Sitaare Zameen Par box office collection day 3: Aamir Khan's heartwarming film falls short of Rs...
Sitaare Zameen Par box office collection day 3: Aamir Khan and Genelia D'Souza's latest film, Sitaare Zameen Par, which released on June 20, 2025, has been receiving a lot of positive response and love from the audience. The movie has completed its first weekend and is now being compared to other major releases of 2025. Audiences are appreciating the film, and strong word-of-mouth publicity is helping SZP to perform well at the box office. Sitaare Zameen Par's first weekend collection
The movie is expected to break several box office records. The film earned Rs 10 crore on its opening day, Friday. On Day 2, Saturday, Sitaare Zameen Par witnessed significant growth, with collections doubling to Rs 20 crore. On the third day, Sunday, it created a major buzz by earning Rs 27.25 crore, triple the earnings of day 1.
As per sacnilk.com , Aamir Khan's film recorded an overall 50.70% Hindi occupancy on Sunday, with 25.68% in morning shows, 57.83% in afternoon shows, 72.31% in evening shows, and 46.97% in night shows. This brings its total weekend collection across all languages to an estimated Rs 59.90 crore net, just under the Rs 60 crore benchmark that many industry trackers had anticipated it would cross.
Sitaare Zameen Par has become Aamir Khan's 9th highest-grossing film in terms of India's net collections, overtaking Rang De Basanti to enter the top ten. Aamir's Hindi movies like Dangal earned Rs 374.43 crore, PK earned Rs 340.8 crore, Dhoom 3 earned Rs 271.07 crore, 3 Idiots earned Rs 202.47 crore and Thugs of Hindostan earned Rs 145.55 crore.
Sitaare Zameen Par is Aamir Khan's 9th highest-grossing film
However, Sitaare Zameen Par fell short of surpassing Laal Singh Chaddha's Rs 61.12 crore (lifetime earnings). With this, SZP is Khan's 9th highest-grossing film in terms of India net collections, overtaking Rang De Basanti to enter the top ten.
Apart from Aamir, Sitaare Zameen Par has also proven to be a landmark moment in Genelia Deshmukh's career. The actress, who was last seen in Trial Period and Ved, celebrates her highest-grossing film to date.
The movie is directed by RS Prasanna and the movie also features ten differently-abled individuals Aroush Datta, Gopi Krishna Varma, Samvit Desai, Vedant Sharma, Ayush Bhansali, Ashish Pendse, Rishi Shahani, Rishabh Jain, Naman Mishra, and Simran Mangeshkar.
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If we opt for Chennai, logistics and accommodation costs can be more than four times higher than what we spend in Kochi," he says. Jithendran, a senior dubbing engineer pointed out that almost all advanced studio microphone systems, such as the well-regarded U-87 and AKG are available in Kochi now and even the senior film stars are very satisfied with the post-production services available here. Although the roots of Malayalam cinema trace back to Kerala's capital, Thiruvananthapuram, where J C Daniel — the father of Malayalam cinema — made the first film with a locally assembled crew and studio, the industry soon migrated to Madras (now Chennai). By the 1930s, Malayalam cinema was entirely based there. For over five decades, Madras remained the nerve centre of Mollywood, where stars lived, technicians thrived and production houses flourished — many of them dominated by Tamil-speaking professionals, particularly in the technical departments. It wasn't until the 1960s that Kerala began to build its own cinematic infrastructure with the emergence of two major studios — Udaya and Merryland. The establishment of Chitranjali Studio in 1980 further strengthened local production capabilities. Even then, post-production and technical work remained tied to Kodambakkam in Tamil Nadu for many decades. The real shift began in the early 2000s, when Kochi started attracting young new-gen filmmakers with its modern facilities. Until the turn of the millennium, almost all post-production work for Malayalam films was done in Chennai. That pattern began to shift when filmmaker Lal, of the Siddique-Lal duo, launched Lal Media in Kochi. In 2001, 'Kalyanaraman' became the first Malayalam film to complete nearly 90% of its post-production work in Kochi. The movie went on to become a massive hit. The momentum continued with Thilakkam, followed by other notable movies like 'Vellithira' and 'Mizhi Randilum', all of which completed their post-production at the same studio. In 2004, the studio moved to a permanent facility and during Vishu 2006, six out of seven Malayalam releases had completed their post-production there. Building on this momentum, several prominent film personalities also established their own ventures. Actor Dileep, in collaboration with Lal and Suresh Gopi, founded DLS Studios — a full-fledged post-production facility that quickly became one of the busiest in the city. Similarly, Mohanlal launched Vismayas Max Studios in Kochi in 2006, expanding from his original base in Thiruvananthapuram. "Now known as Aries Vismayas Max,the studio has grown into one of the region's most technically advanced facilities, serving both Malayalam and other South Indian language productions," Vinod says. 'Colour Planet' -- a joint venture of Fahadh, Dileesh Pothan and Shyam Pushakaran -- started an advanced post-production DI studio in the city, specialising in colour correction and grading. 'Sapthaa Records' which established the first Atmos studio in Kochi, in 2020 became a favourite among South Indian filmmakers. The studio has provided services for nearly 200 films across Tamil, Telugu, Kannada and Malayalam, including notable titles like Kanthara. Kerala now does not depend on Hyderabad for good sound designing technology. "Currently we have two Dolby Atmos mixing facilities in Kochi and many more are to come. Specialised sound mixing facilities for OTT release are available in Kochi's studios. Many more Malayalam movies are coming with Dolby Atmos, as the number of Dolby Atmos theatres are increasing in the state," sound designer Dan Jose says. Over the past five years, most music studios associated with the Malayalam film industry have also relocated from Chennai to Kochi and popular musicians like Bijipal, Deepak Dev and Alphons have their own studios in the city. "Many talented musicians from Kerala are now able to stay and work within the state, instead of seeking opportunities elsewhere. With studios in Kochi, costs are lower and the overall environment is comfortable and thriving. Currently, only foreign-style string and brass recordings are done in Chennai. But even that may soon shift to Kochi, making the city self-sufficient in the orchestral segment as well," Deepak Dev says.
