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‘Another girl on the way': Faf and Miné de Klerk join the Springbok baby boom

‘Another girl on the way': Faf and Miné de Klerk join the Springbok baby boom

News2410-06-2025

Faf and Miné de Klerk announced in a playful Instagram post that they are expecting their second child, a girl.
The De Klerks are the third Springbok couple to announce a growing family, joining the Pollards and the Etzebeths this year.
Fans speculate cheerfully on future Springbok players with a flood of congratulatory messages for the couples.
Congratulations are in order for another Springbok couple, Faf and Miné de Klerk. The beautiful pair just announced a second pregnancy in a cute Instagram post.
'Surprise! We're growing the De Klerk team! Big Sister Duty: Pick the Faffie of our new teammate… another girl on the way,' Miné wrote. Take a look below:
View this post on Instagram
A post shared by Mine De Klerk (van Niekerk) (@minevanniekerk)
The couple, who married in a stunning Franschhoek wedding at La Paris Estate three years ago, already have a one-year-old daughter, Remi-Ré, who they welcomed into the world in February 2024.
The pair are the third Springbok couple to announce growing families this year alone.
Breaking the baby ice first was Handrè and Marise Pollard; the couple took to social media to share the news of their second pregnancy. Marise announced the news with an absolutely adorable family video that showed their son Hunter in a jumper that read 'brother.'
The post was captioned, 'Our little family is growing! Hunter is going to be a big brother in October, and we are beyond excited; God is so good.'
Not long afterwards, the Etzebeths - Eben and Anlia - also announced that they were, too, expecting.
Taking to Instagram, the singer announced they are expecting another little girl in a heartwarming post that reads, 'BabyEtzebeth#2 on the way! Can't wait to welcome our little wildflower girl!'
The pair are parents to a beautiful one-year-old whose name they have chosen not to disclose publicly.
Fans have shared thousands of well wishes with the rugby stars, who appear to be having a very fruitful year indeed. Many have been left wondering who the next rugby couple will be to announce a pregnancy, with others pondering whether or not these pregnancies have been pre-planned.

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Ezrom Legae And Art Under Apartheid At High Museum Of Art In Atlanta
Ezrom Legae And Art Under Apartheid At High Museum Of Art In Atlanta

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Ezrom Legae And Art Under Apartheid At High Museum Of Art In Atlanta

"Ezrom Legae: Beasts" installation view at the High Museum of Art in Atlanta. Mike Jensen They're animals. They're people. Stand-ins. Code. Black artists working under apartheid in South African didn't have the luxury of being literal. Artists living under or observing extreme cruelty have always used animals to represent people. Francisco Goya in Spain in the late 18th century. Picasso with the bombing of Guernica. Ezrom Legae (1938–1999). Not even the nerdiest of art nerds will know that name. The High Museum of Art in Atlanta hopes to change that, staging the South African's first major museum exhibition in the United States, 'Ezrom Legae: Beasts' through November 16, 2025. After apartheid was established in 1948, many artists in South Africa contended with its corresponding oppression and bodily violence by presenting the human figure in animal form or abstracting it. For them, animals traditionally sacrificed, such as goats and chickens, served as allegorical figures for activists who endured sacrificial violence and suffering under apartheid. South Africa's Indemnity Act of 1961 made it legal for police officers to commit acts of violence, to torture, or to kill in line of duty. Larger animals, such as bulls and contorted horse-like creatures, represented the autocratic government and agents of said violence. The High's exhibition focuses on Legae's own bestial compositions, with each work an imaginative study articulating the artist's political consciousness of his surroundings while living in South Africa's apartheid era. Legae was just 10 years old when he witnessed the National Party win federal elections and instill the system of racial and ethnic segregation that later became a centerpiece of his career's subject matter. 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There was a concern about people becoming vicious to each other now that they had their relative freedom, and were trying to sort out a new way of governing the growing pains of that.' Legae was also conscious of events around the continent in the 90s and motivated to comment on them. He visited Rwanda when his passport was returned to him following the demise of apartheid. He documented the aftermath of the 1994 Rwandan genocide through his drawings, again incorporating his bestial, animal-for-people representations. Exhibition loans come almost exclusively from South African institutions, including Johannesburg's Goodman Gallery which represented the artist in life and handles his estate today. Throughout their relationship, the gallery helped protect and defend Legae when he was arrested by the apartheid government, had Legae shows shut down by officials, and was targeted as being an enemy of the state itself for showing his work and hosting mixed-race gatherings. Kim Chong Hak Kim Chong Hak (Korean, born 1937),' Snowy Mountain,' 2008, acrylic on canvas, courtesy of the artist and the Kim Chong Hak Foundation. Kim Tang-Sae. © Kim Chong Hak. Along with South Africa, visitors at the High can also travel to South Korea this summer through the paintings of Kim Chong Hak (b. 1937; Sinuiju, Korea). 'Kim Chong Hak, Painter of Seoraksan,' through Oct. 26, 2025, features more than 70 works, including new acquisitions from the High's collection spanning the arc of Kim's mature career while presenting an aspect of Korean art in the late 20th century little known outside of South Korea. Like Legae, Kim is virtually unknown in the United States despite being a prominent voice in his home country where he's popularly known as 'the painter of Mount Seorak,' the highest peak in South Korea's Taebaek mountain range. This represents his first American museum exhibition. 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In conjunction with the exhibition, the Alliance Theatre at the Woodruff Arts Center presents 'Rhythm & Thread' through August, a theatrical show for young audiences inspired by Faith Ringgold's quilts that will celebrate family, imagination, and the beauty of storytelling through the art of quilting. More From Forbes Forbes Contemporary West African Masquerade Comes To New Orleans By Chadd Scott Forbes Cincinnati's Taft Museum Shares First Generation Of Modern African Art To Reach America By Chadd Scott Forbes Jacob Lawrence 'Nigeria' Series Together Again For First Time Since 1965 By Chadd Scott

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