Outlander star Sam Heughan tickets

Scotsman

time15 minutes ago

  • Scotsman

Edinburgh International Book Festival warning after 'huge' demand for Outlander star Sam Heughan tickets

Tickets for Sam Heughan's Edinburgh International Book Festival event saw 'huge demand'. Sign up to our Arts and Culture newsletter, get the latest news and reviews from our specialist arts writers Sign up Thank you for signing up! Did you know with a Digital Subscription to The Scotsman, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... The Edinburgh International Book Festival (EIBF) has issued a warning to customers after a "huge" demand for tickets to see Outlander star Sam Heughan at this year's event. The festival said it was not 'totally surprised' that tickets for the sold-out event, on August 23, had proved to be popular. Advertisement Hide Ad Advertisement Hide Ad However, organisers admitted many people had missed out on tickets and warned only those bought through the official website would be accepted. They also said that tickets would not be transferable. The event, Sam Heughan: On the Rocks, will involve the actor giving a cocktail masterclass, ahead of the publication of his new book, The Cocktail Diaries: A Spirited Adventure, in September. The £14-a-head event sold out within hours of tickets becoming available at the weekend. Tickets for Sam Heughan's Edinburgh International Book Festival event sold out quickly at the weekend. | Getty Images A EIBF statement posted on social media said: 'There's been huge demand for our Sam Heughan: On the Rocks event this morning, and we're sorry that not everyone has been able to get the tickets they were hoping for. Advertisement Hide Ad Advertisement Hide Ad 'Please be aware that any tickets purchased for this event are non-transferable, and that tickets not purchased directly from the Edinburgh International Book Festival will not be valid for entry to the event. We would hate for anyone to be disappointed on arrival.' The post added: 'We can't say we're totally surprised that Sam Heughan's event has sold out already, but for anyone who didn't get a ticket, do make sure to sign up to our mailing list in case any returns get released. 'There are still hundreds of incredible events with tickets available, including many with a focus on the fascinating topic of Scottish history.' Advertisement Hide Ad Advertisement Hide Ad Some fans had been trying to obtain tickets from as far away as the US. Outlander is very popular with the American market. One fan, Jessica Torrey, commented on the EIBF's social media post: 'So disappointed! Up at my computer at 4 a.m. Minnesota, USA. Thought I might actually make this happen, with only about 900 people ahead of me when queue opened and it moving rapidly. 'Had no idea only about 300 tickets available. Dream trip to Scotland coming up and this would have been amazing. Going to continue manifesting this. Not giving up all hope just yet.' The Scottish actor, who is soon to make his Royal Shakespeare Company debut in Macbeth, is also to discuss the significance of cocktails in his journey to stardom during the event.

Review: Grease at Pitlochry Festival Theatre
Review: Grease at Pitlochry Festival Theatre

The Herald Scotland

time17 hours ago

  • The Herald Scotland

Review: Grease at Pitlochry Festival Theatre

As good girl Sandy spars with tough guy Danny after a holiday romance that sees them join forces with their respective gangs once school starts. What follows sees them make a song and dance of an everyday tale of first love, peer group pressure, youth cult tribes, the growing pains of friendship and learning to be who you want to be that points to teen drama past, present and future. The mass earworm familiarity of Jacobs and Casey's songbook helps in this co-production between Pitlochry Festival Theatre and Blackpool Grand Theatre, where it opened earlier this year. Blythe Jandoo brings attitude to Sandy that is more than a match for Alexander Service as Danny, with able support from Fiona Wood as a badass Rizzo and Tyler Collins as a strutting Kenickie. Under the guidance of musical director Richard Reeday, the massed ranks of Pitlochry's seventeen-strong ensemble also take up instruments to act as the band in what has become PFT's house style. Set-pieces abound on Nick Trueman's retro cool set beneath Rory Beaton's pink-hued lighting, in which a jukebox and a couple of diner chairs can become a hot rod as the Burger Palace Boys belt out Greased Lightin'. Solo highlights include Jandoo's turn singing Hopelessly Devoted to You, while Wood shows bad girl Rizzo's sensitive side on There Are Worse Things I Could Do. Keith Macpherson, meanwhile, has a ball as perma-grinning TV host Vince Fontaine. Best of all is April Nerissa Hudson as Frenchy, who enters the dreamscape of Beauty School Dropout accompanied by a gaggle of Teen Angels clad in Julie Carlin's fantastical costumes and brought to spinning life by Kally Lloyd-Jones' witty choreography. Jacobs and Casey's version of rock and roll rebellion may be more Bill Haley than Gene Vincent, but Hardie's fresh take on things makes for a pitch perfect accompaniment to summer nights, where Grease is still very much the word.

The EIBF has learned nothing about real diversity
The EIBF has learned nothing about real diversity

Scotsman

timea day ago

  • Scotsman

The EIBF has learned nothing about real diversity

Sign up to our daily newsletter – Regular news stories and round-ups from around Scotland direct to your inbox Sign up Thank you for signing up! Did you know with a Digital Subscription to The Scotsman, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... Last year, the board of the Edinburgh International Book Festival was forced to sever ties with its sponsor of two decades, Baillie Gifford. The threats from protestors to disrupt the festival due to Baillie Gifford's alleged ties with Israel and fossil fuel companies were simply too grave to ignore. Greta Thunberg pulling out of the programme and a pious bunch of petition-signing celebrities helped pile the pressure onto the EIBF and, with regret, they kowtowed. For those of us in the writing world with openly heterodox opinions, it was a sorry but predictable farce the Scottish arts world had brought on itself. This is what happened in a culture that had done nothing but, for instance, pander to trans activists when they were hounding people with reality-based views on sex and chant blindly along with every trendy 'social justice' slogan. If you make political diversity heresy, don't act surprised when the torch-bearers turn on you. Advertisement Hide Ad Advertisement Hide Ad Activist Greta Thunberg, seen at a protest in Paris, cancelled a planned appearance at the Edinburgh International Book Festival over investments in the fossil fuel industry by the event's then-sponsor Baillie Gifford | AFP via Getty Images Alongside the justified schadenfraude there was also tentative hope that a lesson would be learned. That the Scottish literary scene would start to amend this crisis of its own making and start platforming a spectrum of political views. The theme for this year's festival is 'Repair', after all. Alas though, things remain broken. One would think that in the year the UK Supreme Court confirmed the definition of women in law and multiple politicians have rescinded their support for gender self-ID, there might be a single event featuring a notable women's rights campaigner. Quite a few of them have written excellent books recently after all. Victoria Smith. Julie Bindel. Susanna Rustin. Orwell-prize shortlisted Hannah Barnes. The Scotland-focused Sunday Times bestseller The Women Who Wouldn't Wheesht, edited by Susan Dalgety and Lucy Hunter Blackburn, has come out on paperback, in which over thirty essayists (including myself) are featured. Yet nothing. I'm not naive enough to be surprised but it remains highly depressing. One particularly glaring omission There is one omission that seems particularly glaring however, and that is Jenny Lindsay, a performance poet and leading figure in the Scottish literary scene. In November last year she published a book 'Hounded: Women, Harms And The Gender Wars' and there's few texts that would have complemented the 'Repair' theme more aptly. Because before you can fix anything, you have to understand what's gone wrong, and that's exactly what 'Hounded' explores. Advertisement Hide Ad Advertisement Hide Ad Drawing on Lindsay's own experience in the arts, where overnight she found herself a target of wrongthink hounding for the crime of calling out violence against women, her book moves through the psychological, social and democratic harms the normalisation of bullying-disguised-as-virtue is wreaking on society. Lindsay had drawn attention to trans-identified Cathy Brennan, a writer for The Skinny, who'd advocated online for physical violence against lesbians at that year's Pride. For this, Lindsay was branded a 'TERF' and subjected to years of harassment and career disruptions. A matter of days after, Brennan allegedly attacked lesbian and women's rights campaigner Julie Bindel at Edinburgh University. As Lindsay speculated in a recent podcast interview , her being proven right was the most unforgivable thing in her hounders' eyes. Of course, it's at the EIBF's discretion to invite who they please. No one is entitled to a platform. But on the programme are several of Lindsay's most vicious and vocal hounders. Alice Tarbuck, for instance, the Literature Officer at Creative Scotland who brought disgrace on the institution when she was exposed as having actually rang bookshops and demanded they do not stock Lindsay's book. There's also Harry Josephine Giles, who co-authored a censorious petition to The Scottish Poetry Library against Lindsay and fellow poet Magi Gibson. (I confess I've a particular abject loathing for those that orchestrate petitions against individuals, trumped only by my disgust at the sheep who sign them). Statement of allegiance? Giles, whose most recent noteworthy public appearance has been screaming 'Give us wombs and give us t***ies!' to a crowd of baying activists after the Supreme Court ruling, will be appearing at six events in the programme. It's hard to read this as anything but a statement of allegiance to misogynistic bullies over a renewed dedication to freedom of expression. What a concerning indictment of the Scottish arts scene. Susan Smith, left, and Marion Calder, co-directors of For Women Scotland, celebrate outside the Supreme Court in London in April after its ruling on the definition of a woman | PA In the interest of transparency, Jenny is a dear friend of mine. I've known and loved her as a sister in feminism trying to navigate the Orwellian artistic landscape in which we (still) find ourselves. But before that, I knew her as a poet and writer. Without bias, the EIBF has snubbed not only a throughly principled artist but an enviably talented one. Around the time she published her brave, articulate essay 'Anatomy Of A Hounding' in The Dark Horse magazine, I was a creative writing student and seeing first hand the damage ideological hiveminderey was doing, not only to aspiring writers' freedom of expression, but literary quality itself. 'Without freedom, no art; art lives only on the restraints it imposes on itself, and dies of all others' as Albert Camus said. There are seemingly few artists left that embody this spirit. Jenny is one of them. Advertisement Hide Ad Advertisement Hide Ad My favourite poem of Jenny's is 'The Schism Ring' from her collection This Script. She opens it by describing the menu for a feminist literary gathering - a superficially inclusive, oh-so-safe borefest of gluten-free and vegan cakes, before going on to describe the meaty, unctuous, mischievously un-PC feast she secretly craves - frogs legs, steak on the bone, duck eggs and full-fat buttery mash. It's a beautiful metaphor for the intellectual hunger so many of us feel around modern feminism, the literary scene or both. It would be disingenuous to say the EIBF doesn't feature a lot of talented, compelling writers outside the likes of Tarbuck and Giles. All the same, I read the programme and see an artistic climate that remains starved, mostly of courage.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store