logo
White Lotus star Jason Isaacs calls out superstar as 'worst bully ever' as he details 'bad behavior' on set

White Lotus star Jason Isaacs calls out superstar as 'worst bully ever' as he details 'bad behavior' on set

Daily Mail​4 days ago

Jason Isaacs, the British actor known for his prolific career alongside Hollywood's biggest names, got candid about the troubling 'bad behavior' he's witnessed on set throughout his decades in Tinseltown.
At 62, Isaacs boasts an impressive resume, having starred in major films such as Armageddon with Ben Affleck and Bruce Willis, The Patriot with Mel Gibson, Black Hawk Down with Josh Hartnett, 2014's Fury with Brad Pitt, and, perhaps most famously, the Harry Potter franchise alongside a host of A-list stars.
Isaacs shared stories about some of the wild antics and difficult experiences he's had with co-stars, including one prominent actor who once pushed him out of a shot, in a revealing interview with Vulture.
'Oh Jesus. Did worse than that. Was the worst bully ever and a global icon,' Isaacs said.
He continued. 'Did all the old tricks of doing a completely different performance off-camera than on.
'Yeah, it sucked. I'd never seen anything like it. Before, I would've licked the ground that this person walked on.'
He didn't stop there, describing other examples of toxic behavior on set.
'Mostly, what I judge on set is bad behavior,' he continued. 'It's selfishness, cruelty, bullying, or people complaining to the person who's getting them dressed, who doesn't get in a year what they earn in a day to pick their filthy underwear off the floor.
'That, or not turning up, or going home early, or thinking they know better than the director, or being on crack and calling prostitutes to their trailer.
'I come across all that stuff.'
When asked why he didn't name any of the offenders, Isaacs explained, 'I'm not so stupid as to even give hints or clues about who those people are.'
He added, 'Because I have stories. I know where all the bodies are buried.
'I often fantasize about doing a junket and telling the truth, and when I win the lottery, possibly that will be the case.'
However, Isaacs emphasized that exposing the truth about colleagues or on-set experiences serves little purpose beyond self-sabotage, noting, 'Acting is all about secrets.'
In the same interview, Isaacs, who appears in the third season of the hit HBO series Whire Lotus as wealthy businessman Timothy Ratliff, revealed just how much he and his castmates were paid per episode.
'That's absolutely true,' he told the outlet, confirming that they earned $40,000 per episode.
He added, 'Generally actors don't talk about pay in public because it's ridiculously disproportionate to what we do — putting on makeup and funny voices — and just upsets the public
'But compared to what people normally get paid for big television shows, that's a very low price.'
Still, Isaacs admitted he was just as excited as fellow cast members— like Patrick Schwarzenegger and Parker Posey —to join the buzz-worthy series.
'But the fact is, we would have paid to be in it. We probably would have given a body part.'
Isaacs was asked whether, given his long resume, he had any complicated feelings about earning the same as less-experienced actors like Schwarzenegger.
He replied, 'Do I mind that I wasn't paid more than other people? I never work for money. I mean, I've done all right.
'People will think I have huge stockpiles of money but sadly, what I've done rather immaturely is expand my outgoings to match my incomings and pretty much spent everything I've earned over the years.'

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

‘It's hard to find work': Marlee Matlin on making Hollywood history but waiting for change
‘It's hard to find work': Marlee Matlin on making Hollywood history but waiting for change

The Guardian

time18 minutes ago

  • The Guardian

‘It's hard to find work': Marlee Matlin on making Hollywood history but waiting for change

In 1987, at the age of 21, Marlee Matlin became the youngest person ever to win a best actress Oscar. Footage of her victory appears early in Marlee Matlin: Not Alone Anymore, a new documentary on the trailblazing actor's life and career: Matlin, remarkably fresh-faced even for 21, in her very 80s purple dress, her brunette hair swept up by a floral headpiece, black-rimmed glasses on, appears stunned as William Hurt, her co-star in Children of a Lesser God and her boyfriend at the time, reads her name. Thunderous applause. The camera captures fellow nominee Jane Fonda mouthing 'that's so great' as Matlin, the first and still only deaf actor to win the award, approaches the podium and kisses Hurt. As she delivers her speech in American Sign Language (ASL), she seems almost too shocked to emote, overcome with the gravity of the moment. Matlin's win was indeed groundbreaking, a watershed moment for deaf representation. But as Not Alone Anymore explains, it was also much more complicated than a feelgood story of societal triumph, or a turning point for deaf creatives. Nor was it one of personal glory. Halfway through the film, the scene is replayed again, this time with the sound taken away – the thunderous applause muted to just a simulation of Matlin's own thunderous heartbeat as she walked to the stage. 'I was afraid as I walked up the stairs to get the Oscar,' Matlin recalls on screen in ASL. 'I was afraid because I knew, in my gut, that he wasn't that happy.' Hurt, 16 years her senior and an established Hollywood star, was intensely jealous of her success, and had already begun physically abusing her. Without sound and with context, what once read as overwhelming shock on her face instead appears as something darker, shaded with fear. The twist, of sorts, is one of many decisions by director Shoshannah Stern to subvert the hearing perspective that most viewers automatically assume. 'I wanted to return to her Oscar-winning moment twice,' Stern, a deaf actor herself, told me through an interpreter, 'because sound does limit people. There are a lot of things that I feel hearing people miss when they are just listening with their ears and not listening with their eyes.' When I first watched Matlin's win, I assumed, as Stern expected, that 'it's this roaring applause, so we're celebrating'. Without sound, the picture is clearer. 'You could see in that moment how scary it is,' said Stern. 'And it's right there. It's been in front of us this whole time.' Stern's intrinsic understanding of the deaf perspective was the reason Matlin, who went on to a long career on such shows as Seinfeld, The West Wing, The L Word and, most recently, the Oscar-winning film Coda, decided to make the film at all. 'Almost none of the documentaries that I've seen that have to do with a subject matter like myself have not been done right,' she told me over Zoom via her interpreter, Jack Jason, who has worked with Matlin since 1985. When PBS's American Masters approached her about a documentary, she had one demand: the director had to be deaf, and it had to be Stern, a longtime friend and occasional collaborator who co-created the show This Close. As she did with early financiers of Coda who wanted to cast big-name hearing actors for two deaf roles, Matlin stuck to her guns. Deaf participation, take it or leave it. 'I wanted to have that type of conversation I could [with] Shoshannah, where I could feel free and sign and not worry about an interpreter voiceover, not worry about my surroundings, not worry about any of that, just be there,' Matlin said. 'That was the first time that I felt at ease.' Much of Marlee Matlin: Not Alone Anymore, which first premiered at the Sundance film festival, features Stern and Matlin in conversation unlike in any prior documentary I've seen, even with deaf subjects. The two women sign without voiceover, just subtitles for hearing viewers. Any ASL interpreters were not only off camera, but in a different room, communicating via earpieces. 'I wasn't accustomed to that approach. I've never seen that,' said Matlin. 'I'm accustomed to being voiced over, because that's how it's been in my entire career. That's the hearing perspective.' As the first Oscar-winning deaf actor and still the most famous, Matlin knows how, as Stern puts it, 'the world often tries to force perspectives on people, put the weight of explaining an entire community's experience on one person'. Voiceover and interpreters 'are another forced perspective', she said. 'When I'm interviewed by hearing people, I have to look at the interpreter. Where are they? How is my language being translated into English? And then I'm limiting myself. I'm thinking in a way that the hearing interviewer or the hearing director is thinking. I'm not thinking as myself.' 'It wasn't what I wanted Marlee to say in our documentary, it was how she spoke, how that changes when our expectations and our perspectives change,' she added. 'Accessibility is for everyone. It's not just for us as deaf people, but a lot of times that responsibility, that weight, is put on one person.' Not Alone Anymore illustrates that weight, which Matlin felt acutely as a very young person experiencing rapid professional success. Cast in Children of a Lesser God fresh out of high school, Matlin was new not only to screen acting but the world beyond her small community in suburban Chicago. The youngest of three children in a hearing family – Matlin became deaf at 18 months, for unknown reasons that, she recalls, nevertheless left her parents guilt-stricken – she attended a mixed deaf/hearing school and began acting at age seven; she was inspired, in part, by Henry Winkler, a lifelong mentor she first met backstage at a school show at age 12. (In 1993, Matlin married Kevin Grandalski, a cop she met on the set of Reasonable Doubts, in the Winklers' back yard. They have four children.) Matlin's family was not fluent in ASL, and it took years for her to understand the loneliness and isolation at home. She coped by smoking marijuana. At 19, she began dating Hurt, who was then 35. Her drug use escalated with the physical and emotional abuse; she has said she smoked 20 joints a day, plus cocaine. In the midst of her awards season run, she entered rehab. She emerged sober, and also the face of a deaf community she did not totally understand. 'I didn't realize that there were more deaf people out there, outside of Chicago, a whole community. It was bigger than what I even realized,' she said. Not Alone Anymore powers through cringey clips of interviewers asking Matlin to explain deafness. How did it feel to be deaf? Had she come to terms with it? Matlin powered through as best she could. She quickly became an activist, successfully pushing legislation in the US requiring closed captioning on TV and streaming sites. But she struggled as the lone representative of deafness for hearing people. The film lingers on backlash from the deaf community when Matlin spoke at the 1988 Oscars, which many felt encouraged the stereotype that deaf intelligence was connected to one's ability to imitate hearing speech. Matlin says the incident, fanned by hearing media attention, drove her away from the deaf community for over a decade. 'I had no guidance in terms of someone to sit down to me and explain about the language that was being used, about the language that I used,' she said. 'I had to find out the hard way.' Matlin faced similar media blowback, though of a different tenor, when she disclosed Hurt's abuse, as well as incidents of molestation by a babysitter and teacher in her childhood, in her 2009 memoir, I'll Scream Later. Not Alone Anymore again assembles very pre-#MeToo clips in which interviewers discounted or dismissed her experience. In one clip, Joy Behar asks about 'spectacular' sex with Hurt. 'Marlee has always been ahead of the curve,' said Stern of Matlin's willingness to speak up years before it became more common to do so. When Hurt died in 2022, at the age of 71, Matlin found her name once again brought up in his wake. 'On social media, I had to look at both sides of the conversations,' she recalled. In posts and comments, some people accused her of lying about the abuse; others were mad at those who accused her of crying wolf. 'They were trying to define me,' she said. 'And I would have none of that. I wanted them to stop, but at the same time, I decided to step away from the conversation' during Coda's press run. Did she wish now that she said anything? 'No, I don't,' she answered, after a beat. 'Because nothing would satisfy these people. And why should I have to? I didn't trust what would happen if I did get involved, because of my past experience of being ignored, of being overlooked, not getting any help. But it was interesting to observe, to see the two factions fighting about me thinking that they knew me.' It's a typically strident answer from Matlin, who has never minced words, particularly on how her Oscar did not open up more opportunities for deaf actors – the film's title comes from her emotional reaction to Coda costar Troy Kotsur's supporting actor Oscar in 2022, becoming only the second deaf actor to win. As with Matlin's 1987 trophy, Kotsur's win hasn't changed much. 'I'm not seeing more opportunities open up,' said Stern. 'It's still up to deaf people or people from a minority group to explain their experience to the majority,' she added. 'We continue to say what is expected of us, which is: 'Great story. Representation has changed! There's going to be so many job opportunities!' That's what people are expecting us to say. And if we say that, nothing's going to change.' 'My least favorite question is: Are you working? What's next?' said Matlin. 'I hate answering that question. I say, 'Oh, well, I have this.' I try to change the subject, talk about something else because they won't understand what I'm going through. 'It's hard to find work,' she said, but still insists: 'This is something I love to do. This is a business that I love being in. I love acting. I love it all.' Naturally, she can't say what is next – 'waiting for a yes or no, an answer, that's typically what I do' – beyond press for a film she and Stern both hope challenges some perspectives. 'I hope it makes people think. I hope that people feel seen,' said Stern. 'I hope people know that they have value in how they see the world, and you don't just have to accept how things have been done for so long.' Marlee Matlin: Not Alone Anymore is out now in US cinemas

The 1% Club wipes out seven players instantly on easy 90% question – but would you have known the answer?
The 1% Club wipes out seven players instantly on easy 90% question – but would you have known the answer?

The Sun

time42 minutes ago

  • The Sun

The 1% Club wipes out seven players instantly on easy 90% question – but would you have known the answer?

A QUESTION on The 1% Club wiped out players from the get-go - despite being deemed as easy. The popular quiz show, fronted by Lee Mack, is known for leaving players with their minds boggling thanks to its tough questions as the game goes on. 3 3 However for most of the 100 players, they manage to sail through the first few round which are deemed easy thanks to most of the general public being able to correctly answer them. But for one episode of the Saturday night quiz favourite, seven people fell at the very first hurdle. They all failed to correctly identify the answer to the opening 90% question - which was all about letters. Reading the question aloud, Lee said: "Which of the following words still makes a valid word if you change the first letter to the next letter in the alphabet?" Lee then told the players of the three choices they had to pick from, which were - Page, Rage and Wage. With 30 seconds on the clock, the 100 players did their best to attempt to answer the question. However, for seven of them, they could not get to the right answer. Lee then confirmed that the answer was in fact, Rage. By switching the 'R' to an 'S' - the following letter in the alphabet - players were left with the word, Sage. Page would have produced "oage", whilst Wage would have read "xage". The 1% Club wipes out 20 people on tricky numbers question One player who got it wrong admitted it was his "biggest fear" to go out on the 90% question. He told Lee that he panicked and failed to read the question properly before selecting the answer as "wage". Hardest Quiz Show Questions Would you know the answers to some of quizzing TV's hardest questions Who Wants To Be A Millionaire - Earlier this year, fans were left outraged after what they described as the "worst" question in the show's history. Host Jeremy Clarkson asked: 'From the 2000 awards ceremony onwards, the Best Actress Oscar has never been won by a woman whose surname begins with which one of these letters?' The multiple choice answers were between G, K, M and W. In the end, and with the £32,000 safe, player Glen had to make a guess and went for G. It turned out to be correct as Nicole Kidman, Frances McDormand and Kate Winslet are among the stars who have won the Best Actress gong since 2000. The 1% Club - Viewers of Lee Mack's popular ITV show were left dumbfounded by a question that also left the players perplexed. The query went as follows: "Edna's birthday is on the 6th of April and Jen's birthday falls on the 15th of October, therefore Amir's birthday must be the 'X' of January." It turns out the conundrum links the numbers with its position in the sentence, so 6th is the sixth word and 15th is the fifteenth word. Therefore, Amir's birthday is January 24th, corresponding to the 24th word in the sentence. The Chase - The ITV daytime favourite left fans scratching their heads when it threw up one of the most bizarre questions to ever grace the programme. One of the questions asked the player: "Someone with a nightshade intolerance should avoid eating what?" The options were - sweetcorn, potatoes, carrots - with Steve selecting sweetcorn but the correct answer was potatoes. 3

The £35 matte eyeshadow mature women are calling 'perfect on older skin': 'I've had compliments galore!'
The £35 matte eyeshadow mature women are calling 'perfect on older skin': 'I've had compliments galore!'

Daily Mail​

time42 minutes ago

  • Daily Mail​

The £35 matte eyeshadow mature women are calling 'perfect on older skin': 'I've had compliments galore!'

A £35 matte eyeshadow palette that has been described as 'like applying silk' is being hailed 'perfect on older skin' by mature women. For an eyeshadow that flatters mature eyes by covering creases rather than drawing attention to them with shimmer, scores have turned with success to Look Fabulous Foreve r. Look Fabulous Forever No Shimmer Eye Shade Trio Refillable Compact Set Each new eye shadow palette is made up of three of the brand's bestselling No Shimmer Eye Shades. A winner for mature skin, the matte eyeshadow helps to add a sweep of colour to the eye without sitting in fine lines or emphasising wrinkles with shimmer or glitter. Available in eight shades for warm and cool tones, the shadows are designed to offer coverage for hooded, droopy, or 'crepe-like' eyelids. £35 Shop A beauty line made specifically for older women with a 'pro-age philosophy', the brand's new No Shimmer Eye Shade Trio Refillable Compact Set is set to be a top-performing powder eye shadow for mature skin. Fine lines and folds are all factors to consider when looking for eye shadow, but there's one product out there specifically made with mature skin in mind. Look Fabulous Forever is the beauty line specifically for older women, with makeup designed for the unique needs of mature skin - think face, lip and eye products to keep your makeup looking fresh all day. Enhancing beauty in older faces, the brand's No Shimmer Eye Shade is now available in a £35 No Shimmer Eye Shade Trio Refillable Compact Set. Opening up your eyes, it's been formulated to shape, enhance and define, helping to diminish the appearance of fine lines and making eyes 'pop'. Makeup founder Tricia Cusden created Look Fabulous Forever after finding it increasingly difficult to find makeup that really worked on older skin. As we get older, our skin produces less collagen and elastin, which means we need to re-think our makeup choices. And a key tip from the makeup artist? Matte eye shadow. The delicate skin on our eyelids develops fine lines and wrinkles as we age, so the secret to great-looking eye makeup is choosing an eyeshadow that goes on smoothly and blends well. Enter the No Shimmer Eye Shade Trio Refillable Compact Set. A brand bestseller, the No Shimmer Eye Shade has won over scores of shoppers thanks to its buildable formula that puts you in control of the intensity, from a subtle wash of colour to a bold look. And now it comes in three helpful shades in one compact kit. 'At last, a matte eye shadow!' raved one Look Fabulous Forever shopper. 'This is a gorgeous shade of eye shadow without any glitter at all. It goes on smoothly and blends easily. It lasts all day. Love it.' The No Shimmer Eye Shade Trio Refillable Compact Set comes in an impressive eight shades, thoughtfully designed for cool and warm skin tones. Shoppers can take a test to find out their ideal shades or opt for their favourite hues, whether that neutrals or soft greens or cool blues. And shoppers are impressed with the quality, even writing how they're a competitor for more expensive designer brands: 'Blend well and stay put all day I can honestly say this eye shadow is among my favourites and easily compares to Dior Backstage powder shadows. Very nice I will certainly be buying more.' A third penned: 'I'm just thrilled with the results. These soft purples really make my hazel eyes 'pop' and I've had compliments galore!'.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store