Nehha Pendse dazzles at Cannes 2025: A tribute to timeless glamour and personal growth
Nehha Pendse made a graceful and powerful statement at her debut Cannes appearance in 2025, turning heads with a look that married timeless sophistication with a distinctly modern edge. The television star, best known for her roles in Bhabi Ji Ghar Par Hai and May I Come In Madam?, described her Cannes ensemble as a tribute to iconic style and a celebration of her personal transformation.
Recently, Pendse stepped onto the prestigious red carpet at the Chopard event, marking a dream-come-true moment for the actress. Her ensemble — a sleek black gown designed by Rudraksha Trivedi and Dvivedi — channeled the spirit of old Hollywood glamour with its open neckline and tailored silhouette. The look was elevated by Chopard's signature luxurious jewels, making Pendse a standout at the star-studded festival.
'Since it was Chopard, I wanted to wear something that felt unapologetically glamorous,' she said. 'This black dress just did it all — an open neckline, a fitted silhouette, and that unmistakable air of Old Hollywood.'
The actress emphasized the importance of authenticity in fashion, explaining that for her, fashion is not just about wearing trends but owning them with confidence. 'It made me feel powerful yet feminine, classic yet current,' she reflected. 'When the elegance of a timeless look meets the confidence of modern femininity, that's where the magic really happens.'
Pendse's look was not just a fashion moment but a symbol of her journey. From starting as a child actor in the 1995 horror series Captain House to earning a loyal fanbase through iconic Hindi TV roles, her Cannes debut was an emotional and empowering milestone.
'In all honesty, the Cannes red carpet expects personality with fashion,' she shared. 'The key is not to lose yourself in the sea of fashion. It was truly a dream come true — a place where the best of cinema and fashion come together. It's overwhelming and absolutely fulfilling to play even a small part in this big story.'
With her poised presence and a look that struck a perfect balance between nostalgia and modernity, Nehha Pendse didn't just walk the red carpet — she owned it, leaving behind a memorable impression at Cannes 2025.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Hindustan Times
17 minutes ago
- Hindustan Times
5 Kajol movies to watch on OTT before her spine-chilling horror film Maa
Bollywood actress Kajol is set to mark her debut in the horror genre with a promising, bone-chilling mythological thriller titled Maa. With a stellar career spanning more than three decades, Kajol is among the finest actresses of Hindi cinema, and her diverse filmography reflects on her talent and mesmerizing on-screen presence. From romantic dramas to thrillers and action, Kajol has effortlessly nailed each character. The dusky beauty is now gearing up to add another feather in her hat with the upcoming horror film Maa. Ahead of its premiere on June 27, here are Kajol's other top films that make for an engaging watch and are also available to watch on OTTplay Premium. Kajol in Maa Before Maa hit the screens, catch other intriguing horror films like Raat, U-turn, Bhoothakaalam on OTTplay Premium Helmed by Guddu Dhanoa, this action and crime drama film stars Kajol as a news reporter who teams up with an ex-convict to bring him justice. Ajay Devgn plays a falsely convicted man who sets out to avenge the wrongdoers after losing his family and lover. Amrish Puri also appears in a pivotal role as he essays a police officer. Salaam Venky Revathi's slice-of-life drama film about euthanasia features Kajol as the doting mother of the eponymous son (played by Vishal Jethwa). This inspirational film, based on a true story, follows the journey of a mother who fights against societal norms and fate to bring joy to her son, who suffers from Duchenne muscular dystrophy. The movie sheds light on resilience and the zeal to live life to the fullest. Devi Anchored by Kajol and Shruti Haasan, this riveting suspense drama short film garnered acclaim for its narrative and performances. Packed with a diverse ensemble cast, this mystery film traces nine women who all are victims of sexual assault and live together in one room outside the claws of the brutal outer world. Toonpur Ka Superhero Kireet Khurana's live-action animated film features the power duo of real-life couple Kajol and Ajay Devgn. The story is centered around an actor who is loved by the masses after playing a superhero onscreen. Things take a magical turn when he gets unwittingly tangled in a cartoon world and embarks on a thrilling journey to save Devtoons from the evil Toonasaurs. Kajol, who plays Ajay's wife in this feature film, also joins him on this crazy adventure ride with their kids. Udhaar Ki Zindagi This 90s drama film revolves around the life of an authoritarian father who refuses to accept the love marriage of his son and asks him to leave. However, fate takes an unexpected turn when the NRI son promises to return but instead sends only his daughter to her grandparents. Jeetendra plays the strict patriarch with Kajol as his granddaughter Seeta. Moushumi Chatterjee also appears in a supporting role. Kajol in Maa Meanwhile, Kajol is in full swing for the promotion of her upcoming horror flick Maa. She essays the role of a protective and doting mother who goes against the odds to protect her daughter from the evil supernatural forces while fighting a dreary demonic curse. Set in a cursed village, this horror film blends Hindu mythology and supernatural phenomena.
Time of India
25 minutes ago
- Time of India
Cannes Lions 2025: Roars of success or whispers of doubt?
On Saturday morning, KV Sridhar , popularly known as Pops in the advertising world, posted on LinkedIn a poster: ' Cannes is the new Goafest .' IYKYK. However, the sub-text in Sridhar's message merely celebrated India's continued success on the global stage, noting the country's impressive haul of 32 Lions at Cannes 2025. Sridhar was not alone in his reflections. Naresh Gupta , co-founder, Bang in the Middle, was more direct. Questioning the legitimacy of some wins, Gupta's post on social media said, 'Cannes is over and some Lions have roared, or have they?' He specifically called out campaigns that won big but whose real-world impact or even existence appeared questionable. The campaigns under his scrutiny included FCB India's Grand Prix-winning Lucky Yatra for Indian Railways, which he alleged, barely ran; Talented's Silver-winning Nature Shapes Britannia, whose sustainability impact he questioned; and Havas's Gold-winning Ink of Democracy for TOI. This isn't the first time winners at Cannes Lions have faced scrutiny. In fact, during this year's edition, Cannes Lions itself is investigating São Paulo-based DM9, a 2025 Creative Data Grand Prix winner, for allegedly submitting a doctored case study video for their "Efficient Way to Pay" campaign. This global precedent, involving falsified testimonials and misattributed content, highlights a systemic vulnerability. Oversight or Calculated Risk? So, where did Indian agencies possibly falter? Was it an innocent oversight, or something more calculated? Or could this be an attempt to outsmart global juries who may not fully understand the nuances of the Indian market? Gupta didn't mince words. 'This isn't a case of oversight from the agencies; it's a well-thought-through strategy,' he asserted. Gupta pointed out that this practice isn't new. 'It has been happening for a while. People notice, conversations happen, and then it fades until the next time.' Speaking about FCB India's Lucky Yatra campaign, Gupta didn't hold back. According to him, the campaign is a 'scam.' 'It never really happened,' he said. 'The idea may have been pitched, someone may have given it a name, but it was discontinued almost as soon as it began. I don't even think it was fully executed. Yet, somehow, it won a Grand Prix.' But reports in sections of media highlight that the campaign ran for three months and was stopped, ironically a day before Cannes Lions, after it generated an extremely poor response. (ETBrandEquity has reached out to FCB India for their comments and the story will be updated once we hear back from them.) Gupta further pointed out that many of these entries are crafted specifically to win international awards, tailored to appeal to global juries. 'It's all about gloss, polish, and creating the kind of activity that tends to win more awards,' he commented. 'Just look at FCB winning a Gold for PR. That's when you know things have been packaged very cleverly.' Pops shared a perspective on the increased scrutiny that follows major wins in the advertising industry. According to him, success naturally draws attention, and rather than focusing solely on what went wrong, it's more productive to think about how to improve going forward. 'If you have big ambitions and are 'greedy' for awards, then you need to do a lot of groundwork carefully and honestly,' he advised. He highlighted the problem of exaggerated claims in award entries, referencing recent controversies. 'It's completely unbelievable to say that one print ad, published for a single day in just two cities, changed voter turnout across the entire country. That's not how deeply rooted behaviour changes. These kinds of claims might seem harmless when made in the excitement of writing a case study, but if you win with a false story, it will eventually come back to bite you. These things should be sorted out much earlier in the process.' Pops explained that great campaigns rely on two essential elements: the core creative idea and the execution. While the idea itself may be brilliant, the results and impact depend on factors like budget, client support, and media reach, which are not always within the creative team's control. A truly breakthrough campaign, he stressed, requires full collaboration across teams and stakeholders. Another campaign facing criticism was the Nature Shapes Britannia campaign. The premise that four billboards could "save the world" raised eyebrows. According to experts, had it won in categories like Outdoor or Craft, it might have been more defensible. But winning in Sustainability? That's where credibility began to erode. In a joint statement, Britannia and Talented acknowledged the recent criticism, emphasising, "At Britannia, we always value insights from experts, and constructive criticism is crucial in helping us grow and align better with the values we wish to uphold." They agreed that the company is "at the nascent stage of its sustainability journey." The campaign's intent, the statement read, "was to share with our consumers that we are taking deliberate, albeit small steps toward a more sustainable future. While we understand that we are far from being a benchmark in sustainability, our goal is to be transparent about our progress and inspire collective action." Regarding the sustainability report , Britannia explained that the document evaluated in the recent discussion was their statutory Annual Report. They urged attention to their Sustainability Report, published last year, which provides a detailed explanation for observed increases in numbers. This increase, they noted, correlates with an expansion of their operations and an extended reporting boundary. Britannia reiterated their commitment to continuous improvement: "Each year, as our operations scale, we strive to be more mindful of the resources we use and the impact we create. Sustainability is not a destination but a journey, and we are dedicated to making meaningful strides along the way." A System Under Scrutiny According to Gupta, the responsibility lies squarely with the jury and the organisers. 'If they started to look at these submissions more carefully and deeply, this wouldn't happen. They don't do their due diligence. Someone on the jury from South America won't know what happened in India. They will only know what's been submitted, and the submission can sound absolutely perfect,' he stated. Gupta believes that without a proper vetting mechanism in place, these issues will keep recurring. Pops offered a contrasting but related perspective. He noted that it's primarily the fault of the agency to construct a false narrative. Juries, to some extent, rely on the information provided in the case study. He said, "If a case study claims a huge impact for a campaign, that's a compelling narrative for any jury. The jury relies on what's presented. While organisers might check after a Grand Prix win, ultimately, it's the agency's responsibility to be truthful." Another industry leader observed that juries often evaluate entries based on the strength of the creative idea, without thoroughly validating the claimed impact. 'I don't blame creative ambition entirely,' he said. 'A significant part of the problem is the pressure that agencies and global holding companies put on teams. There's often a push to inflate a small idea into something larger just to win awards. It might lead to a trophy in the short term, but over time, it undermines the credibility of the entire industry.'
Hindustan Times
27 minutes ago
- Hindustan Times
5 Best films exploring village life to stream on OTT before Panchayat Season 4
Panchayat Season 4 which was originally scheduled for a July 2 release, now can be enjoyed on June 24. The makers announced that the series is coming earlier than the scheduled time by sharing a hilarious video of the Panchayat cast. The new season will focus on the battle between Manju Devi (Neena Gupta) and Kranti Devi (Sunita Rajwar) about who is going to be the head of Phulera village. Meanwhile, Sachiv Ji (Jitendra Kumar) aka Abhishek Tripathi and Rinki (Sanvikaa) explore their love for each other with more twists and humor. Fans cannot wait to see the plot unfold in Phulera village as each character is their favorite. Jitendra Kumar in Panchayat Season 4 Ahead of the release of Panchayat Season 4, stream movies on OTT that showcase the village life. Discover the latest popular Hindi releases, such as Detective Sherdil, Chhal Kapat, and more on OTTplay Premium! 5 movies based on village life to watch before Panchayat 4 Saand Ki Aankh Saand Ki Aankh is a 2019 Indian biographical film based on the lives of Chandro and Prakashi Tomar. They are India's oldest female shooters. In the film, Chandro and Prakashi who live in Johri village in Baghpat district of Uttar Pradesh (played by Taapsee Pannu and Bhumi Pednekar) begin learning shooting at the age of 60 and win gold medals in national and international shooting competitions. The film is directed by Tushar Hiranandani and produced by Anurag Kashyap. Toilet: Ek Prem Katha Akshay Kumar and Bhumi Pednekar's movie is based on the problem of open defecation and poor sanitation in rural India. Keshav (Akshay Kumar) after marrying Jaya (Bhumi Pednekar), realizes that, like many in rural India, his home lacks toilets. This film explores the cultural and religious barriers to improving it especially in rural areas. The film is directed by Shree Narayan Singh. Sathi Gani Rendu Ekaralu Sathi Gani Rendu Ekaralu is a Telugu movie about Sathi (Jagadeesh Prathap Bandari), an auto driver who inherits two acres of land. The story revolves around his struggle to save his daughter, who needs heart surgery, and his efforts to avoid selling the land despite financial pressures. He finds a briefcase full of cut diamonds in his small village, which leads to a series of humorous and chaotic events as he tries to sell them in his small village. The film, directed by Abhinav Dhanda, also features Mohana Sree Suraaga, Vennela Kishore, and others. Pareeksha Pareeksha - The Final Test tells the story of Buchi (Adil Hussain), a rickshaw puller in Ranchi, who dreams of giving his son, Bulbul (Shubham Jha), a better education. Directed by Prakash Jha, the film depicts the hard work Buchi will do to get Bulbul admitted to a private English-medium school, highlighting the challenges of classrooms and education in India. The film is based on the true story of IPS officer Abhayanand, who mentored underprivileged students in Bihar. Ghoomketu Ghoomketu is a Bollywood comedy-drama about an aspiring writer from a small town in Uttar Pradesh who moves to Mumbai to pursue his dreams. The film highlights his struggles, humorous experiences, and challenges to his success in the film industry, while also highlighting his family's disapproval and the consequences of his impulsive decisions. The film, directed by Pushpendra Nath Misra, stars Nawazuddin Siddiqui as Ghoomketu. It also features Anurag Kashyap, Ila Arun, Raghuvir Yadav, and Swanand Kirkire in supporting roles. Several Bollywood personalities make cameo appearances, including Amitabh Bachchan.
