Kate Middleton just wore these surprisingly affordable earrings
The Princess of Wales consistently demonstrates her sartorial flair. At a solo visit to the V&A East Storehouse (part of the V&A Museum group) on Tuesday (10 June), she proved her styling skills once more and looked every bit regal. The princess, who studied art history, rewore a sleek navy trouser suit by Alexander McQueen for her private tour of the museum.
Kate Middleton paired the two-piece with a pair of earrings from British brand Carousel Jewels. Much like her suit, she has worn the drop studs in the past, notably in 2022 at an Easter Sunday service. True to the 'Kate effect', they sold out almost immediately.
While it's fair to assume that most of Kate's jewellery collection is unattainable, she frequently plumps for reasonably-priced jewels to compliment her outfits, and the latest piece is no exception. If you missed out on the jewellery piece in 2022, it's good news because the earrings are available to buy now.
The ethos behind British brand Carousel Jewels is creating jewellery that is 'meaningful, memorable, and responsibly made', which is reflected in all of its handmade designs. Using precious and semi-precious stones in its playful designs, there's a piece for every occasion.
Much like the rest of the brand's collection, the gold-plated earrings that Kate wore are handmade. The blue lapis stone is complimented by the milky blue hue of the moonstone to create an eye-catching finish. The chic style can be tailored to suit any occasion.
Owing to popularity, you are in for a little wait before you can get your hands on them. The earrings are available to pre-order with delivery expected in five weeks. However, they will be well worth the wait.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
BBC News
25 minutes ago
- BBC News
The Tooney & Russo Show Inside Their Homes: Comforts, Cooking & Decor Secrets
Vick gets personal with Ella Toone and Alessia Russo, uncovering their home essentials, fridge must-haves, and signature dishes - including Tooney's go-to meal. Vick also shares why her childhood teddy, 'Snowy,' still means so much to her. The trio reveals their very different approaches to home decor, plus a nostalgic look back at the time Ella and Alessia shared a house in Manchester - where Tooney's obsession with Eton Mess truly began!
Telegraph
27 minutes ago
- Telegraph
Campaign begins to save Turner oil painting
A campaign to bring one of the earliest works by JMW Turner back to Bristol has begun. The Rising Squall, Hot Wells, from St Vincent's Rock, Bristol, had remained tucked away in private collections since it was last exhibited in Tasmania, Australia, in 1858. Last year, it was authenticated as a pivotal early work by Turner after the artist's signature was discovered during cleaning. The piece, depicting the Avon Gorge before the Clifton Suspension Bridge was built, was the first oil painting exhibited by Turner at the Royal Academy in 1793, when he was 18. Bristol Museum and Art Gallery is now keen to acquire the work, believed to be the only Turner oil painting of the city. Bring Turner Home It has launched a one-week public fundraising campaign, called Bring Turner Home, to raise £100,000 towards the purchase of the painting, which will go under the hammer at Sotheby's on July 2. If the bid is successful, the piece will become part of Bristol's public collection and go on display this summer. Philip Walker, the head of culture and creative industries at Bristol city council, said: 'This is a once-in-a-lifetime opportunity to bring a lost masterpiece back to Bristol, a painting that connects our city to one of the greatest artists in history at a defining moment in his life. 'Turner painted this scene when he was just 17, inspired by the dramatic beauty of the Avon Gorge. Now, over two centuries later, we have the chance to bring it home where it can belong to everyone. We want this painting to be part of the city's story, accessible to all and inspiring to future generations. 'We know this is a hugely ambitious fundraising campaign, with a ridiculously small window to raise the money – but Bristol is internationally renowned for its art and culture, and we just can't miss the opportunity to try and go for it. It would be an absolute travesty if Bristol's lost Turner is sold to a private or overseas buyer.' The council is believed to be the only public bidder attempting to secure the piece, which has an estimate of £200,000 to £300,000. Public ownership Bristol Museum and Art Gallery aims to exhibit the piece in as early as August before it travels to Tate Britain for its major Turner and Constable exhibition in November. A council spokesman said: 'No council funding will be used to buy the painting. Instead, the museum is turning to the people of Bristol and supporters of art and heritage across the country to help raise the funds needed to ensure the painting remains in public ownership, rather than entering a private collection.' Turner painted The Rising Squall during a visit to Bristol in 1792. It is based on an on-the-spot drawing found in Turner's Bristol and Malmesbury sketchbook, which he used on a tour of the West Country in 1791, and a watercolour the following year. The piece was bought by the Rev Robert Nixon, an early supporter of Turner, with whom the artist used to stay. Early biographies of Turner record that the artist painted his first oil piece in Rev Nixon's house. Rev Nixon's son, the Rev Dr Francis Russell Nixon, Lord Bishop of Tasmania, inherited the painting before it was acquired by publisher Joseph Hogarth in the early 1860s. It went up for auction at Christie's in London in 1864 before going to a private collection in Northamptonshire, until it was anonymously sold in April last year. During that auction, at Dreweatts in Newbury, the piece was wrongly attributed to 'follower of Julius Caesar Ibbetson', an 18th-century artist. Restoration work then took place, revealing the signature 'W Turner' on the lower left of the canvas. Until that point, it had been believed that Turner's earliest exhibited oil painting was a piece known as Fisherman at Sea, which he exhibited at the Royal Academy in 1796.
BBC News
35 minutes ago
- BBC News
What you need to know for Chalke History Festival
Bringing everything from living history exhibits to traditional crafts and a soldier's march, the week-long Chalke History Festival kicks off again from 23 to 29 June it incorporates more than 175 experts, including big names like Kevin McCloud, Al Murray, Michael Palin and Ian exhibits and displays increase as the week goes on, including the chance to see armoured combat, all from a working farm in Broad Chalke, deep in the Wiltshire countryside near open at 16:15 BST on Monday and Tuesday, and 09:15 BST the rest of the week. What's on? From talks, living history and hands-on experiences to live music, children's activities and vivacious historians - organisers say there is something for everyone. There are also some new features this year, including a speakers tent that hosts 900 people and a new After Dark programme in a tent appropriately named 'The Henge' for its Wiltshire visitors will find music, but also speakers on monsters and are 158 events in the main programme four places for talks, they often happen simultaneously and range from ancient to modern history. Followers of history podcasts will recognise Tom Holland, while avid readers of historical fiction will recognise names like Kate Mosse and Tracy will also be Romans meeting World War Two soldiers in the living history, where people can see anything from smelting to cooking and are also numerous food and shopping stalls. How do I get there? The site is along Bury Lane in Broad Chalke near Salisbury, and its narrow roads means there is a one-way system in recommend allowing extra time for those driving and following the signs to the festival rather than a nearest railway station is Salisbury and it is about a 45 minute drive from number 29 bus has the nearest stop - at the church - leaving a third of a mile walk to the festival. It does not run on the Sunday however. How do I get tickets? Previous visitors will notice a change in the way tickets are issued this year. Instead of being for individual talks or just for going onto the site itself, they include everything except some extras like the wild west are day, evening, weekend and full week tickets, with the weekend usually the a whole week pass is £200, evening tickets (for after 16:15 BST on weekdays) are £29 and full day tickets are £58. There are discounts for students and children can get in are available online with some available on the day subject to availability, with camping and glamping an option too.
