
Baking Bread
How three self-taught bakers turned passion and persistence into purpose
By Dena Al-Fadhli
When Ahmed AlRefai sold his first cake — a babka, popular in Eastern Europe — to a stranger on Instagram, he had no idea it would propel him into a life devoted to baking. But something clicked that day in the kitchen. 'I felt something different. It was like everything around me became blocked,' he recalled.
That first transaction — for KD 5 — became what he now calls his 'first investment'. Working from the small apartment kitchen he shared with a roommate, AlRefai began baking regularly through the night. His roommate wasn't always thrilled by the chaos that ensued well into the early hours, but AlRefai made peace offerings in the form of a scone or two. 'I didn't really know where I was going with it,' he admitted, 'but I knew it felt good.'
As his passion deepened, so did his ambition. Determined to specialize, he set his sights on one of baking's most notoriously difficult challenges: the bagel. 'I chose bagels because they're one of the most difficult to master due to their low hydration,' he explained. What followed was a year and a half of self-guided trial and error — countless hours in the kitchen and endless experimentation with dough.
Today, AlRefai runs his own bagel shop, welcoming customers from across Kuwait and beyond. Some come in for their very first bagel; others, for their seventieth. But for AlRefai, it's never just been about the bagel. 'It's about the interaction,' he said. 'What's your dream? Where do you work? What do you want to do — and how can I help you do it? You want to resign? Let's talk about how to make that happen.'
For him, food is simply the medium through which a deeper human connection is made. That sentiment resonates with Aya Ghader, another self-taught baker in Kuwait whose perfect recipe isn't defined by the precise balance of ingredients but by her ability to connect with people.
'I always like to put myself in the customer's shoes,' she said. 'If they're celebrating their child's first birthday or marking a big milestone, I try to imagine I'm that person — the mom of the kid, the bride getting married. I try to feel the joy of the occasion to get the best result.'
Like AlRefai, Ghader's journey also began with a single Instagram order. And like him, she chose a challenge right from the start: Macarons. Known for their delicate structure and unforgiving nature, macarons became her obsession. 'I'm competitive,' she told Kuwait Times. 'When something doesn't work, I just push myself harder until it does.'
Ghader's customers are not the only connections she's formed through baking. As she spent countless nights in the kitchen well past midnight experimenting with flavors and textures, the kitchen became her refuge — a space of calm during stressful or anxious moments. Over time, she even developed personal relationships with her baking equipment. 'I name every piece,' she said. 'The biggest mixer is called Big Mama, the smaller one is Silvie, and my first coffee machine is called Marzo.'
Twelve months and more than a hundred failed attempts later, she landed on the perfect macaron recipe — one that is now sold in her very own bakery. Running a business and baking full-time can be overwhelming, but what keeps Ghader going is the legacy she's building:
'I want my nieces, nephews, and the next generation to see that anything is possible — that you can leave behind more good than you came in with.'
Lolwah, a Kuwaiti-Moroccan baker, has shown that same unyielding passion and perseverance since childhood. Her journey began in Salmiya at just five years old, standing on the sidewalk with a tray of homemade cupcakes. She recalls a vivid memory from that time — one sweltering afternoon with only one cupcake left to sell. She remembers catching sight of a man running past, clearly in a rush. 'He said he didn't have time to stop,' she recalled, 'but I yelled and yelled after him to buy it off of me — and eventually he agreed.'
She returned home that day having sold out. That same spirit of determination continued to grow as she decided to take her baking to the next level. Years later, when a friend invited her to help at a fundraiser for Palestine, Lolwah committed to baking 150 cookies from scratch. She wasn't fully aware of how exhausting the process would be, but she followed through nonetheless. Baking isn't Lolwah's only strength; she also has a gift for persuasion and a deep commitment to her craft.
With the launch of her Instagram-based cookie business, she constantly experiments with recipes and flavors, often coaxing her friends into taste-testing — even when they're overwhelmed by sugar. As a one-woman operation, she balances every aspect of the business: baking, delivery and marketing. 'The pressure is real,' she admitted. 'But knowing I can make someone's day makes it all worth it.'
For these three bakers, the daily challenges of running a business don't discourage them. If anything, they fuel the drive to keep going — one baked good at a time.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Kuwait Times
2 days ago
- Kuwait Times
Breaking the mold
From bullied schoolgirl to bold creator, Kuwaiti artist Jenayen shares her journey of healing, motherhood and fearless self-expression Breaking the mold As a young girl, Kuwaiti artist Jenayen often felt like she didn't belong - singled out, misunderstood, and shaped by the sting of bullying that chipped away at her self-worth. She spent years trying to change who she was just to be accepted, hiding her insecurities behind what felt 'socially acceptable'. But deep inside, a performer was waiting to break free. Everything began to shift in 2020. Realizing she had become her own biggest obstacle, Jenayen tore down the walls of self-doubt and began to see the beauty in her voice, her height and her uniqueness. Becoming a mother only fueled that transformation, pushing her to lead by example and live boldly - not just for herself, but for the little eyes watching her. Today, she is a thriving content creator, entrepreneur and makeup artist who blends beauty, performance and authenticity into everything she does. In this exclusive interview with Kuwait Times, Jenayen opens up about her journey of healing, creating and empowering others through her story. Kuwait Times: Can you tell us about some of the struggles you faced growing up, especially dealing with bullying or feeling different? Jenayen: I went through a lot of bullying as a child, and it deeply affected my self-esteem. It made me feel like I wasn't enough, and I started wanting to change everything about myself - how I looked, how I acted - just to feel accepted. KT: What insecurities did you struggle with, and how did they shape your self-image? Jenayen: I was very insecure about my voice and my height. I felt like I had to hide those parts of me. So, I adapted to what felt more 'normal', even if it wasn't truly me. KT: You've said before that you were your own biggest obstacle. When did that begin to change? Jenayen: In 2020, I had a breakthrough. I realized all my fears were illusions — I had put myself in a mental cage, and it was stopping me from seeing my own talents and beauty. From then on, I began to choose freedom and authenticity. KT: How did motherhood play a role in that transformation? Jenayen: My children were a huge motivation. I wanted to show them what it looks like to be strong, to pursue your dreams, and not be held back by fear. I wanted them to believe in their own potential because they've seen their mother believe in hers. KT: Was there a specific moment when you decided to leave teaching and pursue your passion? Jenayen: Teaching was never my true passion - it was something I did for security. But eventually, I couldn't keep living a life that didn't reflect who I was. So I left, even though it was scary, and I started building something that felt right. KT: How do you combine your love for acting, makeup and performance in your content today? Jenayen: I've always loved performing. Even though I'm not in the professional acting world yet, I decided to create my own productions - short videos where I can express myself through makeup, storytelling and character work. KT: What were some of the biggest challenges you faced when launching your salon? Jenayen: Financial pressure, for sure. The first year or two of starting any business is the hardest, and mine was no exception. There were emotional setbacks too, but I stayed focused on my long-term vision. KT: You juggle motherhood, business and content creation. How do you manage it all? Jenayen: It's tough. Each of those roles could be full-time on its own. But I prioritize my kids - I make sure I spend time with them, and I plan carefully so my work doesn't take over. It's not always easy, but I think I've found a good rhythm. KT: What role has social media played in building your confidence? Jenayen: It's had a massive impact. Going live on TikTok helped me become more comfortable in my own skin. I learned how to deal with criticism, stay grounded and be myself — unapologetically. Social media helped me find my voice. KT: How long does it usually take to produce one of your makeup videos? Jenayen: It varies. Sometimes it takes me two months just to think of the concept. Other times, it comes in two days. But filming and makeup can take 9 to 11 hours, sometimes even several days. It's a lot of work, but it's my passion. KT: Beyond makeup, what other talents or interests do you bring into your work? Jenayen: Performance and storytelling are a big part of what I do. I don't just apply makeup - I create characters, narratives and scenes. It's my way of combining creativity with personal expression. KT: What advice would you give to young girls in Kuwait who feel like they don't fit the mold or are afraid to follow their dreams? Jenayen: Fear is an illusion. If you take time to look inside and understand what you're truly capable of, you'll be surprised. Don't let self-doubt or society define you. Follow your dreams with confidence — and don't look back.

Kuwait Times
2 days ago
- Kuwait Times
Into the wild: Turning nature into art
Kuwaiti photographer Mohammad Murad's award-winning wildlife nphotography captures emotion, motion and the raw beauty of untamed life Into the wild: Turning nature into art In a rapidly changing world, the magic of wildlife is not just amazing — it's essential. Kuwaiti photographer Mohammad Murad captures what lies beneath the surface of the wild, transforming fleeting moments into hauntingly beautiful works of art. Since leaving his career as a communications engineer in 2015 to pursue photography full time, Murad has quickly risen to international acclaim. With over 60 awards from some of the world's most prestigious photography platforms — including BigPicture, World Nature Photography Awards, and Xposure — his work continues to inspire awe and admiration across continents. Kuwait Times: Tell us about yourself. Mohammad Murad: My journey into photography began as a personal curiosity and grew into a life-changing passion. I've always been drawn to the wild — to the raw, unscripted stories of animals living in the harshest environments. Today, I feel incredibly fortunate to be a Canon EMEA Ambassador and to have my work recognized on international platforms. KT: When did you start your photography journey? What inspired you? Murad: I started in 2014, but it was in 2015 that I fully committed to wildlife photography. The turning point came when I saw a fox crossing a road in the Kuwaiti desert. Something clicked — I realized there were untold wild stories right outside our cities. That encounter sparked a passion that's never left me. KT: How did you get into wildlife photography? Murad: I began by observing and photographing birds of prey during migration season in Kuwait. It was a steep learning curve — understanding animal behavior, lighting, timing and the importance of silence. Eventually, my curiosity took me beyond borders — from Kuwait's desert to Mongolia's tundra and Iceland's frozen terrain. Shivering Look "This Arctic fox decided to take a nap just behind some dry yellow planets covered with snow. I always wanted to get close to an animal to fill the frame with it .. but I don't want to scare it or make it uncomfortable. The fox looked right into my lens whilst covering his nose with its tail. This shot was taken in Hornstrandir Nature Reserve .. a remote place that you only get there using a boat! it was a rough ride in the sea going to this island." A Sword in the Chest "Two white-cheeked terns fighting for territory in Kubbar Island in Kuwait, one is pushing its beak to the other chest in what it look like a sword in the chest! Kubbar is famous for its large summer colonies of breeding terns. The white-cheeked terns build their nests in a more elevated area and these scrapes are either found either on the bare ground or in areas where there is some patchy grass cover, but all with no shelter at all from the brutal summer sun." Night Killer Arabian horned vipers are famous in Kuwait, specially where I work. I work in the transmitter station for both TV and radio. The station is in the far north of Kuwait, and it's filled with scorpions and snakes! I decided this night to go for a walk behind our building, and while I was on a walk with my torch searching for wolf spiders to try micro-photography, this is when I spotted this snake under a small plant. I started taking pictures when it decided to take a walk too on the sand dunes." Glowing Scorpion "They say an untrampled scorpion troubles no one. I found this black-tailed scorpion in a small farm in the Kuwait desert at high noon! I thought it would be more creative to put an ultraviolet light on it to make it pop up and glow against this big tree trunk fallen on the ground." Impression of Africa "Sometimes you find yourself in the middle of nowhere and sometimes in the middle of nowhere you find yourself! I see myself in this lion wandering between trees, bushes and sands protecting its territory or finding life or even making one in this gorgeous God-made heaven -- Africa: The place I found myself in." They say the world of art is limitless! Unusual Forms of Art for a baby elephant and its mother taken in Tanzania I have this inside desire to photograph in slow shutter .. something about it just fascinates me and i'm not talking about panning technique here .. i'm talking about reinventing the scene .. adding a touch of mystery to it .. something to represent me .. something to reflect my inner self It's like when a violinist plays his melody in his own way to express something inside him .. maybe a feeling .. a happy or a sad feeling .. Maybe you will not understand .. and maybe you will .. but that won't affect the violinist at all .. he just want to be heard .. he will leave the interpretation to whom ever they are Photography is an Art form that represent me well .. every image that i take is like reinventing a part of me .. adding a touch of mystery to it .. something to reflect my inner self Desert Racer "Captured in the Kuwait desert in 2022, this Arabian toad-head agama (Phrynocephalus arabicus) braves extreme weather conditions with remarkable composure. Known for their 'sit-and-wait' hunting strategy, these desert reptiles rely on sharp visual orientation to locate their prey. This particular agama struck a dynamic pose, perched atop desert vegetation, as if mimicking the stance of a rider on a racing motorcycle. The image brings together the creature's resilience and our imagination as photographers, showcasing a rare moment of nature's artistry in the heart of the arid landscape." Domination "A lappet-faced vulture attacking white-backed vultures. More than 15 white-backed vultures were eating a dead animal when this lappet-faced vulture came and attacked them all and took the dead animal for itself! It is such a big bird comparing to them, and they are really afraid of it!" Yellow Between the Stars "This was taken in South Africa at a drinking station were small birds and sometimes animals come to drink and take a bath. It is designed to be used in the morning so the sun will be behind you and hits the birds. but i went there in the afternoon to get the light behind the birds, specially when they take a bath. This starling was a dark blue already, so with the light from behind, it turns into a silhouette. The idea is to go under in the exposure to darken everything and keep the water drops shiny." Urban Glow and Wild Spirit 'I spent over two months documenting a family of Arabian red foxes near the shore in Doha. Visiting several times a week, I used handheld lights and streetlight reflections to capture nighttime shots as the mother fox and her five cubs emerged to retrieve hidden food. Over time, the cubs grew comfortable with me, even approaching and licking my camera. As a father of five, I felt a personal responsibility to protect them, especially given the threats foxes face in Kuwait. My visits were about more than photography — they were about trust and ensuring the animals' safety.' The Rising Trunk "Unusual forms of art of a baby elephant and its mother taken in Tanzania. This illustration is a take on the saying 'If you stand too close to the elephant, you don't see the elephant'. In abstract photography, often there aren't the usual frames of reference for the viewer; they are not looking at anything immediately recognizable or discernible. This lack of context in which to evaluate an image is one of the reasons why abstract photography can be so challenging and equally enthralling. I tried here is to zoom in and take out the baby elephant out of the picture by cropping the image. You can't get close to the elephant for your own safety and for the elephant and not make them uncomfortable. I stayed with this baby and its mum for about two hours just to try to get close at a safe distance to get this shot once the baby elephant wanted to nurse milk." Photographer Mohammad Murad Between My Feathers "A white-tailed eagle landed and rushed toward a fish caught by crows. I spent 12 hours a day in a hide to get this exact shot. I've always dreamed of capturing a bird's eye peeking through its feathers in flight — it's incredibly difficult and takes a lot of luck. I believe I was lucky to catch this moment just as the eagle was landing." Murad's award-winning pic Kuwaiti wildlife photographer Mohammad Murad has won first place in the Wildlife category of the 2025 BigPicture Natural World Photography Competition held in California. His winning image, titled 'No Eyes', features a frost-covered Pallas' cat in Mongolia and was selected from over 8,000 global entries. The photo will be exhibited at the California Academy of Sciences starting October 2. Murad, the first Arab wildlife photographer to join the Canon Ambassadors Program, dedicated the award to Kuwait's leadership and emphasized the role of visual storytelling in environmental awareness. No Eyes "This photo captures a Pallas' cat in eastern Mongolia, completely covered in snow after a harsh storm in -35°C temperatures. Adapted for extreme conditions, the cat uses its flat ears and high-set eyes to blend into its surroundings and remain alert while hidden. Used to Kuwait's heat, I endured the freezing weather to capture this rare moment. Pallas' cats face threats from hunting, habitat loss and deep snow that limits their mobility, contributing to high winter mortality. Despite these challenges, improved research led to the species being reclassified by the IUCN in 2020 from 'Near Threatened' to 'Least Concern.' The image highlights both the cat's resilience and the dedication required to document such wildlife." KT: Why do you use slow shutter speeds and intentional motion in your photography? Murad: I didn't want to simply document wildlife — I wanted to express its emotion, energy and soul. Slow shutter speed and intentional motion let me do that. They turn a moment into a mood, a photo into a feeling. For me, motion blur reflects nature's poetry — the chaos, the grace the rhythm of life. KT: You've photographed in extreme environments. What was one of the most challenging shoots? Murad: Photographing the elusive Pallas' cat in Mongolia was one of the toughest. I worked in temperatures as low as -34°C, with biting winds and minimal shelter. At one point, I captured a cat whose eyes were completely covered in snow — yet it was fully aware of its surroundings. That moment reminded me how resilient nature is, and how much we can learn from it. KT: What does international recognition mean to you? Murad: It's a great honor, but more importantly, it validates the stories I'm telling. These awards bring attention to the animals, the environments and the fragile beauty of the wild. Personally, it keeps me going. Professionally, it opens doors and connects me with creatives and conservationists around the world. KT: Is there one award that holds special meaning? Murad: Definitely. Being selected as a finalist in the 2025 BigPicture Natural World Photography Competition for my image 'No Eyes' — taken in Mongolia — was especially meaningful. The photo came after enduring a brutal snowstorm. It captured both the resilience of the animal and my own journey beyond limits. Being the only Arab finalist made it even more powerful. KT: What has wildlife photography taught you? Murad: Patience, humility and presence. Every animal has its own rhythm, and to photograph it, you have to tune in. I aim to tell a story — not just about the animal, but its environment, its struggle and its beauty. Stories spark empathy, and empathy leads to protection. KT: What advice do you have for aspiring wildlife photographers? Murad: Start close to home. You don't need to travel far to find wonder. Learn your subject's behavior, be patient and ethical and stay persistent. Most importantly, remember — photography isn't just about taking pictures; it's about making people feel something. KT: What's next for you? Murad: I'm preparing for a 21-day expedition to a snowy wilderness where I'll explore the intersection of ice, wildlife and motion. I'm also working on an article that explores my slow-shutter, abstract storytelling approach. Beyond that, I hope to keep pushing creative boundaries and inspire others from the Middle East — and beyond — to tell their own wild stories.

Kuwait Times
2 days ago
- Kuwait Times
Kuwait Entertainment City to attract global investors, operators
Kuwait Entertainment City to attract global investors, operators Cabinet reviews progress on long-delayed KD 200 million project KUWAIT: Kuwait's Cabinet reviewed progress of the Entertainment City project, a long-delayed project expected to boost tourism, create jobs and diversify the country's economy. In a joint briefing to the Cabinet on Tuesday, Sheikh Dr Meshaal Jaber Al-Ahmad Al-Sabah, Director General of the Kuwait Direct Investment Promotion Authority (KDIPA); Sheikh Saud Salem Abdulaziz Al-Sabah, Managing Director of the Kuwait Investment Authority (KIA); and Sheikh Mohammad Salman Hamoud Al-Sabah, Acting Director of the Asset Monitoring Unit in the General Reserve Sector, outlined the government's updated vision for the Entertainment City project. They described the planned development as 'a community service and a major tourism destination that will help stimulate Kuwait's economy.' They added: 'Once the necessary implementation steps are completed, the project will attract top-tier international companies to invest in and operate this landmark tourism site.' This week's discussion follows the Cabinet's directive in December 2024, which formally called for accelerating execution of the project — originally launched nearly a decade ago. Entertainment City, once a flagship amusement park, was closed in 2016 for renovation and redevelopment. The site, located in Doha, was later approved by the Municipal Council for expansion to 2.65 million square meters. Over the years, multiple government decisions — in 2019 and again in 2024 — refined the scope of the project and approved environmental assessments and zoning adjustments. Most recently, in July 2024, the Municipal Council agreed to transfer project oversight to the KIA, allowing the agency to manage site adaptation and investment terms. According to feasibility studies, the new Entertainment City is expected to cost around KD 200 million, contribute KD 85 million to Kuwait's GDP by 2035, and generate 4,000 jobs. It is also projected to attract up to 900,000 visitors annually by 2030. The Kuwait Touristic Enterprises Company, a state-owned entity, has assembled a consultancy team to explore design and operational models with the goal of maximizing long-term economic return and attracting foreign expertise. — Agencies