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Nia Thomas Redefines Resortwear With Modern Elegance

Nia Thomas Redefines Resortwear With Modern Elegance

Elle6 days ago

Every item on this page was chosen by an ELLE editor. We may earn commission on some of the items you choose to buy.
Some people spend their entire lives trying to home in on their passions, but for Nia Thomas, it seems like her destiny was written from the start. Growing up on New York's Long Island, she spent her evenings assisting her aunts in their alteration shop, learning just as much about the world through the lens of design as she did in any classroom. Within the walls of her family shop, she traveled through eras of history via vintage sewing patterns and discovered different cultures through the textures and colors of endless bolts of fabric.
Years later, all these lessons manifested in her eponymous resortwear brand. Restless and eager, she first hung out her shingle at age 23. Motivated both by a desire to travel and the hope of seeing more Black female designers rise to the mainstream of fashion, Thomas channeled ease and serenity in her early designs. 'Honestly, at the time I just wanted to feel like I was on vacation,' she jokingly confirms. Hand-crocheted dresses and bikinis, alongside seashell-embellished designs in shades of white and cream, quickly became staples and bestsellers for the young brand. From there, everything started to fall into place.
'It all happened so fast,' she says. 'I went from putting together a small fashion show to staying up until 3 A.M. creating a website so people could buy my designs.' Reflecting on her early days as a designer, she chalks up some of her fearlessness to naïveté. Nonetheless, her story motivates her to this day. 'You can do this at any age,' she says. 'You just have to be a little delusional and know that nothing can stop you.'
It's a sentiment that also sums up the process of creating her fall 2025 collection. Regal tones of blue, purple, and red were a departure from her usual neutral hues. 'I have such an affinity for warm weather and traveling to places that are rich with culture and color,' Thomas says. But her lineup was also full of contradictions. Halter tops were hand-crocheted using leather cording, while long coats and bolero jackets made of paper raffia swept the runway—letting us know that resortwear is for everywhere and anytime. 'When people think of materials like raffia, they automatically think of a straw bag you take to the beach,' Thomas says. 'But I say, 'No, you can wear it in the fall as a coat,' because I want to challenge what people think these materials can be used for.'
Thomas had a pop-up late last year at 'It' resort Palm Heights in the Grand Cayman, and her line is sold at Moda Operandi. Though her impeccable crocheted designs wouldn't be out of place at any of the White Lotus resort locations, she refuses to be pigeonholed. 'I want to steer away from solely being known for resortwear; I feel like it's just the thing that [resonated] with people. Still, I'm glad because there are so many designers who spend years trying to figure out their signature,' she says. 'Resortwear chose me; I didn't choose it.'
A version of this story appears in the Summer 2025 issue of ELLE.
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Photos: S.F. Juneteenth Parade a joyful celebration of Black freedom and heritage
Photos: S.F. Juneteenth Parade a joyful celebration of Black freedom and heritage

San Francisco Chronicle​

time38 minutes ago

  • San Francisco Chronicle​

Photos: S.F. Juneteenth Parade a joyful celebration of Black freedom and heritage

The third annual San Francisco Juneteenth Parade enlivened Market Street on Sunday with an array of floats and performers, united by the theme of Black pride. A dozen block parties were in full swing through the duration of the parade, from the Embarcadero to Civic Center. The parties featured children's activities, a car show, games, giveaways, line dancing, musical performances and dances. San Francisco's parade was one of many events around the Bay Area this month celebrating Juneteenth, the day in 1865 when slaves in Galveston, Texas, learned of their emancipation more than two years earlier. President Joe Biden declared June 19 a federal holiday four years ago, though his successor, President Donald Trump, did not sign a proclamation celebrating Juneteenth this year. Trump, who has sought to end diversity, equity and inclusion policies nationwide, has said the U.S. has 'too many non-working holidays' and that they harm the economy. Regardless, the mood was celebratory and upbeat Thursday during the Hella Juneteenth Festival at the Oakland Museum of California, where hundreds of people enjoyed live music, food and drinks while acknowledging the added significance of the holiday this year under Trump. Last weekend, San Francisco's Fillmore neighborhood celebrated Juneteenth with a party spanning eight blocks featuring performers, vendors, games and a fashion show.

Stories about the end of the world feel like a relief to me. Here's why
Stories about the end of the world feel like a relief to me. Here's why

Hamilton Spectator

time2 hours ago

  • Hamilton Spectator

Stories about the end of the world feel like a relief to me. Here's why

Spiking confrontation in the Middle East is leading some spectators to contemplate the end of the world. In one chapter of his new book 'In Crisis, On Crisis,' writer and Wilfrid Laurier University professor explores the apocalypse's cultural appeal. We go to end-of-the-world fiction for two obvious reasons. First, we want distraction. Explosions onscreen can block out explosions in our lives. I'd rather worry about storms in the movie 'The Day After Tomorrow' than the tasks I said I'd finish before actual tomorrow. Second, perhaps incongruously, we want to feel hopeful. In Octavia Butler's 'Parable of the Sower,' civilization is collapsing, yet Lauren Olamina never wavers from her commitment to survival and rebirth. At the end of Waubgeshig Rice's 'Moon of the Crusted Snow,' the Anishinaabe community leaves its apocalypse-ravaged reservation for a new beginning in the woods. Even Cormac McCarthy's 'emotionally shattering' 'The Road' ends with the adoption of the newly orphaned boy in the wake of his dead father's command to go on. The moral of the stories: We, humanity, shall overcome. Rumaan Alam's apocalyptic novel 'Leave the World Behind' enchants for a different reason. By painting a picture of total human annihilation — no plucky survivors, no one spared by design or by chance — the book offers the relief of surrender. Alam's novel begins with a white, middle-class family arriving at a bucolic vacation home east of New York City. The family splashes in the pool and fantasizes about owning marble countertops , solid oak floors, ample space. The mom, Amanda, can't resist checking her work email. Clay, the dad, sneaks cigarettes in the driveway. The kids — Rose, 10, and Archie, 13 — look at their phones. The centrality of technology is true to life and crucial to the plot. Cell signals, the internet and cable television stop working shortly after the family lands in the countryside. Probably, they think, their remote vacation spot is beyond reach of satellite networks. That night, though, when the owners of the house, the Washingtons , a kind, elderly Black couple, show up and ask to stay, Clay and Amanda learn that the loss of service is widespread. Drama unfolds on two tracks. There is tension between the families. Clay and Amanda are suspicious of the Washingtons , which has as much to do with the white couple's latent racism as with the unexpected appearance of the homeowners. Who has the right to call the shots: the white renters or the Black deed-holders? At what point does valid speculation about the crisis slide into harmful paranoia? On a second narrative track, the world is ending. The reader understands this early in the book more clearly than the characters ever do. There's plenty of evidence on Long Island that something is wrong. The blackout, communication breakdown, a deafening noise overhead, terrified neighbours, flamingos in the pool. A few days after the vacation begins, Archie's teeth fall out. The families know there is trouble, they are in trouble, but they never understand the extent of it. Not knowing is part of their terror. Around the novel's midpoint, a horrifying noise erupts from the sky. The noise divides the families' lives in two: 'the period before they'd heard the noise and the period after.' Inside the novel, no one discovers the source of the sound. However, readers learn from the Voice of God narrator ( VOG ) that top-secret fighter jets are scrambling toward a new era of battle over the eastern seaboard. If there were no VOG interruptions, no recurring omniscient assurances anchoring the contingencies of the interpersonal plot to the certainty of global apocalypse, 'Leave the World Behind' would be an anxiety novel. Is Armageddon nigh or not? Some of my favourite books are anxiety novels. Arguably, the end-of-the-world anxiety novel is scarier than speculative end-of-the-world fiction. Anxiety is torturous, paralyzing. It's a truism of the horror genre that anticipating the arrival of the monster can be more terrifying than the beast's appearance. But the uncertainty driving the anxiety novel, the book's ultimate source of terror, can't help but leave open the possibility that things might not be as bad as they seem. Nothing left to do but camp: Prince Amponsah, left, and Mackenzie Davis in the HBO Max television adaptation of the post-apocalyptic novel 'Station Eleven.' In 'Leave the World Behind,' there is no uncertainty. Because if the bombs are already in the air, the electrical grid is already down for the final time, the life-destroying echoes of the noise are already in your body, there is no future that isn't mass slaughter. As if to put a fine point on the guarantee of imminent death, the futility of resistance, Alam bores an unnoticed tick into Archie's ankle long before the boy is dying from noise-sickness. Why does Alam's crushing story captivate me? Why am I thrilled by the promise that we're on the edge of extinction? I think the book delights by allowing us to revel in the pleasures of giving up. Quit your job, break dinner plans, stop exercising, leave the relationship. What joy there is in not having to do the thing we thought we had to do. The world is ending and there's absolutely nothing you can do about it . In his essay 'On Giving Up,' the psychoanalyst Adam Phillips writes: 'We tend to think of giving up, in the ordinary way, as a lack of courage, as an improper or embarrassing orientation toward what is shameful and fearful.' However, Phillips argues, there is such a thing as 'a tyranny of completion, of finishing things, which can narrow our minds unduly.' The refusal to give up can be harmful, murderous. Phillips interprets 'Macbeth,' 'Lear,' and 'Othello' as tragic dramatizations of the tyranny of completion. My earliest memory of the desire to give up ends with my mother rejecting it. I was nine or 10 years old and wanted to quit the school choir. Mom and I stood in the kitchen before breakfast. I don't remember why it felt so important to quit, but I was crying, shaking, desperate for the relief of not having to sing that afternoon. Mom's response was sympathetic but stern: No. We don't quit things partway through. No negotiation. I felt like puking. I have quit things, though. And I've loved it. Oh, the joy of leaving that troubled 10-year relationship! I imagine it's what Scrooge felt waking on Christmas morning, learning that he has another chance. I instantly recall the butterflies, the excitement of quitting what seemed like a life destined for permanent frustration. The breakup was terrible. I hated hurting her. The logistics of moving were complicated, and she trashed the house when she left the final time. But I don't feel the pain of those hurtful memories as intensely as I feel the pleasure of the memory of giving up. Essayist, author and Wilfrid Laurier University professor James Cairns. The incredible thing is that most of the time, people don't give up. They struggle, they overcome, they get by, they make do. Why don't people kill themselves, asks Camus at the start of 'The Myth of Sisyphus.' Life is absurd; what's the point of living? Notwithstanding its obviousness, Camus's conclusion is profound: the nature of the human condition is to keep going, to not give up. That doesn't mean we don't fantasize about quitting, maybe even about leaving the world behind. It's the pleasure in the dream of quitting, not the politics of mass death, that I desire. In imagining the end of the world, I experience the release of countless other pressures. My own anxieties get transferred to the novel, where they disappear, if only for a fraction of a moment, in the blackout, the sound, the carnage of the plot. Research shows that watching horror movies can relieve psychological tension. There are better apocalyptic novels than 'Leave the World Behind.' For portraying social collapse as gradual and incomplete, Butler's 'Parable of the Sower' and Emily St. John Mandel's 'Station Eleven' are doubtless more realistic depictions of how modern society falls apart. The spirit of those books reminds me of Andreas Malm's admonition to fight climate change no matter the chances of victory. In 'How to Blow Up a Pipeline,' Malm argues that even if we know for certain that the climate crisis cannot be stopped there remains a moral imperative — a species-defining need — to fight until our last breath. 'Better to die blowing up a pipeline than to burn impassively,' writes Malm . The words could've come from Lauren Olamina's mouth. In Rice's 'Moon of the Crusted Snow,' once it's clear that widespread disaster has struck in 'the south' (the heartland of Canada, and, presumably, the world), Aileen, a community elder, says to her neighbour, Evan: 'In Crisis, on Crisis: Essays in Troubled Times' James Cairns 226 pages Wolsak and Wynn $22.00 ' What a silly word (apocalypse). I can tell you there's no word like that in Ojibwe. Well, I never heard a word like that from my elders anyway ... Our world isn't ending. It already ended. It ended when the Zhaagnaash (white man) came into our original home down south on that bay and took it from us. That was our world. When the Zhaagnaash cut down all the trees and fished all the fish and forced us out of there, that's when our world ended. They made us come all the way up here. This is not our homeland! But we had to adapt and luckily we already knew how to hunt and live on the land. We learned to live here ... But then they followed us up here and started taking our children away from us! That's when our world ended again. And that wasn't the last time.' Aileen is very likely right in assuming that the world will not end all at once. In 'Station Eleven,' 20 years after the pandemic killed 99.99 per cent of the human species, characters refer to themselves as living in the world after the end of the world. In the final pages of 'Prophet Song,' Paul Lynch writes that 'the world is always ending over and over again in one place but not another and that the end of the world is always a local event.' Viewed in one light, the world will not end even if it does. Of course, in a different light, one capable of simultaneously illuminating past, present, and future, the world will end, is ending . It's just a matter of time. In an essay about art's ability to alter experiences of time, Karl Ove Knausgård writes: 'We see the changes in the clouds but not the changes in the mountains,' because the 'now' of human perception excludes geologic time. In reality, mountains are moving, just more slowly than rivers and rabbits. It's anyone's guess how life on Earth is eventually snuffed out for good. Fire? Ice? Alien invasion? In any case, the party won't last forever. Butler and Mandel's realistic depictions of the gradual, uneven nature of collapse can make Alam's Big Bang version of the final crisis look foolish by comparison. But Alam is not wrong that one day it will all end in the passage of one second to the next. The light will be on, as it has been for millennia, and then, the light will go out. Alam's innovation is drawing that uniquely decisive moment from the (hopefully far-off) future and placing it in the now. Lights out tomorrow or next week. Whereas Butler, Mandel and Rice's main characters brim with insights about societal change and social justice, Alam's self-absorbed middle-class cast lusts over money and searches for Coca-Cola. Yet while stories of reproducing lives and communities in the aftermath of civilizational collapse are inspiring, admirable and satisfying, they're also exhausting, and not only because there are fires to build, continents to trudge across and gangs of murderous thieves to avoid. There's also the intense, inescapable fear on every page that survival won't work out. Nothing is guaranteed. By contrast, Alam's book guarantees the sudden and utter end of it all. There's catharsis in the swiftness and totality of such destruction. Amid today's overlapping political, economic and ecological crises, art's cathartic power is needed more urgently than ever. Show us the world vanishing on the page, and we may more clearly see sustainable paths ahead. Release in us the pleasure of giving up, and we may find new strength to struggle on. From 'In Crisis, On Crisis: Essays in Troubled Times' by James Cairns. ©2025. Reproduced with the permission of Wolsak & Wynn, 2025.

Kate Upton and Husband Justin Verlander Welcome Baby Boy
Kate Upton and Husband Justin Verlander Welcome Baby Boy

Elle

time6 hours ago

  • Elle

Kate Upton and Husband Justin Verlander Welcome Baby Boy

Every item on this page was chosen by an ELLE editor. We may earn commission on some of the items you choose to buy. Model and actress Kate Upton and baseball pitcher Justin Verlander reportedly welcomed their second child together, per a report published on Thursday, June 19, by TMZ. The baby is a boy, named Bellamy Brooks Verlander. The pair already share a six-year-old daughter, Genevieve. Here's everything to know about the couple and their growing family. Justin Verlander was born and raised in Manakin Sabot, Virginia. His parents, Richard and Kathy Verlander, got him and his younger brother, Ben Verlander, into sports early. Verlander played Little League at Tuckahoe Little League in Richmond, Virginia, then attended the The Richmond Baseball Academy. For college, he went to Old Dominion University (ODU) and played college baseball for their team, the Monarchs. His professional baseball career began after he became the second overall pick in the 2004 MLB Draft, signing with the Detroit Tigers. Now 42-years-old, Verlander is the oldest active player in the Majors and the 'most senior active athlete in any of the four major American sports,' per Elias. He's won three Cy Young Awards, nine All-Star selections, and two World Series rings and currently plays for the San Francisco Giants. Verlander is also very active in charity work, starting the Wins For Warriors Foundation in 2016 for veterans of the United States Military. The foundation also raised money in 2017 to help Houston recover from Hurricane Harvey. Verlander was honored with the Bob Feller Act of Valor Award in 2013. The pair started dating in 2014. In 2016, Verlander told Forbes magazine he and Upton have a 'normal relationship.' 'Kate's there a lot for me,' he said. 'And we're just normal people. You know, a normal relationship—believe it or not.' He proposed soon after, which she confirmed on the red carpet at the 2016 Met Gala, wearing her engagement ring. 'I'm really excited, he asked me right before season started so we've been keeping it on the down low for quite a while,' she told E! News at the time. 'So I'm excited to finally be able to share it with the world!' The pair tied the knot in November 2017 in Tuscany, Italy. Upton first announced she was expecting with an Instagram post in 2018, writing, '#PregnantinMiami,' and tagging her husband. Genevieve, sometimes called Vivi, was born that November. In an interview with The Houston Chronicle, Verlander said Vivi is 'really starting to get into it' when Verlander is playing on TV, sharing how she saw him playing at the clubhouse. 'She just stopped, looking at the screen, and said, 'Daddy, that's you!'' he explained. Upton told Extra in early 2019 that she was not considering having another baby anytime soon, because she had just started 'sleeping through the night' again. But bay number two arrived on June 19, 2025. In 2019, Verlander told People about how fatherhood changed how he plays ball. 'I would like to be able to play long enough that my daughter can see me and remember me playing baseball when she grows older,' he explained. 'Maybe if anything, it's going to push me to stay in shape and stay healthy, and be a good pitcher as long as I possibly can. I want her to be able to remember me on the field.'

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