
Cheech and Chong ride once more
NEW YORK (AP) — The irony tickles Cheech and Chong: The Palisades fire smoked them out of their homes.
'I had to de-smoke my house,' Tommy Chong says, giggling. 'Can you imagine that?'
Chong and Cheech Marin 's houses, both in the Pacific Palisades, didn't burn down. But as two of the few homes left standing ('We're under suspicion,' jokes Chong), they've been uprooted.
But being on the road has always been a more natural state for Marin and Chong. No comic act has ever gotten so much mileage out of driving nowhere in particular. In their new movie, 'Cheech & Chong's Last Movie' (in theaters Friday), they reflect on their odd journey while cruising through the desert, looking for a place called The Joint.
Marin, who grew up in Watts the son of an LAPD police officer, met Chong, whose father was Chinese and whose mother was Scotch Irish, after fleeing to Canada to avoid the Vietnam War draft. They met through an improv troupe and immediately felt a rare kinship.
'He's the eggroll, I'm the taquito,' laughs Marin.
Their stand-up tours made them counterculture icons. They opened for the Rolling Stones. Bruce Springsteen opened for them. Their comedy albums made them rock stars, and their films — including 1978's 'Up in Smoke' — made them ubiquitous stoner archetypes.
'Our whole getting together was very auspicious,' Chong says. 'It was designed by god for us to be here.'
'Personally,' adds Marin, smiling. 'God told us.'
But despite their buddy-buddy routine, Marin and Chong weren't always the best of friends. After squabbles over credit, they split in the 1980s and saw little of each other for 20 years. In 2003, Chong was incarcerated for nine months for trafficking in illegal drug paraphernalia. He calls his spell in federal prison the best time of his life.
Yet Cheech and Chong, a double act to rival Laurel and Hardy, has proven remarkably durable — and profitable. With the legalization of marijuana in many states, they preside over a flourishing weed business. (Sample tagline: 'Get high with the legends.') For a pair of stoners that few would have forecast longevity, they're not just made it to old age — Marin is 78, Chong is 86 — they look great. And they laugh just as much as they used to.
They've maybe even grown wiser, too. As Chong explained over breakfast, they're reluctant to talk politics. 'We're very deportable,' he said with a grin.
AP: How was it to see your lives laid out in the movie?
CHEECH: I wish they had done even more on our early days because we were trying to figure out who each other were. 'What are you? How come you're named Chong?'
CHONG: The thing is, he was a fugitive. So in order to come into the States, he had to take a chance. He had already snuck up to Canada. The next thing you know, he meets me and we're going back to the States!
CHEECH: I was wanted in the U.S. I came back in the U.S with a phony ID: my friends' driver's license. It was his picture on it. 'OK, that's me.' 'Brown, check. Go ahead.'
CHONG: They weren't suspecting a Mexican sneaking in from Canada.
AP: People forget how big you were as a stand-up act. You were rock 'n roll comedians before that was a thing.
CHONG: We made up a whole genre of language.
CHEECH: Put this in your article: We should be in the Rock & Roll Hall of Fame. That should be the first sentence.
CHONG: We f— up the comedy scene. We had people scrambling.
AP: Who were some of the people you enjoyed hanging out with back then?
CHEECH: Timothy Leary would come over and stay with me by the beach. He was a great astronomer and knew everything about the constellations.
CHONG: We used to meet on the road sometimes. One time we got in a big discussion. His thing was: We gotta get on a spaceship. This Earth is getting messed up. I said Tim, 'We're on a spaceship. The best spaceship you can imagine!' And you know what he said to me? 'Oh, you sound just like John Lennon.'
AP: Weed is legal is many places, but do you find it harder to find the anti-authoritarian spirit that accompanied it back in the '60s?
CHONG: What I've known all my life is the racist policies that are now illegal were once the norm around the world. We grew up in a world where America wouldn't let a boatload of Jews dock in America. And this is after Hitler was defeated. These are human beings!
AP: How has old age changed you?
CHONG: Like anything, you have to age gracefully. That's what I learned. The older I get, the less I speak because you put your foot in your mouth every time you open it. Me, especially. I say things before I think them.
CHEECH: Really? Really? No!
CHONG: F— off.
AP: You sound to me just like you always did.
CHONG: It's ordained. It comes from the Power. I think what it was when I was younger and the guy that operated the jazz club came up to me and handed me a Lenny Bruce record and a joint. Oh, OK. Now I know what I gotta do with the rest of my life. And I've been doing it. But he didn't say anything about meeting a Mexican.
AP: Why do you think you two went together so well?
CHEECH: We had the same background frame of reference. We knew about the same things. We were both kind of outsiders and we had the same kind of sense of humor.
CHONG: I've always been an instigator. I always hung with the craziest guy in the class, and quietly tell the guy what to do. He'd get in trouble. So when I met Cheech, it was a natural.
AP: After you split up, what brought you back together?
CHEECH: Money.
CHONG: My son, Paris. He arranged for us to meet, and the meeting didn't really go that well. I hadn't seen him for years. I sent an email saying it was nice seeing you. My son intercepted the email and wrote his own letter. He wrote: 'Yeah, I'm looking forward to working with you again. Let's get together and rehearse.' The next thing I know, I get a call from my son: 'Cheech is coming over.' The rehearsal was like: 'How you doin'? So we got a gig? When? I'll see you there.' And that was it. When we got on stage — we hadn't been on stage for like 20 years — boom, like we had never been apart.
AP: You must be making a lot of money from selling weed now. Has that been good?
CHEECH: Very.
CHONG: Oh, incredible. Not quite as good as they touted, what they sold us on. We haven't reached that point yet
CHEECH: But we're approaching it.
CHONG: Especially with this movie, wow.
CHEECH: It's going to win three Academy Awards. It's already won three Academy Awards.
AP: To you, are there any downsides to the legalization of weed? It used to be a more rebellious subculture.
CHONG: The cell phone freed us all. You can get your jolt on your cell phone. I'm more flexible when it comes to personal appearances. There was a time when Cheech and I, because we had that reputation, I didn't ever want to spoil anybody's hopes or fears. There were quite a few shows we weren't allowed on. And I understand, I respect those shows. They didn't want to be changed by us. Because we have a habit of changing s—.
AP: Like what? Like Johnny Carson?
CHEECH: We were never on Carson. Freddy de Cordova was the producer there.
CHONG: And he was a big pot head and didn't want to get outed. All those guys. Johnny Carson.
AP: You existed in an odd place. You weren't quite allowed in the mainstream, but the mainstream found you.
Cheech: We were the new mainstream. We were showing what the mainstream actually looked like.
AP: Are you glad you got back together?
CHONG: He never wanted to break up but he always wanted to be able to do his thing. I've always been the dominant guy. It's not so much because I'm better, it's because I'm only good at certain things. I've always felt our job was to stay with the plot. That's why we never went any further than pot, as far as drugs. And, if we did in the movies, it never turned out that well. We always had Cheech's obsession with the opposite sex and my obsession with getting high. It just made everybody comfortable.
During Elections
Get campaign news, insight, analysis and commentary delivered to your inbox during Canada's 2025 election.
CHEECH: It was fun and it was going to be lucrative. And it was. We did stage (work) for another eight or 10 years.
CHONG: Fifty-some odd years! We've been together longer than he's been with his wife and I've been with my wife. It's something. Chances are, we'll still be together when he gets another wife.
AP: This is being billed as your last movie, but it doesn't seem like that's necessarily the case.
CHEECH: It's not necessarily. I don't know why they named it that. Anything can happen with Cheech and Chong. I think it's unlikely, but who knows. This last movie was unlikely.
CHONG: I kind of compare it to Cher's goodbye tour because she's had, what, 18 of 'em? People ask me how do you want to be remembered. I like how we're remembered now. When people think of Cheech and Chong, they smile. So I want to be remembered with a smile.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Japan Forward
2 hours ago
- Japan Forward
Be a Global Catalyst for Communications
このページを 日本語 で読む JAPAN Forward has launched "Ignite," a series to share the voices of students in Japan in English. How do they see the world, and what insights will they share with us? Individually and collectively, today's students will shape our global future. Let's listen. This first essay, along with the four that follow, introduces the winning works of the Institute for International Business Communication (IIBC) high school student English essay contest. In its 17th year, the nationwide contest has been held annually since 2009. The first essay, by Ashiya Gakuen Senior High School student Tetsu Den, follows. First in the Series, 'Ignite' In the gloomy cabin of the airplane, I was tormented by extreme nervousness. "How will I get through this three-week homestay?" My head was filled with the stories I'd read recently about other Asian people's negative experiences abroad. No sooner had we arrived than the glare of the sun was shining on our Canadian host families. Suddenly, a man wearing a blue shirt came running over, calling my name. "Hi, Tetsu! I finally found you." It was my host father. On our way home, I felt extremely uncomfortable in the awkward situation. My fatigue after the flight and the tension of meeting someone new hindered conversation with him. Finally, his first question broke the silence. "Hey, where are you from? How is life in your country?" His eager eyes and attitude showed me his tolerance and generosity. I overcame my hesitation and said, "Actually, I'm not Japanese, but I was brought up in Japan. My father is Chinese, and my mother is Korean. So, I have had some linguistic and identification problems in Japan, but my life there is fulfilling and..." Before my next words, he immediately interjected, "Wow! So do you speak four languages: English, Japanese, Chinese, and Korean?" I nodded. "That's amazing! You're so multicultural! I think that someday you'll be a diplomat." His admiration was unexpected, and his words cleared away the fog of my worries. [Then] I realized that I had been susceptible to social media stories about national biases. I had read that a lot of people overseas blamed all Asians for COVID-19, and I was braced for intolerance in Canada. Tetsu Den, winner of the Grand Prize and America-Japan Society President's Award for his English essay. Den wrote about what he learned from a homestay in Canada. (©IIBC) Before this trip, I had been struggling with my two national identities: Chinese and Korean. It was the biggest anxiety in my life. Living in Japan makes things even more complex. I've often seen examples in the morning news of the volatile relationship between these three nations – historical problems such as the territorial disputes, as well as economic matters. Sometimes in the morning, the first thing I hear isn't my parents' warm greeting but harsh criticism of China and Korea on the TV. Every time I heard such news, my heart dropped. At school in Japan, I worried about how my friends viewed me, and even when I visited China and Korea, I felt people were suspicious of my mixed heritage. To make things worse, due to COVID-19, discrimination against Asian people seemed to be fierce around the world. I thought there was no country where I could bare my complicated background freely. My host father was the first person to change that. The day after I arrived, my Canadian host father suggested we take a stroll. As we walked, I thanked him for his cheerful words in the car and explained how I had been afraid of going abroad. I told him, "The world might be prejudiced, but you're generous and fair." He thought I was flattering him and didn't think what he had said was special, but it was to me. We talked more about the cultural differences and similarities between our countries. At the end, he smiled. "You've made me realize how gullible I was. From now on I'll trust life experience over social media stories." I felt great accomplishment for rectifying his misunderstandings about Asian nations. My host father taught me that I should be proud of my diverse family history and the unique view of the world that having three home countries gives me. Also, I learned how hard it is to have an understanding free from media influence. At the same time, I realized how fair my Japanese friends have been, how unique my background is, and how blessed I am. I am convinced that any discord between nations can be relieved by communication, acceptance, and learning that we all have similar values. From now on, my life's duty is to be a global catalyst and bring people together. Tetsu Den won the 2023 Grand Prize and America-Japan Society President's Award for his English-language essay. At the time, he was a second-year student at Ashiya Gakuen Senior High School in Hyogo Prefecture. He explained his thoughts about the essay as follows: "I went to Canada this summer to study abroad as part of a school project. In this essay, I summarized my experiences of 'communication without borders' in Canada, a country known as a multinational nation, and my thoughts about my own background before studying abroad. When I wrote the essay, I seriously considered how I should be as an international person from now on, and was able to recognize once again the greatness of communication between different cultures. I am grateful to everyone who gave me such a fulfilling experience." Author: Tetsu Den, Ashiya Gakuen Senior High School, Hyogo Prefecture このページを 日本語 で読む


Winnipeg Free Press
6 hours ago
- Winnipeg Free Press
For back-to-back champ Panthers, the celebrations will continue before an important offseason begins
SUNRISE, Fla. (AP) — The Florida Panthers' Stanley Cup championship festivities have included an all-night celebration at a popular beach bar; crowd surfing, pole climbing and impromptu karaoke at a Miami nightclub; a Brad Marchand appearance at Dairy Queen; a few team dinners and a boat ride. That's just so far. They insist they've got more in them. 'We're not toning it down,' defenseman Aaron Ekblad said. 'We just won two Stanley Cups in a row. We deserve to have a good time.' The Panthers also partied hard after winning the franchise's first title a year ago. But some players have described those days as a surreal whirlwind of first-time experiences. This time around, the celebrations are different, as the reality of what they accomplished set in. 'There's a different feeling to it,' coach Paul Maurice said during the team's exit interviews on Saturday. 'Last year was more of a dream. … That's the right word. It was a dream come true. It was euphoric. This year, it was an achievement. It was hard. It was hard all year. It was hard at camp. There were just so many places that if we had broken at that point or failed we would've all understood — 'OK, we did our best. We just couldn't get it done.' We never let that happen.' The coaches' celebrations, Maurice noted, have been much more subdued compared to last year: They had their first post-championship dinner as a staff Friday night. They joined some players on a boat ride. 'I haven't had a hangover yet,' Maurice said, 'so way ahead of where I was last year.' Maurice heard about his players' celebrations from his wife, who has shown him a few viral social media posts here and there. Panthers captain Aleksander Barkov said they're giving themselves 'permission' to celebrate more freely this year because they have already been through the experience. 'And don't get me wrong, it's still amazing,' he added, 'but now everyone knows how to sit back a little and enjoy it, because last year was so hectic. Like it happened to you for the first time ever, and you had been dreaming about it for so long.' The Panthers in fact celebrated so hard that the Stanley Cup itself got a little banged up. The silver chalice that has endured bumps and bruises throughout its 131-year existence was cracked at the bottom of the bowl the night of Florida's clinching Game 6 win over Edmonton, though Barkov noted the team hasn't received any harsh reprimands from the keepers of the Cup or the Hockey Hall of Fame. 'I think they've seen worse,' he quipped. 'I think every year they have to fix some part of it. But yeah, don't be stupid. Don't take it to the ocean, stuff like that. We should know the rules by now.' The Panthers' championship parade will be on Fort Lauderdale Beach on Sunday — one of their last opportunities to celebrate together before the players disperse for the summer and general manager Bill Zito begins an important offseason. Free agency begins July 1, and while a good chunk of Florida's core — including Barkov and stars Matthew Tkachuk and Sam Reinhart — are already under long-term contracts, a few key contributors are set for free agency in Marchand, Ekblad and playoff MVP Sam Bennett. All three players have expressed their desire to stay in Florida. Bennett, who led all players with 15 postseason goals, said at the Miami nightclub E11even that he's not leaving. Marchand has publicly petitioned Zito to give him a contract. Ekblad, who was drafted by the Panthers in 2014, said Saturday that his representation has had conversations with the Panthers on a potential deal, but 'nothing material yet.' Winnipeg Jets Game Days On Winnipeg Jets game days, hockey writers Mike McIntyre and Ken Wiebe send news, notes and quotes from the morning skate, as well as injury updates and lineup decisions. Arrives a few hours prior to puck drop. 'I've spent 11 years here,' Ekblad said. 'It's home, and I expect it to be home.' Tkachuk, who will play in his fourth season with the Panthers next year, said he believes Florida's window to compete for titles remains wide open, and he hopes to compete with as many pieces from this year's run as possible. 'You're going to have a different roster each and every year,' he said, 'but hopefully the core of guys, we can continue building. With that being said, we've got some unbelievable players that are up for contracts that I hope they get every single cent they can because that's what you want for your best friends. It's time to cash in for some of those boys. Hopefully it's here.' ___ AP NHL:


Winnipeg Free Press
7 hours ago
- Winnipeg Free Press
Armani's global aesthetic shines in bohemian Emporio Armani show, though designer misses Milan bow
MILAN (AP) — Giorgio Armani's admiration for other cultures and global aesthetic was on full display at his latest Emporio Armani show, but the designer himself was notably absent. Armani, 90, skipped the customary bow at the Emporio Armani menswear preview for Spring-Summer 2026 during Milan Fashion Week on Saturday, as he recovers at home. His fashion house confirmed his convalescence in advance but did not provide details about his condition. Despite his absence, Armani was deeply involved in shaping the collection, his fashion house said, working closely with Leo Dell'Orco, his longtime menswear director, who took the final bow. Normally, Armani would have posed with the models at the end of the show — another signature moment missing. Bohemian cool for the world traveler The Emporio Armani collection carried a free-spirited, Bohemian air — a vision for the youthful adventurer who balances comfort with style, ornament with utility. Models sported braids or silver beads in their hair, and layered accessories: beaded necklaces, charms, tassels, and fringes. Jackets ranged from softly tailored with sweeping scarf collars — ideal for wind and sun protection — to intricately detailed styles with feather-light touches or loose weaves. Crafted textures and nomadic vibes Natural fabrics like crepe and linen, often left rough to the touch, contrasted with silky prints inspired by Moroccan mosaics. Trousers varied from gently pleated to dramatically ballooned, paired with long, embroidered tunics. The traveler's ensemble was completed with crossbody bags, tapestry duffels, vintage-style suitcases, woven slippers, and straw hats worn low over the eyes, conjuring the image of a man journeying through sun-soaked lands. A sporty take on desert looks Wednesdays Columnist Jen Zoratti looks at what's next in arts, life and pop culture. For the EA7 Emporio Armani line — his sporty offshoot — Armani leaned into more technical textiles. A desert-inspired capsule collection played out against a soundtrack of howling wind, echoing the stark and elemental feel of the clothes as the models strode through the showroom, which was decorated with sheer curtains. A tribute to Armani's aesthetic origins The show notes described the collection as 'a moment of introspection and identity. Not to pause in contemplation, but to channel new energy into moving forward, while conscious of one's own origins.' Armani returns to 'shapes and attitudes that have always been present, returning to a founding principle of his aesthetic: A genuine interest in other cultures,'' the notes said. Front-row guests included Olympic champion sprinter Marcell Jacobs, actors André Lamoglia, from the Netflix series 'Elite,' and Michael Cooper Jr., currently starring in the Netflix series 'Forever,'' and NBA players Kawhi Leonard of the Los Angeles Clippers and Anthony Black of the Orlando Magic.