logo
D.C.'s Own Carlos Delgado of Causa Wins a James Beard Award for Best Chef: Mid-Atlantic

D.C.'s Own Carlos Delgado of Causa Wins a James Beard Award for Best Chef: Mid-Atlantic

Eater3 days ago

Carlos Delgado of Causa and Bar Amazonia has taken home the illustrious James Beard Award for Best Chef: Mid-Atlantic.
The James Beard Foundation announced the winners of its 35th-annual Restaurant and Chef Awards during a glitzy Monday night gala at the Lyric Opera of Chicago. Well-dressed hospitality professionals were crowned coveted medals across dozens of categories in what is largely considered the Oscars of the food world. Read the full list of winners here. In nearby Baltimore, fine dining American stalwart Charleston received the James Beard Award for Outstanding Wine and Other Beverages Program in the country.
Delgado, who oversees two Peruvian restaurants in D.C. — tasting menu-centric Causa and the pisco-fueled standout Bar Amazonia located upstairs — was one of five finalists for the city, though others did not advance to the final award.
With a Peruvian flag in tow, Delgado brought his chef de cuisine Alex Lazo onstage, calling him his 'right-hand man' who 'works with me every day.' Pulling off two restaurants in one space 'is a lot of hard work,' he notes, especially since both debuted at once during the pandemic.
'This whole thing is an immigrant's dream of mine since I was a little kid,' says Delgado, noting it's his grandmother who taught him how to cook.
Presenter Marcus Samuelsson, the celebrity chef who just opened his first D.C. restaurant (Marcus DC) in NoMa, handed Delgado the award. Just like when Causa was a best new restaurant finalist at the Chicago ceremony in 2023, Delgado admits he 'didn't write a speech' for last night's win.
Delgado faced impressive competition in his category, from nominees such as fellow D.C. chef Henji Cheung of Queen's English, Philly's Jesse Ito of Royal Sushi & Izakaya and Amanda Shulman of Her Place Supper Club, and Dan Richer of Razza in Jersey City, N.J. It wasn't a total loss for Philadelphia, which saw Phila Lorn of stunner Cambodian restaurant Mawn win in the Emerging Chef category. A D.C.-proper chef hasn't won the Best Chef: Mid-Atlantic award since 2019, when Filipino chef Tom Cunanan took the title for (now-closed) Bad Saint.
Last evening also marked a huge win for Charleston's vet chef Cindy Wolf, who was a James Beard finalist for Best Chef: Mid-Atlantic in 2006, 2008; and every year from 2014 to 2019. Around since 1997 in Harbor East, this was the first time Charleston won for its wine program. Wine director Lindsay Willey oversees the 1,100-bottle list.
Meanwhile, every other D.C. finalist for 2025 ultimately didn't take home a medal. That included Moon Rabbit's Susan Bae, who was up for Outstanding Pastry Chef or Baker for the second year in a row; Fried Rice Collective's Scott Drewno and Danny Lee of Anju, Chiko, and I Egg You (Outstanding Restaurateur); and Mita in Shaw (Best New Restaurant).
D.C. chefs took home big nationwide accolades in 2024, with Perry's Masako Morishita winning Emerging Chef of the Year and Albi's Michael Rafidi named Outstanding Chef (a title that went to Oyster Oyster's Rob Rubba in 2023).
Soon after opening, Causa was named one of Eater's Best New Restaurants in America and earned its first Michelin star. Lima-born Delgado previously honed his craft under José Andrés as the longtime executive chef at Penn Quarter's China Chilcano. He's busier than ever these days, as the newly named culinary director of the Wharf's sparkling Mediterranean restaurant La Vie.
During a post-awards segment – the first of its kind during the VIP after-party at Chicago's Union Station – a medal-donning Delgado was pulled aside to recap his win. He thanked his daughter Sophia and son Matteo for the honor, and says he's already picked out a spot at Causa for the award (which is where he also keeps Eater's tomato can).
The Media Awards hosted by Padma Lakshmi took place on Saturday, June 14 — read the full winners list here .
Disclosure: Some Vox Media staff members are part of the voting body for the James Beard Awards. Eater is partnering with the James Beard Foundation to livestream the awards in 2025. All editorial content is produced independently of the James Beard Foundation. See More:

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Celebrating 50 Years of 'Jaws': A Cinematic Milestone That Redefined Fear
Celebrating 50 Years of 'Jaws': A Cinematic Milestone That Redefined Fear

Geek Vibes Nation

time43 minutes ago

  • Geek Vibes Nation

Celebrating 50 Years of 'Jaws': A Cinematic Milestone That Redefined Fear

On June 20, 1975, a mechanical shark named Bruce and a haunting two-note score unleashed terror on audiences worldwide, forever changing cinema. Jaws, directed by a then-28-year-old Steven Spielberg, celebrates its 50th anniversary , marking half a century as a cultural juggernaut and the blueprint for the modern blockbuster. This article honors the film's monumental accolades, its transformative impact on the thriller and horror genres, and its enduring influence on filmmakers and audiences alike. Jaws was a critical and commercial titan upon release, earning over $470 million worldwide against a $9 million budget, making it the highest-grossing film of its time until Star Wars surpassed it in 1977. Its critical acclaim matched its box-office dominance, securing three Academy Awards in 1976: Best Film Editing (Verna Fields), Best Original Score (John Williams), and Best Sound. The film was also nominated for Best Picture, a rare feat for a genre film, though it lost to One Flew Over the Cuckoo's Nest. Beyond the Oscars, Jaws earned a Golden Globe for John Williams' iconic score and was later inducted into the National Film Registry by the Library of Congress in 2001 for its cultural, historical, and aesthetic significance. The American Film Institute ranked it 56th on its '100 Years…100 Movies' list and second on its '100 Thrills' list, cementing its status as a cinematic touchstone. These accolades reflect not just the film's technical brilliance but its ability to resonate across generations. Redefining the Blockbuster and the Thriller Genre Jaws is widely credited with inventing the summer blockbuster. Before its release, summer was a slow season for theaters, but Universal's aggressive marketing—national TV ads, a wide release on 409 screens, and tie-in merchandise—set a new standard for Hollywood. The film's success proved that high-concept, mass-appeal movies could dominate the box office, paving the way for franchises like Star Wars, Jurassic Park, and the Marvel Cinematic Universe. Within the thriller and horror genres, Jaws redefined how suspense was crafted. Spielberg's decision to show the shark sparingly, due to mechanical failures during production, heightened tension and forced audiences to rely on their imaginations—a technique now synonymous with effective horror. John Williams' minimalist, pulse-pounding score became a character in itself, its duh-dun motif evoking primal dread. This less-is-more approach influenced countless filmmakers, from Ridley Scott in Alien (1979), which used sparse visuals to build terror, to John Carpenter's Halloween (1978), where a simple piano riff amplified suspense. The film's character-driven storytelling also set it apart. The trio of Chief Brody (Roy Scheider), oceanographer Hooper (Richard Dreyfuss), and shark hunter Quint (Robert Shaw) grounded the horror in human conflict and camaraderie. Their dynamic inspired ensemble-driven thrillers like The Thing (1982) and Predator (1987), where interpersonal tension amplifies external threats. Influence on the Creature Feature and Beyond Jaws birthed the modern creature feature, spawning a wave of 'nature strikes back' films. The late 1970s and 1980s saw a flood of imitators, from Orca (1977) and Piranha (1978) to Alligator (1980), each attempting to replicate Jaws' formula of a predatory beast terrorizing humans. While few matched its artistry, these films cemented the subgenre's popularity. Even today, low-budget shark thrillers like The Shallows (2016) and 47 Meters Down (2017) owe their existence to Jaws, as does the tongue-in-cheek absurdity of Sharknado (2013). Beyond creature features, Jaws influenced aquatic horror and survival thrillers. Films like Open Water (2003) and The Reef (2010) echo its primal fear of the ocean, while Crawl (2019) channels its blend of natural disaster and predatory menace. Spielberg himself revisited the template with Jurassic Park (1993), swapping sharks for dinosaurs but retaining the awe, terror, and human drama that made Jaws timeless. The film's impact extends to technical filmmaking. Spielberg's use of point-of-view shots, particularly the shark's underwater perspective, became a staple of horror, seen in everything from Friday the 13th (1980) to The Blair Witch Project (1999). His innovative use of the dolly zoom to convey Brody's shock on the beach inspired directors like Quentin Tarantino and Edgar Wright to experiment with visual storytelling. A Lasting Legacy Fifty years later, Jaws remains a masterclass in suspense, storytelling, and innovation. Its influence is evident not just in cinema but in pop culture—theme park rides, memes, and even shark conservation efforts spurred by the film's demonization of great whites. While it inspired countless imitators, few have matched its balance of terror and humanity. As we celebrate this milestone, Jaws reminds us why we fear the ocean and why we keep diving back in. It's more than a movie; it's a primal scream, a technical triumph, and a testament to Spielberg's genius. Here's to 50 years of keeping us out of the water—and glued to our screens. Note: All box-office figures and award details are sourced from historical records and industry databases like Box Office Mojo and the Academy Awards archives.

‘Jaws' turns 50: Steven Spielberg's caught-on-camera Oscar snub still smarts — and shows need for Best Director reform
‘Jaws' turns 50: Steven Spielberg's caught-on-camera Oscar snub still smarts — and shows need for Best Director reform

Yahoo

timean hour ago

  • Yahoo

‘Jaws' turns 50: Steven Spielberg's caught-on-camera Oscar snub still smarts — and shows need for Best Director reform

Steven Spielberg, one could say, was less than pleased when he found out he was not nominated for the Best Director Oscar for his game-changing shark thriller Jaws. On Oscar nominations morning in 1976, the then 29-year-old was so confident that the blockbuster was "about to be nominated in 11 categories" that he turned the camera on himself to document his live reaction. "You're about to see a sweep of the nominations," Spielberg boasted in the footage (watch above), which has since become legend thanks to the Media Burn Archive collection. More from GoldDerby All the 'Abbott Elementary' Season 4 Emmy predictions, including those 'Sunny' guest stars Ryan Murphy and the JFK Jr.-Carolyn Bessette controversy, explained: Why 'American Love Story' Instagram post got so much hate Everything to know about 'The Pitt' Season 2 Along with friends Joe Spinell and Frank Pesce—both of whom were filming Rocky, which would go on to win Best Picture at the subsequent Oscars—Spielberg watched as Best Director was announced on TV. The nominees were Federico Fellini for Amarcord, Stanley Kubrick for Barry Lyndon, Sidney Lumet for Dog Day Afternoon, Robert Altman for Nashville, and Miloš Forman for One Flew Over the Cuckoo's Nest. While that's legendary lineup of directors, Spielberg was aghast: "Oh, I didn't get it! I didn't get it! I wasn't nominated. I got beaten out by Fellini!" (Amarcord was the only film without a corresponding Best Picture nomination and had also won Best Foreign Language Film the year prior, giving it international distribution for 1975 eligibility.) By the time Jaws was announced as a Best Picture nominee moments later, it seemed like a consolation prize to the young director. "Well, it's about time," Spielberg stated, the sting still fresh. Spinell and Pesce also expressed frustration, comparing it to 1972 when The Godfather and Cabaret split the top two categories. "You cannot have the Best Picture unless the director is also nominated. Who made the picture?" Spinell declared. "The greatest picture of all time was made and they haven't recognized the director," Pesce added. Universal Pictures/Everett Collection After being informed by his assistant that Jaws was only up in four categories instead of the 11 he expected, Spielberg attributed the snubs to commercial backlash, meaning: "When a film makes a lot of money, people resent it. Everybody loves a winner, but nobody loves a WINNER." Although much has evolved with the Academy Awards in the 50 years since, Spielberg's theory still rings true. Jaws became the catalyst for the movie business model that exists today and also redefined what we think of as box office success. Still, high grosses don't necessarily translate to certain Academy Award recognition. At the time, many were overwhelmed by Jaws' commercial success and perhaps thought that was enough for the movie. Even today, the Oscars remain more of a launching pad for independent and purposely "artistic" films, only occasionally recognizing blockbusters for the top category—and even less so for Best Director. Back when there were only five slots in Best Picture, the stars would have to align for the kind of golden sweep experienced by box office juggernauts like Titanic and The Lord of the Rings: The Return of the King, each of which won 11 Oscars and tied for the most all-time wins. The reason the Best Picture field expanded to 10 nominees can be credited to the outrage over Christopher Nolan's 2008 smash The Dark Knight being shut out of major categories. Since then, more blockbusters have been nominated—including Black Panther, Wicked: Part One, Top Gun: Maverick, Barbie, and both Dune films—but none of those corresponded to the directing category. As Spinell said incredulously in that 1976 clip, "Who made the picture?" READ: 'Jaws' at 50: Jeffrey 'Deputy Hendricks' Kramer recalls 'horrific' first scene and an epic Roy Scheider flub Jaws ended up winning three of its four Oscar nominations, taking home Best Original Score for John Williams, as well as Best Sound, and Best Editing. Spielberg went on to amass 23 nominations, including nine Best Director mentions and two wins. So while he may have been disappointed 50 years ago, Jaws kickstarted the career of Hollywood's most commercially successful director. At the same time, the Academy got it wrong then and continues to get it wrong too often now. Don't hold your breath for the organization to revamp the Best Director category to include more nominees; there is a lingering snobbery when it comes to the perception of art versus commerce, with the two rarely intersecting for voters. In the case of Jaws, history has proven the film's immense value. No offense to, say, Fellini or Kubrick—both undisputed titans of cinema—but a half-century later, neither of their 1975 offerings has the cultural cachet of Jaws. "Amarcord at 50" headlines just aren't a thing. Jaws, meanwhile, is still enjoyable as an intense, suspenseful thriller about an unlikely trio trying to thwart a great white shark before it kills any more innocent civilians. However, Spielberg also makes it a story about the complicity of local governments and the value of corporate greed over human lives—something that still resonates. And what Spielberg does with his camera, establishing the horror through underwater shots, split diopters, dolly zooms, and the alternating iconic two-note score by Williams has influenced filmmaking for five decades. Jaws is universal and unforgettable... and its Oscar omissions are truly unforgivable. Best of GoldDerby Tom Cruise movies: 17 greatest films ranked worst to best 'It was wonderful to be on that ride': Christian Slater talks his beloved roles, from cult classics ('Heathers,' 'True Romance') to TV hits ('Mr. Robot,' 'Dexter: Original Sin') 'It almost killed me': Horror maestro Mike Flanagan looks back at career-making hits from 'Gerald's Game' to 'Hill House' to 'Life of Chuck' Click here to read the full article.

‘Outer Banks' rolls on final season, Academy Museum details ‘Jaws' exhibit, and more of today's top stories
‘Outer Banks' rolls on final season, Academy Museum details ‘Jaws' exhibit, and more of today's top stories

Yahoo

timean hour ago

  • Yahoo

‘Outer Banks' rolls on final season, Academy Museum details ‘Jaws' exhibit, and more of today's top stories

Gold Derby's for June 20, 2025. Filming on the fifth and final season of the Netflix teen treasure hunt drama has officially begun in Charleston, S.C. Series regulars Chase Stokes, Madelyn Cline, Madison Bailey, Jonathan Daviss, Drew Starkey, Carlacia Grant, Austin North, and Fiona Palomo are all returning, while Tony Crane and Cullen Moss have been upped to regulars. Season 5 of Outer Banks is expected to hit Netflix sometime next year. More from GoldDerby Will '28 Years Later' take a bite out of 'Elio'? Will 'Dragon' continue to soar? Here's our box-office prediction 'Jaws' turns 50: Steven Spielberg's caught-on-camera Oscar snub still smarts - and shows need for Best Director reform All the 'Abbott Elementary' Season 4 Emmy predictions, including those 'Sunny' guest stars The Academy Museum of Motion Pictures has revealed some exciting details about its upcoming Jaws exhibit to commemorate the film's 50th anniversary. Spanning six galleries, the collection will feature a number of artifacts from the actual shoot, including zoom lens used for the iconic shot of Chief Brody on the beach, as well as several recreations of memorable locations, such as the dunes from the opening sequence. Jaws: The Exhibition will open on Sept. 14 and run through July 26, 2026. The Television Publicity Executive Committee revealed its list of honorees for 2025, which included The Pitt for Campaign of the Year, Lioness for Returning Drama Series, and Only Murders in the Building for Returning Comedy Series. The shows were awarded alongside CBS publicist Chris Ender, who received the Ben Halpern Lifetime Achievement Award. Elba, a one-time recipient of an art grant from the King's Trust, is teaming with Charles III on a documentary about the program the royal founded in 1976 to help with vulnerable youth. Netflix will release the film in Fall 2026. Best of GoldDerby Everything to know about 'The Pitt' Season 2 Adam Brody, Seth Rogen, Jason Segel, and the best of our Emmy Comedy Actor interviews Kristen Bell, Tina Fey, Bridget Everett, and the best of our Emmy Comedy Actress interviews Click here to read the full article.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store