
‘Jaws' made people fear sharks. 50 years later, can it help save them?
When 'Jaws' debuted in U.S. theaters 50 years ago today, it helped launch a new era in American movies. Steven Spielberg's blockbuster about a bloodthirsty great white terrorizing a beach town also stoked fear and fascination, exacting a toll on sharks.
After 450 million years of evolutionary history, shark populations are collapsing, and more than a third of shark species and their relatives face extinction. Now scientists are trying to use the lure of 'Jaws' to advance shark conservation efforts.
With the exception of surfers and fishermen, people 'didn't think about sharks much' 50 years ago, said David Shiffman, a marine conservation biologist at Arizona State University. But after 'Jaws' was released, many summer beachgoers began to worry about sharks, even though attacks on humans are rare. Last year, there were 28 confirmed unprovoked bites in the United States — and only 47 worldwide.
This excessive fear of sharks was termed the 'Jaws effect' and helped fuel a surge in shark-fishing competitions — especially targeting white sharks.
Although sportfishing posed a threat to sharks, Shiffman said the most significant impact of 'Jaws' was more indirect. When the film came out, industrial fishing was just beginning to ramp up, and the risks posed to shark populations by commercial fisheries have become clear over time.
'Unsustainable fishing practices are the single largest threat to marine biodiversity, including but not limited to sharks, more so than climate change, more so than plastic pollution, more so than oil spills,' Shiffman said.
Following the release of 'Jaws,' efforts to protect sharks lost traction. The lack of movement to curb indiscriminate fishing techniques or take specific action to prevent the targeting of sharks for their fins and meat led to sharp declines in global shark populations.
An estimated 100 million sharks are killed each year, according to studies, and the global number of oceanic sharks and rays has declined by 71 percent since 1970.
'We know over the last 50 years, in the period really since 'Jaws' came out, that shark populations worldwide have been absolutely smashed by fishing,' said Colin Simpfendorfer, a shark fisheries researcher at James Cook University in Australia. 'We didn't do a lot about it because a lot of people thought sharks were bad and getting rid of them was probably a good thing.'
In 2022, Congress attempted to address the issue of shark finning — the practice of chopping the valuable fins off live sharks and dumping their bodies overboard. But banning finning in the United States has had little effect on the practice in international waters, especially in Asia, where the fins are prized as the main ingredient in shark fin soup.
Studies have shown that bans on finning have been largely unsuccessful as long as the sale of shark meat remains legal.
The European Union restricts the trade in shark fins, and the 2022 Convention on International Trade in Endangered Species of Wild Fauna and Flora expanded protections for 97 shark species and further restricted the international shark trade, but effective enforcement remains a challenge.
Citizen-led efforts across the world have gained momentum, including the launch of the Asian Shark and Ray Alliance this year to drive conservation across the continent. An increase in dive tourism has also spurred protection efforts in Southeast Asian nations like the Maldives and Indonesia.
For endangered sharks, it's a race against time to gather information that might help save them. And while 'Jaws' might have contributed to the harms of unsustainable fishing practices, researchers and conservationists are now attempting to use the film to further scientific understanding and influence public policy.
'It created a fascination with sharks, and people began to realize we don't know that much about them, and a huge amount of research has happened on sharks and exploration of their lives in the last 50 years,' said Steve Palumbi, a marine biologist at Stanford University.
Wendy Benchley, a conservation advocate and widow of author Peter Benchley, who wrote the novel on which 'Jaws' is based, said the enthusiasm generated by the film has been a powerful tool.
'Thousands of people around the world wrote letters to Peter saying, 'Oh I'm just riveted by sharks, I can't wait to learn more,' ' Benchley said. ' 'Jaws' has, and I have, been working on this for 50 years. So this moment is important because people are concentrating on sharks and on 'Jaws.' '
This interest has driven scientific advances that enabled researchers to study sharks' responses to pollution, stress and environmental change. The key to that research can be found in sharks' jaws: their teeth.
Shark teeth, which are replaced every few weeks, can number in the thousands over a shark's lifetime. The chemical makeup of the teeth can reveal information about the environment the sharks lived in. And increasingly, their accumulation — or absence — is helping track how human activity has reshaped ocean life.
'There's been some really interesting work to reconstruct the population of sharks to understand exactly when human populations start to really affect sharks, and how dramatic that effect has been,' Simpfendorfer said.
Recent studies have also confirmed sharks' importance to maintaining coastal food ecosystems, with significant human implications.
'Understanding the role they play in ecosystems is a powerful argument for understanding why we should protect them,' Shiffman said. 'We want healthy food chains off our coasts because they provide billions of humans with food and tens of millions of humans with jobs. And to have a healthy food chain, you need a healthy top of the food chain.'
Yet as shark populations hurtle toward extinction, the perception issue persists.
Other apex predators such as tigers, polar bears and lions have benefited from forceful worldwide conservation campaigns that have translated into legal protections. But sharks haven't received the same degree of attention.
'Jaws' has already given white sharks a much-needed boost, and conservationists are hoping this will translate to other species.
'Great white sharks are actually one of the best studied and best protected species of sharks, and that is in no small part because of the fascination from 'Jaws,' ' Shiffman said. 'There are many other species that are doing much, much worse. There are many shark species that don't have five scientific papers about them.'
In the United States, some researchers are noticing a greater harmony between the public and sharks.
'Over the last five to eight years, more and more sharks have been hanging around the beaches of Cape Cod,' Palumbi said. 'It's led to more people realizing that they have to give way, that they have to share space with white sharks, and that means moving someplace else to swim, not going to places that the white sharks are hunting.'
John Baker, president and chief program officer at WildAid, a conservation group, is hoping this trend will continue.
'With the spotlight back on 'Jaws' after 50 years, we kind of need to elevate the image of sharks as the 'polar bear of the ocean,' ' Baker said.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Gizmodo
37 minutes ago
- Gizmodo
West End Games' Classic ‘Star Wars' RPG Is Still Setting the Blueprint for Its Universe
In the years since Lucasfilm overhauled Star Wars continuity—reclassifying years of Expanded Universe material as 'Legends' before wiping a clean slate of continuity it has developed over the last decade-plus—much of what has been rebuilt has been done so off of the back of re-canonizing elements of that old material. In some ways re-imagined, in others just lifted wholesale, the journey of modern Star Wars is as much about adding new stories as it is weaving the old ones back into them. There are perhaps two pillars that define the reconstructive effort above all. The story of Star Wars' future, as in that in the wake of the events of Return of the Jedi, has somehow inexplicably turned to 1994's The Courtship of Princess Leia as its guiding light. But the story of Star Wars' recent past, the trajectory of the rise of the Imperial machine that has been a richly delved period of exploration in everything from Andor to Bad Batch, from games, comics, and books, to movies like Rogue One and Solo? That's been West End Games' Star Wars RPG. First published in 1987, Star Wars: The Roleplaying Game spent over a decade filling out the background of the world before and after the original Star Wars trilogy across multiple editions and a plethora of sourcebooks. Without much to go on beyond the material Marvel's ongoing Star Wars comic series had developed at the time (itself coming to an end the year West End Games' Star Wars story began), the RPG would become an early groundwork for what would become the beginning of the Star Wars Expanded Universe as we would come to know it in the early 1990s. From species names to Rebel Alliance command structures, from events that still resonate now like the Ghorman Massacre depicted in Andor, Star Wars: The Roleplaying Game was the right combination of coming along at the perfect time and its creatives being given the exact level of free reign to create a perfect sandbox of Star Wars creation. And create WEG did, with dozens of intricate sourcebooks that didn't just cover the broad strokes of what it would mean to have a roleplaying game experience in Star Wars' galaxy, but the nittiest, grittiest details, many of which didn't just go on to shape the Expanded Universe when it began in earnest, but expand even further with the addition of the material created there, delving further and further into Star Wars' past with supplements based on the Tales of the Jedi comics, or Timothy Zahn's Thrawn Trilogy (itself shaped by the early writings of the RPG, given to Zahn as a guideline). It wasn't just raw informational data that WEG's books provided to shape the EU (and in turn modern continuity), but style and tone. This is most keenly felt in Greg Gorden's Imperial Sourcebook, which does a deep dive into details about different facets of the Empire's structure, from intelligence to military, and also explores things like COMPNOR—the Commission for the Preservation of the New Order, essentially the political superstructure of Imperial power—to elucidate the specific fascistic character of the Empire's oppressive tactics. But beyond the actual material itself, one major thing that still remains influential in visions of contemporary Star Wars, is how West End Games taught its writers to write Star Wars. West End Games' Star Wars style guide had a bit of a viral moment a decade ago when it re-emerged on the internet (at places like this very website!), to compare and contrast how its dos and don't matched up with what was then the nascent status of modern Star Wars in the wake of the reboot of canon and the release of The Force Awakens. But while the gift of hindsight can be enjoyable, WEG's advise on what made good Star Wars can still be felt throughout the very best of the material that we're getting today. The style guide pushed writers to be expansive and additive to Star Wars' world, rather than to simply play in what was already in the toybox. Familiar characters were to be few and far between, moral storytelling to be less clear-cut, with villains (new villains!) that had motivation beyond evil for evil's sake. Again, its approach to stories of the Empire were some of its most fascinating, pushing writers to remember that the Empire was made up of genuinely awful people, but also a galaxy of citizenry who had little choice than to conform to the grip of Empire, and who became its willing tool was different to just a regular person with their own wants and needs. Star Wars is a broad sandbox, but West End Games pitched an enduring vision of it that strove for maturity and intelligence, that took the base framework and world of the original movies and genuinely pushed them into new and compelling territories in order to give players a rich and thriving universe to play in. There's an argument to be made, of course, that not all Star Wars should adhere to this tone or particular frame of interest: WEG's vision of Star Wars leaned more into the military sci-fi of its view of the Imperial/Rebel conflict, and not necessarily too far into Star Wars' space fantasy roots, an equally important aspect of the universe. But it's remarkable to see how what has become some of the very best of Star Wars in the modern day—across books, television, comics, games, and movies—carry so much of Star Wars: The Roleplaying Game's heritage, not just in reference to the worlds, names, places, and events it first explored, but in the tonal vision it had for the galaxy far, far away. Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what's next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.


Fast Company
38 minutes ago
- Fast Company
Astroworld is back in the spotlight and survivors are sharing haunting stories on TikTok
Astroworld is back in the news, and social media has some thoughts. In November 2021, a deadly crowd surge at Travis Scott's Astroworld music festival claimed the lives of 10 people. The then-annual event, held in the rapper's hometown of Houston, became one of the worst concert tragedies in U.S. history. It is now the subject of the new Netflix documentary Trainwreck: The Astroworld Tragedy. With renewed interest in the incident, survivors have taken to social media to share their own footage from the event. 'Only if I knew bro,' one attendee posted on TikTok over footage of himself in the crowd. The audio accompanying the clip is taken from the documentary: 'It started getting pretty hectic,' one survivor says. 'I'm like 'Oh my god I can't take a deep breath,'' adds another. 'Since everyone else is sharing their Astroworld experience,' another TikTok user wrote in the caption of a clip, which shows him tightly packed in the crowd as Scott performs. 'Not too long after this I got bumped into due to the crowd swaying and ended up falling on top of someone in the fetal position,' he wrote. 'We ended up getting out but man it was a struggle.' In other horrifying footage, the panicking audience can be heard calling for help. 'I've never posted this video before, rest in peace to all innocent lives lost,' the closed captions read over the video. Even before Scott took the stage, the crowd seemed to sense something was wrong. 'We are gonna die,' one attendee 'jokes' in a clip, now with 10.3 million views, filming the unsafe conditions. 'Saying this as a joke but on the inside this was a real feeling,' she wrote in the closed captions. 'This about to be bad when it starts,' another can be heard saying. 'Bro literally called it,' the captions add. 'I believe Astroworld 2021 was not an accident,' crowd safety expert Scott Davidson says in the documentary. 'It was an inevitability due to the lack of foresight and the abandonment of basic safety protocols.' Nearly 5,000 people were injured as a result of the crush. The Netflix documentary, which premiered on June 10, features interviews with several survivors. In total, 10 people lost their lives: Axel Acosta, Danish Baig, Rudy Peña, Madison Dubiski, Franco Patiño, Jacob Jurinek, John Hilgert, Bharti Shahani, Brianna Rodriguez, and Ezra Blount, who was just nine years old.


Fast Company
38 minutes ago
- Fast Company
Neuroscientists find brain cells that explain why stress keeps you up at night
If your anxiety before a big test or a high-stakes presentation has ever kept you up at night, you can rest easier knowing that scientists are trying to get to the bottom of things. A new study published this month in The Journal of Neuroscience explores how stress interferes with sleep, causing cascading negative effects on memory and other cognitive processes. By pinpointing the specific neural mechanisms involved in stress-related memory problems and sleep disruptions, scientists hope to figure out stress-zapping treatments in the future. A group of researchers from the University of Pennsylvania School of Medicine's Chronobiology and Sleep Institute simulated human stress in lab mice, restraining the animals so they couldn't move. They then observed the animals' neural activity while they slept and gave the mice a spatial memory test. Much like a human stressed out before a big test, the mice slept poorly and showed memory deficits. The researchers went on to simulate the effects of the stress scenario without actually restraining the mice. By activating neurons that release the stress hormone corticotropin in a specific part of the hypothalamus known as the paraventricular nucleus, the research team stressed the mice out and went on to observe the same sleep and memory issues as if the animals had actually been restrained. When they blocked the same stress hormone-releasing neurons during the stress-inducing event, the mice slept a little better and had significantly less trouble during their spatial memory test – a hopeful finding understanding how to mitigate the problems that stress creates in the human brain. The researchers called the findings on the pathways of corticotropin-releasing hormone neurons in that region of the hypothalamus 'an important step toward improving sleep and ameliorating cognitive deficits associated with stress-related disorders' – a conclusion that anyone tired of having that one same stress dream can definitely get behind.