logo
CJ Hendry rejects the ‘high-end' art world. Maybe that's why her works sell for $300k

CJ Hendry rejects the ‘high-end' art world. Maybe that's why her works sell for $300k

The Age5 days ago

Everything old is new again is not just a song written by the late Peter Allen. It's also a concept embodied, in more ways than one, by another great Australian export.
CJ Hendry has built a cult following with her hyperrealistic reinterpretations of the ordinary, elevating sneakers, wigs, crumpled-up dollar bills and more from bric-à-brac to priceless works of art. But the fact the South African-born, Brisbane-raised, self-described 'bogan' had to move overseas to cultivate her years-long waitlist is a symptom of a centuries-long debate.
'What I find interesting about the art world [is] it's so high end, it's so unattainable, it's so unrealistic ... and why I love drawing everyday objects is because they're just so ordinary, and they're so attainable for everyone,' Hendry says before a babbling three-year-old temporarily takes over our meeting.
It's 8pm in New York City, where Hendry has lived for 10 years, most recently with her partner and their three children in Brooklyn. Unperturbed by her toddler now climbing all over her, Hendry – who notably secured pre-controversies Kanye West as an early client by side-stepping galleries and going direct to consumers with social media – powers on.
'I'm just a normal cat who likes really basic things, and what I like is spending extraordinary amounts of time like elevating them to a point that they shouldn't really be elevated,' Hendry says. 'These are just plastic bags, which are worthless, and so you're kind of taking something worthless and making them into like, $200,000, $300,000 works of art.'
Do not balk at that price tag, nor use it to label Hendry a hypocrite. After all, not everyone needs to pay it for a Hendry original to come into their possession.
Last year, Hendry sent swathes on a scavenger hunt across Brisbane, Sydney and Melbourne for limited-edition wheelie bins. That came six years after the quest for her infamous ' Copyright Infringement – Trash Only ' mystery T-shirt boxes, randomly scattered across The Big Apple for fans to find and keep for free following Hendry receiving a threat of being sued 'to Timbuktu'. They can now fetch enterprising culture vultures hundreds of dollars on eBay.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Katy Perry snapped in Peter Alexander bear onesie with daughter at Luna Park in Sydney
Katy Perry snapped in Peter Alexander bear onesie with daughter at Luna Park in Sydney

West Australian

time6 hours ago

  • West Australian

Katy Perry snapped in Peter Alexander bear onesie with daughter at Luna Park in Sydney

It is not uncommon to spot a onesie-wearing Australian in the colder months down under but an American superstar has joined in the trend while on tour. Snapped at Luna Park in Sydney, pop superstar Katy Perry was seen in an Aussie designer's fluffy offering looking calm, collected and super comfy. The showbiz queen clearly has good taste as the onesie was from none other than Australian sleepwear king Peter Alexander's collection. So chuffed was the designer he shared the pic on his official Instagram account. While a large portion of Australians go to bed wrapped in Alexander's sleepwear, it is nice to know he has an international following too. The fluffy bear onesie appears to be a popular choice and is sold out online with some children's sizes available. The adorable snap also captured Perry holding the hand of her daughter, Daisy Dove Bloom, whose father is Hollywood superstar Orlando Bloom — Perry's partner since 2016. Days after the Californian diva had a security scare when an audience member charged the stage at her sold-out Qudos Bank Arena show in Sydney, news has surfaced that the A-list couple's relationship may be on the rocks. The couple are contending with rumours of a potential split following Daily Mail reports Perry was spotted without her wedding ring on the tour and following tensions created around the flop of her 2024 album 143. 'Orlando and I, when we argue, we argue kinda hot and fast and then cool really quickly. It's like, 'La la la la la, I love you. Alright, let's move on,'' the pop superstar previously said in 2024. She also mentioned the impact that their domestic blow-ups had on their four-year-old daughter Daisy. 'We are fire, fire, fire, and so [Daisy] sees all of that,' Ms Perry said. 'He's a real sage. We both have parts of ourselves. There's two parts of us, our highest good, and then our carnal, material self. Ego. When the ego is running the show, then it's like, 'Whoa.' But when that's in check, then we're both something else.'' Mr Bloom, who is in New York for the Tribeca Film Festival, has spoken previously about the challenging moments in their partnership. 'Sometimes things are really, really, really, challenging. I won't lie. We definitely battle with our emotions and creativity.' Perry is currently in Melbourne before her tour heads to Brisbane, Perth and Adelaide.

Bruce Springsteen explains why he felt 'capable of handling' fame at the height of his career
Bruce Springsteen explains why he felt 'capable of handling' fame at the height of his career

Perth Now

time6 hours ago

  • Perth Now

Bruce Springsteen explains why he felt 'capable of handling' fame at the height of his career

Bruce Springsteen felt "capable of handling" fame when he was at the height of his career. The 75-year-old rock legend first enjoyed success with his Born To Run record in the mid-1970s and then had a major resurgence with Born in the U.S.A. a decade later, and admitted that while he had "no particular interest" in staying at that level of fame, it was a "cool thing" at the time. He told The Sunday Times: "Well, I was 35. I had previous experience [of fame] at 25, so I was capable of handling the moment. Ninety per cent I enjoyed the ride, 10 per cent of it was stressful, and my take on it now is that it was a cool thing to be at the height of the cultural conversation in the pop world for a while. I just didn't have any particular interest in staying there. That's a fool's game." The Dancing in the Dark hitmaker also fronts the E Street Band but now lives in New Jersey with his wife and co-star Patti Scialfa - with whom he has Evan, 34, Jessica, 33, as well as 31-year-old Samuel - and inisisted that the kind of work he does now is more "important than the money" about more about "writing great" music. He said: "Of course, and I was lucky enough to have Elvis, the Beatles and Bob Dylan, to follow in their footsteps — or not follow in their footsteps. From there I learnt how important it was not to lose focus on who I am or the work I'm doing. It's more important than the money, although it's great to get paid well. It's more important than the fame, although that can be fun too, and a nuisance on occasion. I simply wanted to write great songs, play great shows and have a conversation with a great audience. It is what I've dedicated my life to doing.'

Concert tickets prices are skyrocketing. Fans have come up with a worrying solution
Concert tickets prices are skyrocketing. Fans have come up with a worrying solution

Sydney Morning Herald

time10 hours ago

  • Sydney Morning Herald

Concert tickets prices are skyrocketing. Fans have come up with a worrying solution

When Bianca Wilmott wanted to surprise her boyfriend with two expensive tickets to Lady Gaga's coming Australian tour, she knew exactly how she was going to do it. The 32-year-old social media manager from Sydney's inner west turned to the buy now, pay later (BNPL) service Afterpay to cover the cost of her two $600 tickets. 'It's part of my budgeting, to be able to split the payment up … I wouldn't have [purchased tickets without Afterpay] because I wouldn't have wanted to make that big payment in one go,' says Wilmott, who was one of 11,500 people to purchase Lady Gaga tickets through the BNPL platform. Data provided by Afterpay showed that 1.5 million transactions were made in live entertainment in Australia over the 12 months to April 2025 amid a flurry of big international acts such as Katy Perry, Billie Eilish, Dua Lipa and Olivia Rodrigo, as well as our own Kylie Minogue. Later this year there's Gaga, Metallica, Kendrick Lamar, Bad Bunny, Oasis and Usher. And tickets are getting more expensive – last year, a Live Performance Australia report revealed that the average price for a concert ticket rose from $87.01 in 2022 to $128.21 in 2023. And a report by Music Australia this year found that 'despite feeling less financially secure, young Australians are spending larger sums on entertainment and leisure in 2024 than they were in 2019' and are increasingly purchasing last-minute tickets that might 'break the bank'. Loading The report, titled Listening In: Insights on live music attendance, found that young people were driven by FOMO – fear of missing out – when it came to shelling out for international touring artists, often to the detriment of ticket sales for local talent. A fall in ticket sales for pub and club concerts, often featuring emerging artists, corresponded 'with a spate of big international acts touring Australia after the pandemic', the report says. While the report did not address how audiences bought tickets, it did find that 79 per cent of under 24s had saved money to purchase concert tickets, compared with 31 per cent of those over 40.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store