
MBC logs highest viewership on election night
Joint exit polls by broadcasters miss mark, with final tally showing tighter race
South Korea's three major broadcast networks, KBS, MBC and SBS, aired marathon coverage of Tuesday's presidential election running some eight hours, with MBC emerging as the clear ratings leader.
According to Nielsen Korea, MBC's 'Election 2025' drew the highest nationwide household viewership across all parts of its six-segment broadcast. Its ratings climbed steadily, with Part 1 drawing 4.3 percent, peaking at 14.5 percent in Part 3, and concluding at 5.4 percent in Part 6. MBC was the only network among the three to record double-digit ratings.
KBS' election coverage, titled 'Vote That Changes My Life" (translated), saw more modest numbers, starting at 2.4 percent and reaching a high of 5.2 percent in Part 2 before tapering off to 2.0 percent.
The SBS special, '2025 People's Vote" (translated), posted still lower figures, opening at 1.4 percent and peaking at 3.7 percent in Parts 3 and 4, before ending at 1.2 percent.
MBC's ratings dominance follows a strong performance during April's general election, when it led all Korean broadcasters with a viewership high of 11.7 percent.
With election night coverage stretching eight to nine hours, each broadcaster introduced distinct features to retain viewer interest. MBC drew attention for a cinematic countdown video that wove together major moments in Korean history. One segment linked a 1946 speech by independence leader Kim Gu with BTS frontman RM's 2018 address to the United Nations -- an editing choice that garnered considerable online engagement for blending historical gravitas with contemporary cultural relevance.
SBS leaned into playful visual effects, incorporating pop culture parodies, including references to "Squid Game" and the viral Pikki Pikki cheerleading dance, both of which gained traction on social media.
Meanwhile, the accuracy of exit polls conducted jointly by KBS, MBC and SBS was called into question due to the significant difference between the exit polls and the final vote tally. The poll surveyed 80,146 voters at 325 polling stations nationwide on the day of the election, between 6 a.m. and 8 p.m. It carried a margin of error of plus or minus 0.8 percentage points at a 95 percent confidence level.
The poll projected a decisive win for Democratic Party candidate Lee Jae-myung with 51.7 percent of the vote, compared to 39.3 percent for Kim Moon-soo of the People Power Party -- a projected gap of 12.4 percentage points.
However, the final tally showed a narrower margin: Lee received 49.42 percent of the votes, while Kim garnered 41.15 percent, which amounted to an actual gap of 8.27 percentage points.
The low accuracy of the exit polls is largely interpreted as stemming from high turnout during early voting, which took place May 29 and 30 and saw a participation rate of 34.74 percent. Since exit polling is conducted only on Election Day, early voters' preferences may have been harder to capture.
To account for potential discrepancies stemming from the early voting turnout, an additional 11,500 people were surveyed by phone and correction factors were applied to the data. Despite these efforts, the broadcasters ultimately failed to deliver an accurate prediction.
Some politicians attributed the miscalculation to the influence of so-called 'shy conservatives.' During a radio broadcast on Wednesday, Woo Sang-ho, co-chair of the Democratic Party of Korea's election campaign committee, remarked, 'It has been clearly confirmed that shy conservatives made up about 5 to 5.5 percent,' noting that 'voters in this group, who had been hesitant to cast their ballots, ultimately turned out in full force.'
In the 2022 presidential election, exit poll results showed Democratic Party candidate Lee Jae-myung with 47.8 percent and People Power Party candidate Yoon Suk-yeol with 48.4 percent. The actual vote count closely aligned, with Lee receiving 47.8 percent and Yoon 48.5 percent.
The early voting turnout during the 2022 presidential election reached 36.93 percent nationwide. The additional phone surveys were conducted to improve accuracy and were credited with producing exit poll estimates that were nearly spot-on.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Korea Herald
9 hours ago
- Korea Herald
From birth to death, exhibiting seasons of life through hanbok
Kumdanje, the renowned hanbok brand founded by Lee Il-soon, is celebrating over 30 years of preserving and promoting Korea's rich cultural heritage through traditional attire. Until July 27, the brand is holding a special exhibition titled "Seasons of Life: From Cradle to Sky" at Chuihantang, Samcheonggak in Seoul. The exhibition, which highlights the milestones in a person's life through traditional Korean clothing, aims to give visitors a deeper understanding of how attire can serve as a symbol of cultural values, life transitions and ancestral respect. Walk through seasons of life Lee, a celebrated hanbok designer, explains that the exhibition features a series of garments that correspond to the significant moments in life. From the first clothes worn at birth, known as "baenet jeogori" (a baby's first jacket), to the "baegilbok" (a hundred-day celebration outfit) and "dolbok" (first birthday outfit), the exhibition covers the full spectrum of Korean life stages. The garments include wedding attire and, poignantly, the "suui," a garment worn by the deceased for burial. Lee, whose life's work has revolved around preserving the tradition of hanbok, explains the significance of these garments. 'I have worked as a hanbok designer for 33 years, and in doing so, I have come to deeply appreciate the sacredness of the clothes worn during the milestones in life. From the baby's first clothes to the garments worn at one's death, these outfits are deeply ingrained in our culture and carry a profound meaning,' Lee told The Korea Herald. The exhibition aims to take visitors on a journey through these stages of life, each accompanied by a reflection on the traditions, blessings and prayers embedded in the clothing worn. The clothing not only marks the passage of time but also serves as a vessel for well-wishes and respect for the ancestors. Suui and significance of yundal One of the most captivating elements of this exhibition is the display of "suui," traditional burial clothing, made from silk. Lee Il-soon explains the significance of the suui in the context of Korean tradition: 'The suui is worn for a very specific occasion—the passing of an individual. It is, therefore, a very important garment. This year, we prepared suui for the yundal, or leap month. The leap month is seen as a time when no misfortune can occur, and it is traditionally believed to be a fortuitous time to prepare for important life events, including the preparation of the sui." She explained that while a leap month occurs in three- to four-year intervals, this year's leap month, which falls July 25-Aug. 22, is a special leap month, occurring every 100 years. Lee also highlighted the importance of yundal in Korean tradition. 'In the past, people would prepare the suui in the yundal month to ensure long life for their elders and a peaceful journey for the deceased. It's a special month, one that is believed to be free of misfortune. Preparing the suui during this time carries significant cultural and spiritual meaning,' Lee said. Cultural significance of hanbok Through the exhibition, Lee hopes to raise awareness of the deeper, spiritual meanings attached to traditional Korean attire. 'Hanbok isn't just clothing; it's part of a larger cultural framework,' she asserted. 'Each garment has a story to tell and a purpose beyond what is seen on the surface. Hanbok represents our culture's values of respect, dignity and the acknowledgment of life's transience.' Visitors to the exhibition will have the chance to explore how Korean traditional clothing serves as a medium of communication, conveying wishes for prosperity, good health and longevity. Lee believes that these garments are not merely for ceremonial occasions but are integral to understanding the Korean worldview and spiritual life. Lee's contribution to the global understanding of Korean culture extends beyond this exhibition. She has showcased hanbok on international stages, including in the US and Italy. Her role as a cultural ambassador has made her a key figure in the promotion of traditional Korean fashion worldwide. Lee recalled a particularly poignant moment during a fashion show in Rome when critics described the hanbok collection as 'unimaginably beautiful.' As the designer explains, the connection between Korean tradition and modern fashion has become a defining theme of her career. "Through my work, I have witnessed how the global fashion world embraces and admires the beauty of hanbok. At the same time, I feel a responsibility to preserve and share the deep cultural significance of these garments.' She continued, 'One of my proudest moments was during the 140th anniversary of diplomatic relations between Korea and Italy, where I had the honor of presenting hanbok at a fashion show in Rome. The experience solidified my belief in the global appeal of our cultural heritage.' Future beyond tradition The current exhibition offers a glimpse into Lee's vision for the future of hanbok. The designer's daughter Chang Ha-eun, who runs the contemporary hanbok brand OUWR, is working to bridge the gap between traditional and modern fashion. 'My daughter is leading a new wave of innovation, bringing hanbok into the modern era by working with famous K-pop artists such as Blackpink and NewJeans while still honoring its traditional roots. The fusion of past and future is something I am very proud of,' Lee said. With this exhibition, Lee hopes to create a lasting dialogue between the past and the future, inviting both Koreans and foreigners to engage with and appreciate the deeper meaning embedded in the clothing that shapes a person's journey through life. The exhibition is open to the public at Chuihandang in Samcheonggak, Seoul.


Korea Herald
9 hours ago
- Korea Herald
Rainy music for early monsoon
Try some Korean rainy-day classics as monsoon arrives eariler than usual "Umbrella" by Epik High Legendary hip-hop trio Epik High's 'Umbrella' — from its fifth studio album "Pieces, Part One" released in 2008 — is one of the most iconic songs that comes to mind whenever it rains in Korea. Written and arranged by Tablo, with rap lyrics by Tablo and Mithra Jin, the track features a poignant vocal performance by Younha. The song has become a seasonal staple, consistently returning to the charts during Korea's rainy season for many years. The calm, steady rapping of Epik High members, layered with emotional string melodies and Younha's soft yet expressive voice — evoking the image of falling raindrops — perfectly captures the melancholic mood of a rainy day. The sound of raindrops in the bridge enhances the immersive, sentimental atmosphere. 'You, Cloud, Rain' by Heize Released in 2017 as the title track of Heize's EP of the same title, 'You, Cloud, Rain' was written and composed by Heize herself. Though Heize is widely known for her rap skills, this song showcases her depth and emotional range as a vocalist with a smooth, soothing tone. The track opens with a jazz-influenced piano, and subtle raindrop sounds continue throughout the song, adding to its rainy-day ambiance. Heize's deep, husky voice shines while singing the lower melodies, adding to the track's moodiness. The song features Shin Yong-jae, a former member of vocal group 4MEN, whose powerful vocals beautifully complement Heize's, conveying the lingering emotions, regret and longing felt after a breakup. 'Rain and You' by Rumble Fish Originally featured in the 2006 film "Radio Star," "Rain and You" was remade by Rumble Fish for the band's 2008 cover album "Memory for You." At the time, Rumble Fish was a four-member rock band, but today, only vocalist Choi Jin-yi continues to perform under the same name as a solo act. Choi's sorrowful, hauntingly beautiful voice contrasts with the bold band instrumentation, creating a touching and powerful emotional balance. The lyrics express the irony of yearning for someone who has left, delivering a deeply relatable message of love and loss. Other than Rumble Fish's version, the song has become a modern classic, widely covered and remade by artists such as No Brain, Lee Mu-jin and Woodz, proving its lasting resonance and popularity.


Korea Herald
11 hours ago
- Korea Herald
President Lee to post social media messages in both Korean, foreign languages to 'show respect'
President Lee Jae Myung will post diplomatic messages on social media in both Korean and the language of his counterpart, his office said Saturday. Before traveling to Canada for the Group of Seven summit in Canada earlier this week, Lee had ordered his staff to write social media posts in both Korean and foreign languages to "show our diplomatic respect and willingness to communicate," according to the office. Lee had also told his staff that his messages must reach South Korean residents living abroad and local citizens of those counterpart countries, his office said. On Lee's X page, an update on his summit with Japanese Prime Minister Shigeru Ishiba was written in both Korean and Japanese on Wednesday. On the same day, an X post detailing Lee's meeting with Canadian Prime Minister Mark Carney was uploaded in Korean and English. And a summary of Lee's talks with Mexican President Claudia Sheinbaum was provided in Korean and Spanish. The presidential office said Lee's social media posts will continue to be provided in multiple languages when detailing his overseas trips and meetings with other heads of state. "This will not be a temporary measure for only certain countries. It's part of the president's digital diplomatic strategy based on his philosophy on government administration," it said. "We hope his social media messages will help create a bond between peoples of different countries and serve as the starting point of diplomacy based on mutual respect." (Yonhap)